westpark unit (aka herb lf & ingo saenger) are back with their annual release on farside records after some work for labels like dessous, tjumy, future classic or fear of flying. this time, they provide 4 brandnew trax for the vinyl edition. more forever might be familiar to a few people that followed the music of westpark unit over the years. the tune is a special rework of their first ever limited 12inch release forever back in 2002 on draft recordings. more forever took some of the original deep harmonies, keeps parts of the piano loop and the beautiful sampled hook and should be a soulful bomb on the 2009 floors. even deeper 45 grows and grows with a very intensely chord, takes you on a trip with its driving bassline and is the other dubby deep house tune here. the first demo version received some nice feedback / chartings / plays from djs like dplay, matt flores or shur i kan. while speaking of house (not house), jam hot and familiar sequence are musically caught somewhere in between the styles. jam hot might be more funk than house with sexy 104 bpm, is bouncing like hell and keeps the crowd shaking and moving. familiar sequence appeals to the disco fanatics out there, has a little of a balearic vibe and is also keeping things slow. both tunes are the perfect startup into the night. we think this is the right tempo for party anyway.

mexican techno veteran luis flores makes his debut appearance on the droid recordings label with dain brammage. as both an artist andmusical catalyst, luis has shared many ideals with the members of droid. after many years of pushing progressive concepts that are both innovative and non conforming, luis has developed his own production style that is precise, hypnotic, and maintains a healthy degree of dance floor groove. his title track is a deep journey into psychedelia and unearthly bass. brammage contains only a few essential elements, each tripped toperfection. sparse eerie vocals carry nicely along the 6 minute sequence. flores inside track the call is a slow and steady builder with dark subtle vibes and crisp hand claps. at four minutes flores introduces a rippling synth gate that trips listeners deeper into submission. very heady, very essential

click box have fast become a permanent fixture in the minus firmament, personifying the subtle shifts that are taking place within the scene as the label expands its repertoire and broadens its horizons to incorporate emerging artists from all over the globe. already on to their second minus release of 2009, são paulo djs / producers marco as and pedro turra immediately pick up where they left off with the roving bass and pumping rhythm section of wake up call doing exactly what it says on the tin. as with the first ep, the oscillating synth patterns continue to dominate proceedings, painting neon shapes in the darkness before another delicious robotic sequence shifts the atmosphere by introducing a moroder-esque vibe complete with twisted disco bleeps. its just another example of how click box have honed their sound since their debut i&t release through a finely crafted mixture of proto-house, electro and techno, to create a distinctive hybrid thats fast becoming their own

in the sequence of numbers the seventh follows the sixth blow. this one is the first ever solo release by daniel d. curtis featuring three tracks. a sides first minutes already forebode the expressiveness of before we come. with well known techno structures in the background the magical spheres literally embrace and motivate every summer lover to a hip swing. after the first zweikarakter contributions and remixes, which are on pt006 (bachner & biereige - home summer) there is nothing more to mention than to listen, feel, and the artists request to get paid.

flying in from another disco dimension comes the return of the ædisco spaceship series. hot on the heels of volume 1, which featured æthe disco spaceship by laurie michael, ævolume two heads deeper into the cosmic void. first up we have a proper piece of et boogie from sylvia love. æextraterrestrial lover is an uptempo belter with a rapturous chorus and a driving bassline. check out the incredible heads down pulsating breakdown complete with keys and an incredible re-launch! here in both vocal and instrumental versions. on the flip we have another incredibly rare jam in the shape of pluton & humanoids æworld invaders. a dark sci-fi electro-disco epic with heartfelt vocoder vocals thats rare as hens teeth. the third instalment of ædisco spaceship series is in its launch pad with its ignition sequence started!

on their introductory minus ep, click box offers a refreshing return to a bygone era of classic instrumentals, full of experimentation and passion generated by that ongoing love affair between man and machine. berlin shades starts out in a jittery minimal fashion but soon dives much deeper as the tough electro bassline expands and contracts dragging the dancer to and fro. the cascading hook and in-your-face sci-fi synth motif add a sense of tongue-in-cheek drama to a dynamic arrangement that incorporates steep inclines, sharp drops and snaking pathways. as the short staccato bass riff gains momentum and the hook comes round for the second time you just know somethings lying in wait and the boys certainly dont disappoint. lost road is anything but a blind alley, kicking off with some low-slung interplay between a two-note bassline and a whiplash snare that dishes out a serious spanking. hi-hats fizz across the audio spectrum, cleverly pitching up and down before a drunken bass sequence ushers in the main section with its sliding, twisted synth distortions primed for surprise and immediate disorientation. once all the elements are in play, the fun really starts with so many objects of interest competing for attention. the arrangement is pulled and pushed to great effect extracting maximum effect from this tough little unit. more electro flavour to the fore as the loose, broken beat intro and robot sounds of some toys make for some slick moves on the dancefloor. the retro synth riffs and dark spiralling pads conjure up images of some early 80s lab full of computer kids in white coats twiddling knobs on huge mainframe monoliths. the bouncing bass and analogue belches make this a must for all retro-tastic electro-boogie fans. the theme continues over into voxer as rising filtered bass tones playout over another trademark click box drum pattern, this time doused in heavy reverb and delay. an array of analogue bleeps, screams and laser beams keep the motor ticking over.

dancefloor specialists shadow sync are back with their new release on krd.focus is a classic techno tune with a modern touch: after the quite inoffensive intro the rhythmic texture gets more and more complex until our beloved tr909 seizes absolute power over the intricate weave of abstract sounds.
dominion is built around a bewitched synth sequence which gets even more poisonous after the drop. dance to it but donÆt touch it! itÆs very very dangerous!

peter kruder is one of those emblematic names that lead a whole decade and inspire myriads of djs, producers and clubbers all over the world. while he enjoys unprecedented success with kruder & dorfmeister and crossed into the platinum range (selling 1 million copies of the k&d sessions album), he never lost track of the underground. probably his stellar career would never have happened exactly this way if there wasn’t the other kruder: the adventurous dj, the deep producer, the challenging a&r at g-stone, the producer behind dj hell’s highly acclaimed “teufelswerk” album. in 15 years peter kruder has done only 3 singles under his own name though. when you get your ears around “chordal” and “law of return” it becomes totally clear why this rare outing happens on macro. kruder meets his macro debut full on modernism - showcasing his deep, dark, dancefloor grounded side. with a crisp harmonic sequence reminiscent of tchaikovsky’s nutcracker suite, “chordal” hijacks brains on the dancefloor with its vacuum depth and sizzling details. “law of return” on the other side is a kruder signature take on deepness - solemn chords wrapped around a hypnotic groove give you tears of joy. a masterpiece!

second single, taken from soliquids new album transportation. a driving melodic number, full of washing chords sequence, and jumpin beats. a real showcase for this guys talent. on the flip we have a remix from one of the shining stars of the house scene right now... paul keeley is currently prividing some of the hottest tech prog beats around, and his take on things looks set to wiggle many a floor at wmc.

the second release from merkur aka japasese embassy is coming. we can expect an exciting and unexpected 3 tracker which does not fit in any conventional category. gonno, tokyo based producer and dj, has graped everyones attetion with his outstanding “i don’t need competition (inkl. donnacho costello mix)” on beyond records in late winter 2008. for merkur he has designed the acid-revival track “desolation 303?,,. this track is build on a tricky chicago styled rhythm and an acid sequence which first comes slowly, later on developing an beautiful drive suitable on every dancefloor. berlin based japanese artist / label owner shingo suwa painted the tune “silver blue” with a lot of love for chords and melodic spins. maybe you can call it housemusic knocked down to a minimal attitude. “two of us” plays with warm synths on a solid base, slightly referring to the detroit deep house culture and impressing with an advanced but nevertheless solid groove

limited edition - 1000 copies - coloured vinyl/gatefold cover!!!!

nice price deal !!! minimal floating techhouse beauties by bob brown, fiorna aka charles cooper, mr. projectile and red sequence aka adam johnson.

minimalplus is an underground project that started quite a while ago and it is back with a new release. on the record minimalplus give you a legendary dutch underground dj called noes. it one of those guys who was there from the beginning. for a long time he had a solid residency at the transistor nights in the south of holland where he played with almost al big techno names like, jeff mills, joey beltram, surgeon, james ruskin, johannes heil, ben sims, robert hood, steve rachmad and the list goes on. now noes launches his first release on this underground imprint. one the aside the is hd which is like the man him self a little hyper. rolling percussion with some upwards movement. rocking but also a useful dj tool. one the bside there is the shit and it is! a rocking minimalistic rave sound, freaky sequence and easy to get a crowd going.

legends of the uk house music circuit, faze action deliver a truly outstanding remix by managing to maintain the original mix elements but putting them together in a sequence only faze action know how. they simply add some live funked up percussion and keys to die for - giving you this excellent re rub to compliment the stripped back disco slickness of dannys original mix. put on your dancing shoes, saturday nights are never going to be the same again!

part 1 of the new double-release from tiefschwarz aims at the heart of house music: soul. “on&on” is a first-class arranged club track. starting off with a wonderful mellow theme, that is adumbrated by the bass line in an one-and-a-half minute long exposition. the track ups the tempo with an additional hi-hat resolving into a shuffle beat. in double time, we move on towards the first break. here an edgy, minor key-chord sequence is introduced, making it obvious for everyone, that this track is gonna take off. eventually the keys function as a counterpoint to the classic bass line. a four-to-the-floor “on&on” vocal sample takes over after the break, adding another percussive aspect. as the track goes on a mulitiplicity of side elements sets in - no room for tediousness! in the end the “on&on” vocals resolve into “it’s so simple… . who knows, but this could be a broad hint to all the tech-house academics out there. no matter what, this grande finale raises a smile from every last sweaty soul on the dancefloor. with “best inn” on the b-side tiefschwarz create a dance classic, dressed in 2009 fashion. reminiscent of long gone nu-groove times, a traditional house beat - including a tiny off-beat tinker bell - blasts out of the speakers. a slured synth-organ provides the track with that certain edgyness. here, the brothers keep it laid-back yet exciting at the same time. this piece goes on and on and on - and you yourself run alongside, not wanting to pause. but watch out! at the latest in the second break, tiefschwarz put nostalgia to the test via some shockingly muffled metal drums. one of these moments, where you wish yourself back into the middle of an eight-hour deep-house set in 1992. the train departs. one thrillingly beautiful landscape after another runs by, until the warm sun strokes of the south suddenly rouse you out of slumber. arrived

tourguides at monotone-trip #4 are hyde and exzakt. they will guide us through an exhibition of electroid architecture and breakbeat installations.

electro legend dynamix ii (just give the dj a break) produce 2 pieces of pure industrialized high-tech funk. we bow down and pledge our allegiance!

transmissions florales is massis first vinyl release. the density of the 808 drums reminds us this is synthetic from the start. but as the the swirling, phasing 7th chords and the crystal-like lead tones build up and blend with the laid-back wah-wah guitars, this simple song take us to some sensual, forgotten place with swaying limbs and flashing lights. with a few changes in structure and the timbre of the bass, the acid mix proposes an alternate scenario - gliding to the edge of madness with a wink at raving in the late 80s. are we in the disco? or at the seashore? keep on moving, keep on flying. bionic gulls call to each other over the oceans arpeggios. >alpha base< uses a similar synth palette, but with quite different results. rather than waves, this piece seems to evoke dramatic weather over a jagged terrain. the funky, syncopated bass and percussion remind us of some ancient tribal ceremony on parched soil. odd sound effects imitate the heat and sudden shots of lightning, while the ascending pentatonic breaks suggest a primitive electronic geisha, draped in mylar foil, deflecting the suns rays as she dances for the gods. she performs an intricate sequence of steps, each with its own placement and hidden meaning… having spent the past 2 years entertaining crowds at underground clubs in berlin and around the eu, massi is already somewhat known to those who enjoy dancing to whatever is eclectic, energetic, and atmospheric. now, perhaps more people will hear his special groove. we hope you share our joy, our obsession… and the particular oscillations from this very personal >transmission florale<

finest phunky tech v/a including regis remix

fresh new electro label coming straight outta berlin ! and by electro we dont mean some lame-ass four-to-the-floor shite soaked in distortion and full of all the latest ‘hotsamples, fresh from a timenspace cd. this is the real deal, six tracks of well thought out machine music, where the funk is in the circuits… automated syndrome 1 defines the first set of symptoms which robots (or other artificial intelligence) show while being exposed to a series of certain stimulants. to acquire information regarding any artificial intelligence amongst your family, friends or colleagues the bass4bots label is now proud to be offering you all the data necessary in one complete package. get yours before the others do!

next brand new ep on the infamous artillery imprint from the amok. extremely hard techno as we used to hear from these boys. hardtrax bringing the devastating kicks and noises. hardtrax teams up with amok, darkside9878 and x-tension to be bring you this very special 4 tracker vinyl

>heile welt< ist einer dieser hits die unter die haut gehen und sich dann im langzeitgedächtnis breitmachen

a fresh addition to the moodmusic roster but a longtime veteran in the house-scene, alexander maier aka dj all*star from stuttgart is well known from his earlier releases on buzzin fly, exun and criminal records. he began his career playing underground techno in south of germany but over the years became more and more influenced by detroit and chicago house. you can hear these influences on sahara in both the rain and river version. deep and reduced grooves with enough soul and atmosphere, yet fully functional for the floor, sahara rain kicks in with a heavy bass sequence building a perfect platform to be followed by the synththeme which hit s the peak hour perfectly. i see some hands going up here already… sahara river starts more housey, building a classy, low-slung huge groove with perculating synths and almost tribal feel to the drums. the modulating synths lifts the track to new heights with a break of superbly layered twisted pads before the drums kick back in in full effect. as this would not be enough we asked our thrusted chicago connection and alexs buddy, mazi aka audio soul project to remix sahara rain. if you consider people who s been in the biz for some time mazi is one of the warriors of the sound, never choosing the easy way but thrustfully following his true way of house music. and house it is, classic but cleverly updated to 2008 with a twist of so-cal thrown in for good measure. bouncey and jacking is the words which comes into mind when hearing this, excellent work and a another bomb for the hot months to come

!!!!!!strictly limited to 500 copies!!!!!! together with stefan goldmanns debut cd the transitory state, macro releases a strictly limited box set containing five 7? records holding the electroacoustic album voices of the dead. with his releases for innervisions, perlon and macro stefan goldmann has been a key figure at the cutting edge of post minimal techno and the renewal of house music. this album is a distinctively different affair though, reaching far beyond the scope of dancefloor electronics. starting a trilogy of concept albums, stefan goldmann searches for the common root of all music in an electroacoustic setting. from this album turret is already renowned as the intro sequence of richie hawtins groundbreaking de9 transitions mix compilation and was also commissioned by the biblioteque nationale de france for the imeb phonoteque public collection. the artist explains: at first sight we recognise upfront elements like a melody or rhythmic pattern, which we associate with a certain piece or style of music, but there is tension between two notes, hard-to-define background information that at a closer look is found everywhere - within the music of coltrane and stravinsky, death metal and 9th century byzantine chants. if there is anything like a total, secret common ground, than its this information lurking in the background. these are the voices of the dead, the heritage of an endless line of ancestors brought forward through the centuries. i tried to make these elements audible as clearly as possible. really like this weird space ambient one. ive put katorga and izo already into my final scratch computer and have been playing them! (richie hawtin on voices of the dead) record release event at berghain / panorama bar berlin on september 4th, 2008, feat. ricardo villalobos, mika vainio (pan sonic) and ulrich schnauss (tbc).

second ep for the >especial< series of capsula... this time the label present a great ep of the new talent from colombia >figueroa< with his debut ep >must mesh<... 3 tracks of deep & groovy tech house in pure capsula style

200 copies limited ep, incl tadeo rmx !! beretta grey presents the debut record by detroit duo reference named simply the reference ep

full value booty/ghetto electro plus a handy scratch sequence for djs

both tracks written and produced by chris liebing at studio one. (a1) supported by ali (deepdish)!! the a-side >bangpop< is at first obviously driven by a central bassdrum. little by little, it steps into the background and makes room for the fine and striking, hypnotic sequences. that sounds good already, but gets polished by a snaredrum that simply makes you happy. a little hit? we wouldn t be surprised. on the b-side we are facing >puckelbop<, a 12 minutes long monster. a good example for how efficiently a bassdrum and a sequence can clear an aisle into a forest. no tree will remain standing – theyll move! clr20

substance says: no quantity, quality is the thing and thats way this brand new concept label always delivers two different projects to you! catalogue number starts with dada life from sweden and rob mooney from the uk. dada life, famous with their records on pickadoll and gigolo made a club sequence monster that sneaks into your brain so that you cant escape. rob monney demonstrates finest pumpin electro house peak time action at its best. dont read, listen and destroy your clubbbbb!.

after the last ep on catwash records 011 by dj w!ld ,its the turn of the other behalf of catwash band:chris carrier . rising out from the parisian house music underground, chris carrier is no average guy for those djs who knows how to rock a party. and while chris is producing and djing more than ever before ,he also find sometimes to do this great ep. on the a side with communication breakdown he s delivering us a good techno tribal beats with a high oriental sequence. may remind so how , the groove of the early 90s ...just a classic carriers beats !!! nothing to show is more housy with dubb sound on the background.a classy brazilian voice come after 2 min to blow your mind .its the perfect track to start burning up the dancefloors...be sure that everyone will start 2 fell the heat .living wreck is enough techno to make da body movin & enough deep to wake your soul!with a touch of maurizio and a perfect carriers groove be prepâred with this track to dance until the morning comes!

king britt returns to wave music under his scuba moniker feat lisa shaw on vocals love for you gets treated by taurus & vaggeli for an electro flavoured remix flip over for the deep space nova dream sequence and the philip charles rework

funky, electro soul track produced by leading white isle djs, deep josh & camilo franco, sees emerging house diva kaysee deliver an emotional vocal set to shake groovers this summer! the camilo f. vocal mix leads with an electro funk bassline which bubbles into a dreamy vocal sequence sending listeners on a voyage of no regret, making a change from the usual funky house formula tracks.

dj yellow has been around for many years, most of us all know the story behind his past as bob st claires studio partner. its only a small part of his history and maybe the most interesting part of alain ho tu qui aka dj yellow is the fascinating part of telling stories through his music without any compromising. with >no more enemie< he ends a personal story that we know as >alienation< a sequence of songs all based on personal stories. focus is honoured and pleased to introduce the last part of this book of songs as yellows outstanding ideas about music have been inspirational for many labels and artists over the last years. with his next project called >intermission< he will travel new roads, showcasing once again that yellow is a gifted producer that never fails to deliver

eurocold, smashing track using a special sequence as similar as a brain hook from liaisons dangereuses. already played by the hacker during his solo live for almost a year, this track is devastating like a hurricane. future classic to have in the records collection. 2. as well, eurocold include a remix done by terence fixmer who bring here some freezing action in the track. >moon patrol<, can be a definition of real techno and what people expect in listen to that word. hypnotizing and warm, this track is just a travel to another planet

supported by tomaz, dean facer, dave twomey, estroe… de/bug 06/07: >a quite poppy house monster incl. fresh melodies and relentless digging groove< (5 points). *smile!* is the labels first release since its relocation from frankfurt to berlin: in a style which is typical for good groove, a deep and funky sequence, packed with short vocal samples, densifies further and further to finally reach its peak by means of some choral subbass within the tracks last third, absolutely providing positive vibes to the listener. repeatedly and successfully tested live by co-producer yapacc, it was obvious to bring the dub-mix on vinyl, reduced to a minimum: here the vocals have been cut down to single snippets by yapacc, the *master of digital scissors*, to create sort of a brand-new language

morseton 2.0 is the up-to-date rework of the classic tune from 2003 written and produced by heiko & maiko themselves.put the needle on the a-side and enjoy the elektro - energetischer mix, coming along with a pure and nasty sequence which setsyour teeth o

mihai popoviciu (romania). after his first single for international gigolo records and some smaller releases, this is mihais first ep in 2007. on the a-side >first contact< he starts the other way round. the sequence bores this time the sequence reaches the head before an undulating bassline arrives. then in the perfect teamwork, nobody could stand still. with b1 >capcana< the sequence and the bassline are running at the same time, and will be differently modulated over and over again. b2 >sharp< is based on a rhythmical grooving which develops later with a sequence on his side to a perfect hypnosis

the irrepressible cobblestone jazz present the first single from their debut album >23 seconds<, forthcoming in september on wagon repair. cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. >lime in da coco nut< is a potion brimming with transformation. cobblestone approach a simple key melody from every angle imaginable, with the harmonies, disharmonies, bubbling accents and rhythmic permutations exposing the otherworldly potential of the simplest of tunes. a sinister whispered vocal conducts affairs, seemingly flustered at its inability to contain the unruly elements in this wonderful experiment. on >saturday night< a deep synth line and ghostly vocoded moans progress through a jungle of percussion and falling echoed tones, steadily approaching a beat that enlivens like water on a desert journey, or rather, like vodka on a saturday night. the dizzy finale spins around your ears, a bit like the ceiling after a particularly heavy weekend adventure… be sure to be well rested before tackling this sensory safari

who is dj swap? after his first introduction on smallville01, swap now starts with a first full 12inch of real minimal music. simple deeptech grooves, deepkickin basslines plus superb soundwise hooklines makes this three little tracks glimmering perls of technomusic. “the walk” comes up with that kind of double minus rythm ending with a dubby chordish groove to make it an awesome debut a side. on b1 swap features the african kalimba on the sametitled piece of switzerland related minimal endless loop, and the last track consequence features a trippy sequence on simple bassy beats- this one goes out to daniel bell, we may call him the mental father of swapmusic.this is 100 % advanced dancefloor shit for all you ibiza underground afterhour junkies! we stay to dance

cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. dmt is a particularly good example of this, progressing with a confidence and purposefulness that borders on sensual mastery. samples and trace sounds are revealed into the mix, weaving a hypnotic and infectious reverie that calculatingly refrains from climax. a display of power that is anything but vulgar, cobblestone arent showing us all their cards just yet. magic

after his first solo ep on kling klong arnaud rebotini continue to expore out of the black strobe area on goodlife !! here s his tribute to the techno detroit godfathers .the wood is dedicated to early jeff mills and robert hood tracks with some weird >doepfler< hypnotic bass line and on top a tweeky sequence for a maximum impact on the dancefloor! on the other side leviathan it s more influenced by america minimalist as steve reich or terry riley and will give to the clubs a groovy melancholic vibe

after his productions for labels like dial, num, traum, ladomat or liebe*detail denis karimani aka remute surprises the audience again with another unconventional masterpiece. between the essence of minimal and the deepness of detroit, >realtime island< can be regarded as the first smallville superhit. a detroitish chord sequence rises slowly up to explode but keeps its deep secret. karimani s best friend and ravemate ndru (liebe*detail, perspectiv) translates the unique musical language of the original into minimal- his remix got the kind of hypnotic bassline you might miss in the minimal world so often.. the 12inch ends with a classical karimani pumping deeptechno tune straight in your feet... played by anja schneider, mike shannon...

played by dinky, karotte, trevor jackson!! these new tracks venture to the deeper, often evocative ends of techno and house. the title track fuses an percussive old school house groove with deep techno chords. so when the organ line kicks in, it gives you this very orginal emotion of timeless house. in keeping with einzelkind s unpredictable tendencies – he used to make drum n bass before he switched onto house and techno – you still can hear something of his former musical alter ego in the second track, >bonnieland<.based on a low-slung, growling bassline, the track gradually evolves to reveal a trippy sequence and lush chords, which sounds like the fusion of a detroity atmossphere with the dynamic of a drum n bass-track. a strong release, that consolidates the unique fingerprint of the two einzelkind-boys from frankfurt

on >pause< a rich, analogue lead line underpins the whole groove, slowly evolving, flitting between octaves and driving the track forward. at only 122bpm there is real feeling of space, allowing the carefully balanced drums and highly detailed percussive loops to add urgency and detail. soulful yet haunting chords are worked into the arrangement, intertwining with the lead line to reach a sweaty, euphoric peak. isolée deconstructs wills chords, initially only using two from the full sequence, allowing him the musical freedom to switch effortlessly from lush melodic pads to acid laced stabs. isolees unparalleled attention to detail creates a slow burning and truly hypnotic deep house groove that is as much for the head as it is for the feet

poker flat labelhead steve bug returns with a new 12inch, >wet n dry<. >wet< on the a-side kicks off with a punchy kick n shakers and a dark chord which sneaks up from behind and slowly makes your feet move, before the irresistably groovy bassline comes in and paves the way for a slow rising climax. very nice fresh n funky synths take the lead after the break. >dry< on the flip spreads a darker atmosphere with straight up textured cuts and acid reduced elements. synth stabs, a dry bassline and a manic melody sequence characterise the track and start to erupt after the middlepart and tighten the tension

dj support : 2000 and one, james flavour, jennifer cardini, josh wink... sebbo the first german act on trackdown, sebbo suckfüll and denis gökdag come up with a monster that could already be called >anthem<. the track features a chord sequence that will be heard and remembered. upfront electronic house music meeting funkiness and minimalism. raphael ripperton of the lazy fat people crew, a big fan of the track himself, is on remix duty here. overlooking the lake of geneva from his studio facilities in lausanne, he watches autumn taking a firm grip of the landscape. colors are changing and fog banks hover above the lake. inspired by this view he completely changes the atmosphere of the track while preserving its funkiness. the result is a haunting, psychedelic and equally catching interpretation of the original

the last chapter of a four-piece vinyl remi x series including eight exclusive in-house remixes.but the mobilee crew is still on >back to back< tour and rocking several cities during the next month. the chapter is closed by the label boss hersel f. anja schneider has her way with daniel stefanik s anthem >the bells< and she is definitely >back from the valley< . this tune develops a lot of energy without opening all floodgates.and stefanik—not to be bested—does his magic on exercise one s >debaya< . mobilee seems to be daniels field for rave experiments. you never guess what happens in the final sequence while listening to the first seconds of this track. another old school lesson from a new school producer

blauephase is a party sequence in munichs hot spots after touring germanies clubs this is the first output of the blauephase posse

>einladung ep< features three varied pieces: >get the strings?< builds with loose, stuttering, metallic percussion playing over a locked bass/organ pulse before opening out into a beautifully detailed mix of chords, high strings and clipped vocal parts. >keep it< is a minimal percussion-based track of clicky kick drums and shuffling out-of-time hi-hats. >rhodes island< rides on a warm, repetitive chord sequence that refers back to the classic basic channel / chain reaction template