this collection of rare and previously unreleased recordings pays homage to the life and jazz of jack sels.
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31.99 EUR *
a true japanese jazz holy grail album, this 1975 album was made solely as a business card for an influential businessman and only a few hundred were known to be pressed. the quartet comprises a group of students who never shared a stage with each other and only formed for this one album yet the album sounds as if they ve been playing together for decades. deep modal jazz, frenetic, fizzy and energetic, these five tracks are some of the most coveted and sought after songs from the japanese jazz golden age
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far out recordings präsentiert nach einer 20-jährigen intensiven suche eine neue arbeit der uruguayischen fusion-legende hugo fattoruso, dem mastermind hinter der legendären 70er jazz-funk-formation opa, der u.a. von flying lotus und madlib gesamplet wurde. zusammen mit seinen weltklasse-musikern, darunter den silva-brüdern und ihrem candombe-drumming, entstand in den sondor studios in montevideo unter seiner musikalischen leitung das brandneue werk barrio opa, eine organische weiterentwicklung des legendären opa-sounds aus afro-uruguayischen rhythmen, jazz-harmonien und prägnanter funk-attitüde.
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nichts passt besser zu dieser aussage auf diese wundervoll zusammengestellte und verzaubernde musikselektion, die, wie auch jeder agnes obel-song, ruhe und frieden ausstrahlt. es ist die entschleunigte antithese zur rush hour, wie ein zugefrorener see an einem sonntagmorgen. agnes obel verbindet songs der enigmatischen jamaikanerin nora dean (eine duke reid produktion) mit dem kargen, bitterbösen party girl von michelle gurevich, das den gleichnamigen französischen film inspirierte. wehmütige stimmen von the bulgarian folklore choir, nina simone, ray davies und agnes selbst treffen auf mehr oder weniger elektronische tracks von yello, can und der griechischen kultkomponistin lena platonos. garniert wird die kollektion mit neuem agnes obel-material wie den dänischen song glemmer du, die vertonung von inger christensens poem for death, sowie den song bee dance. beide tonträger erscheinen wieder in topausstattung: cd als exklusives mixset, inkl. bonus-download-code mit allen ausgespielten tracks in wav/mp3-formaten, inkl. eines mehrseitigen booklets mit persönlichen liner notes zu jedem track im pappschuber.
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ryo fukuis 1977 highly sought-after jazz gem mellow dream in a deluxe limited edition 2018 reissue cd we release jazz (wrwtfww records new sister-label) is thrilled to present the official reissue of criminally overlooked japanese jazz gem mellow dream (1977) by hokkaido pianist wunderkind ryo fukui, released in conjunction with the its legendary predecessor scenery, sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound as and on digipack cd.
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ryo fukuis 1976 highly sought-after jazz masterpiece scenery in a deluxe limited edition 2018 reissue digipack cd we release jazz (wrwtfww records new sister-label) is proud to present its first release, the official reissue of ryo fukuis highly sought-after masterpiece scenery (1976), sourced from the original masters and available on digipack cd. unquestionably one of the most important japanese jazz albums ever recorded, scenery reveals ryo fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by bing crosby and john coltrane among others.
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ernesto chahouds taitu is a collection of soul-fuelled stompers straight from the dancefloors of 1970s addis ababa. a breathless journey through the unique ethio sound that bands were forging at the time, the 24-track compilation is the result of the lebanese dj and crate diggers decadelong love affair with the golden age of ethiopian music.
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strut presents the new album from the modern day leader of afrobeat, seun kuti. the youngest son of afrobeat legend fela kuti is as incensed by injustice as his father ever was and, with his mighty new album black times including a feature from carlos santana, he honours the revolutionaries who have gone before and rallies the torch-bearers to come.
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without new jersey native kerri kaoz chandler, house specifically deep house would sound very different. ever since his teens he has been making and playing music with a unique sense of soul, jazz and deepness. from majors like atlantic, king street sounds and nervous via his own madhouse, his releases are never short of genre-defining classics that have spawned a thousand copycats. affectionately referred to as the stevie wonder of house, kerri’s dj sets take him all over the world and often find him playing live keys next to his informed selections. he’s meticulous about sound, too, which means that no-ones kicks hit quite like kerris. his instantly classic and timeless dj-kicks mix, though, takes him out of the club and through a world of influences and inspiration
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this compilation acts as an introduction to this electric, cool and uplifting music that was affecting so many enthusiastic dancers and dj / collectors. all the tracks on here are taken from one of the most prolific and emerging labels for this genre muse records that offered the complete spectrum of styles to fit in with this emerging scene crossing over with jazz fusion, be bop, vocals, electric keyboards, and percussion.
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re-issued again, with new liner notes. a wonderful, rare record wrapped in a mysterious yet playful ambiance. or maybe it s just the impression that the japanese language often gives me. suiren is an odd jazz-fusion-wave tune that sounds like its boiling, waiting to burst but somehow manages to stay in control. like the nervous tick of a leg fidgeting under the table of a restaurant on a first date. yasuaki shimizu is a japanese composer, producer and saxophone player born in 1954. he worked with ryuchi sakimoto on certain arrangements, with the south korean artist nam june paik on art+sound installation pieces and even dj towa tei (of deee-lite fame). suiren was released in 1981 and is the opening title on the sought-after kakashi album and is my personal favorite on this overall brilliant record. it weaves behind new wave, jazz, fusion, ambient and experimental music.
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beloved dj, compiler and incurable vinyl junkie, kev beadle returns to bbe with a 3rd volume of his much lauded æprivate collectionÆ album series. taking in a wide range of obscure jazz with a distinct nod to the dance-foor, the frst two æprivate collectionsÆ are already considered classics by the jazz-dance community.
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was auf oracle ungeschliffen passiert, ist der erste output einer deutschen jazz supergroup. zunächst wollte man ein unperfektes spiritual jazz album aufnehmen, das vorbildern aus den siebzigern fröhnt (strata east, black jazz et cetera), einfach mal der leidenschaft nachgehen. und man wollte eine fiktive band erfinden, die es nicht gab, und rausposaunen, es handelt sich um ein unveröffentlichtes album von namhaften und beseelten typen aus den 70ern. nun ja: dann hätte man nie live konzerte geben können, von interviews ganz zu schweigen. kurzum, es wäre schwierig gewesen, das geheim zu halten, also hat man sich entschlossen, die identitäten preiszugeben: web web sind: roberto di gioia (piano, synth, percussion), tony lakatos (tenor- und sopranosaxophone), christian von kaphengst (upright bass) und peter gall (drums).
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warren hampshire from the bees teams up with pianist greg foat
- recorded with full orchestra all anolog to tape
- mixed down on fully analog desk from tape direct to the old sun studios 1/4 valve tape machine.
- hand made paste back sleeve with 60s style gloss finish.
- mastered from tape direct to lathe at timmion cutting studios finland.
- sleeve notes by bob lind
- recorded with full orchestra all anolog to tape
- mixed down on fully analog desk from tape direct to the old sun studios 1/4 valve tape machine.
- hand made paste back sleeve with 60s style gloss finish.
- mastered from tape direct to lathe at timmion cutting studios finland.
- sleeve notes by bob lind
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this is one of the most influential groups in jazz history, a coming together of like-minded innovators who would be considered crucial influences by succeeding generations.
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stefano ghittoni and luca ‘dj rocca’ roccatagliati, two renowned names in the vast world of electronic music, unite their minds in an artistic partnership giving life to the nine tracks of “atemporal space tests”, a haunting collection of electronic jazz-funk songs, from mid to downtempo. it’s a fully instrumental record that plays very rhythmic and groovy, built on both analogic and digital sounds, like a floating and psychedelic soundtrack to a modern science fiction movie.
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balancing the classical with the spiritual, the cinematic with the introspective, and sensitivity with a distintly brazilian groove, notes over poetry,a new album for far out recordings, calls upon the inspiration of the many musical and artistic greats philippe has been surrounded by throughout his life
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stone cold killer classic jazz funk long player, zoning and beautiful. tip! cd version.
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bereits 2010 gaben shobaleader one featuring tom jenkinson aka squarepusher am e-bass mit dem album d demonstrator ein erstes lebenszeichen von sich. mit elektrac meldet sich die band nun 2017 zurück und liefert live eingespielte interpretationen von 11 squarepusher tracks aus dessen reichhaltiger diskografie ab. shobaleader ones sound ist retrofuturistische, organische space-fusion aus funk, jazz und electro. diese präsentieren sie im markanten outfit aus mönchskutten mit led-masken auch live. das prägnante artwork stammt übrigens von iron maiden-designer mark wilkinson aka the masque.
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der jazz drummer und hip hop produzent karriem riggins aus detroit kehrt mit seinem zweiten album für stones throw zurück. headnod suite folgt dem alone together album und enthält 29 instrumental tracks für fans von j dilla, madlib und gleichgesinnten. karriem riggins war langjähriger vertrauter des 2006 verstorbenen j dilla und hat das the shining album nach dessen tod zur finalisierung geführt. zuletzt hat er für common das black america again album produziert und arbeitete zuvor mit künstlern wie erykah badu, kanye west, the roots und vielen anderen.
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what is amateur space jazz? one could call it a lo-fi minimal wavish version of cosmic space jazz and anything closely related to it...from spiritual soul, g-funk, ethiopian jazz to ambient and everything in between...no knowledge of musical theory is required...played with a d.i.y punk approach on crappy digital synthesizers - preferably with dubious renditions of real instruments. warmed up to the right temperature with some offbeat effectsbox. multitracking is a technique widely used...to create a one person band with all its members oneselfs multidimensional copies in time........comes with a 24 page graphic novel written and drawn by danny wolfers himself and a nightwind amateur space jazz gummy domed sticker.......lets enter world of amateur space jazz!!!
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theo conard, also known as paxton fettel delivers his second lp on greta cottage workshop. entirely produced by mr fettel its an exemplary mix of predominantly instrumental contemporary jazz funk, sometimes featuring the vocal talents of one olivia lincoln. from the very beginning it is totally and utterly heartfelt - until the floor churning and brazenly life affirming end his emotions are worn firmly on his sleeve. its a serious embodiment of proper fusion and a testament to a phenomenal producer progressively pushing his work in a playful, honest, admirable and honourable way...whilst not taking himself too
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venezuela 70 - this is the first ever compilation of its kind to take a look at the groundbreaking experiment al rockmusic created in venezuela in the 70s, a stunning blend of usa & uk rock, european electronics, funk, jazz amd latin rhythms. feat. vytas brenner, pablo schneider, angel rada, miguel agel fuster and more. incl. 24 page booklet with extended text and artist bios ect
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awesome ! great music
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a good place to start. her basic sound and image were interior-life bohemian, and in some ways she was cagey with her talent. she didnt belt or improvise broadly. she picked a limited range of notes and climbed into them, applying a pinch of vibrato, letting her voice fade and crackle. these tracks clearly demonstrate her guiding desire, which was to explore the possibilities of the slow blues in the late 20th century, whatever that might mean. some of the most intense recordings she made were english-language covers or japanese rewrites of american jazz standards, blues songs and spirituals, backed by only acoustic guitar and drums. she sang slowly, as if there were weights on her. and after a while of her working and your listening, youll hear it: the way she connects intimately with her task but keeps something private for herself (new york times)
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mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs: part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum album des jahres gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. love songs: part two zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.
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es ist eine gemeinsame veröffentlichung von ninja tune und der steve reid foundation, einer wohltätigkeitsstiftung, die von gilles peterson gegründet wurde, um musikern durch krisenzeiten zu helfen und neue, aufstrebende talente zu fördern. sarathy ist absolvent des entwicklungs-programms der stiftung, die von four tet, emanative, floating points, koreless und gilles peterson betreut wird, allesamt kuratoren der steve reid foundation. während ausgedehnter trips nahm sarathy field recordings der örtlichen sidi gemeinschaften und ihrer gesänge sowie percussions auf, welche das rückgrat von -day to day- bilden. obwohl in den usa geboren, wuchs sarathy korwar in ahmedabad und chennai in indien auf. nachdem er sein studium beendet hatte, schmiedete sarathy pläne für eine musikkarriere und zog nach london, wo er als klassischer tablaspieler von sanju sahai ausgebildet wurde
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born kenny dixon jr., moodymann is a one-of-a-kind electronic music icon, hailing from, and wholly synonymous with the motor city. dj-kicks will be dixon’s first ever official multi-artist dj mix. across 75 minutes and 30 tracks, moodymann creates a libidinous, blues-drenched mood that takes in heart-breaking soul, gorgeous hip-hop and love-fuelled house. in addition to cuts from his own creative circle, the mix features 11 exclusive moodymann edits.
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love & hoppiness, deep horse, shake that und night rainer diskodub zeugen einmal mehr von der kraftvollen energie, für die feindrehstar seit mittlerweile fünfzehn jahren auf anspruchsvollen dance floors geschätzt werden. und demnächst dürften sie für neue ekstase im club oder auf dem festival sorgen.
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ein weiteres außergewöhnliches album, das nun als re-issue in der jazzman holy grail-serie erscheint.
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performed by love of life orchestra and produced by jeff jones the jedi master, with peter gordon. artwork by kit fitzgerald. album duration: 40 mins. comes with cd & cd booklet, download codes for wav, flac, mp3 files + dsd (sacd) files & video extras including live concert footage.
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timeless, florian pellissier quintet journey through jazz from paris to new york. a rule of the game is to find the flavor of new yorkers groups from the 60s to mix with european musicians of the time. organic, inspired, it would take ten years of concerts and two albums to reach the goal: iches bleue promises to be a gateway album, a hidden passageway between eras, a scientific miracle. a sax, trumpet, piano, bass and drums, no artifice, a simple sound
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funky dl presents his very unique style
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on moving to canada from his original home of haiti, pianist and singer/songwriter henri-pierre noel brought with him much of the tropical island s influences. the kompa funk sounds of his homeland, along side contemporary north american jazz and disco, ran throughout henri s 1979 album piano, re-released by wah wah 45s in 2012, and now its time for a second helping with the re-issue of 1980s dance floor friendly one more step, both albums having been originally released on very limited private presses and since become holy grails of the back music scene.
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atemberaubender zeitgenoessischer spiritual jazz aus suedafrika: als tumi mogorosi diese suite für jazzmusiker und opernsaenger(-innen) komponierte, hatte er noch nie von den bisherigen erfolgreichen versuchen von donald byrd, max roach oder mary lou williams gehoert, diese scheinbar unvereinbaren elemente zu kombinieren. tumi, im jahr 1987 geboren und bereits ein versierter schlagzeuger in der jo burg musikszene, absolvierte zu der zeit sein musikstudium an der tshwane university of pretoria, wo er enge freundschaften mit opernsaenger auf dem selben campus hatte. im gegensatz zu einigen seiner us-kollegen sind tumis ueberzeugungen nicht religioes.die cd erscheint mit einem 4-seitigen booklet plus bonus tracks, die lp kommt im 60s uk laminat cover style
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mit neneh cherry hätte wohl kaum noch jemand gerechnet. erst recht nicht damit, dass die stimme von 7 seconds an der seite eines free-jazz-trios suicide covert. zwischen neneh cherry und the thing hat es offenbar gefunkt. vor zwei jahren trafen die prominente sängerin und das radikale free-jazz-trio erstmals zusammen, nun haben sie gemeinsam ein album eingespielt. angesichts der hits von neneh cherry, die sich zwischen hiphop, soul und ethno bewegten, mutet ihr comeback-projekt abwegig an. betrachtet man jedoch die familiären hintergründe, liegt die kollaboration eigentlich auf der hand: neneh cherry ist die tochter des jazzmusikers don cherry, der the thing mit einem seiner stücke zu ihrem namen inspiriert hat. der renommierte schwedische saxophonist mats gustafsson und das norwegische rhythmus-duo ingebrigt håker flaten und paal nilssen-love transzendieren das spektrum herkömmlicher jazz-trios. neben einem cover von don cherry finden sich darauf songs von the stooges, mf doom, martina topley-bird und ornette coleman. wenn nicht alles täuscht, steht mit diesem album die Überraschung des jahres ins haus.(78sfm)
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georgie fame ist eine britische r&b-legende. er hat in seiner 50-jaehrigen karriere mehr als 30 alben und 13 hitsingles veroeffentlicht, sein bekanntester hit ist >the ballad of bonnie and clyde< nr. 1 in uk im jahr 1968.
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fuer >where we need no map< traegt otto das fello erstmals ins hamburger studio und nimmt unzaehlige sessions auf, in denen die gesten des bogens direkt den verstaerkten sound des cellos veraendern und neu formen. diese fello-sitzungen werden anschließend editiert und mit anderen einfluessen vermengt, die von skweee ueber house bis hin zum jazz reichen. der markenzeichen-sound von springintgut, diese ureigene verspieltheit, ist weiterhin vorhanden, gewinnt durch das live-prozessierte cello aber eine bisher unerreichte tiefe.
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when two kindred spirits meet, their combination often results in more than just its sum. neve naive is such a coincidence. producer/multi instrumentalist stefan merse ulrich and singer/songwriter neve aka alexa voss have joined forces to come up with one of the most astonishing debuts of this year.
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awesome cd absolute jazz gold! everyone a winner - a lot of these tracks would have turned dingwalls, london, upside down back in the day! tip!
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strut kicks off its 2013 release schedule with the first definitive overview of one of the most revered, open-minded and influential labels of the 1980s, celluloid records. change the beat is released in conjunction with jean karakos and celluloid records. all formats feature rare photos from the celluloid records archive and extended interviews with label owner jean karakos, bill laswell, afrika bambaataa, john lydon, rusty egan (timezone) and more.
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the official release of the 1976 recording the tribe. previously only a handful of ultra-rare test pressing copies were floating around of this beauty. finally after more than 35 years, this essential spiritual jazz recording will see its official release. big tip!
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THE NATIONAL JAZZ TRIO OF SCOTLAND S CHRISTMAS ALBUM (CD)
cd D
21.11.12
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>in the red< is the debuet album of trus me.its a collaboration of several vocalists and musicians,especially the jazzy detroit innovator amp fiddler who features two tracks on the organic and song based album.
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for volume 1 of breakin bread s new mix series, para and baila dig deep into the label s 12 year catalog and select the finest tunes and blend them to perfection. expect a breaks-heavy mix that includes cuts from para, natural self, rob life, quantic, color climax, ghost, tom caruana plus many more, spanning all styles represented by breakin bread from new school soul, funk, breaks, and beats.
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80s classics and rarities!mixing traditional senegalese mbalax with cuban rumba, hip hop, jazz, soul and beyond, youssou n dour is one of the most celebrated african musicians in history. featuring the prime of his early 80s senegalese recordings and the material he recorded for virgin in the late 80s >from senegal to the world< covers the decade when youssou became a world music icon.
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fusing latin american sounds with european electronic beats can often produce a bland and rudderless dross destined for derivative lounge compilations and deliriously dull playlists at pretentious after work cocktail bars. not so with the aptly named 1st trip, the superb sophomore effort from the equally aptly named los transatlanticos.
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soul jazz records continues its journey into the vaults of the mighty studio one with this next instalment featuring everything from classic ska and rocksteady to the deepest roots, heaviest dub and dancehall roots. as ever the album includes incredible reggae artists such as the heptones, ken boothe, the skatalites, johnny osbourne, wailing souls all of whom launched their careers at studio one, 13 brentford road, under the guidance of clement sir coxsone dodd.this album features some of the most in-demand and collectible studio one tracks over the years, all digitally remastered. the sleevenotes are by rob chapman, author of the celebrated books about studio one records, never grow old and downbeat the ruler.
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das label affine samt seinem aushaengeschild, dem microkorg-wunderkind dorian concept, ist eine der positivsten erscheinungen des vergangenen jahres in der oesterreichischen musiklandschaft. nicht nur kenner der heimischen szene, sondern auch groeßen wie gilles peterson lassen sich vor verzueckung zu wahren lobesreden hinreißen, und das, obwohl die ep -twice upon two times- erst der zweite offizielle release des plattenlabels ist. bei jsbl trifft groovender jazz-rock mit progressiver verspieltheit auf knackige keyboard-synthie-lines, produktionstechnische sicherheit und viel liebe zum musikalischen detail.
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2011 two cd compilation including tracks from jane monheit, stacey kent, clare teal, ranee lee, maureen mcgovern, joe coughlin, and jamie cullum. the tracklist includes classic works by master composers gershwin, antonio carlos jobim, charles trenet and bill evans amongst others, the album also includes jazz covers of popular songs from the beatles, cat stevens and joni mitchell.
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soundway remain in colombia for the follow up to cartagena! curro fuentes & the big band cumbia & descarga sound of colombia 1962 – 72, with a collection of pure colombian dancefloor thunder. check! 16 tracks of the finest guaguancós, descargas and cumbias recorded by legendary bandleader michi sarmiento y su bravos, and released on the infamous discos fuentes label between 1967 and 1977
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debut album from curv on vinyl vibes records ... after various successful 12inch releases on vinyl vibes, the label introduce their first artist album from curv. while in the past mixing organic and clubby elements, deeply rooted in soul and jazz, curv recently developed a stronger love for electronic music, splendidly reflected in this fantastic record. between here and nowhere is not just another electronic album as one might expect. it features a unique style of warm, analog sounding club music which makes perfect sense as a listening experience too. it would not be curv if jazz, funk and disco didnt feature, if he would not occationally mix the electronic beats with some natural sounding drums, the keyboards with some piano. but he is now putting all these things into an electronic context of house beats, naughty electro and even deep minimal. in between all of this you still find all those stunning little details that make his music curv-music in its very own & special way.
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jazzanova takes it to the next stage: the funkhaus studio sessions.
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dj andy smith – one of the worlds premier funk djs and the man who supplied portishead with their samples – joins forces with keith lawrence - renowned reggae collector and reggae dj from www.colourfulradio.com - to present the heaviest selection of funky reggae in the uk smiths comps have sold over 35.000 units inc. the acclaimed -document- series which included albums for greensleeves & trojanp>killer cover versions of stevie wonders you havent done nothing (sly dunbar), marlena shaws woman of the ghetto (hortense ellis) & william de vaughns be thankful for what you got (donovan carless) super rare cuts from bumps jackson, barry waite & sly dunbar tracks from impact, randys, demon, dynamic, hot shot, tent & various pama records offshoots various tracks from the pama catalogue which back-in-the-day was a contemporary of trojan inc tony scotts what am i to do now, pussy by kid longo, lloyd terrells i did it, ricos tribute to don drummond, d tony lees peyton place, lester sterling & stranger coles bangarang & children get ready by the versatiles.
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nach zahlreichen alben für parov stelars etage noir label in Österreich, kehrt cayetano wieder zurück in seine griechische heimat und veröffentlicht mit once sometime sein neues album auf klik. die 13 tracks sind wieder eine vitale mixtur aus trip hop, dub, breaks, jazz, dubstep und jeder menge soul. die cd enthält zusätzlich exklusiv sein 2006er album focused als bonus.
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the third album of the rongetz foundation, also recorded in new york, will be released end of 2012 and features musicians such as gregory porter, ronnie cuber, renee neufville or john robinson. on that session, rongetz goal was to dig more than ever into compositions that are bridging jazz with hip-hop and soul music.
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deluxe 2xcd features 52-page booklet documenting the creation of the album and the artists who featured on it. mixing cumbia,gaita,champeta with boogaloo,ska,beatbox,dub and hip hip!
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proper heat ist eine exquisite allianz von drei musikern, die verrückt nach jazz, house, disco und elektronik sind. nach langem warten kommt nun ihr liebevoll gestaltetes debüt album in diesem sommer, und es heißt chapter one. nach drei sehr gut aufgenommen eps auf nang freuen wir uns dieses beeindruckende debüt präsentieren zu dürfen. wie immer laidback, ist disco house das gebot der stunde, und dieses album ist bis zum rand damit gefüllt.
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the 36 track 2cd album comes with 50-page book featuring text, biographies and photography. it also comes in a limited run two volume double-vinyl super-loud super-heavy gatefold sleeve editions. compiled by stuart baker (soul jazz records) and sleevenotes biographies by johnny trunk (trunk records)
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legendary brazilian vocalists stunning 1969 landmark london album. an amazing mix of bossa nova,mpb swinging funky orchestral grooves and more
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after don cherry, john betsch society, raphael, a new reissue selected in the vinyl collection of heavenly sweetness. once again, the label appears a forgotten album, which has passed the test of time so that it is rediscovered !a new pearl of european jazz to rediscover as was the case with placebo, cortex, michael garrick catalog, ian carr or mps catalog.
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der new yorker saenger und multi-instrumentalist allen hoist machte seine ersten buehnenerfahrungen an der seite von soul-, latin- und jazz-legenden wie tito puente, dizzy gillespie, millie jackson, solomon burke, sam & dave, ron carter oder mongo santamaria. eine tour brachte ihn schließlich nach europa und es begann eine tiefe verbindung zu paris und der dort ansaessigen musikszene. gemeinsam mit einigen der besten world musik-& jazz-musiker der franzoesischen hauptstadt nahm er im jahr 2000 das klassische jazz-album -just before spring- auf. in den darauf folgenden jahren entwickelte sich eine enge zusammenarbeit zum soulab label. fuer sein neues album -soul renaissance- arbeitete allen hoist mit renommierten produzenten wie 4 hero, kaidi tatham (bugz in the attic), greg gauthier oder franck roger zusammen. so entstand eine brillante kombination aus akustischen und elektronischen sounds und einfluessen aus soul, house, jazz, broken beat, doo wop, nu soul, afro beat, latin und funk.
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the late steve reid, veteran jazz drummer and percussionist, and kieran hebden (four tet), the british electronic musician/producer young enough to be his grandson, present the fifth and final installment of their momentous synergy. the music on this double cd was recorded in concert on 20 june 2009 in the foyer of the queen elizabeth hall at london s southbank centre, as part of the meltdown festival curated by free jazz legend ornette coleman. for this marathon workout, reid and hebden were joined by swedish power saxophonist mats gustafsson, whose fiery blowing style had inspired kieran to seek out a drummer like steve to work with in the first place. live at the south bank stands as a memorial to a thrilling and productive partnership sadly cut off in its prime.
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deep , spiritual jazz, originally released in 1979
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caro emerald beweist, dass die populaere musik zuweilen stars jenseits von moden und mainstream der gegenwart hervorbringt. mit verve, charme, sinnlichkeit und einer stimme, die jeden nachtclub in ekstase versetzt, hat die junge hollaendische interpretin eine welle der begeisterung ausgeloest, die alle altersgruppen erfasst. ihr faszinierender retro-stil zwischen jazz, swing, chansons und suedamerikanischen rhythmen, die mit modernen beats und baessen unterlegt sind, trat seinen unglaublichen siegeszug im nachbarland an, bevor er sich mit gleicher vehemenz deutschland, oesterreich und der schweiz fortsetzte. ihre neue single that man erzaehlt die geschichte einer frau, die nicht von ihrem weg - oder in diesem fall - nicht von ihrem staendigen bestreben, abgebracht werden kann, ihren eigenen clark gable zu finden.
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this latest release by the ever impressive trunk records consists of two jazz recordings from 1964. the first four tracks, credited to west indian trumpeter shake keane, are taken from an unreleased acetate belonging to garricks private collection. the final four tracks consist of the shake keane & michael garrick quartettes a case of jazz ep that had a limited pressing of just 99 copies. much like trunks earlier michael garrick release moonscape (which was recorded in the same year), this is indeed obscure 1960s uk jazz. the first four cuts from the untitled acetate are very much jazz of the bossa nova variety. the hastings girls choir feature on the first two tracks and their lush vocals add a cool exotic vibe. tracks 3 & 4 are taken from the flipside of the acetate and were recorded with the gordon langford orchestra. the final four tracks from the a case of jazz ep are freer flowing and keanes trumpeting accompanied by garricks piano makes for some quality early modern british jazz. moody album closer regrets is a stunner and best showcases how well they both compliment each other.
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with over 10 years worth of experience and a number of releases on labels such as emi, p-vine, and freestyle, uk funk & soul titans the baker brothers land at record kicks with their seventh, and latest musical opus -time to testify-. in the new album the baker brothers pick things up where top singles -once i had a friend- and -patience- left off. the result is -time to testify-, a brand new album that sees the baker brothers hitting their stride as they mix elements of modern soul, jazz, funk and everything in between.
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nathan davis has been an internationally significant figure in jazz throughout the latter half of the 20th century, but to many his musical legacy remains little known. this album presents the music of nathan davis as it developed through the 60s and 70s, from bop through modal to world sounds and funk. having turned his back on the us he spent the 60s living in europe, playing and recording with jazz luminaries such as kenny clarke, art blakey and eric dolphy, before returning at the end of the decade to take up a career in teaching in pittsburgh.
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with this, his debut full-length album entitled when the clouds ran away the man behind the music si tew has seamlessly tied together the many elements of musicality he loves, and from this has delivered a polished masterpiece of modern day electronic soul. featuring a talented crew of collaborators, the album swings from glitchy swung break beats via heart felt soul to organic cinematic compositions, and although this may seem like an impossible task si tew has produced this genre hopping expedition perfectly. the wonderful vocals on this album are performed by a handful of the uks best including leamington spas siren shanade, who opens the album with the divine >silhouette< gliding effortlessly along and introducing the oncoming album traffic
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press release: alto/soprano saxophonist sean khan is a multi instrumentalist visionary mixing classic jazz and incredible improvisation skill. the band leader of cult british soul-jazz outfit sk radicals, sean khan s debut solo record slow burner is soulful, eclectic blue note standard jazz. paying homage to khan s jazz heroes the album comes packed with pulsating grooves that mix contemporary urban sounds with classic jazz. slow burner features some of the best young jazz musicians on the london and european jazz scene laurie lowe (drums), mike edmonds (double bass), susan allotey (vocals) and tim lapthorne (piano).
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the template celebrates jtqs 25 years of recording. james taylors hammond organ playing is distinctive, his light touch contrasts with many of the heavy duty players of the past. this album includes a wicked version of home is where the hatred is. also check the vocal jazz funk of light up your soul, the full-on jazzy hammond of pressure gauge. taylors more subtle side surfaces on the understated koko.
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listening to the bleak, cold piano and string sounds, we soaked in pain and sorrow brought by unforgettable love. trumpet and guitar casually played, performers praise the happiness of love.. jazz ballads invites you to appreciate the most delicate sound of love, presented by stacey kent, grammy award nominee, maureen mcgovern, winner of academy award for best original song, and clare teal, bbc jazz vocalist of the year in 2006. the album includes thirty everlasting and classic songs, which has been around for more than half a century: when i fall in love, the theme song of sleepless in seattle, and i love her, beatles s classic work reaching top 2 in 1964, i can t stop loving you, will you still love me tomorrow, the monologue by carole king, embraceable you, written by george gershwin, which was separately rendered by billie holiday and ella fitzgerald, james taylor s don t let me be lonely tonight, when you wish upon a star, best original song for oscar from pinocchio, bonnie raito s i can t make you love me, and dream a little dream, advertising song for ferrero rocher. with deep, touching, and elegant jazz melodies, jazz ballads will take you to savor the lingering taste of love and romance.
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2011 two cd collection. bistro lounge music contains a healthy selection of fine music that is guaranteed to fill your senses with wonderful flavors. features tracks from martina topley bird, bonobo, mr. scruff, alice russel, belleruche, speech debell, winston mcanuff, pacha massive and many others. bistro lounge music is a mystery and legendary land existing out of time with wines and delicacies, a place where you can savor the sexy, lazy atmosphere, where you ll refuse to leave.
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more raunchy, erotic filmmusic from the vaults of italian 60s & 70s cinema the finest in italian 60s sountracks course 2 the return of italys most raunchy, erotic and sensual film scores from b-movies of the 60s and 70s. after the stunning success of volume 1, the sequel tops its predecessor with even more stunning poster reproductions, information on the musicians and the feature films. italys most prominent film composers are here to give you excessive sounds of cult pasta cinema which often have never been released before. - cd (jewellcase) + 16 page booklet with poster
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madlib got a bit lost in his detour into jazz - madlib medicine shows 7 (high jazz) and 8 (advanced jazz). he was supposed to circle back with a punch-you-in-the-face return to hip-hop form - a collaborative album with detroit rapper frank nitti - but instead he found himself lost in the lost gates... a place where black soul (madlib medicine show 10) really means disco funk. sorry about that. the good news is: hes back. and that hip-hop album, for which the medicine show faithfully have been holding their tickets, is finally here. its called lowbudget high-fi music and its a interesting look back at the madlib medicine show and a prelude of what is to come in the 12th, 13th and – maybe – 9th releases in the series. all of the regular madlib collaborators – med, guilty simpson, strong arm steady – are represented here with exclusive tracks. karriem riggins pops in for a supreme team interlude, as does a.g. madlib digs out a jaylib-era track that was earmarked for the never-realized second album and, of course, interludes, outerludes and – probably – queludes abound. the madlib medicine show series is a combination of madlibs new hip-hop productions, remixes, beat tapes, and jazz, as well as mixtapes of funk, soul, brazilian, psych, jazz and other undefined forms of music from the beat...
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berk & the virtual band praesentieren all-time-pop classics mit einem jazzy flavour! easy listening fuer zu hause & unterwegs! tip!
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as an accomplished musician, arthur pochon (aka art bleek) presents in december 2010 his >art supplies< and weaves elements of house, funk, soul, jazz, rare groove and more into a rich musical tapestry. with vocals from ursula rucker, voice, nya, charlie sputnik and airelle besson >art supplies< reveals many depths and textures over thirteen tracks of shimmering, heart-felt grooves.
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limited jazz edition !!
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after a four-year break from the studio, la’s finest practioners with their producer miles tackett return back with their actual album >dusk till dawn<. breakestra was formed by tackett in the late 80s and became one of the great live funk bands of their era. with their sound of gritty soul/jazz, party funk & breaks breakestra takes us to a journey into psychedelic soul, and west african farfisa stylings and instrumental cuts!
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jazz cinema 2, a touching remembrance of poignant love, takes you swimming through the joy of music and serenity and entering into a time of majestic legends. the performers in this album includes jamie cullum, one the most popular jazz singers in the world, stacey kent, a grammy award nominee, peggy lee, who has a great reputation in both singing and film career, nat king cole, one of the most legendary jazz singers, louis armstrong, the swing star, billie holiday, and ella fitzgerald, two of the most honorable jazz q