big with: reboot, vera, federico molinari, frank lorbeer, dorian, meat, karotte, gregor tresher, lauhaus, sebbo,?below is proud to introduce two new talented artists from italy alex moments & matt brown aka alessio mommi & mattia bruni showing, there is hope and always a reason to listen to demo files! this guys are gonna rock your booty! influenced by such artists like reboot, luciano, ricardo, markus fix, alex and matt found there very own style to hijack the dancefoor. showing to be able to deliver the full range of clubmadness they made with yakamoz an epic, bassdriven tribal bomb with ethnic vocals. rupert is paying his tribute to chicago where bee bop is taking advantage of deep basslines and beats combined with pure italian funkyness. but as always, we dontt want to waste your time trying to explane how these tracks sounding just listen by your own!

connective zone are graham sims and simon button, also known as the invincibles. on unxplored beats #9 they deliver the perfect soundtrack for a flight with your friends to a place, where spring never ends.

mr. resmann is back with some experiences from the lost paradise. he has eaten a(pples) crispy, juicy. and always remind: an apple a day keeps the doctor away! slightly high from vitamine c(hord) he was taking place on cloud b to swing in the rhythm of live and takes a ride out his funkiest places from where he got back in happiness

this hot new e.p. for dessous introduces two new artists to its roster, in the form of well known and highly respected producer & dj ripperton, who runs the successful perspectiv label, alongside co-owner and recording artist sam k. this mixed and exciting release is headed off by the deeply spaced and simply hypnotic ‚eze‘, a straight collaboration between ripperton and sam k. its bouncing, deep techno pump underpins the track and keeps the pressure constant, while a wonderful phasing synth motif is explored and unfurled as the journey continues. beautiful atmospheric modern dance music! next sam k takes the reigns alone as he introduces the slower, fantastic world of ‚desperate housetrack‘. the title might be a clue to where the melody takes its inspiration, but this tough little groover has more than one surprise up its sleeve, showing off sam‘s love for slow burning, thoroughly explored arrangements. ‚slipstream‘ is ripperton‘s own unique solo voyage through contemporary acid house. its a stripped, low-riding jam that harks back messages from days of old but still had that fresh 21st century sound going on. a great dj tool and indeed a bold statement about the merits of keeping it deep!

rarities and b sides collection sawdust includes all the pretty faces (which was the b side of when you were young), two movie soundtrack tunes, shadowplay (a joy division cover from control, anton corbijns biopic of ian curtis) and move away (from spiderman 3), as well as a cover of kenny rogers and the first editions ruby, dont take your love to town (written by mel tillis). the collection also contains songs which werent completed for hot fuss and sams town. the killers recently went back into the studio to finish the tracks, including tranquilize featuring lou reed.

special reissue of the 1982 sugarscoop records release of plastic bertrands - stop ou encore. this extremely-rare slice of sleazy electronic disco was huge both on the cosmic scene and in chicago where it was championed by the legendary dj ron hardy !!

we are very happy to announce the return of luis radio & raffa from last years smash the mood back to the seasons limited imprint! this record picks right up where the mood left off, dirty synth stabs and drums to rock any dance floor you play it to... also in collaboration on the project this time around is the up and coming new star on the underground circuit tony loreto. the madness continues...

with his first release ever >space ok ep<, stephen hellm enters k-records with a serious statement.the lead track - space ok - combines classic synth parts with a rythmic drive, and bass in your face kick. creating an ambiant fit for the highlights of the evening. workflow is a peaktime stomper with an uplifting synth and stimulating percussion that will set many dancefloors on fire. without a doubt a must-play for all those hands-in-the-air-moments.where workflow left you on a laser-filled dance floor, brk-durch takes you deep below the surface of the earth. its a 10 minute trip with a dark and growling melody that gets inside your head, never letting you go. there should be a warning attached to this song, saying: >caution, only to be used in obscure clubs at times when getting freaky and decadent.<mastered by robert babicz aka rob acid !this release comes in a white black marbled vinyl, limited to 500 copies worldwide!.

part 1 of the new double-release from tiefschwarz aims at the heart of house music: soul. “on&on” is a first-class arranged club track. starting off with a wonderful mellow theme, that is adumbrated by the bass line in an one-and-a-half minute long exposition. the track ups the tempo with an additional hi-hat resolving into a shuffle beat. in double time, we move on towards the first break. here an edgy, minor key-chord sequence is introduced, making it obvious for everyone, that this track is gonna take off. eventually the keys function as a counterpoint to the classic bass line. a four-to-the-floor “on&on” vocal sample takes over after the break, adding another percussive aspect. as the track goes on a mulitiplicity of side elements sets in - no room for tediousness! in the end the “on&on” vocals resolve into “it’s so simple… . who knows, but this could be a broad hint to all the tech-house academics out there. no matter what, this grande finale raises a smile from every last sweaty soul on the dancefloor. with “best inn” on the b-side tiefschwarz create a dance classic, dressed in 2009 fashion. reminiscent of long gone nu-groove times, a traditional house beat - including a tiny off-beat tinker bell - blasts out of the speakers. a slured synth-organ provides the track with that certain edgyness. here, the brothers keep it laid-back yet exciting at the same time. this piece goes on and on and on - and you yourself run alongside, not wanting to pause. but watch out! at the latest in the second break, tiefschwarz put nostalgia to the test via some shockingly muffled metal drums. one of these moments, where you wish yourself back into the middle of an eight-hour deep-house set in 1992. the train departs. one thrillingly beautiful landscape after another runs by, until the warm sun strokes of the south suddenly rouse you out of slumber. arrived

its time for catscan to join the masters of hardcore - thats where he belongs! these 4 bombs are the best evidence!

nice guy and music freak giorgio roma is not new to the house-music headz: along with friend and studio partner santos already graced best djs record boxes thanks to that huge tribal-house bomb named thailand released on mantra vibes and tribal spain a few years ago... since that our giorgio roma has been a firm agitator of the local rome club scene playin the best after parties and secret location one-off parties around. (check giorgios myspace for the next dates of neutra night, an insane one-off party where usually giorgio show-off his djing skills). >buzzing jazz< and >every possible mistake< are giorgio and santos first output since thailand but its worth the wait. support by steve lawler, tedd patterson, circoloco djs, tomy de clerque, grafiti djs and anendless list of djs.

the next installment from the new beyond imprint is with us, featuring two newcomers from the thriving us underground, kapuchon & benny rodriques. the pair bring a magical detroit infused collection of warm, urgent and modern house music into our peripheral vision where its simply hard to ignore … like a well loved vintage drum machine tweaked to perfection, or a dusty old synth rejuvinated, >and again< draws inspiration from the rich synthesised landscapes of classic detroit techno, however adds a totally fresh and modern aesthetic, through its use of precise drum fills and beatifully crafted harmonies. on a more thoughful, soulful tip, >unexpected< unravells itself with smooth chord atmospheres, driving, solid-state percussion and teasing delay fx. the story might be a familar one to those who have their ears firmly pressed to the dancefloor, but for good reason, as these two fine storytellers have crafted a golden moment for the late, late hours. the acidic ride of >potato tomato<, with its pushing sub bass and glistening crescendos is perhaps the toughest cut of the e.p, and delivers the energy where its needed whilst still holding onto that classic, deep-as-dawn chicagotodetroit vibe.

compared by adam beyer, truesoul is the ying to the yang of the techno tastemakers better known drumcode label. equally well respected, equally forward thinking, both labels are very much at the forefront of what is going on in electronic music. operating on a broad remit and refusing to be restricted by genre boundaries, truesoul offers an oasis for the great and good of techno where they can experiment with elements of electronica, downtempo, house and minimal. having hosted the work of cari lekebusch, joel mull, nihad tule, par grindvik, speedy j and beyer himself, the mantel is now passed to dustin zahn. best known for his ever reliable enemy records imprint, zahn is one of the most in-demand producer / djs on the techno circuit with his releases for the likes of drumcode, droid and audio assault staple choices for many

shrouded in mystery! no one knows where its coming from, no one knows where its going. special extended disco versions carefully tuned, remixed, over-dubbed, cut and sliced. this is what dj sneak should sound like today. limited shizzle. you know the deal. here today, gone tomorrow

acht electronische techno tracks , gemacht für die hauptzeit im club !!

argy joins up with the new york wonderkids for a transatlantic house throwdown. bangin!

since 1996 when he started working for >dms< distribution and at the >imports recordstore< in darmstadt greg parker is a part of the elctronic music scene. at the end of the 90ies he became member of the house scene in the area around darmstadt through djing. in 2002 he took over the recordstore, renamed it to >smoove records< and became resident dj at the house club >room 106< where he met terry lee brown junior. afterwards a close friendship developed that inspired parker since 2006 releasing records. support by terry lee brown junior, the timewriter, alex flatner, nacho marco, stryke

after his huge >pepper exchange vol. 1<, anton zap is back with more spicey house music. moscows finest offers 4 warehouse esque deep house groovers and proves that without a shadow of a doubt hes one who you need to keep close tabs on. on quintessentials 05, anton keeps his >pepper exchange< style: stripped back, & raw! its pure, back to its roots simple groove quality which works so well with anton zaps new 12inch. but like a lot of antons music, deep atmospherics play a big part and this is why his music has that standout from the rest feel. its not often that you come across a ep where all the tracks are playable, but even less often where all the tracks make you step back and appreciate them much more than you normally would. essential house music for those looking for the simple soul filled stripped back house feel

original soundtrack of the never made movie >brotherman< from 1974.

welsh wonderkids rhythm code make their debut on steve angellos size imprint. rhythm code have been quietly gaining a name for themselves on the underground circuit for the last few years and are probably most known for the huge popof remix of their track >rise< on chris lakes rising music

nice price deal !!! side a features bold arrangement of a little known but highly adventurous 70s sex disco gem. horseman is on the flip, already a firm favorite at the back2back parties where there is a strong appreciation for dangerous grooves.

after a wait of 15 years and numerous 12es, e s, random compilation tracks and remixes rude 66 has finally finished a full length album and dare we say it s his most cohesive work to date? sadistic tendencies begins where 2005 s three faces of fear ep ended, with 18 tracks that slide like snails on the edge of straight razors, exploring the dark side of the human condition. thematically connected, deep, dark and mind bendingly analogue, sadistic tendencies is both tense and full of release, sometimes brooding and encroaching at other times exploding into throbbing synth laden dance floor bombs. superlatives aside, sadistic tendencies works exceptionally well as an album and is one of those rare 70 minute journey s that can be enjoyed from beginning to end – like a good horror movie that scares the hell out of you, but keeps drawing you in.

amazing deep house record! supported by: rozzo, raresh, sebo k, akufen, laurent garnier, clive henry, federico molinari, brothers vibe, jimpster, motorcitysoul, d julz, manuel tur, solomun, nick curly, rob mello, chris carrier, chateau flight, livio & roby, afrilounge, shur-i-kan, jori hulkkonen, patrice baumel, sasse, david k, locodice, dan ghenacia, ripperton, clive henry, mathias kaden, 3 channels, johnny d ... here is the next installment in the hypercolour catalogue, it comes from detroit cat >kris wadsworth<, following on from his morris audio release. we are proud to present >deport this< - the title was a reference to an unfortunate event where kris was deported from the uk prior to performing at our party at the end!! here we have 3 tracks of raw detroit nu-house, put derrick carter, sneak and theo parrish in a washing machine and this is the sort of noise your machine would make!

killer two tracker !! thirtyonetwenty presents a new artist to our growing roster of international talent. fabio giannelli takes us to the carribean with the wonederfully titled trinidad e taboga, lumber up & limbo down to this tribal floorfiller killer, a solid pumping mammoth that keeps pace until the delay soaked breakdown adds another dimension, when the beats drop back in, the crowd is rocked to the maxx. madrugada on the flip is a massive hypnotic chicago styled jack monster .. solid, reliable & liable to destroy any floor where its dropped.. now.drop down give me twenty.. work that body cmon now

includes: der dritte raum remix and einmusik remix! roland van den toorn and maurizio schmitz are already quite famous in the electronic music scene, especially for their party series mauromusica & kabuki club, where they frequently host worldwide renowned acts like monika kruse, john acquaviva, heartthrob, karotte or tobi neumann. they re continously keeping the vibe alive by deejaying, organizing clubnights and of course producing their own tracks.

swing bopp created during this summer a massive buzz on every festival where it got played, finally we can present you a very few copies of this truly inspiring re-edit of one the biggest tracks from the 90ies. lets have a big round of applause for triplet fever!

one of the finest deepest tearjearking jams ever to come from the brains of the legendary american producer stinkworx! coelacanth is a piece-de-resistance of soulfull technoblues where moody synth riffs play over an irresistable funk baseline. on the other side we find the track amira another huge deep detroit techno jam where basic channel-esque chords evaporate over a sauce of delicate electronics. two beautifull tracks with which stinkworx continues the great american techno legacy. to finish everything off there is a syncom data remix of the track coelacanth where the baseline is squeezed out to the max!

berlin-based belgian producers sierra sam & marcus vector present the debut release of d.i.y. (dumb irresponsible youth), their new house-oriented project. sierra sam (toysforboys, einmaleins, trapez) and marcus vector (toysforboys, nomor, playground) recently released their first joint effort for contexterrior. working together once again, this time around theyve put aside their usual dark techno inclinations, opting instead for uninhibited house led by analog percussion sounds. drumroll, please… >pimp my saw< is a frenzy layers and layers of toms, kicks, steeldrums and clicks. >screw it up< is a more melodic affair, with the classic build-up and tension that defines classic house material, plus a hint of latino finesse. on the flip, >hammer of love< closes things out with a shuffly balance between the organic and the artificial, with looming atmospheric ambience to set a darker tone. these three tracks are the perfect tools to use where the sun dont shine. (that would be the nightclub, you pervert!)

boogie corporation is a project thats all about creating new music thats inspired by leftfield disco, electrofunk , alien abductions and terry thomas movies. early expeditions to outer space funk where conducted on 20:20 vision recordings recordings in the form of the rather out there lay the funk and dirty rip eps. and the good news is that boogie corporation are back and they are on a mission to bring back the boogie! bc are planning new missions to boldly go where no electronic discotheque has gone before. join us before its too late!

>hazy bliss< an attempt to bring the joy and soul of early house to the 21st century, featuring the lovely vocals of sunni. >jefferson ave. 1989< a homage to detroit’s summer of love, harkening back to carefree days riding with friends and dancing the night away. >m.i. quickie< mister x’s tribute to the music institute, where he and dj bone’s love of dance music was crystallized into obsession. >because< something old becomes something new as pieces from various genres and time periods combine into something truly unique.. and only possible by mister x >cum 4 u (cum 4 me)< a taste of mister xs philosophy of psychosexual hyper-reality, where every sense is entertained and simultaneously stimulated. >loveclub quickie< a tribute to the infamous and hedonistic loveclub-dj bones first residency in detroit. >meltdown< a little dose of moody aural sex from mister x designed to stimulate both mind and body.

played by loco dice, tom clark... a booty call. the title says it all, a call for all booties - big or small - to migrate to the dance floor. an orgy of percussion and low end rumble lift you from your head bobbing slump up against the wall and firmly plants you right in the sweet spot of the dance floor, where the rising energy hits a climax. there is a pause and then the most noticeable sound of the track hits: the booty call. one artist credited with invigorating the kindisch label, is the young frankfurt based producer daniel mehlhart, whose first (and hopefully not last) release, origami was a highlight of last summer. in his booty call remix, one can immediately hear his style thrust into the main groove of the track, injecting it with a heavier feel and bringing forth a whole slew of new effects and sounds including a hypnotizing african vocal. this marks a small milestone as the 20th release of the label.

the wurst edits gang has inducted yet another ny disco acolyte to the fold, the inimitable irishman-in-new york, eamon harkin. known for wild dj sets not to mention his innovative bookings at such parties as sunday best and fun, harkins no stranger to dance music. no wonder the mans shared bills with such legends as afrika bambaataa, juan atkins, grandmaster flash, the egyptian lover, and kevin saunderson. on his debut single, the man heads straight into peak-time territory with the sinister sounds of >john boy<, where synth toms jump out of the shadows only to punctuate an incredibly propulsive groove. >innit< takes a decidedly different turn down edits lane, rejuvenating an early 90s house gem in magnificently wurst fashion.

hot new band thats redefining summer ska ? sunday times style. with kid british you are hearing new millennium uk. a walk in any city will give you the flavour of garage, the boom box explosion of hip hop, the specials rudeboy bonhomie, the clatter of indie ? and all this is incorporated into kid british. growing up in a multi cultural melting pot where pop music is up for grabs and is great fun. its all in there in a breathless eclectic mix.

on the a-side we find the original version which sounds like a classic italo disco tune in the 2008 tuned version. a tribute to the melodic italo dance songs of the 80ies. passarani s mix goes where the italo tradition meets the chicago house school such as the hotmix 5 crew and he spiced that up with sharp production and powerfull jacking beats to make this a anthem for the summer of 2008! this track created a big, big stir at the panoramabar when it got played there recently... check!

incl rmxs by jay haze & ernesto ferreyra !! lomidhigh unlmtd is a platform for non earthly music and frequencies from distant galaxies, that has echoed down onto us here at planet earth. the label aims to release music that knows no boundaries. to create a home for a label that doesnt contain itself to one genre or time. music that experiments and pushes its own limits into new and undiscovered musical territories. taking influences from the past, and presenting them in a new form. lomidhigh unlmtd has its sights set on the endless limits of the universe, in which it can roam freely and not be contained by gravity or any other earthly presence. the main concept behind the label is to not pigeonhole itself. expect the unexpected. its aim is to give record stores a rough time deciding which genre to put the releases under. at a time where the world is in dire shape, we feel its time to get away from the world and float into outer space. once named the final frontier, the universe knows no limits. the perfect place to surf through the milky ways to distant galaxies, to hear moments of the past echoing into the future. lomidhigh unlmtd is stoked to present its first release. monotaxs debut, the argentinean band formed by dilo (aka elephant pixel), imi and zooey.

aka jules dent & sam woodford who both hail from the isle of wight, travolta fever was featured on pete tongs bedroom bedlam in his fasttrax show on his website where it won head and shoulders from the rest. the track was then luckily snapped up by groove baby and remixes were quickly called upon from dj ellroy, defunct! and dj denise (mizumo music) and now its gaining more and more support from the electro / electroclash djs i.e jaymo, kissy sellout, calvertron, micky slim, twocker, will bailey, kid kenobi etc

support comes from laurent garnier, anderson noise, chris fortier, gunjah, jamie stevens.. ipoly music is the new imprint a&r ed by alec troniq and mentalic, managed by microtonal records. after various releases for etui records, phonocake and microtonal the two talented travellers have found their own place of creativity and reveries. ipoly stands for melodic dancemusic to lead deeper sentiments back to the dancefloor where body and mind become reunited. on ipoly001 alec troniq immerses via sub aquers to abyssal spheres, to dive through his own world of myths. on the other side a daunting mood of odd claustrophobia is created, to flip afterwards into a quite oppositional flow

after their robot-pop hit with eurostar sebastien tellier, principles of geometry weirdo beardos come back with a new version of interstate highway system. then poni hoax deliver their first official remix, putting their hands on the fierce and epic prophet. but the most epic of all tracks on this ep is certainly eat s remix of golem. eat comes from berlin where they released a few >extra-ordinary< eps on their diamonds & pearls inprint, occasionally releasing tracks by their friends henrik schwarz or ricardo villalobos. think the globins meets lindström meets carl craig. last but not least, young frenchies fieldtripq made an oldschool electronica mix of colfax, close to early autechre stuff.

qalomota records is a house music label and a band founded in 1998 by producer thierry colau and dj chris thomas. artists rufuss and joyful noise have since joined the label, broadening the spectrum of an already large range of sonic colours. for the qm records crew and its audience, music is a physical and spiritual experience where the beat is the foundation, and the melody, food for the soul. would it be on remixes for the likes of chézéré, sabrina pope, house veterans frankie knuckles and marshall jefferson, or their own productions, from new-york city to paris, music is the key for qalomota records and will always be

this album is an explosive where energetic pieces cohabit with tracks that are so beautiful that they instantly bring tears to the eyes. the begining of an album in an art form in itself.

this time metamorphic recordings is in full on boundary pushing mode with a new sound from dan curtin. techno always has been and always will be about taking risks and going where no one has gone before and this ep, facts is right there. modern techno that will work for djs playing the gamut of techno, tech house, house, minimal and more. vocalist jason byers from cleveland based rock band disengage worked side by side with curtin to add a powerful vocal touch to the intense musical journey presented here. to all you djs working hard to keep it real, to move forward, to advance our scene, and to have a voice of your own, this one is made for you!

chicago legend dj pierre, he gave an appreciative world acid house & phuture in the 80s, wild pitch in the 90s and his latest creation, afro acid plastik is ready to launch for 2008. kicking of with a simple, hypnotic houser from the uks timo garcia, with the man himself handling business on the b side. back to where it all began and dj pierre shows that jack has still got his groove!

tribal percussive sin perfil, complemented with cut up vocals, clever delays and a great arrangement. following that is >the way you beat me< where he uses his trademark synth sound first aired on phont

vinyl only release !! no digitally download !! played by 2000 and one, efdemin, jamie jones, loco dice, laurent garnier.-... following bruno pronsatos latest fantastic album >why cant we be like us<, we are more than happy to get with >nobody calls< another timeless pearl on hello?repeat. on the title track bruno worked this time with his very good friend caro (aka randy jones), and together they delivered a truely magical vocal track. on the flip side youll find a fairly dirty track called >where’d you learn to kiss that way<. again bruno manages to create a record with his very unique atmosphere. deep. reduced. glorious. pronsato

fresh new electro label coming straight outta berlin ! and by electro we dont mean some lame-ass four-to-the-floor shite soaked in distortion and full of all the latest ‘hotsamples, fresh from a timenspace cd. this is the real deal, six tracks of well thought out machine music, where the funk is in the circuits… automated syndrome 1 defines the first set of symptoms which robots (or other artificial intelligence) show while being exposed to a series of certain stimulants. to acquire information regarding any artificial intelligence amongst your family, friends or colleagues the bass4bots label is now proud to be offering you all the data necessary in one complete package. get yours before the others do!

responsible for this tartelet release is debutant mhm one aka morten halborg-møller. he s a local lad from copenhagen who has decided to give something back to the world of electronic music that he loves so much. before he decided to sit in the producer chair, he spend huge amounts of time on his copenhagen based kill your telly promotion. a promotion which has more than 5 succesful years on it s back and has featured a huge tally of big name bookings. said promotion at which he started out his djing career resulting in him being one of the most sought after djs in denmark. being the creative and gifted spirit that he is, music and clubbing is not the only thing that keep him occupied. he also expresses himself via visual artwork earning the fourth spot in the renowned graphic art collective that is bottega areté.... and oh yeah ...did we mention what a nice bloke he is? a1: the a side features a funky little groover that will fit well into a club where punters prefer to dance. the track is build around a playful bassline hook accompanied by a simple and catchy vocal (by who made who member tomas hoffding) a really sweet minimal workout for sure, that really does the trick. b1: on the flip side we get served a dish of bass heavy house. this time it s dutch house supremo melon who sorts out the remix treatment and turns bubububadub into a tribal ish affair. suited for big clubs? check. sexy? check. playable? very much so.

limited to 500 copies worldwide, eminor#16 is a shure shot! its well-done mixture of a nasty vocal with twinkle-toed basslines, scatterbrain will certainly hit crowds by surprise. on the other side, knurrhahn - composed with labelowner wahrlich - is a functional and repetitive pusher. with this record, carbon from hamburg makes clear which way the wind blows and where his musical development is leading to

frankfurts arne weinberg comes with his matrix label debut e.p. >a true story<. this brilliant release follows in the footsteps of legendary techno composers kenny larkin, dan curtin, as well as the softer side of jeff mills.

nice price deal !!! hailing from japan free disco moved to london two years ago and brought with him an ear for deep music. already an accomplished composer, record collector and disco selector when he sent out a demo of his new recordings it wasnt just electric minds that took note but also new yorks rong music where he will release later this year.. the a side >psychedelic symmetry< is a fast paced track made for the dance floor. heavy bass through out which is bound to find favor with the house heads as well as the lovers of the nu disco sound. the b side >hippe can dance with boogie< leans towards the cosmic with a spacey sound accompanied by live bass and keys.for this project we have commissioned our first remix with stevie kotey. kotey chose to remix >hippe can dance with boogie< creating a spacey disco excursion. he has added live percussion, new drums and replayed the synths so the full treatment from one of todays finest remixers