musically and emotionally. superpitcher’s third full-length studio album. the golden ravedays. is a one sound autobiography that exhibits the skill. feeling and depth of style that the artist has honed over a period of twenty years. musically. and forty-plus-years. emotionally.
moenstertime! finally lexy & gunjah hooked up their own label for your dancefloor pleasure. directly starting with a boom-collabo with soffy o (well-known from their work with toktok in the past). >chronicles< is a real earworm with hot remixes coming from david august (stil vor talent. diynamic) and end of tape (bar25. microtonal. wba. etui).
off pop get things moving and strikes back with 2 amazing tracks. supported by 2 awesome remixes!
one the one hand. we have the aspirational producers schäufler & zovsky. who stuck out with there releases on acker records and finger tracks. furthermore we have the talented berlin dj team kollektiv ost. who are well known by their label simple as that records.
what a start in 2010!!!
after his noticied album released on boxer. matzak gives us once more with this unbelievable ep !!! refined melodies. perfect and effective grooves. here is the subtle receipt of this devastator ep !!! dont miss it !!
mit einem maximum an wärme. gefühl und eleganz wickelt jonas bering den tanzplaneten regelmässig locker um den finger. das titelstück seiner neuen platte ist sein bis dato discoidestes werk und es ist ein ohrwurm erster kajüte. hört selbs
official release !
mind-blowing singles. eps. remixes (for the likes of simian mobile disco. little boots. royksopp. lykke li. au revoir simone…). a quickly-growing label (fondation records). and the night is his in most of the worlds major cities: danton eeprom had it all. to the exception of a long-playing record. after making a name for himself with hits like confessions of an english opium-eater. grindhouse or face control. it was time to go off the beaten path and show the way once again. would he go for a fairly logical sweat-ridden dancefloor riot? not precisely. not only. danton would make a revolution of his own. in dandy mode.
three words that will soon be on everyones lips: yes is more. in a cloud of smoke. over a tight booty beat and keys delving deep into thirty years of electronic music. the french londoner sings for good and is all axes out on >thanks for nothing<. making things clear from the very start.
april 26th 2010 marks the release of the debut by london duo gold blood - the twilight language ep. released on human shield. with no official publicity to date. gold blood have already gained praise in high places due to their frenetic. hardcore-influenced electronic art pop. both on record and at their unique. compelling gigs.
partial arts finsbury (feat. ewan pearson) bedienen sich der ambienten atmosphäre des originals und kreiren elektronische hippiemusik für die digitale generation. ivan smagghe & tim paris gehen das ganze analoger an. da knarzt fröhlich der bass und die melodien schlingern unberechnbar durch den synapsendschungel
auch teil 2 der album begleitenden vinyl eskorte kommt mit den tracks >$26<. >spukhafte fernwirkung< & >alright< gewohnt diskoid & funky auf den teller. besonders >$26< geht dabei durch mark & bein und dürfte in jedem tanz-etablissement zünden
a1.>hammarskjoeld limited< presents its second release coming from lars moston...and thats what we call a real right rollin beatfreaker. nice funkyticed and distortion dominated. it pulls the souls out on the peakin floorblizzard...we like this! a2 >philip de boyar< manufactured the remix. keeping it a little bit more native he steers that thing thru the original elements and putting some ultra magnetic flavour to it. clearly we like this again and again
the mysterious twosome known as silver columns have already built up a cult fanbase with their first two limited edition. white label singles. >browbeaten< and >yes. and dance<. but with >cavalier<. their first >proper< release on the perennially tastemaking label moshi moshi. they are finally ready to go overground and take their rightful place in the pantheon of offbeat electro pop greats.
>i m that alley< is the new single from south african shock-poppers sweat.x. it comes as they embark on their two month european tour and is a taste of their forthcoming album >187<. >i m that alley< is a departure from vocalist spoek mathambos hyper-surreal rap style. and. together with markus wormstorms finely designed production. is a modern take on the classic synthpop love song. accompanying the title track is >the knife<. a freaked peek into the world of sweat.x. a favourite of their live shows. it finally gets released here. third track on the single is a remix of >i m that alley< by new york-based mike slott. slott has been making waves with his work as one half of heralds of change and this remix is his best work to date and is already being used to close out his live set. the release also includes instrumental versions of >the knife< and >i m that alley< for maximum club efficiency!
popnoname gilt als einer der grossen exzentriker der kölner elektronik. sein neues album mäandert gekonnt zwischen den polen house-not-house. funktionalem techno und klassischem singer/songwriter material. scheinbar mühelos fügt er all dies zusammen zu einer unterhaltsamen reise durch die stile und epochen
>the other side of music...< kann man hier wohl sagen! vom abstrakt-balearisch anmutenden >transient<. über das französisch-romantisierende >perm< zum bollernden art-technoapproach eines >bootstrap<. und zurück zu zarten idm-schlafsongs wie >slow peel< gibt es hier vieles zu entdecken. toller neuer sound aus schweden!
medical records returns to france for the reissue of the very rare and sought-after video liszt lp. ektakrom killer was released in 1981 and had never had never been reissued or repressed. the artist behind video liszt was xol. a french journalist and musician. commanding a multitude of analog synthesizers. moog modulars. an ems vocoder. and an apple two computer. xol crafted a very diverse album with styles ranging from sci-fi synth soundtracks. prog. space disco. and all the way to more accessible electropop.
gatefold double coloured vinyl lp version. this is the debut album by producer rodden von ast. the man from mecklenburg vorpommern. von ast isn t new to the business. his last two releases and his own imprint sumpfsee records putting him right into the spotlight. on the altkamp album the busy producer finds time to entertain you with eight stellar tracks on the vinyl version. which come across as well-structured little stories. drowning the dancefloor. all in all sounds that are unmistakably in the family of or are related to the enchanted moments we know from kalkbrenner but as well as techno moments. the opener „altkamp- is a restlessly inventive bricolage of unconventional sounds and textures. -bettfett- is a masterclass in crisp. high-definition techno. as christal synths. a solid kick. and an insistent bass stab form a deeply hypnotic groove. -gedeih and verderb- with mate herr maarec draws on spacious arrangements of dub techno elements. burnished with snickering percussive repetition and scything synths. „unser klonet - is a spacey burner that builds into an indisputable festival-rocker. complete with punchy claps. descending bass-line.