after martin landskys last bomb on poker flat, man high, he comes back faithfully with we are streaking, a tasty two-tracker rich in classic landsky synth-work, deep moody melodies and forward pushing energies throughout. title track we are streaking sends a warm pulsing sonic charge right to the core. rushing, phasing and casually dramatic, an insistent synth theme revolves at the heart of this timeless slice of driving electronic house. characterised by landskys experienced produciton hands at the controls, its a slow tweaking, extended cut that will take you back whilst keeping your body very much in the here and now. the sharp post-electro swagger of personal decay punches in time to the heartbeat of a generation. taking inspiration from those adrenal, early days of rave, landsky combines modern, fi nely tuned electronics with raw, dubbed and funked passages of killer proportions. once again a perfect driver, in classic style martin shows off all angles of his love for the beat.

the mfa return in style with synth-pop spectacular throw it back - a timeless squelchy acid, crunchy guitar and vocal blend worthy of classic new order

absolutely massive dop rework! will and tam went back to their roots and dusted off the sampler for >teddy s back<. strings and vocal cuts bring the soul and their trusty 101 delivers the bass line. as with many of their previous tracks together all the percussion is recorded in live - >because it sounds better and is fun to do<. they set out to achieve something that was heavy, rolling and organic yet with memorable moments that doesnt disappear into a never ending ableton conga loop... the original is already a firm favorite with the wolf + lamb crew and gilbr from chateau flight has also been supporting it for many months from an early version. our parisian friends dop deliver the goods on a major level with their remix. a truly filthy yet undeniably infectious song penned after a recent gig at the infamous berghain is backed by a surefire rhythm track and arrangement that is designed to move bodies. in wills words >not one i ll be playing to my mum<. just how we like it!

this track has been getting rinsed out by dj ez regularly on his kiss 100 show and out and about in club land. hes had it on an exclusive for about 2 months, and hes sure made use of that honour. its an instant crowd pleaser with its catchy female vocal hook & fat production. kinda like bassline garage meets booty breaks...

as house continues to take its stronghold over techno, even in berlin the epicentre of all things minimal, we gear up for a summer of ‘actual’ dancing over regimented arm pumping and head nodding. having impressed laurent garnier, m.a.n.dy, solumun, karotte, tg (tim green) and ellen alien last year with his collaboration with enzo elia, martin patiño caught the attention of true to form with his fresh, playful approach to house and techno and hypnotic percussive elements .born in italy, but with south american roots and now living in berlin, you can hear vibrant audio recollections seeping onto every groove. citing dali’s surrealist paintings as another creative reference (a nod to which is contained in the track title ‘the tempation’), you could say martin draws on the atypical compared to your average electronic producer.the result is the blissful simplicity of ‘sundays’ on the a side, percussive, sundrenched and a perfect am terrace lifter.on the flip side is peak time tech house groover ‘the temptation’ and a hypnotic, dub heavy remix of black dahlia (the original of which will appear on the digital only release) produced with long term cohort enzo elia. true to form, now in its 5th year, showcases tracks and remixes from such respected producers as pan pot, gavin herlihy, jesse rose, samim, pascal foes, mikael weil, justin maxwell, claude von stroke, subjekt, tom ellis, leif and more

stompin building funky chicago house!! cajmere aka green velvet teams up with legendary vocalist dajae!! cajmere shows his darker side under his gv alter ego! that this is more for the tech jocks // special backstock !!!

big with karotte, lauhaus, sebo k, daniel sanchez, laurent garnier, robert dietz

big with richie hawtin, shinedoe, bart skils! comfortable records 10th release is no exception with its 4 powerful tracks. this is a truly unique record filled to the brim with deep techno & tech-house of the finest quality and mood. big tip!

phat nelly / run-dmc breaks re-edits!

ltd warehouse find... ultraphat deep and chicago flavoured techhouse, incl remixes by ian pooley & arto mwambe... will be mine feat vocalist alexander east

friends and studio partners will saul & tam cooper are back collaborating on simple for 2009.

the juan macleans second album will be their first with happy house vocalist and lcd soundystem touring member nancy whang as a full time collaborator. nick millhiser and alex frankel, both halves of the ny disco duo holy ghost! also helped out, as did!!! drummer jerry fuchs. fully realized and flawlessly executed from start to finish, the future will come stands poised to disarm millions of listeners.

raving uk influenced techno..ltd backstock

since the early releases from the mid nineties, every muscial statement made by this man must be investigated. never one to put a step wrong, the sonic mind sound became instantly unique, raising the awareness of the techno community of what lay between detroit & chicago - kalamazoo.in the 21st, now residing in poland, the d knox sound continues to develop. whilst maintaining the acute instinct for getting all elements of tracks in beautiful balance for the maximum techno funk & groove, each track carries a lightness, maybe even translucent quality of sounds so characteristic of his style. once simple question - do you have a sonic mind

rare classics compiled by dj kaos!!

the duo signed to andrew friendlys gulp communications in 2008, and have released three eps worth of material, appearing in the cool cuts chart, and bringing a wide fanbase to themselves inc brodinski, kris menace, jody wisternoff, cazals, matik, virgin tears to name a few. they went on to remix a wide array of artists, from the highly blogged mystery jets remix, to la roux on kitsune revolver (emi), the bell, jupiters heroes, acid girls, revolver, franz & shape, division kent (sony), circuit freq, milke and atomizer.

supporty by secret cinema, gregor tresher, tim green (dirtybird), joseph capriati, brendon moeller, alex bau. incase takes off in the new year with an amazing release from german based martin woerner with his track zit, an electroid techmonster. weird breaks, rolling grooves. the flipside comes with a remix from italian specialist joseph capriati, so in case you don t like the original which seems to be unlikely however, you surely will dig the remix from joseph with it s detailed structure and floor-ability. again a must have on incase recordings!

united by a simple question as what is electro?, the two young english producers of joe and will ask? have spent the last two years creating dirty, cutting edge productions and taking over the london club scene. with an eye firmly on the dance floor, but also with effortless musicality not normally associated with techno, theyve won over fans from the band / indie scene, as well as diehard clubbers. they inject tonality and musical flow into everything they touch, all under the banner of techno or electro or whatever you would like to call it, and have been compared to justice, soulwax, dim and popof. after several eps, acclaimed by the likes of brodinski kris menace, vicarious bliss, casper c and autokratz to name a few, here comes their first release on kitsuné. claymore, delivers a tensed and breathtaking swoop with obsessive rhythms, while take me away with its strong rock energy and vocal hook, will set all the dancefloors on fire

fantastic schranz version of we will rock you

japans masanori morita, noboru abe aka studio apartment with another superb slice of house with the uks very own copyright on the remixes!!

legendary berlin based underground dj team dole & kom with their debut on parquet. 3 massive tech-house tracks

forward going techno trax incl devilfish remix...

2004 classic!! includes hott 22 mixes!!

2008 electrohouse rework of gloria gaynors all time classic!!

slamming new school breaks action!! includes maelstrom remix

hey, ihr jocks da draußen, die den frischen sound aufsaugen, als wär es der mutter ihre milch...oder so ähnlich...nachdem die meisten von euch schon feuchte augen vor freude bekommen haben bei dem klasse krassen remix von siriusmo für sidos carmen und die clubs nach noch mehr heißem scheiß in sachen electro meets hiphop schreien, bekommt ihr nun noch ne ladung kraftfutter auf die ohren!

played by c-rock, d julz, gregor tresher, 2000 and one, minilogue and many more… like no other german producer, hannover-born martin buttrich has been decisively influencing the sound aesthetics of electronic dance music since the middle of the nineties. having been more in the background for most of the time while working for and with timo maas and loco dice among others, his benchmark releases for carl craigs label planet e or poker flat have also spotlighted his original name in the public. buttrichs second ep for cocoon couldnt prove better his prediction that in 2008, minimal techno will be containing more warm and melodic components. strangely familiar but always surprising, again and i lost my wallet provide us with bassprone reduction somewhere in between techno and house, and harmony bits that remind of caribbean calypso sounds provide the feeling of the approaching summer which makes both tracks perfect for the final of the open air season 2008. at least, buttrich will be an integral part of the season closing between ibiza main river and spree.

dj slip classic.. ltd backstock.

classic album by lawrence !!

melancholic deep bassline techno with atmospheric vocals

berlin based artist namito, well known for his releases on kling klong or great stuff with his first ep on blufin cologne. >clouds in my coffee< has a great melancholic & dreamy atmosphere, some will think its trancy - we call it modern for sure! perfect tune to let yourself go and raise up the hands! with martin eyerer a good friend was invited to deliver an additional remix for his ep that suits the underground taste more then well. hypnotic, repetetive & strong in drumming this should be blasting speakers all over the globe. massive one! hope u enjoy!

hot package from madrid resident dj bee, limited copies which includes remix by abel ramos & matt correa, mastercris, gilbert le funk and dj bee. abel and matt follow up their fantastic remix for brian cross paradise on juicy music with another vocal workout for the dancefloors. keeping the electro minimal feel from monimonster on doorn with a great soulful vocal hook. mastercris takes us on the retro tip with some huge piano lines that will surprise many. gilbert le funk follows up his remixes for dj disciple, work it out and la girls with a great master at work influenced remix for bee, and finally dj bee who got this fantastic package together takes down a soulful root for the heads.

cheeky house mash up of the black eyed pea & mrs cole colaboration

incl jamie jones rmx! charted by troy pierce and also supported by dirt crew, karotte, trevor jackson, trickski, vector lovers, laurent garnier and many more..

will be back in stock on july 17th !! next cool dekadent anthem! powered by richie hawtin, sven väth, karotte, jeff samuel, mathias kaden, dubfire, magda, super flu, heinrichs & hirtenfellner, harry axt and many more. after a couple of releases on rotary cocktail and his own netlabel stadtgruen, martin donath (cologne) announces an amazing piece of uplifting minimal techno, on dekadent schallplatten. including 2 highquality edits by mark broom (platzhirsch / playmobil) and solar & poppcke (ostwind / meerestief)!

primetime electro house in three mixes

the opiates are radical because they do not shy away from the rare match of songwriting and cutting edge beats and bleeps. the opiates will perform their first gig @ rough trade record store in brick lane in london on march 3rd 2008. for the event, there will be a full digital release plus a limited edition 10inch vinyl release of the four track ep entitled anatomy of a plastic girl (ep).

claude vonstroke returns with his first original record in over a year. this time he partners with long time friend and upcoming producer, christian martin. this is a melodic hybrid of techno and house with influences as far away as drum n bass. the flip side features a remix by super hot producer gabriel ananda and newcomer alice rose. they playfully twist the main theme throughout, sprinkling in stabs to the constantly building groove. many people have said the original record sounds like a follow-up to >whos afraid of detroit?< but we will let you decide what to think for yourself.

very strong release by martin landsky. -killer with a monster beat!- (record of the month in de:bug), -a corker from martin. really intense. manages to capture a futuristic feeling whilst still using classic sounds and percussion. superb! (will saul)-. already suported by argy, clé, dave dk, emerson, karotte, m.a.n.d.y., huntemann, phonique, agoria, chloé, d julz, fex, laurent garnier, sian, jeff bennett, jamie jones, mike monday, st. sebastian, will saul and many more. martin landsky is back with another strong release: >man high<. honni soit qui mal y pense, >man high< doesnt intent to glamourise drug abuse. its a tribute to captain joe kittinger and the man high project, a pre space-age military project that took men in balloons to the upper layers of the earths atmosphere. not only took the balloon joe kittinger to a record high, he also performed a sky dive from 75.000 ft. imagine how yo feel, falling free from the stratosphere, close to unconciousness, rotating like mad with 22 g … martins track >man high< captures a bit of that vibe with its live played wildpitch- like oscilating synth modulations. all three tracks on the ep are breathing martin landskys special analogue sound treatments and a rocking old school vibe. b1 builds a bit more subtle while b2 is an offbeat driven dancefloor smasher. brilliant release

julius steinhoff, owner of the smallville imprint comes along with abdeslam hammouda to spread the beats. after their debut track on labels number one steinhoff & hammouda hit back with three outstanding tracks full of warm symphonic strings and nice grooves

for the final of the simple sounds ep, we bring in the disco courtesy of two of wills favourite fellow artists. putsch 79 take wills album cut >speak & spell< deeper and darker but maintain wills original chord progression. the undulating dark disco mix slowly evolves into a fabulous euphoric crescendo that’s already proving to be irresistible to our feet. on the flip, northern lads 2020 soundsystem, led by ralph lawson and dubble d, re-interpret wills underground classic pause in their signature live style.

lars is back with a lovely piece of music on his own label two faces. with his third release on two faces, lars introduces us to the classic side of house music. a1 is a chicago influenced house tune with a touch of disco. the hookline, the moody bassline, the vocal samples and the relaxed killer groove out of his swedish drumbox fit together perfectly and will let you move for sure. b1 is inspired by a roadmovie with never heard before rhythm n blues vocal samples and a tricky groove. it rocks from the very first seconds and surprises after the break with wonderful bell-like sounds. b2 is a technoid track which is based on one main loop which gets transposed over and over again and ends up in sweet harmonies and great chord progressions. all three tracks are inspiring and fresh modern clubmusic with a unique style. ready for your winter pleasure

dark techy edged electrohouse. remember flat eric...

on this ep is will and tam coopers exclusive new track >out there< and the gui boratto remix of their >sequential circus<. support comes from adam freeland, ewan pearson, jesse rose, pete tong, audiofly, claude von stroke, dirt crew, karotte, konrad black, motorcitysoul..

on this ep is wills exclusive new track 3000 ad and a wahoo remix of one of wills most beautiful tracks from the simple back catalogue. on 3000ad lush, inviting pads drift around the stereo pallet before clicks and bleeps introduce the undulating rhythm of the track. as the resonance of the bassline is opened out to a pulsating crescendo, the haunting atmospherics build in intensity. introspective chords chime around the warped robot voices, creating the soulful yet deeply futuristic sound that characterize will’s productions. for the wahoo remix of mbira who better to choose than the head of wills favorite label (innervisions) for the remix of one of wills best known tracks. dixon keeps the melodies of the original and lends a live and driving percussive feel that his label has become renowned for. his epic arrangement causes maximum dance floor devastation as first strings then stabs are introduced to push the track to its climax. wahoo is the berlin based duo of georg levin & dixon. they have just released their album take it personal on fine records. together they have been busy putting the soul back into house music sin

produced by the black eyed peas will i am. taken from the album songs about girls to be released in september 2007

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.