the original clublive version starts with effective and bouncy lynn drum beats. then a trancey synth arpeggio and some dirty bassline come in along with a catchy vocal by gustaf. the glimmers deliver effective synth works with phat double bass
mexican breakbeat super hero neztic has been dubbed one to watch by a stunned breaks community. his remixes have earned him a reputation that has been surpassed by his own productions by far. his release on mob earlier this year got him on the soundtrack for a nike ad, and it looks like nothing can stop him as he uleashes his first 12 on sound of habib
lazzich (real name sergey lazarev) is an electronic musician living in suburban moscow. without you (someone else remix)- is a prime time dance floor interpretation riding a strong bass groove and combining atmospheric feeling of original with powerful trade mark sound of someone else, owner of foundsound records, very well known for releases on such labels as microcosm, tuning spork, alphahouse, musik krause, nummer and countless others.
>without you< comes with brand new house mixes. also the vocals have been re-recorded by ayak, well known for her performance on tracks like thomilla s >freaky girl< and milk & sugar s >shut up< the prime time mix comes from german remixer eddie thoneick, who arouse attention with his mixes for sebastian ingrosso (modehookers) and the soul avengers
limited promo - produced by erol alkan (bugged out). remixes by riton who delivers a electro banger. while cult parisain underground producer sebastian delivers the other cut
the first 4 track ep on rwr by the london based producer, with tracks ranging from peak time rave signals, groovy dj tools, and contemplative dub techno infused tracks, in an attempt to find the sweet spot where euphoria and discomfort meet - where techno is arguably at its best and most interesting.
this second release by london based artist dying in beauty, on his own imprint - rhythm without reason, is a venture into darker, sweeping techno with jackin’ claps on the a-side, and deep dub goodness on the b-side that keeps you waiting until it drops.
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