21st studio album

jazz album

jazz

label head and founder of kvalia records, linny hex, welcomes back blazej malinowski for his second release on the label. perception of tomorrow contains three melancholic, dance floor oriented tracks characterized by the hypnotic soundscapes significant to malinowskis productions.

fourteenth release on the much sought after vinyl only label.

limited and numbered re-issue on 180 gram double vinyl, available on vinyl for the first time.

repress!

2020 re-issue, 140g vinyl, remastered from the original tapes

here it is - the instrumental version of carlton jumel smith’ “1634 lexington avenue”, played by cold diamond & mink.

late night techno, deep house, ambient soundscapes, introspective electro and sci-fi soundtracks with strong influence from the music of detroit and chicago. obscure australian imprint offworld records reactivates after a 21-year hiatus to issue the still tomorrow ep by producer tim jackiw as a label follow-up to the rare science of sound vol 1 touted as one of the best deep techno 12inch singles of the 1990s, reissued in 2016 on the recondite label and now highly sought after by collectors worldwide. a series of archival dat and tape recordings produced in tim’s adelaide-based home studio during the same mid-90’s period as science of sound and the recent memory feedback release on slow life berlin, this 6-track extended play 12inch covers a broad spectrum of electronic sounds including late night techno, deep house, ambient soundscapes, introspective electro and sci-fi soundtracks with strong infl uence from the music of detroit and chicago.

the shadows is the new album from leeds-based six-piece tomorrow we sail. building on their debut release for those who caught the sun in flight (gizeh, 2014) over the course of three years, this new work combines perfectly the soaring atmospherics, gorgeously intertwined vocal harmonies and dramatic shifts in tone and dynamics that have come to characterise tomorrow we sail’s sound. yet, there is a new sense of urgency here. very much an album of its time, the shadows draws upon the same sense of connection to both past and present that defined its precursor but features storytelling that’s even more defiant and deeply personal.

like its predecessor, the record features seven songs but from the chiming guitars of opening track side by side it is clear that the stately pace of for those who caught the sun in flight has made way for a far more dynamic and driving energy, perhaps best captured in the righteous anger of the ghost of john maynard keynes. tomorrow we sail still invoke a keen sense of measured grace in their songwriting - from the sweeping, elegiac title track, through to the sparse, restrained, yet haunting beauty of winifred and to sleep. urgent, yet assured, the shadows demands your attention.

great insight into japanese pop music!

deleted records returns to the market with a complete makeover and a new eclectic sound. featuring a range of beats both broken and 4/4, deleted will be covering electronic output across the entire spectrum. with deleted 01, the label presents the debut release from the extremely talented differentme.
>back to tomorrow< ticks all the right boxes. featuring solid drums and pulsating basslines, the lead chords and vocals work together perfectly to create total dancefloor damage. over on the b side, catz n dogz work their magic on the track with a creative and intelligent remix that explicitly shows the reason they are one of the most in demand production duos around today.

after >make tomorrow< (sect05) by grovskopa its now time for some heavyweight remix-action, delivered by saga, jr seaton, delta funktionen and skallander.

as usual, hello?repeat co-founder daze maxim returns with 3 outstanding tracks which are made for a better tomorrow!

on constants new album, if tomorrow the war, these shoegazers turned indie-metal pioneers have further evolved their already genre-bending style and truly come into their own.

passionate, uncompromising, resolutely underground. a few words to describe the work and career to date of swedens finest real techno exponent, grovskopa. masterminding two high-calibre labels with frequent appearances on other imprints of repute, whilst giving a voice to the techno community through the nursery forum, he is clearly one of the harder working producers around. >make tomorrow< is the next chapter in his tale for the label, following the hotly anticipated and well received prologue of sect 2. >atopic< creates dense and intimate atmospheres, overlaid with a reflective, introspective key structure, culminating in the most poignant & moving of melodic sequences. >skinstrumental< bridges the void between tracks, speaks of the space between stars as our minds turn to thoughts of galaxies and nebulae, the spirit of detroit radiating like a supernova.>the fierce hug< completes the aural triptych, by contrast offering a more upbeat, playful yet no less desirable option for the more creatively diverse techno mix

wicked underground hardcore release by the uninvited, dark & doomy, very well done!!!

mills classic..

excellent old skoolin classic soulful phunky electroid house

megaphat minimal percussive detroit techno…4 tracks with maximum millsvintage style

a3 and b3 are vinyl only

talees musik überschreitet die grenzen der genres und verbindet nahtlos die warmen rhythmen und eingängigen melodien von watheralls primal scream und den lysergischen groove der happy mondays mit zeitgenössischen elektronischen texturen.

we’re excited to welcome reeko back to samurai music to follow up his perfect debut ep for us “confront the serpent”. comes on white & blue marbled vinyl.

ltd clear vinyl

180g, gatefold , modern jazz

sextape005 kommt in form von vier ätherischen modularen jams von boulderhead aus bristol.

reissue

ltd edition, lp vinyl blue vinyl + gatefold

gatefold

modern