indie

soundtrack

soundtrack from the 1989 movie !

soundtrack

2 track single from lynn taitt and the jets released by dub store records

standard weight, triple gatefold, black vinyl. 3lp

mondo is proud to present a 2xlp remastered version of danny elfman’s score to batman returns. this 2xlp is pressed on 180 gram vinyl and all new artwork by kilian eng.

new natural sciences from andre uhl melding dark ambient and early industrial, limited vinyl release of 150 copies

the birth of rock steady portrayed in a consummate collection from the vaults of federal records. most of them drawn directly from ken khouri’s master tapes this miscellany of cool rock steady includes marvellous music from the originator of the genre, the one and only lynn taitt, alongside an array of jamaica’s greatest singers and vocal harmony group.

limited edition of 500 copies on 180 gram vinyl.

60s compilation on coloured double vinyl incl aretha franklin, cat stevens, santana & chuck berry !

repress !!

a collection of sun ra singles from 1962 - 1991 on triple vinyl with download code included.

huge double cd pack - mixed by paul woolford! incl. tracks by roman fluegel, lazor sword, chateau flight and more

orange indie edition + poster ! the original motion picture soundtrack from quentin tarantinos “once upon a time in hollywood” on double vinyl, housed in a gatefold sleeve.

blue marbled double vinyl in gatefold sleeve.

red double vinyl in gatefold sleeve.

hans zimmer and james newton howard’s soundtrack for “the dark knight” on joker-inspired neon green & violet splatter double vinyl, housed in a gatefold sleeve.

feel good house groovers & shakers from niles cooper.

mix cd + dl code special remarks: cd features mixed version by andras (74:30 min), plus download code including all tracks in full length.

the original motion picture soundtrack from quentin tarantinos “once upon a time in hollywood” on double vinyl, housed in a gatefold sleeve.

split ep ! 180gr

jaden’s third album is inspired by listening to kanye west’s “the life of pablo” and frank ocean’s “blonde”. the double vinyl is housed in a gatefold sleeve.

strut and art yard present another exclusive from the vast catalogue of cosmic jazz pioneer sun ra: a previously unreleased radio session most likely recorded at the wxpn fm radio studios in philadelphia, 1974-5.

va aka jamie lloyd, session victim, johannes albert, reverend g, kim brown, quarion, mr. beatnick, iron curtis, robert oh!

after the massive success of volume 1 we present volume 2 with another 4 killer cuts, hand-picked by paul woolford. pressed on limited edition clear vinyl, comes in a hand stamped sleeve. limited to 500 only.

the first release from the tsr guys in several years here - and what a corker!four tracks here that display a great approach to the wronger side of the dancefloor - the main club filler being a1 >three men< but check out >is this ska-cid< for a novel take on longsy ds classic >this is ska< - pow !

in the year of punk 1977, the jams exploded onto the music scene with this seminal debut album. the raw, unfettered aggression of the bands approach was well in keeping with the spirit of the times, but the heart of their songs and sound lay in the mod movement of the mid 60s. singer/guitarist paul weller comes off like a cross between joe strummer and the young pete townshend, bashing unreservedly through slow down, one of the r&b tunes that inspired the original mods. weller extols the virtues of frenzied dancing and nonconformist youth culture over the raging three chord attack of bassist bruce foxton and drummer rick buckler. the pure punk insouciance of his words and delivery is a perfect match for the raging but hooky arrangements, which basically consisted of the band walking into the studio and blazing through their live set. rickenbacker guitars never sounded so thick, and skinny ties never seemed less geeky.

moxie returns to where they started (and pretty much stayed) rough 80s electronic music. this time - two edits from worlds apart.. the a-side features an edit of a late 80s ny classic while the b-side is a re-edit of a electrofied brazilian song.. they must have listened to the sugarhill gang before producing this tune.. now whos chow daddy