phat energetic uk techno...

reissue of the 1983 album by dieter moebius, conny plank and mani neumeier.

from chicago house to melodic techno

sign bit zero s next output is black seed, the alternate identity of turin-based dj and producer matteo viani. the project is a showcase of his excavations into the realm of electro-tinged techno and live experimentation. using the sharp edges of a raw, tribalistic robot funk sound as tools for crafting rhythm, black seed generates unsettling yet grooving scenarios, basemental bangers of danger dunked in smoke and hypnosis.

after being returned from his abduction by aliens from the hidden planet nibiru, dj overdose was given an alien synthesizer the haex-hrll as a thank you for all the cerebral research the aliens did on him. on returning back to earth all dj overdose had to do was finish the 6 tracks the aliens had started to work on, which became this ep. straight forward techno hop electro funk without any fancy-pants pretentious hooha. its like a black and white movie which makes you think why the hell is there colors anyway?! after completion, the only record label he could imagine being fit for such rawness would be viewlexx... and so here it is.

dj legend, producer icon, avant-gardist, pioneer. only few influenced the music scene of the past 28 years as deeply as pascal feos. he is responsible for 4 solo albums, over 200 releases and hundreds of remixes. still his hunger for sound experiments is satisfied by no means. although it has been a bit quiet around him in the past few months, you might rather call this the quiet before the storm. feos wouldnt be feos, if it wouldnt have been for him to have his fingers on controllers and knobs on a daily basis, creating and tweaking new sounds. finally the time has come. pascal is back, and he gentlemanly wrapped up a present for you, marked departed 2 return. what is in it? not only feos fifth album, but also a musical answer to the question what he has experienced and what he had to go through in these three creative and self-reflecting years of his musical hiatus.

d. diggler aka andreas mügge is back ! this time not on planet vision but on pascals new label: level non zero. blessed with a father who is a jazz musician, andreas started to play the drums at the tender age of twelve, and joined his father in his jazz combo. soon he realized that his future is not to play in a band but to make his musical ideas become reality through the necessary midi equipment. his first release for raum...musik boogiemonster hit several dj charts, club charts and was played in heavy rotation on hr 3 xxl. so did the following releases. d.diggler s first album was released in april 2000 on cd and vinyl, its sound range varying from deep to technoid-slamming. since then he can look back on 45 releases and 20 remixes and is a dj + liveact who playes in the first league. on level non zero he shows us with three new traxs his variety: from „hypno-techno“ (drehmoment), over deep tech-house (deepdown), to dub-house (control). we remember the old raum...musik times...

more remastered classics from marc acardipane.

wild out of control garage punk, nasty karma ruining blues trash, cajun rockabilly texmex hobo folk stomp blues and pure traaaasshhhhh on picture vinyl.

soundway records delivers a beautifully remastered reissue of brazilian duo grupo controle digital’s only album, “a festa É nossa”. first released in 1988, the album is now housed in a tip-on heavyweight sleeve with restored artwork.

etchs ups & downs album is a collection of dubs which date as far back as 2014 and up to the present day.

deeply concerned with the here and now versus sister label was/is electro archaeology, is/was delivers the goods once again with this various artists 12- zeroed in on the pittsburgh scene. you can feel the steel city tension reverberating in naeem s edgy beatdown -forward facing-, while hits only takes things in a slightly cleaner, modernist direction that aligns with some of the uk soundsystem interpretations of electro that have emerged in recent years. shawn rudiman takes control for the b side with two jams that tip their cap to the veteran producer s long and accomplished career, but they sound as fresh as anything else on the record too. -derelict- is a gnarly, bloated banger of a track, and -asimolar- takes the route towards cybotron, kraftwerk and the truly foundational version of electro in all its lysergic glory.

the conceptual sibling to lorenzo sennis blinding quantum jelly side for editions mego in 2012, superimpositions finds the milan-based multi-disciplinary artist and owner of the brilliant presto!? records accelerating and evolving his idea of -pointillistic trance- - an ascetic, extreme approach to the aesthetics of 90s-style trance/hard-trance - in a broader range of song structures, hyper-lucid moiré patterns, and tantric dancefloor arrangements. again, he -plays- a computer-controlled jp8000 roland digital-analog modelled s-source synthesiser to juice the most potent, searing saw wave arpeggios and spiralling melodies, finding the biting point between real-time, hands-on, emotive human input, and the sleek tension of synthesis.
from the serotonin-flooding rush of opener happic to the beautiful come down of pointillistic , the album plays out a sisyphean struggle for deferred gratification, challenging limbic systems and our sense of equilibrioception thru the spine-tingling aerobic coefficients of elegant, and never tiring and the scything, strobing rhythmelody of the title track, to peak with the palpitating surge of forever headline at its white hot core. it s all more effective than a triple-barelled mitsi in the jacksy, and hasn t been off our turntable all summer...

* 2017 year marks ten years of integral records and looking back upon the label’s incredible back catalogue, what a decade it has been for drum & bass music that we hold so close. * initially set up as a passion project and a platform for showcasing future talent, the label has been consistently releasing cutting edge drum and bass since 2007. the ethos of the label has always been about quality control and finding those special vibes that no question capture heart and soul. honing their unique musical language, selections are carefully handpicked by head honchos artificial intelligence and more recently in collaboration with label manager emma g that fit with the forward thinking, original spirit we know as integral. * now 40-odd releases deep and renowned for breaking some of the most exciting artists on the roster today, the label also boasts signature classics from some of the scenes most prolific residents. names include the likes of lenzman, lomax (one half of loadstar), alix perez, calibre, system, zero t, technicolour & komatic (technimatic), lsb, steo, dawn wall, mohican sun, phil tangent, satl and just recently, a.i. themselves. * celebrating the seminal journey thus far, a double album will mark this very special occasion. part one will showcase a selection of the finest from over the years in a chronological journey of the label’s sound (for digitial release.) a second curation will simultaneously launch across all formats of entirely new and most exclusive material to date, from residents a.i., lenzman, mohican sun, satl, phil:osophy, scar, zero t, drs and more.

from the storming energy of opening cut the key of night all the way through to the deepertripping solar fields its a must-have ep for >those who know<. young uk based producer cleric has established himself not only as a bonafide new talent and key player in the international techno world, but also as a prolific artist on figure. now well known for his crisp, deadly club tracks and rich melancholic ambient studies, in this fifth single for the label he explores his hard-hitting yet luxurious sound ever further. whats immediate about the four tracks on offer here is clerics extremely powerful, yet masterfully controlled bass frequencies. coupled with his addictive, smart and dark 90s-reminiscent synth hooks, we are left with an array of stomping, percussive weapons primed for expansive spaces and killer sound systems.

cotton claw is a brand new project that brings together four french producers : lileanarrative, zo aka la chauve- souris, yoggyone and zerolex. real live band, each on his pad controller, cotton claw takes us into their world tinged of powerful club music, fluffy house music using massive analog synth, unstoppable arpeggios and sexy granular melodies. the four members of cotton claw, have met in order to play together each part in live, to create a new modern live band, to take and give pleasure to the dancefloor, and give their vision of club music.

the second volume in the detroitrocketscience series of cosmic journeys, produced in a low-earth flight plan that vectors between detroit and berlin. >alpha control / workers in orbital habitats< is a suite that takes you from the launch pad at alpha control to the orbital habitats, where vacc-suited, free-fall engineers work in zero gravity. >reentry into martian atmosphere< is the soundtrack to the treacherous reentry into mars unstable atmosphere, a.k.a. the 7 minutes of terror landing window of americas latest martian probe. collectible 10-inch black vinyl format.

having made his debut on drumcode in january, the evergreen italian producer is back with another fourtrack ep to follow up the enormously well received prisma ep. supported by djs from across the spectrum from drumcode stalwarts like alan fitzpatrick (prisma) and slam (self control) to house music legend erick morillo (back to zero), paganinis reputation within techno circles is well established with a recent discography that boasts plus 8, form and octopus recordings alongside drumcode.

having made his debut on drumcode in january 2012, the evergreen italian producer is back with another ep to follow up the enormously well received prisma ep. supported by djs from across the spectrum from drumcode stalwarts like alan fitzpatrick (prisma) and slam (self control) to house music legend erick morillo (back to zero), paganinis reputation within techno circles is well established with a recent discography that boasts plus 8, form and octopus recordings alongside drumcode.

for the second exclusive >eyelights< two-track sampler ep, we bring releases from two of freak n chics finest new talents – shonky and dyed soundorom. the a-side to fnc030 comes from shonky with >bushes<. >bushes< is shonkys softer side, unraveling warm and dreamy loops and beats it is filled with luminous synths and samples. >he did something more housey, something looking more towards what i play. a new side of shonky that we dont know yet, but its really good. and you can recognise shonky is still keeping his style in there of course.< dan ghenacia shonky studied mathematics before finding his passion in the formula of techno music. his recent debut artist album >time zero< for freak n chic propelled him to the forefront of a fresh generation of producers. with past releases on crosstown rebels, mobilee, substatic, resopal and of course freak n chic he plays a main role in the new current of french talent.

... dark wave on 2 cds

hier kommt die 2011er compilatoin zum groessten elektronischen festival der schweiz, dass jedes jahr waehrend 3 tagen ueber 20000 besucher an pfingsten ins casino montreux zieht und mit einem weltklasse lineup glaenzt. topstars der elektronischen musik wie david guetta, martin solveig, laurent wolf, remady, dj antoine, avicii, afrojack uvm. geben sich ein stelldichein der extraklasse. die compilation enthaelt die aktuellen titel aus den charts und hits der grossen headliner des festivals. zusammengestellt und gemixt wird erneut von igor blaska.

dub trio is back with their fourth and most powerful album to date Ð iv Ð an overwhelming blend of sounds, styles and ideas that come out swinging, and hit harder than ever. can metal coexist with dubs bass heavy riddims? dub trios newest album proves that not only can such incongruities coexist, but that in the right hands they flourish! with iv the band succeeds dramatically at emphasizing the theories, emotions, sounds, and concepts of their current musical exploration. iv finds the members playing multiple instruments, tweaking, turning & torturing knobs, cutting and chopping the audio itself, and shaping the compositions to create their own unique interpretation of dub as an art form.