exzellente 5cd-kollektion des legendŠren dub-kollektivs dub syndicate um roots-radics-drummer lincoln style scott und ausnahmeproduzent adrian sherwood mit seinen ersten vier alben the pounding system- (1982), one way system (1983), north of the river thames (1984, zusammen mit doctor pablo) und -tunes from the missing channel- (1985) mit insgesamt vier zusŠtzlichen bonustracks, sowie auf cd5 neun bislang unveršffentlichten dubs aus der frŸhphase der band, feat. charlie eskimo fox und bim sherman. inklusive eines 24-seitigen booklets mit sleeve notes von steve barker (on the wire).

das bristoler duo kahn & neek, betreiber des bandulu labels, prŠsentieren einen 74-minŸtigen dubstep/grime-mix aus eigenproduktionen, kollabos, remixes und heavyweight-selektionen von the bug, mungo s hi-fi, commodo und gantz, musik der young echo collectivekŸnstler jabu, chester giles, rider shafique und manonmars, sowie insgesamt 14 unveršffentlichte und exklusive tracks, u.a. von ishan sound, gemmy und lamont. den abschluss bildet kode9 & spaceapes zeitlose ghost town version als statement zur aktuellen unruhe in der londoner nachtleben und clubszene.

early support by: marcel dettmann, takaaki itoh, gary beck, dvs1, adam beyer, randomer, jeroen search, speedy j, jonas kopp, tommy four seven, slam, mosca, psyk, paul mac, nx1, manni dee, progression, scalameriya, thomas hessler, juho kusti, ryuji takeuchi, mr jones, anfs, dustin zahn, kyle geiger, joton, paul birken, hector oaks, charlton, dario zenker, kwartz, dimi angelis, drvg cvltvre, stranger, mikael jonasson, arnaud le textier, dax j, jerome hill, 3.14, pfirter, echologist, darko esser, tripeo, endlec, stenny, clouds, i/y, rivet, henning baer, dave tarrida, rolf mulder, w.i.r.e, shdw, pacou, patrick dsp, ansome, sebastian krenzlin, rebekah, gareth wild, domenico crisci, perc, setaoc mass, j.tijn, radial, aiken, the black dog, ness, developer, exium, sawf, joseph capriati, svreca, shards, truss, truncate, myler, inigo kennedy, advanced human, operator

2methyls first full length album is both a feast for the dancefloor and an example of creativity. following the orb ep, layer8 is a hard, fast album of futuristic dark drum n bass. but it is also an example of how to bring this genre forward while staying true to its energy. very complex and detailed, the nine tracks of this album play with the rules of modern days drum n bass and burst out of their restraints, resulting in an album whose horizon is beyond the dancefloor and which impresses by its magnitude and originality.

it is a smart and airy groove of atoms in space that rules this mesmerizing album, leading off with an irresistibly deconstructed downbeat monstrosity deceptively tagged as the modern hit midget as opposed to actually being a giant. one giant of seven, to be precise: safe in harbour are the seven giants of free funk who proceed through a variety of way-out psychedelicacies. which increase in flavour under headphones. the wane of villalobos and loderbauers free-floating energy of their re:ecm work is more than offset here by the increase in rhythmic push through sensual syncopation and eruptive bass energy. the duo is the impetus in perlons great new swinging machine.

* mumdance & logos present proto , tectonic s first major release of 2015, set for release on 16th february. * recorded by the duo over 2014, proto is a collection of 10 future-facing club tracks that, against the odds, also provides a deep and involving experience for the listener. * proto focusses on the very brief sparks of innovation when new scenes were just forming and genre rules and paradigm were still grey areas, the early bleep track days when imported american techno was starting to be appropriated by the uk, the 93-94 proto era when hardcore was morphing into jungle and later when the darker sound of tech-step reared its mechanical, dystopian head. * all of this is underpinned with Òwot u call itÓ grime sensibilities and mumdance & logos trademark sonic disortientation. mumdance & logos concentrate on taking the moods and colours created by these leaps forward in sound and twisting them into something new, keeping in line with the futuristic visions of the originators.

prosumer, gebŸrtiger saarlŠnder und begeisterter fan des klassischen house ‡ la chicago, detroit und new york, mixt nach zeitlos guten releases auf ostgut ton, playhouse, mobilee und get physical die neue fabric-cd, die zu einem statement seines tadellosen geschmacks und seiner dj-technik wird. so sehr sein vielfŠltiges house-set mit unvorhersehbaren entwicklungen auch Ÿberraschen mag, so kompakt ist dessen flow. es ist an der zeit fŸr den undergroundhelden, seine geliebten klassiker in frisches licht zu setzen.

redinhos always been different. debuting on numbers in 2010, his bare blips ep showcased an artist with no desire to fit into the landscape of the time

>this mix was the perfect chance to sit down with pinch & bring together a sonic which we both feel we have been working towards for a while, albeit from very different angles. in my opinion the dance music climate in the uk is enjoying a healthy & extremely interesting transitional period one which i would draw parallels to the 93/94 proto era when people were literally making up the rules as they went along. this mix is a ode to that time & our attempt at throwing some ideas out there, with the hope of sparking some imaginations & pushing things further forward< - mumdance

system fork was designed around the principle of itamae, where ever detail was described and thought about before any work in the studio was done. this process took two years before a set of rules and principles were fully realised for the creative process in the studio.

fxhe going for the professional look on this killer mix cd celebrating a decade of operations. stone-cold classics like oasis13 and the omar s remix of gunnar wendals 578 rub up against recent hits such as o.b ignitts oh jabba, sex and wayne county hill cops pt.2. vital!

lets start with the italian ilario alicante and his dj-mix to get the immediate scoop of what makes this guy so special: we cannot describe it other than saying this mix rules! strong but relaxed at the same time with a good variation and xxl deepness in the selection makes this mix a great house-excursion. this is the sound of hot summer nights and happy people dancing til the morning. you can imagine this very special summer party vibe while listening to ilarios mix which incorporates the right elements such as emotional piano-breaks, cool vocal-samples, kicking house-beats and hypnotic basslines.

daniel stefanik is one of the techno and house newcomers of the last years. his carefreeness as a dj behind the decks and his likeable appearance are literally distinctive for a new generation of young, down-to-earth producers from germany, which are the result of the influence of vaeth, villalobos and hawtin on the one side, and solid but hedonistic house on the other

die defqon 1 ist mittlerweile eins der angesagttesten hardstyle events europas und das zu recht. die location der defqon 1 ist einfach ein traum, denn sie findet jedes jahr direkt am almere strand in den niederlanden statt. natuerlich gibt es bei der defqon 1 wie auch bei fast allen anderen gro§en dance events eine compilation dazu.

the darkside of hardcore is back, even more heavy, even more experimental! this time the curse is casted by meccano twins and the subtitle confirm it: the wrath of god! dont expect cheap melodies or mainstream tracks, the sound is fat, extreme, harder than ever. many unreleased tracks from top producers like tommyknocker, tieum, meccano twins, promo, armageddon project, nosferatu, angel of darkness and many others. darkside: hardcore to his exteme level!

132 unbelievable hardcore tracks by neophyte! incl. stars likebroken rules!, the outside agency, hellsystem, tieum, d-passion, tripped, ruffneck, tha playah and many many more!

j rawls and john robinson linked up to form jay are, and their the 1960s jazz revolution again project is both an ode to those classic jazz sounds and the culture that inspired progressive social and political movements as well as a vast array of cultural exploration.