a bona-fide nigerian prince and probably the only musician to have ever played with fela kuti, miles davis and bob marley, eji oyewole combined african highlife with western jazz to create a hybrid so that was as smooth as it was funky. his first album, charity begins at home was an angry tirade against corruption in nigeria. me & you is his ‘relationship’ album, a brighter and happier set of songs that sees eji all loved up, presumably with the mysterious ‘cameleon’ featured on the cover. eji’s flute is no longer a strident voice raised in anger. instead, on ‘me & you’ and ‘i’m a dancer’ it is a playful line of seduction. on the wonky and woozy ‘eniafelamo’ his sax is a post-coital salutation. even the one political track, ‘long live nigeria’, is a loved up call for peace, progress and trust. chilled, assured and dexterious, me & you is a sophisticated showcase of eji oyewole’s chops. ‘this is the beginning of an atomic musical evolution,’ he declares on the cover. ‘brothers and sisters, stay cool.’
(peter moore)

the guys at pole jam vinyl have spent most of the last year involved in an undying quest to seek out new, exciting music. they would neither be stopped by the russian tundras nor the deserts of australia in their search. funnily enough, it was actually down-under they discovered sydney based duo falqo with their brilliantly chilled and melodic number across the sea . then, it really was across the sea they went, all the way to the ukraine, picking up sasha anastasov s laidback, groovy smasher sea for two . next up was a much shorter trip to moscow to collect gayana, a band very much on the rise whose since the night has been perfectly reinterpreted by pole jam s very own st. petersburg based all-stars klar&pf. pioneerball is the solo project of tesla boy s lead guitarist who makes his second appearance on pole jam vinyl. this time pioneerball contributes the stunning opening track deltaplane , a track influenced by obscure russian cinematic soundtracks. it s combined perfectly with a compelling disco groove, jazzy melodies and organic strings that will make your heart melt.

late last year music for dreams released the digital album -debut- by bongo entp. this passion project from veteran studio session player jacob andersen brought us an unexpectedly fresh take on south american music traditions. on this new vinyl release, the project is both revisited and expanded upon. cherry picking some of the grooviest cuts from the album for this ep, we also get remix treatments from well sourced collaborators selvagem & carrot green. both hailing from brazil, these producers certainly know how to work latin percussion on a dancefloor. taking on the dreamy cover version of henri mancini’s classic -lujón- (original included too), carrot green ups the tempo and wrangles the elements of the original into something completely different. adding a house kick and dark acid undertones, he takes you on a wet trip with lots of twists and turns. the production duo of selvagem manage something similar with one of the looser bongo entp. jams. the original -foto feita do aviaõ is a jazzy scat sinaalong tune. in selvagem’s hands, it turns into an epic cosmic disco groover, locked into place by a muscular baseline. the vocal chants of the original are here, but used in a lower key and more sparingly to punctuate the bounce of the rhythm. the vinyl includes two other album highlights - the cafe del mar classic -el rey de pollo- , a santana-style chill-out affair featuring mikkel nordsø of bombay hotel fame and finally the moody -spanish winter- with its robotic reggae-like groove and syrup-thick synthesizers bubbling in a bittersweet fashion. a superb package.

cause nothing can introduce us better than music, here is fhuo s first release fhuo001 - v/a : -l homme ne descend pas du singe mais du bruit-. for this first one, the goddess and her weird creature are glad to welcome such a sample of french talents from jazzmen to tennis player, from barbecue master to yoga teacher, all together under her supervision and sweetness. club atmosphere to winter chillness, these four knights of the apocalypse are bringing you what you need in all situation.

the sweetest- volume 2 sees on a side the driving and elegant detroit jazzy styled house of twovi from bari, the soft chicagoish swing of tadao from perugia and the chilled funky - filtered and disco-infected vibe of the archivio record store s boss dj rou from bologna. b side starts more minimalistic and trippy with -lara sogna- by already known producer and masterchef livio improta from napoli (already on rawax) , changing then on a romantic and sensual direction with the perrone brothers s project -easy to remember- , unclear s duo from arezzo, and the closing piece by russian danny dust called -days on earth-

this is a label that i have been meaning to start for years. however, with a possible twist of fate, it is the right time and the perfect body of music to be able to commit to vinyl. these are records that i am honoured to own and play out. a new label from bristol based artist, thrilogy (also known as lee pattison who previously recorded as deepgroove (rekids, cocoon, klang elektronik, junior boys own). expect -organic dusty sampling deep house and techno from bristol artists and friends further afield- and hand-drawn artwork by local artist anna higgie. thrilogy has previously recorded on wolf music, futureboogie and om records and look forward to an ep on omena with an exciting man power remix. also, ishmael finishes the year on a high, his debut album sometime in space (on church records) showcased the multi-instrumentalist s jazzy house cuts alongside peak time techno and chilling ambient pieces. since then ishmael has been touring his live show, as well as releasing some of the most inventive house music to come out of the uk.

while many us producers from the second house wave of the 90s are looked at like demigods, others have remained partly in the shadows, and considerably underrated given their achievements. anthony nicholson is one producer who belongs to the latter category, but one which we ve been supporting since day one of juno. the man came to prominence thanks to a fruitful relationship with ron trent, and also to a whole heap of quality releases for known imprints like peacefrog, prescription, and nite grooves. this week, however, he s up on his own highly underrated circular motion, spear-headed by the excellent -miquifaye studio rewerk-, a tribal house groove with a deep, wondrous backdrop of synth exploration. -beat pad apella- is a jazzier piece of music, an enticing house chiller with plenty of musical nuances that bounce off its full, intricate groove. excellent - don t overlook this one...

nice price deal !!! ryota o.p.p aka ryota arai delivers his debut album pale lux for meda fury. ryota is based in tokyo at the nexus of the japanese house / future disco scene, alongside cohorts such as cos/mes, inoue shirabe, and kza he blends eastern mysticism, jazz spirituality, and cosmic disco with classic 4:4 rhythms. a highly respected dj, promoter and producer the opaque discoid-stomp of his future life ep marked him out as an original oddity but a vital new voice in the now global electronic music community, but with pale lux hes enlarged the scope of his musical canvas to incorporate new fresh textures and atmospheres. as meda fury head honcho nick williams explains: future life was built from some quite dark, abstract demos, some of which ended up being a bit overproduced for his self made debut cd only album. the pale lux lp is a ryotas fully realised eclectic vision, with a mood that is more optimistic and playful - much more reflective of his personality.pale lux indeed has a real narrative flow - dance floor tracks such as the chunky balearic vibes of wood, and banging future techno of bird flying over the rainbow nestle alongside home listening ambience witness the backroom/chill-out vibes of origin, the cute hip hop bounce of soft touch or the delicate trinket box chimes of outro drops. oscillating between light and shade, slow and fast, the influence of japan s history and native instrumentation runs right through the record, his fascination with balearic, disco, deep-house, hip hop, ambient and blunted beats parcelled into a glorious, sweetly considered listening experience.

hunting down the coolest sounds around the globe, the wewantsounds crew have curated another special mix for your lazy sundays. dishing out a tasteful mix of new tracks from under the radar, this selection features a string of sunny pop, indie grooves, chilled electro and relaxed disco, the whole seasoned with a couple of leftfield cult classics and classy jazz tracks for good measure. sunday mixtape is the perfect sonic brew that will bring you back to life after a long night or hard partying.
the double vinyl release includes a download code.

deep love is the first vinyl release by stefano pozzi, dj producer and musician. it’s very difficult to define his sound: his creative process led him to merge several genres in a very original way. the artist shows us a great talent combining different electronic styles from deep house to soulful house, new jazz and chill out music. stefano is also a guitar player. with his releases, he shows us how to bring guitar sounds together with electronic music in a brilliant way. in this 12 inch ep, that could be defined as deep house, the artist has worked to merge various elements of house music: the warm sound of a moog organ with a deep drum kick, the use of hypnotic and rhythmic vocal samples, the presence of many jazz and soul contaminations due to the acoustic guitar.

der titel ist programmatisch. 1976 im new yorker hunter college aufgenommen, steht der große blues-sänger und gitarrist john lee hooker alleine auf der bühne. nur auf sich selbst konzentriert, spielt er den blues in seiner reinsten form. dieses album wird nun erstmals auf vinyl veröffentlicht (downloadcode inklusive). dies ist teil 2 der aufnahme seines legendären konzertes in new york, was ursprünglich auf dem label tomato veröffentlicht wurde. wie ein jazz-musiker, liebt john lee hooker es zu improvisieren. so sind die hier vorliegenden versionen einiger seiner größten hits wie “boogie chillen” und “hobo blues” einmalig - im doppelten sinne dieses begriffes. der im jahr 2001 verstorbene john lee hooker gilt als legende seines fachs. er spielte in dem film “blues brothers” mit und ist unter anderem mit einem stern auf dem hollywood walk of fame, der aufnahme in die blues hall of fame und die aufnahme in die rock and roll hall of fame geehrt worden.

yoruba records is proud to open 2016 with a forward thinking ep and album teaser from yoruba fan favourite toto chiavetta. hailing from catania, sicily, his deeper influenced house sound is a hit at yoruba and we couldnt be more excited to welcome him back. this ep opens with the beatless mix of * impermanence*, the title track from his forthcoming album. tshaka campbells vocals lend unbelievable perspective to this jazzy, guitar-led chill out track, while also giving listeners some serious food for thought, an easy track to lose yourself in. up next is * take care*. influenced by the classic chicago sound, this bass line driven cut pushes the style in new directions while maintaining an absolute dance floor focus, a must-have to kick off the year. we close with * be the wind*. this techy, spaced out groove is well suited for the late night hours, its moody synth lines gently tease as you await the addition of the dance floor ready percussive combination. we hope you enjoy the forward thinking sounds of this release as much as we’ve been excited to bring them to you.

earth-based producers julian duron and michael sherburn touch down at 1080p with a massive 12 inch laced with timeless, chilled grooves. earth boys construct each track in a deep haze - vintage house, smooth jazz and breakbeats - compiling moody vocals and analog gear to create their signature, tongue-in-cheek sound. *welcome 2 earth* delivers a range of upbeat melodies and catchy hooks, slants on rising genres such as dad house, brunch house, and millennial jazz that come to fruition by placing fun as the keystone of their studio practice. duron and sherburn frequently collaborate on other projects dust, christian surfer, and todd and *welcome 2 earth* has collaborations from john barclay (dust) and lemon d (planet earth, metalheadz, kickin records). also known for their eclectic dj sets and regular parties at bossa nova civic club, earth boys blaze the streets of nyc with a serious mission, to get the whole universe high as hell.

if john daly returns to his own one track records it means business. his lush techno style (rooted in early 90 s detroit techno) meets balearic vibes resulting in a true deep house excursion that comes in 3 versions! recommended!

ltd warehouse found! displacing common sense with burly daring while not engaging with lenient, populist timber-rhythmic solutions is something not only rare, but also urgent and ever loved by clubbers and close listeners alike. operating a warping double torsion onto the electro-acoustic stripe, marteaux(internet and jazz infused from early age) pushes an elegant, at once minute and far-out sort of hybrid, unflappable envelope bound to make you dance, chill or, even better, listen to over and over, detained by the studiously assembled details and inviting atmosphere.

this is the very first time funky dl has ever produced and released an instrumental album based on music that he has never recorded any vocals for. the 10 tracks encapsulate the vibe and energy of the many places in japan and this album is a perfect representation of the serenity absorbed through the nights of chilling, dining, entertaining and relaxing in one of the greatest countries in the world ... nippon (japan). the nights in nippon jazzstrumental album (n.i.n.j.a.) is the perfect audio backdrop for late night car cruising or open window chilling, releasing a sense of calm and contentment for any avid and discernable listener.

unxpozd presents the 7th project from dj aakmael, the rise ep. the lead tune -rise- is a blissful, relaxed string based track with playful keys thats perfect for any chill lounge or dance floor. jazz piece is a sampled piece of art, where aak cuts and chops a vintage groove for the 2014 crowd. many have already hailed it as something that has that old nj deep house feel! on the flip side, aak gives two more untitled gems. untitled 105 is a dope club thumper that takes you back to that headknod feeling, perfect for any dance floor who liked to groove! last is untitled 101, thumping beat with dramatic horns and strings to conclude a well-packaged project!

maddiscos second 12inch ep containing 3 monster disco funk jazz edits for the dance floor and 1 chilled ambient vocal song, all with a love them

2012 terry hurst and daniel hevingham alias h2 released her massive ep. after several releases on get physical, kindisch and a fabulous remix of nick curlys album >between the lines< on defected, its time to bring you the next big ep of the nice manchester guys. the >chicago social club< shows the musical talent of the guys, inspired by the early jazz and blues legends of chicago. the second track >chapter one< is a deep melodic dreamy tune with a wonderful vocal and bassline. last but not least on the long flip comes >air< perfect for the summer chill out time and for relaxing... all in one cic records offers you with their third release an exciting ep for all ambitious music lovers

a fan favorite on the full length release, robots & bumblebees is cvos special tribute to the great patrick adams. classic synth sounds with a hot gu groove. the b-side goes way deep with silent pimp, a comprehensive piece of chilled out elements and soulful jazz keys.

this time the guys at chilli mint music brings you a unique slice of a darker jazzier side of deep house on their 180 limited vinyl release series. the infectious cool sounds of sammy w & alex e,two award winning producers/djs from romania whos deep house sound is sure to stick in your head,very unique sound and unique vibe. future artists to watch out for

after a 5 year gap, vince watson released what is now his 7th! album to the world in march to great critical acclaim. 5 years is a long time to wait for something ... but some things in life are worth waiting for.
here on this ep, vince has selected 3 of the albums tracks, as well an exclusive. starting with a club version of the albumâ€,™,s title track, every soul needs a guide. its got roots in house, techno and latin jazz, but in reality its a fusion of all of the above and displays some wonderful production techniques along the way. the word inspiring is overly used these days, but it defines the soul of this track perfectly. following this is the quite breathtaking never too late with its lounge and jazz track roots, cementing vinceâ€,™,s one-man band status as intact. beautiful chilled out percussion and double bass soak up the timely keys and give you a real sense of the manâ€,™,s artistic prowess. stunning ...

as said in the info for dérive vol. 2 in 2010, haste makes waste. that in mind it does not surprise it took even more than a year for dérive to come up with vol. 3, but finally its there.a 1 björnski & a different jimi_9 to 5derive co-owner björnski opens up with his first release >9 to 5<, a collaboration with his partner-in-crime a different jimi. sharing a passion for deep house and jazz music, they produced this hypnotic eight minute track built around a jazzy piano loop that melts together with the bass line, surprising the listener with jimis saxophone solo. b1 achim maerz_haters gonna hate >haters gonna hate< comes from derives resident producer achim maerz who just released his first mini album >this is the end< on fine art recordings this summer. obviously it was just the beginning, as he comes up with a warm, deep and dubby yet still pushing track that lets you wanting the night to last forever. b2 tilman tausendfreund_with you the last track on this record is delivered by hamburgs latest talent, tilman tausendfreund. after releasing great solo tracks and coops with christopher rau (e.g. on contentismissing or hypercolour), on >with you< he chills it down to a funky 95 bpm, soulful sweet little something that works great both in your club and bedroom.

great mark e mixes of a new track by brazilian fusion/ jazz deities azymuth. side a is the west-midlands dj producer mark e’s full length mix that stretches out over 10 and a half gloriously produced chill-wave minutes. mark e brings this natural progression mix to late-night dance floor life drawing upon his wide-ranging influences – rave, early chicago house, industrial house & disco – to produce his quintessential steady-beat rolling loops. the free groove of azymuth combines perfectly with the steady-beat darkness of its re-creator as the hypnotic synths layer upon heavy percussive beats & interspersing breathless mengo vocals. side b is for the clubs, the djs and the heads. two mixes that bring the beats to the fore as the pounding bass surges faster and harder on these dub and beat journeys. limited to 500 copies!

another epic seahawks voyage and this time theyre heading for the deep ocean of outer space. the results have been likened to the klfs chill out album performed by astroanuts. yep its that spacey but theres plenty of baked groove excursions along with the cosmic dinner jazz. imagine that instead of creating yah mo be there, michael mcdonald and james ingram hopped aboard a spaceship captained by sun ra and set the controls for alpha centauri. somewhere between the sea of tranquillity and the red heat of mars they find a party going on, klaus schulze is jamming with chic and peter frampton, kenny loggins is on bongos and the horn section from the doobie brothers are blowing soft and sweet but mike and jim have taken a whole lot of mind bending psychotropics and the music sounds like nothing theyve ever heard before. you are entering the seahawks universe, let your mind roam free. to ensure premium audio fidelity, the lp was mastered at abbey road and pressed at vinyl factory. as ever the artwork is beautiful and the edition is limited so get your skates on!

following on from their club smash >high on life<, east west connection aka dr bob jones and lofty offer a full on jazz tinged sizzler complete with horns, percussion and hint of latin thrown in for good measure. alongside lofty and bobs musical craftsmanship >we re movin on< showcases the amazing vocal talent of funk singer sandy mill. piping hot latino jazz groove guaranteed to set dance floors alight!

yoshihiro hannos project radiq as beautifully evolved over the last years. from his more dubby chilled out experiments to his present housier sound one thing always remain: his music as natural feel of groove and rhythm. what all good funk and jazz is made of. and it cant be clearer than on this new ep for musique risquée who demonstrates is different personnality. the housy groove of gun street shuffle to the soulful pharaohe and the funky stolen moments, this ep as it all!

deep house/us garage veterans mateo & matos have been around longer than the ark. yet they remain capable of great things, as >want u tonight< proves. its a deliciously dizzy deep house concoction that marries contemporary production (see the beefy bottom end) with the twittering synth melodies and loopy organ hooks of old new york house and garage (think nu groove meets henry street). studio54s remix is classic new york deep disco house, while trevor loveys version has more of a uk jazzy house swing. all the mixes are wonderfully slick and groovesome. swayzak & phreek plus one deep symphoniac mixes is wonderful for morning and chill gigs.

do you know gummihz? the gummihz that hails from greece but was raised on a steady diet of chicago and new york house? the gummihz that sings? the gummihz that incorporates disco, electro, jazz, and chanson into his productions? well if you don t, now you will. the >sleepless nights< double 12 inch is gummihz first release on mobilee since >under the sun< and is a radical departure from anything we ve ever heard from gummihz ù or even mobilee ù before. gummihz multidimensional production abilities allow him to dig deep into his roots and influences on the one hand while simultaneously exploring new, uncharted territory on the other. alternatingly retro and futuristic, this two-part ep series is a portrait of gummihz as an artist from a variety of angles, one we ve only seen fragments of up until now. one might view this ep as an attempt on gummihz behalf to explore his musical roots in a contemporary context, with the end result being a strikingly varied yet cohesive statement of gummihz musical and artistic leanings. on the one hand, gummihz delves into his past, with tracks such as >sunshine dub< and >bang< fusing the samples, cut-offs, and filtered loops of french house with an almost balearic, hypnotic twist. on the flip-side, we also get a snapshot of gummihz at his most somber ù>love call<, featuring vocals from gummihz himself, has a jackin house beat but bears no resemblance to the cheery sounds of chicago house on which our grecian friend was raised. instead, he favors a cloudy, almost cold-blooded vibe, with chilling lyrics manipulated to the point of near-indecipherability (bringing to mind the brilliant vocal work of the knife and fever ray) with a final product that is nonetheless aptly suited for the dance floor.

do you know gummihz? the gummihz that hails from greece but was raised on a steady diet of chicago and new york house? the gummihz that sings? the gummihz that incorporates disco, electro, jazz, and chanson into his productions? well if you don t, now you will. the >sleepless nights< double 12 inch is gummihz first release on mobilee since >under the sun< and is a radical departure from anything we ve ever heard from gummihz ù or even mobilee ù before. gummihz multidimensional production abilities allow him to dig deep into his roots and influences on the one hand while simultaneously exploring new, uncharted territory on the other. alternatingly retro and futuristic, this two-part ep series is a portrait of gummihz as an artist from a variety of angles, one we ve only seen fragments of up until now. one might view this ep as an attempt on gummihz behalf to explore his musical roots in a contemporary context, with the end result being a strikingly varied yet cohesive statement of gummihz musical and artistic leanings. on the one hand, gummihz delves into his past, with tracks such as >sunshine dub< and >bang< fusing the samples, cut-offs, and filtered loops of french house with an almost balearic, hypnotic twist. on the flip-side, we also get a snapshot of gummihz at his most somber ù >love call<, featuring vocals from gummihz himself, has a jackin house beat but bears no resemblance to the cheery sounds of chicago house on which our grecian friend was raised. instead, he favors a cloudy, almost cold-blooded vibe, with chilling lyrics manipulated to the point of near-indecipherability (bringing to mind the brilliant vocal work of the knife and fever ray) with a final product that is nonetheless aptly suited for the dance floor.

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style.
ia2 showcases all kinds of broken beats and trademark here provide another 3 varied tracks, with great support all round. new frontiers is a funky, upbeat broken dancey track and has had loads of support from promos. great progression through the track and some great riffs and percussion. outworld has been compared to early earth stuff from bukem and cafe del mar stuff, deep broken beats and sunny pads, great arrangement. lovely deep bass and textures. south central is a more straight up broken track, probably the most chilled of the bunch live live sounding bass and a nice deep vibe.

trademark is the collaboration of tony reeves and tundra records labelmate loki. formed in 2000, the trademark project blends electronic studio craft with the live influence of their years playing jazz. trademarks output ranges from chillout through breakbeat to deep house and even drum and bass, but always with the fusion of deep jazzy chords, rolling beats and searing synths that define their style. this year sees the pair return to their roots with some deep, tech-house grooves for the discerning clubber.
ia stands for 4/4 beats and the label starts with a bang with three great and quite different 4/4 tracks for many deep and tech floors, and tropic of capricorn for more chilled moments. elevator is crisp deep/tech house which slowly builds and just rocks! with a wicked solid deep bassline too that keeps things really groovy. jack o diamonds also has that clean crisp sound and groovy bass with synth stabs and lots of funk for loads of different dancefloors. its a bit more upbeat than elevator and also has wicked deep bass to keep peeps movin! saturn 5 is deeper, darker, subtle and just a massive deep phat sound which is totally awesome on any decent system, wonderful deep textures and pads - just really lush. tropic of capricorn is a deep detroity broken beat track that compliments the others. crisp production again and not too cluttered, it does what it needs to and works in many different situations.

tokyo based synth outfit trans of life shows some true talent on this double sided single. their productions combine some amazing sounds as wholesome 4/4 house, deep electronic overtones, chill jazz, and latin melodies. foi voce (tol vocal) has lovely portuguese verses & melodies sung by yukiko koga. this is a full on vocal mix chill enough for the lounge and fancy enough for a 5 star dining hall. their dubs go a bit deeper and darker and are a lot more dance floor effective. the vocals turn to echoes and quasi chanting and a myriad of sounds flow in and out of this tune. the masterful original delight earth, a body & soul party favorite, show just how talented these guys are. full of trumpet solos and latin conga rhythms with plucked stringed guitars make for a sensational ride. back to the club on their dub... great package!!

it is a task that detroit native aaron-carl has done consistently since 1996. as one of detroits most in-demand producers, his signature sound crosses genres -- from soulful, gospel-infused house, to the dirtiest ghettotech anthems. aaron-carl is hailed as a powerhouse in detroits electronic music scene. with a discography to die for, he has remixed some of the motor citys biggest names – underground resistance, scan 7, aux 88 & kelli hand, as well as international artists like chicago house legend dajae, icelandic techno stars gus gus, and african jazz great manu dibango, to name a few. as a vocalist, aaron-carl showcases a broad range. from the haunting chill of >crucified< and >sky< to the seductive whispers of >down< and >21 positions<, to soul-stirring shouts of >alright< and >my house< ac prides himself in not just making records, but classics. his >let me tell you something about house music< acapella (appropriately titled >the word<) is one of todays most sampled house vocals, while >down< is still a staple in the clubs – for more than a decade after its release.

melchyor a is back with more deep house tracks for the heads!! the next best thing is a chilly song with male spoken words and splendid jazzy keys. pure coolness...

new kanadas adam marshall delivers a stunning peak-hour track with obvious inspiration from old school detroit techno and classik chicago house. >kokane< begins as a tightly wound minimal house groove with precise, pounding percussion and heavily swung jack. after the 3:30 mark the track gives way glistening synth chords which shine through the darkness transporting the cut into carl craig-ish jazz territory. on the flip, montreals ernesto ferreyra mutek, cynosure brings a south american flavour to the remix and takes the dancefloor oddessy deep into the chilean canyons. a late night mixing tool for the djs. lastly, we find the outro called >moonlight chills< on the second cut of side b. ambient and lush, this one is for the late night detroit highways. mojo and the darkness along i75! a deep ending to a very personal journey.

the >theken ep< was established at the >bar 23<, a legendary meeting point for berlin musicians. the >laan unlimited< projekt was built up exclusively for this new eintakt ep. andreas krüger from >der dritte raum< and lars fenin (we know from shitkatapult) shows us a mix of spacy atmosphäres and funky to jazzy basslines. >just the two of us<, a dark version of berlins minimalistic sound architecture, a mix from the funny projekt of this three berlin musicians, philip bader, pilocka krach & sam nn. neal white & meto s >bobsie< is an absolutely meantime clubtrack, minimal and massive. >kleine steine< is the more chilling and housy part of this eintakt compilation, perfect for the morning hours, flowing , melodic, old shool. created by argon and plastique

recently landing on the nite grooves shores from japan, this most recent double a side is the third great electronic endeavor to be issued. the first, nami is a tripped out loungey mover where synth stabs dominate throughout. a deep faded bassline is added and together with a classic house hi hat makes for a well rounded instrumental. aso is a mellow non invasive, non vocal perfect for the side chill room jazzy piano riffs, violin strings, light clavs & bubbly bass line all make a nice sauce

ooze (one half of minilogue) and vocalist tishk got togehter and wrote random wonderous things, where jazzy electronica meets pop. remixes come from jesse somfay, andreas tilliander and blue states

twelve artists pay their tribute to the music of daft punk.

* back with the heat, chicago native dj jana rush kicks off objects limitedÕs 2017 with her debut album ÔpariahÕ. jana rush received attention for her mind-bending drum acrobatics on last year s Ômpc 7635Õ ep also released by objects ltd. jana started djing aged just 13, releasing her first record on dance mania back in 1996 but having a hiatus from music between 2000 to 2013. with ÔpariahÕ she has created an album rooted in chicago s footwork sound, but with a myriad of influences, such as jungle, acid, soul, jazz and house, developing her sound on from Ômpc 7635Õ. * we kick off with Ômidline shiftÕ whose breathy, clipped erotic vocals intertwine with a pulsing bass and dry 808 rims creating a shimmering robotic effect. moving on, the frantic Ôbeat mazeÕ confuses the mind with white noise rushes and interlocking snares. changing the scene, ÔdivineÕ is sweetly soporific and charming, a beautiful, almost eerie track. the pace picks right back up with Ô??? ??Õ, whose warbling jazz clarinets cut into a juke bounce. the stripped back beats of Ôbreak itÕ give one room to breathe before the croaking bass and distorted acid of Ôno fuks givenÕ. Ôold skoolÕ is exactly what you d expect, its sample syncopated around a feverish rhythm throughout. both Ôrapid fire and Ôacid tech 2Õ are bangers, hitting you deep in that sweet spot. jana brings it back down with ÕcpuÕ s computer noises and sub bass hits. Ôchill modeÕ gives time for reflection after all that fire, but its no ambient track, theres still that chi-town vibe. we finish with Ôfrenetic snareÕ whose amen breaks will have brits thinking of jungle, but it s a different beast altogether

die spezialisten fŸr konzeptalben haben wieder zugeschlagen: jazzkantine begibt sich auf eine zeitreise zurŸck in die achtziger und beleuchtet die anfŠnge des hip-hop. dabei kommt es zu wiederbegegnungen mit grandmaster flash & the furious five, eric b. & rakim, epmd, public enemy, nwa, tone-loc, afrika bambaataa und den jungle brothers.

celebrating grupo x s acclaimed output from the last 15 years, the album brings together a mix of hip-swaying, foot stomping, sun-kissed latin and soul, with soaring vocals, driving percussion, heavy horns, tight arrangements and virtuoso performances all round. remastered dance floor fillers, such as brand new love, x-perience and reach, combine with chilled, head-nodding grooves, including jonny s bugalu, get through to you and won t you stay. also included are two brand new tracks featuring lisa millett - the latin r&b stomper share it out plus the soulful, salsa-tinged waiting. additional lead vocals are provided by the outstanding talents of jazz singer julie dexter and venezuelan salsa star carlos pe–a. released just in time for the summer months, this is destined to be the soundtrack to a thousand bbqs and garden parties.

unserer neuen compilation ibiza chillout - the essential classics gelingt es, diese magie von der sonnigen baleareninsel nach hause zu transportieren. auf 2cds finden sich die klassiker des genres und laden zum entspannen und zurŸcklehnen ein. ganz gleich, ob man nach einer guten party einen passenden soundtrack fŸr die afterhour braucht, einen relaxten abend zu hause verbringt oder ganz einfach nur entspannen will: kŸnstler wie afterlife, jazzamor, moby, roger sanchez oder groove armada sorgen dafŸr, dass jeder auf seine kosten kommt und bŸrgen fŸr die hohe qualitŠt von ibiza chillout - the essential classics!

die famosen bostoner house djs/produzenten soul clap huldigen mit ihrer neuen mix-cd dem legendaeren house-label nice n ripe, das zwischen 1997-2001 seine hochphase hatte und ma§geblich den uk garage-sound mitpraegte, der heute wieder in aller munde (und ohren) ist. 30 clubklassiker und -hits von 24 hour people, industry standard, ty holden, u.v.a., die von ibiza bis nyc auf allen house-dancefloors liefen.

3 cd chilloutcompilation !!