hot electro trax by max durante, dynamik bass system, dexorcist and a massive hyde remix of dominator

wunderbar spass machende bar 25 edition mit 7inch vinyl und mix cd (des wahnsinns fette beute mix), limitiert und durchnummeriert!! achja , da ganze in einer dicken sammler box !!

already support by james holden, ripperton, anthony collins, sian. nhar has been releasing stuff since 2005 on labels like mobilee, plak and modelisme. with dont forget to lick, the frenchman has conjured up a real booty shaker from the depths of his hard drive for meerestief. summery drumming on the other hand by lucy, comes across tender and almost fragile. the artist hails from paris and released his formidable debut glass computer on rippertons perspective label. his contribution for meerestief is a fabulous track with dreamy pads and surreal sound, riding on a clear kick drum. it is a movie sound track and a small symphonie a the same time!

the story of steppah huntah is the story of two musicians - steven j, a bass player and oless t, a pianist, and a chance meeting at a strasbourg jazz club one autumn evening in 2002. the duo were soon inspired to work together to fuse their love for jazz, afrobeat & funk in the service of a new driven sound, powered by the seemingly endless possibilities offered by new computer technology. instinctively, the musicians looked west to the emerging beat and kind of jazz style, deeply influenced in their musical experimentation by pioneers such as incognito, talking loud label. remix made by japanese producer and dj whos made a name for himself worldwide in the last few years is mitsu the beats. that makes his beats very original & unique & not belonging to any one kind of music.

peter introduces himself like this, >ive started making music with an oric-1 home computer in the middle of the 80ties, later the commodore amiga was the flagship and then....the casio fz1 and now i use the galaxy of software and the korg mx1, roland tr727, roland jx8p, korg ms20, yamaha tg33, yamaha dx7 so i guess that it makes things clear, peter is one of these producers that uses older analogue machines along more recent software gears. and you can sure hear it in its productions, it sounds huge, powerful while style wise keeping things on to the soul filled part of the dance floor. peter delights us here with two stunning tracks that contain modern beats structures echoing rather old school house patterns and hooks. as always with peters incredible music, originality, surprises and ingeniosity are 100% at the rendezvous

some clean, remixed, re-edited tracks by amplified orchestra. quite obscure material, essential stuff and a must have for all the italo / cosmic disco heads & cbs.nu addicts, fans of lindstrom & thomas, clone, environ, rong music, idjut boys

p&s drop one measure of a live p&s experience trio recording into the lap (and computer) of superstar indie producer steve fisk & came away w/something akin to a lost meat beat manifesto track. insistent, abrasive, & catchy as hell, features a p&s re-edit of steves original track, plus the uber-dubby p&s remix

bassbeben und synthiefräsen machen dem alten >sinus hotel< schwer zu schaffen. seit misc hier ihr zimmer bezogen und mit drummachinen, synthies und computer vollgestopft haben, erzittert hier jeden tag die luft durch bassfrequenzen der abgefahrensten sorte

a fresh new three album track remix ep containing mixes by charles webster, the long term deep house maniac who serves to be an incredibly good choice, will saul, label owner of simple and aus, and a final remix by the man himself phonique. the charles webster remix of worked it out starts off as a nice thudding beat with a crisp minimal click on the offbeat, until an echoing vocal sample swifts in and around starting off the soft but pushing shoulder shifting bass line. smooth piping reverbed blows outline an almost euphoric melody, a very trippy and atmospheric tune with soft cymbals pattering away in the background. soothing sounds and housey chords mix perfectly to make a chilled out dreamy beach tune with a nice progressing beat. a swerling bridge with a 90s casio chord melody steps in and then fades out to the echoes of the vocals drifting silently away into the sun. on b1 its the will saul remix of bang. dun, dun, dun, dun, whoosh! - then a descending high minor melody calling with an electric bass response. squeeky bird sounds and weird reverbed chords makes you feel like you‘re in a crazy dream falling and falling yet the beat keep you stable and composed just about! an out of tune dungeon computer game. strange but true and also very interesting!! and finally, on b2 its the phonique version of space cruise feat. gui borrato. trekking through a spaceship journey tune with mechanical functional sounds releasing here and there. a repetitive two noted melody comes in and fades out, is replaced by an array of spaced out tones, arrivies back again, meets up and resounds into a fanc

supported by karotte, agoria , trickski , chris lake , audiofly . micky slim, lawrence. minilogue & trentemøller remixes! a great premiere on pineapple. klovn is not from iceland like all other pineapple artist, but these gusgus friends come from denmark with a hypnotic deep and slow track, perfect for the summer chill sessions. klovn is more of a hobby than a fulltime project for buda and krede. theyve rented a studio, stolen a sofa of the street, bought the computer and thats basically it. when they have the time, they meet up late hours to produce. klovns friends trentemøller and minilogue were easily convinced to add their remixes with minilogue doing their great minimal clubsound and trentemøller living his love for freaky chilling

bratziger french house mit popappeal. dick wie joschka fischer anno 1990

melodic and pumpin electro techno to techhouse produced by the belgium/france collaboration dany rodriguez, digital coalition and david caretta !!

big one for all the italo and cosmic disco heads!! >satellites are spinning< is an amazing disco oddysey which kicks off with a patrick cowley like electric bassline and the builds slowly. more and more synths are laid down to ensure for a mighty climax half way true when the lead melody kicks in. on the b-side we have this amazing vocal booguie tune called >u cant help but dance.< this can be compared with a moodymann meets theo parrish meets dexter wansel kinda song. whatever this may be, rest assured this nugget moves booty when dropped in the club. this awesome package ends with an electronic p-funk track called >zweap.< the mighty linndrum computer reminds of earlier prince productions and the crazy synths sound like amp fiddler playing on another dirty and energetic george clinton meets parliament gig

round nine, and time for new talents. this new software release features our first four tracker . ezio is gonna be one of the next explosions in the scene. born and breed in belgium, from spanish parents he now lives in paris.for the making of his tracks he uses an old pentium 3 computer and a microkorg keyboard .just that. his classic piano training helps him to make sequences in real time and make complex harmonies on top of glitchy minimal tracks. soon he will relase on alex unders label cmyk via kompakt. this ep features the whole range of ezios sound, from straight danceable minimal jazzy beats to quiet and harmonic dubby techno.keep an eye on this guy its going to be big.

all tracks on arti farti have been tested out the last 6 months by our local heroes, and have been proven to work in many a club:-) a: yesteryear: this one is rough. combining modern tech house with some old school >funky< rythms, and catchy keyboard riff, this one has blown up floors for me for a long time. its full of details, and has that eiry >ive heard this track before< feel to it. a massive hit in copenhagen allready, i hope itl be one for you too. full support from a bunch of big djs b: out run in: as the title suggests, this is yet another return to the olden days. i love records like computer madness, but they absolutely sound like crap next too newer releases. this is my tribute to the days where a 808 and a 101 were enough to creat magic hope you like the stuff, and remember. stay on the scene, like a fax machine!!

offizieller reloop adapter welcher euch den anschluss eines gängigen plattenspielers per usb an den computer ermöglicht. es können auch andere audio quellen wie z.b. tape deck, cd player, md über cinch am iphono angeschlossen werden. kopfhörerausgang zum vorhören, phono line schalter, gain regler & kontrollanzeige sind ebenefalls vorhanden...

scratch live is the ultimate software and hardware solution for bridging the analog world of vinyl and the digital world of computer audio files. using regular turntables or cd players, you can scratch and mix files from your mac or windows xp computer s cd or hard drive, add in a live mic input for scratching, and even bypass to standard vinyl if you wish. scratch live is the complete digital solution for the vinyl junkie. the scratch live usb interface connects one or two standard vinyl or cd turntables to your computer. this extremely rugged, portable, high quality, bus-powered usb interface features two switchable phono or line inputs, a microphone input, two line outputs, and pass thru outputs for the phono/line and mic.

boxer sport artist luca morris is back on french inprint magnetic disorder. very nice & well produced two techno tracker, straight no bullshit no comprise dancefloor techno here ! it packs a punch

first release on elected tunes clubby electrohouse with a touch of minimal is the route of the label this first release features oscar from karatemusik and confused, labelboss audiophil and the newcomer microtrauma and audio al

>acid wiss `l`< ist wohl einer der bekanntesten oberklassiker von dj skull !!

the music is playful, ambitious, simple, complex, fun and melancholic and not at least. it is extremely animalistic. they have an album >animals< ready to drop in 2007. elephant s parade was played completely live with drum machines, synths and analogue sequencers. the duo like to record this way (compared to stuck infront of the computer) as they get more free in creating a specific and spontaneous feeling. here one might imagine a big gang of crazy elephants getting lost on a psychedelic parade. in the middle of the track things are getting a bit weird, perhaps too much amarulla fruit, which gives the second part its childish and naïve playfulness. on the flipside bird song has a dirty, noisy, trippy vibe with a little touch of basic channel sound. shake a tail feather !! played by anja schneider, karotte, tobi neumann, troy pierce, woody

thom yorke is the pen, voice and soul of the rock group radiohead he has just released a solo album the eraser and that is where this story begins. abandoning his guitar get-along gang for the cold warmth of his computer and underhyping an album that should be plastering the walls and buses of your local city, the anxiety ridden and morose yorke cuts to the core of the dark state of humanity, unapologetically commenting on the zombies that were once humans. on this extremely limited 12,the album title track the eraser( already big with timmy regisford ) gets remixed in a distorted detroit style by slow to speak, following up on the recent bjork, u2 & arc gospel choir reworkings. on the flip is various acapellas of thom speaking on the current state of society and commerce and the radiohead song climbing up the walls, which in some strange dysfunctional way is married lyrically to the eraser. comes in a hand made silk screened jacket

support coming in from ricardo villalobos, damian lazarus, anja schneider, james priestly, davide squillace, fafa, tiefschwarz... fast forward a few years and tom & jay find themselves in front of a computer with not much goin on in the outside world. >shall we try & make a track then?< said thomas charles king. >why yes< was the reply from mr massive. and that was that... locked away in jay s bedroom for the weekend they came up with their first ever tune, indeed… >our first time<...

idjut boys fellow and label boss steve kotey returns under his afrobutt guise for a seemless mixture of boogie influences and the original fat analogue sounds of classic chicago house cheeky vocal licks and dreamy chords are given a damn good dubbing over the bumpin beats and bassline. second track continues the 80s electronic vibe with a basic, almost computer game like melodie. the flip holds another strong spaced out dub houser

supported by tom clark, argy, matthias tanzmann, tobi neumann, phonogenic, james flavour, thomas melchior and many others! huge! here we go with the 3rd volume of the morris audio compilation series >club & home entertainment<, a perfect blend of new school and old school techno and house !! 7 exclusive contributions presenting the morris audio vibe..

4 finest electro computer phunk trax

a-side >monsters< is a relief style tech funky piece with computer game samples. b-side is the track with an ominous bass, shuffling beats and infectious rhythm with minimal leanings and a very catchy but eerie synth hook

first system specially for final scratch and other digital systems.. fnally, technology has become an art. the digitrack is the perfect marriage of ease and function. with the advent of new computer technology, a dj can now manipulate mp3’s with the style and feel of a turntablist and the tradition of a turntable. introducing the world’s first needle designed specifically for coded vinyl with low wear, high output and the best mix and scratch ability.

ortofontonabnehmer for finalscratch and other digital systems -- fnally, technology has become an art. the digitrack is the perfect marriage of ease and function. with the advent of new computer technology, a dj can now manipulate mp3’s with the style and feel of a turntablist and the tradition of a turntable. introducing the world’s first needle designed specifically for coded vinyl with low wear, high output and the best mix and scratch ability.

slamming electrohouse 3 tracker

taken from the recent album technologies in house music which is a grinding exploration in sinking moods and computer thoughts. every detail is meticulously plotted. using samples and effects like rhythmic rudiments, greppi finds new cavernous depths of the soul that are twisted and mechanical yet warm and emotive

for his second outing on wagon repair, hrdvsion (a.k.a. nathan jonson), yet again blesses us with a showcase of diverse style and emotion on this 5-track gem. dedicated to the memory of his best friend, gary white, this ep comes straight from the heart and proves to be special - not just for nathan, but also for those lucky enough to hear it. played by laurent garnier

aka portable aka alan abrhams with slinky minimal rhythms electronic tracks with a little puming feeling..

the original crazy gang album from 1983 plays like a soundtrack of a fictive trashy 80s teenage movie, we ve taken 2 of the stand out tracks for this 12inch, remastered and extended. produced by claudio simonetti (some of the most memorable italo-disco productions and one of the founding members of cult-horror band goblin), along with 2 fellow goblin members (walter martino and massimo morante). every sunday is a unique blend of horror-disco and robot electro. deep vocoders in contrast with the child chorus turn this into a dark and intense track, surely one of simonetti s most electronic productions and an obvious wink to his goblin background. the original recording has been extended to 8 minutes, exclusive to this 12. telephone computer is a quirky electronic disco track with a bassline that sounds almost like ebm, which still has a very modern feel to it. includes the original album version plus a more dj and dancefloor friendly edit. delicious italo electro

dj yellow presents alienation 4 and 4.2 two driving atmospheric tracks written and produced by dj yellow mixed by jp dreau

exceptional release from this fresh french label. check out the massive remix from thomas andersson. it s huge. played by the biggest: david guetta, thomas andersson, dan marciano, freddy and many more killer track

multi vitamins gives birth to its third baby, mv 03: 4 tracks, 2 brains, conceiving some of the freshest and most forward thinking expressions in nowadays electronic dance music. sebastian russell leads you to some exotic, fascinating and still dopy territories. den adds some japanese folk to his cyber-minimal style. sebastian s misbehave breaks in with a reverberating crash and a rapping sample. to follow, while a low-fi soul penetrating bass line keeps the hips shaking, the combination of twisted mechanics, computer sounds with thirst-quenching vocals creates a mixed effect of drunkness and sensuality. sebastian s fusion of contrasting elements follows with chinese squid, where the warm melody of a canang ibu floats over a line of raw funked-up drums. den s sister 1 represents the most minimal piece of mv 03 dance output, characterised by a solid 4/4 bass kick, ultra filtered hi-hats and glitchy subtle electronic textures. n 23 to the beach is featured by a heavy slow-pi ched kick, spaced out with drills and chirurgical noises. a female vocal pattern kicks in humble, but after a hiccupping stage, the geisha is on fire

superb label compilation with the freshed rockin electro cuts & uk indyrock stuff

double vinyl from lord fonda with remixes from himself and alan braxe !!

rocking french electro techno, incl alan braxe remix

great rockin electro tech four tracker

slammin phreaky fhunky electro (house ) tracks , pure genius material...big feature in groove magazine ,+ heavy support from all the key djs: erol alkan, boris dlugosch, dj t., ivan smagghe, the glimmers, idjut boys...

legowelt starts his own label! venom 18 is a new 5 tracks release of the hard working danny wolfers and this is the 1st official release on strange life records. there is more in the pipeline including a chicago project by salamandos and legowelt releases. venom 18 is ranging from up tempo rocking electro disco to obscure soundtrack kind of pieces. this is great record and a must have for everybody into electro and disco!!

mute release a brand new compilation of krafwerk covers, trans slovenia express vol.2. this is the follow up to 1994's critically acclaimed trans slovenia express and includes versions of kraftwerk songs by slovenian artists including laibach. all tracks are previously unreleased and exclusive to this ep

electro classics compilation..tracks wie kraftwerks numbers oder newcleus computer age bleiben einfach unvergessen..

with kazino 'binary', killer italo / new wave hybrid from 1985, junior byron 'dance to the music' a hard to find midtempo electro funk / italo- disco number with wild dub fx, and finally r.e.m. 'computer communication (remix)' a super obscure italo disco mix

'tracks from the lab' contains two freshly crafted electro-tech songs. 'darkroom' is indeed as dark as it sounds, dominated by a super-deep synthie tone embedded in a finger clicking rhythm construction. the spoken word lyrics by clÚ are about musical socialisation in the computer age and not to be mistaken with darkrooms - the sort we are familiar with in some clubs,'joystick' on the flipside is a reduced electro-track with a bubbling bass-line

a tribute to 'death wish'-actor charles bronson featuring spherical electro-funk by legowelt, orgue electronique, sendex, luke eargoggle, it & my computer and porndarstellar.

excellent vinyl compilation!!! massive support from all the big jocks like boris dlugosch, ata, tiefschwarz, i:cube, ivan smagghe, the glimmertwins, chloe, dj t. and numerous others.. this is huge !!