>matias aguayo will change the way you think about dance music< - los angeles weekly ! das sensationelle dieser platte besteht darin, dass man nach den ersten paar takte schlichtweg vergisst, dass es sich um ein accapella-album handelt. wir dürfen mit stolz behaupten, dass aguayo mit seinen mitstreitern ein echter geniestreich gelungen ist.
julian perez delivers his debut album solemnity on the artist’s own imprint, fathers & sons productions. this 2×12” vinyl only release is a deep sonic journey highlighting perez’s attention to detail and the evolution of style gained from many years of refining. solemnity branches out in many directions but is unmistakably perez, expressing himself musically more than ever before. presenting relaxing soundscapes that float through various atmospheres plus perfectly-mixed 909 beats, listeners can expect a journey of songs that ranges from innocent and deep to club-friendly and driving. the album’s title comes from the state of being serious and dignified, which is seen in this complete package from the artwork to the mix and expert selection of sounds. solemnity by julian perez is a window to the artist’s dedication to his craft and ability to create honest sound. it’s an album that should be listened to from start to finish. we solemnly swear.
heinrich mueller takes his musical journey further away from his welknown early dopplereffekt releases and several side projects and merges those early projects with hi-technology applications available for modern studio engineering. re-issue from the dub backcatalog with a remastered
re-mastered by bernie grundman mastering in hollywood
• available for the first time on 180g vinyl
• high quality audiophile download card included (24bit files)
for fans of dj shadow, roni size, roots manuva, unkle, j dilla, rockers hi-fi, alex reece ...
small craft on a milk sea entstand aus brian enos vorliebe für soundtracks, die er anfang der 1970er für sich entdeckte und anderer musik vorzog. in zusammenarbeit mit den beiden jungen komponisten/musikern leo abrahams und jon hopkins entstand dabei ein werk voller sinnlichkeit, intimität und mystik, ausgedrückt mit den möglichkeiten und freiheiten moderner elektronischer musik. dabei kristallisieren sich die stücke mehr aus improvisation statt komposition und wirken für sich alleine gesehen wie das spiegelbild eines stummfilms - wie filme, die nur aus klang bestehen: klangfilme! damit reiht sich brian enos soundkosmos wie von selbst ein in die releasereihe des kultlabels warp, speziell zu dessen electronic listening klassikern aus den 1990ern
at the time of its original release in 1993, detroit techno producer carl craig was known mostly to a small circle of collectors in europe. his early releases on transmat and fragile had become cult classics on the techno underground. these were followed by a series of stunning releases on his co-owned retroactive label. 1993 saw carl launch his planet e label and he released an ep by 69 followed by an ep of material by art owner kirk degiorgio (future/past) and ed handley of the black dog (balil). it return it was agreed carl would record an ep for art - which became art 3. the new recordings included a dance floor stomper - >chicken noodle soup< and typically moody down-tempo grower >how the west was won< and an ambient end-piece >sleep<...
side label for millions of moments with deep chords and big dubby basslines and everlasting echos getting lost in space. 4 tracks by bvdub, sf100, masafumi eno and shinsuke matsumoto. futuristic vintage techno on this fine label from berlin!!
the long awaited trentemøller debut album - maybe one of the most anticipated independent albums of the year. trentemøller is one of the hottest artists on the electronic circuit - the man of the moment! a beautifully crafted, astonishing masterpiece, that will leave you breathless. the tracks form a story, almost like the soundtrack of a movie. it manages to capture a whole range of emotions in subtle melodic miniatures, dreamy ambiences, dusty beats, deep dub-tracks and driving groove-excursions. an ever-changing kaleidoscope of colours and moods, -the last resort- without a doubt contains trentemøllers best work to date. although its an electronic album, it also incorporates live-drums, guitars, bass and other acoustic instruments like celesta, glockenspiel, melodica and even dj scratching to create a more organic feel