tenderlonious plays tubby hayes.
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13.69 EUR *
the 2018 album from kamasi washington on triple cd.
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cd, 24p booklet + movie download code
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jeff parker combines rhythmic flow and soulful swing on his new album “suite for max brown”.
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13.79 EUR *
austro-german jazz formation shake stew present their 3rd album.
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25.99 EUR *
the first compilation of modern era recordings from detroit jazz collective tribe, presented by strut and art yard.
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soul jazz brings the 2nd album from steve reid back.
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essetial collection, 2cd
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when it falls is a timelessly classic album from a seminal electronic band and the essential soundtrack to any laidback summer chilling.
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limited edition
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18.99 EUR *
celebrating its 25th anniversary, far out recordings proudly presents two albums of previously unheard azymüth demo recordings from 1973-75.
FARO210CD
Far Out Recordings
also available as:
part of a serie (EUR 20.99)
part of a serie (EUR 20.99)
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floating points personal collection of global soul, ambient, jazz, folk treasures from the latest in the late night tales. includes exclusive material from sarah davahi, toshimaru nakamura and floationg points cover version of kenny wheeler. also features an exclusive spoken world piece by lauren laverne. included bonus download code to the unmixed track versions in flac, wav & mp3
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with a hybrid jazz based on african grooves, ethio-oriental melodies and psychedelic dub this belgian five-piece creates an atmosphere where ancient and modern sounds fuse into a powerful, hypnotic and groovy sensation.
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where the histories of free jazz, early experimental composition, and leftfield club music all cook down together. - pitchfork
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pianist hendrik lasure is one of the greatest talents the belgian jazz scene
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cd powder is an alchemist of time. her ceremonious dj sets invite listeners and dancers to extend their imaginations to abstracted spaces, while allowing the body to vessel the voyage in free, flowing style. playful, thoughtful, and natural without knowing, powder’s crates encourage abandonment of arbitrary boundaries and expectations surrounding genre, movement, schedule, and societal convention to revel, spirited and harmonious, in the passage of time. momoko goto relocated from her hometown of nagasaki, japan to tokyo in 2011. this is where the story of powder, as the international dance music community knows her, begins. with the change in location came a change in lifestyle, where a balance of 9-to-5 office life and sacred, nocturnal recording sessions invited moko to reflect on musics unique ability to stop the clock and expand or shrink our sense of time.
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peace the new jazz (feat. bojan z & sawani mudgal)
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esp-disk kick off 2019 with signature the new album from the matthew shipp trio.
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cd jeweil case, sticker
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fresh from bringing us two incredible volumes of ‘a journey into deep jazz’ and providing an introduction to black saint & soul note records on bbe, if music’s jean-claude joins forces with victor kiswell for new compilation, ‘world jazz grooves’.
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faboulous jazz sampler
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beautiful cd digipac edition classic, the holy grail album mkwaju by acclaimed japanese percussionist midori takadas mkwaju ensemble wrwtfww records is proud to announce the highly anticipated official reissue of holy grail album mkwaju by acclaimed japanese percussionist midori takada’s mkwaju ensemble, sourced from the original masters
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beraadgeslagen, or drummer lander gyselinck (stuff., labtrio, etc) and keyboardist / singer fulco ottervanger (stadt, de beren gieren, etc) together on the tandem. a musical think tank with drums, keys, texts and bells. for ten years they have been playing together in the most invisible places, but every now and then they show themselves to the world with disco classics that never reached the market. soulful and unpredictable
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due for an autumn release on far out recordings, rasif sees amaro freitas take a deserved step onto the world stage. from the afro-brazilian maracatu born on the sugar plantations of slavery, to the high intensity carnival rhythms of frevo and baião, amaro s heavily percussive approach to jazz is as indebted to these pernambuco traditions as it is to coltrane, parker and monk.
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an outstanding collection of musical gems from belgiums thriving jazz scene. compiled by belgian dj and eclectic connoisseur lefto.
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marking sixty years of bossa nova, and twenty years since marcos valle s first release for far out recordings, what better time to bring back this era-defining classic from the brazilian master composer?
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steiger are a piano trio trying to find a balance between composition and improvisation through the use of experimentation and electronics. the trios highly anticipated sophomore album give space was recorded at 7 different locations, with the music composed to fit and fight these locations within a dialogue of acoustics, atmospheres and appetition.
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as prodigies of the new wave of belgian jazz, mdciii effortlessly marry the virtuosity and free spirit of jazz to influences from the other end of the musical spectrum: from tribal rhythms and roots to far out electronics.
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this collection of rare and previously unreleased recordings pays homage to the life and jazz of jack sels.
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31.99 EUR *
a true japanese jazz holy grail album, this 1975 album was made solely as a business card for an influential businessman and only a few hundred were known to be pressed. the quartet comprises a group of students who never shared a stage with each other and only formed for this one album yet the album sounds as if they ve been playing together for decades. deep modal jazz, frenetic, fizzy and energetic, these five tracks are some of the most coveted and sought after songs from the japanese jazz golden age
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far out recordings präsentiert nach einer 20-jährigen intensiven suche eine neue arbeit der uruguayischen fusion-legende hugo fattoruso, dem mastermind hinter der legendären 70er jazz-funk-formation opa, der u.a. von flying lotus und madlib gesamplet wurde. zusammen mit seinen weltklasse-musikern, darunter den silva-brüdern und ihrem candombe-drumming, entstand in den sondor studios in montevideo unter seiner musikalischen leitung das brandneue werk barrio opa, eine organische weiterentwicklung des legendären opa-sounds aus afro-uruguayischen rhythmen, jazz-harmonien und prägnanter funk-attitüde.
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the radical discovery by amir abdullah of 5 two-track master tapes in the care of hermine brooks – widow of innovative detroit drummer roy brooks – of the charles mingus quintet recorded live in detroit at strata concert gallery is cause for some serious celebration. these electrifying recordings took place during mingus’ week-long residency in february 1973. they were broadcast live by drummer/producer and broadcaster robert “bud” spangler for wdet fm – a public radio station dedicated to jazz – from kenny and barbara cox’s multi-purpose home for strata records at 46 selden. entrance to the gig was $5 dollars in advance and $6 on the door.
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ryo fukuis 1977 highly sought-after jazz gem mellow dream in a deluxe limited edition 2018 reissue cd we release jazz (wrwtfww records new sister-label) is thrilled to present the official reissue of criminally overlooked japanese jazz gem mellow dream (1977) by hokkaido pianist wunderkind ryo fukui, released in conjunction with the its legendary predecessor scenery, sourced from the original masters and available on limited edition 180g vinyl mastered at half speed for audiophile sound as and on digipack cd.
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ryo fukuis 1976 highly sought-after jazz masterpiece scenery in a deluxe limited edition 2018 reissue digipack cd we release jazz (wrwtfww records new sister-label) is proud to present its first release, the official reissue of ryo fukuis highly sought-after masterpiece scenery (1976), sourced from the original masters and available on digipack cd. unquestionably one of the most important japanese jazz albums ever recorded, scenery reveals ryo fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous and game-changing take on classic standards made famous by bing crosby and john coltrane among others.
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strut presents the new album from the modern day leader of afrobeat, seun kuti. the youngest son of afrobeat legend fela kuti is as incensed by injustice as his father ever was and, with his mighty new album black times including a feature from carlos santana, he honours the revolutionaries who have gone before and rallies the torch-bearers to come.
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without new jersey native kerri kaoz chandler, house specifically deep house would sound very different. ever since his teens he has been making and playing music with a unique sense of soul, jazz and deepness. from majors like atlantic, king street sounds and nervous via his own madhouse, his releases are never short of genre-defining classics that have spawned a thousand copycats. affectionately referred to as the stevie wonder of house, kerri’s dj sets take him all over the world and often find him playing live keys next to his informed selections. he’s meticulous about sound, too, which means that no-ones kicks hit quite like kerris. his instantly classic and timeless dj-kicks mix, though, takes him out of the club and through a world of influences and inspiration
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this compilation acts as an introduction to this electric, cool and uplifting music that was affecting so many enthusiastic dancers and dj / collectors. all the tracks on here are taken from one of the most prolific and emerging labels for this genre muse records that offered the complete spectrum of styles to fit in with this emerging scene crossing over with jazz fusion, be bop, vocals, electric keyboards, and percussion.
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re-issued again, with new liner notes. a wonderful, rare record wrapped in a mysterious yet playful ambiance. or maybe it s just the impression that the japanese language often gives me. suiren is an odd jazz-fusion-wave tune that sounds like its boiling, waiting to burst but somehow manages to stay in control. like the nervous tick of a leg fidgeting under the table of a restaurant on a first date. yasuaki shimizu is a japanese composer, producer and saxophone player born in 1954. he worked with ryuchi sakimoto on certain arrangements, with the south korean artist nam june paik on art+sound installation pieces and even dj towa tei (of deee-lite fame). suiren was released in 1981 and is the opening title on the sought-after kakashi album and is my personal favorite on this overall brilliant record. it weaves behind new wave, jazz, fusion, ambient and experimental music.
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beloved dj, compiler and incurable vinyl junkie, kev beadle returns to bbe with a 3rd volume of his much lauded æprivate collectionÆ album series. taking in a wide range of obscure jazz with a distinct nod to the dance-foor, the frst two æprivate collectionsÆ are already considered classics by the jazz-dance community.
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was auf oracle ungeschliffen passiert, ist der erste output einer deutschen jazz supergroup. zunächst wollte man ein unperfektes spiritual jazz album aufnehmen, das vorbildern aus den siebzigern fröhnt (strata east, black jazz et cetera), einfach mal der leidenschaft nachgehen. und man wollte eine fiktive band erfinden, die es nicht gab, und rausposaunen, es handelt sich um ein unveröffentlichtes album von namhaften und beseelten typen aus den 70ern. nun ja: dann hätte man nie live konzerte geben können, von interviews ganz zu schweigen. kurzum, es wäre schwierig gewesen, das geheim zu halten, also hat man sich entschlossen, die identitäten preiszugeben: web web sind: roberto di gioia (piano, synth, percussion), tony lakatos (tenor- und sopranosaxophone), christian von kaphengst (upright bass) und peter gall (drums).
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this is one of the most influential groups in jazz history, a coming together of like-minded innovators who would be considered crucial influences by succeeding generations.
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stefano ghittoni and luca ‘dj rocca’ roccatagliati, two renowned names in the vast world of electronic music, unite their minds in an artistic partnership giving life to the nine tracks of “atemporal space tests”, a haunting collection of electronic jazz-funk songs, from mid to downtempo. it’s a fully instrumental record that plays very rhythmic and groovy, built on both analogic and digital sounds, like a floating and psychedelic soundtrack to a modern science fiction movie.
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balancing the classical with the spiritual, the cinematic with the introspective, and sensitivity with a distintly brazilian groove, notes over poetry,a new album for far out recordings, calls upon the inspiration of the many musical and artistic greats philippe has been surrounded by throughout his life
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stone cold killer classic jazz funk long player, zoning and beautiful. tip! cd version.
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bereits 2010 gaben shobaleader one featuring tom jenkinson aka squarepusher am e-bass mit dem album d demonstrator ein erstes lebenszeichen von sich. mit elektrac meldet sich die band nun 2017 zurück und liefert live eingespielte interpretationen von 11 squarepusher tracks aus dessen reichhaltiger diskografie ab. shobaleader ones sound ist retrofuturistische, organische space-fusion aus funk, jazz und electro. diese präsentieren sie im markanten outfit aus mönchskutten mit led-masken auch live. das prägnante artwork stammt übrigens von iron maiden-designer mark wilkinson aka the masque.
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der jazz drummer und hip hop produzent karriem riggins aus detroit kehrt mit seinem zweiten album für stones throw zurück. headnod suite folgt dem alone together album und enthält 29 instrumental tracks für fans von j dilla, madlib und gleichgesinnten. karriem riggins war langjähriger vertrauter des 2006 verstorbenen j dilla und hat das the shining album nach dessen tod zur finalisierung geführt. zuletzt hat er für common das black america again album produziert und arbeitete zuvor mit künstlern wie erykah badu, kanye west, the roots und vielen anderen.
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theo conard, also known as paxton fettel delivers his second lp on greta cottage workshop. entirely produced by mr fettel its an exemplary mix of predominantly instrumental contemporary jazz funk, sometimes featuring the vocal talents of one olivia lincoln. from the very beginning it is totally and utterly heartfelt - until the floor churning and brazenly life affirming end his emotions are worn firmly on his sleeve. its a serious embodiment of proper fusion and a testament to a phenomenal producer progressively pushing his work in a playful, honest, admirable and honourable way...whilst not taking himself too
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venezuela 70 - this is the first ever compilation of its kind to take a look at the groundbreaking experiment al rockmusic created in venezuela in the 70s, a stunning blend of usa & uk rock, european electronics, funk, jazz amd latin rhythms. feat. vytas brenner, pablo schneider, angel rada, miguel agel fuster and more. incl. 24 page booklet with extended text and artist bios ect
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awesome ! great music
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a good place to start. her basic sound and image were interior-life bohemian, and in some ways she was cagey with her talent. she didnt belt or improvise broadly. she picked a limited range of notes and climbed into them, applying a pinch of vibrato, letting her voice fade and crackle. these tracks clearly demonstrate her guiding desire, which was to explore the possibilities of the slow blues in the late 20th century, whatever that might mean. some of the most intense recordings she made were english-language covers or japanese rewrites of american jazz standards, blues songs and spirituals, backed by only acoustic guitar and drums. she sang slowly, as if there were weights on her. and after a while of her working and your listening, youll hear it: the way she connects intimately with her task but keeps something private for herself (new york times)
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mitte november 2016 wird bei ninja tune romares lang-erwartetes zweites album love songs: part two erscheinen. love songs: part two entwickelt und erweitert die lässige brillanz seines debütalbums projections. es war die art von gefeiertem album, die einen weniger talentierten künstlers ins straucheln gebracht hätte. vom dj mag zum album des jahres gewählt, erhielt es begeisterte kritiken auf der ganzen linie. es wurde von größen wie bonobo, four tet und annie mac unterstützt und etablierte fairhurst als produzenten, den man gesehen haben muss. es scheint, als nehme er diesen druck recht gelassen hin. love songs: part two zeigt eine erweiterung, entwicklung und vertiefung seiner techniken. obwohl sampling von vinyl noch immer eine wichtige rolle für ihn spielt, hat fairhurst weitaus mehr musik auf dieser platte selbst eingespielt: von monophonen synthesizern über den rekorder seiner großmutter und die mandoline seines vaters, bis zum e-bass sowie einer vielzahl von gitarren und keyboards, die ebenfalls zentrale rollen einnehmen.
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es ist eine gemeinsame veröffentlichung von ninja tune und der steve reid foundation, einer wohltätigkeitsstiftung, die von gilles peterson gegründet wurde, um musikern durch krisenzeiten zu helfen und neue, aufstrebende talente zu fördern. sarathy ist absolvent des entwicklungs-programms der stiftung, die von four tet, emanative, floating points, koreless und gilles peterson betreut wird, allesamt kuratoren der steve reid foundation. während ausgedehnter trips nahm sarathy field recordings der örtlichen sidi gemeinschaften und ihrer gesänge sowie percussions auf, welche das rückgrat von -day to day- bilden. obwohl in den usa geboren, wuchs sarathy korwar in ahmedabad und chennai in indien auf. nachdem er sein studium beendet hatte, schmiedete sarathy pläne für eine musikkarriere und zog nach london, wo er als klassischer tablaspieler von sanju sahai ausgebildet wurde
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born kenny dixon jr., moodymann is a one-of-a-kind electronic music icon, hailing from, and wholly synonymous with the motor city. dj-kicks will be dixon’s first ever official multi-artist dj mix. across 75 minutes and 30 tracks, moodymann creates a libidinous, blues-drenched mood that takes in heart-breaking soul, gorgeous hip-hop and love-fuelled house. in addition to cuts from his own creative circle, the mix features 11 exclusive moodymann edits.
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love & hoppiness, deep horse, shake that und night rainer diskodub zeugen einmal mehr von der kraftvollen energie, für die feindrehstar seit mittlerweile fünfzehn jahren auf anspruchsvollen dance floors geschätzt werden. und demnächst dürften sie für neue ekstase im club oder auf dem festival sorgen.
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ein weiteres außergewöhnliches album, das nun als re-issue in der jazzman holy grail-serie erscheint.
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performed by love of life orchestra and produced by jeff jones the jedi master, with peter gordon. artwork by kit fitzgerald. album duration: 40 mins. comes with cd & cd booklet, download codes for wav, flac, mp3 files + dsd (sacd) files & video extras including live concert footage.
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timeless, florian pellissier quintet journey through jazz from paris to new york. a rule of the game is to find the flavor of new yorkers groups from the 60s to mix with european musicians of the time. organic, inspired, it would take ten years of concerts and two albums to reach the goal: iches bleue promises to be a gateway album, a hidden passageway between eras, a scientific miracle. a sax, trumpet, piano, bass and drums, no artifice, a simple sound
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funky dl presents his very unique style
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on moving to canada from his original home of haiti, pianist and singer/songwriter henri-pierre noel brought with him much of the tropical island s influences. the kompa funk sounds of his homeland, along side contemporary north american jazz and disco, ran throughout henri s 1979 album piano, re-released by wah wah 45s in 2012, and now its time for a second helping with the re-issue of 1980s dance floor friendly one more step, both albums having been originally released on very limited private presses and since become holy grails of the back music scene.
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atemberaubender zeitgenoessischer spiritual jazz aus suedafrika: als tumi mogorosi diese suite für jazzmusiker und opernsaenger(-innen) komponierte, hatte er noch nie von den bisherigen erfolgreichen versuchen von donald byrd, max roach oder mary lou williams gehoert, diese scheinbar unvereinbaren elemente zu kombinieren. tumi, im jahr 1987 geboren und bereits ein versierter schlagzeuger in der jo burg musikszene, absolvierte zu der zeit sein musikstudium an der tshwane university of pretoria, wo er enge freundschaften mit opernsaenger auf dem selben campus hatte. im gegensatz zu einigen seiner us-kollegen sind tumis ueberzeugungen nicht religioes.die cd erscheint mit einem 4-seitigen booklet plus bonus tracks, die lp kommt im 60s uk laminat cover style
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mit neneh cherry hätte wohl kaum noch jemand gerechnet. erst recht nicht damit, dass die stimme von 7 seconds an der seite eines free-jazz-trios suicide covert. zwischen neneh cherry und the thing hat es offenbar gefunkt. vor zwei jahren trafen die prominente sängerin und das radikale free-jazz-trio erstmals zusammen, nun haben sie gemeinsam ein album eingespielt. angesichts der hits von neneh cherry, die sich zwischen hiphop, soul und ethno bewegten, mutet ihr comeback-projekt abwegig an. betrachtet man jedoch die familiären hintergründe, liegt die kollaboration eigentlich auf der hand: neneh cherry ist die tochter des jazzmusikers don cherry, der the thing mit einem seiner stücke zu ihrem namen inspiriert hat. der renommierte schwedische saxophonist mats gustafsson und das norwegische rhythmus-duo ingebrigt håker flaten und paal nilssen-love transzendieren das spektrum herkömmlicher jazz-trios. neben einem cover von don cherry finden sich darauf songs von the stooges, mf doom, martina topley-bird und ornette coleman. wenn nicht alles täuscht, steht mit diesem album die Überraschung des jahres ins haus.(78sfm)
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georgie fame ist eine britische r&b-legende. er hat in seiner 50-jaehrigen karriere mehr als 30 alben und 13 hitsingles veroeffentlicht, sein bekanntester hit ist >the ballad of bonnie and clyde< nr. 1 in uk im jahr 1968.
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fuer >where we need no map< traegt otto das fello erstmals ins hamburger studio und nimmt unzaehlige sessions auf, in denen die gesten des bogens direkt den verstaerkten sound des cellos veraendern und neu formen. diese fello-sitzungen werden anschließend editiert und mit anderen einfluessen vermengt, die von skweee ueber house bis hin zum jazz reichen. der markenzeichen-sound von springintgut, diese ureigene verspieltheit, ist weiterhin vorhanden, gewinnt durch das live-prozessierte cello aber eine bisher unerreichte tiefe.
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when two kindred spirits meet, their combination often results in more than just its sum. neve naive is such a coincidence. producer/multi instrumentalist stefan merse ulrich and singer/songwriter neve aka alexa voss have joined forces to come up with one of the most astonishing debuts of this year.
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awesome cd absolute jazz gold! everyone a winner - a lot of these tracks would have turned dingwalls, london, upside down back in the day! tip!
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strut kicks off its 2013 release schedule with the first definitive overview of one of the most revered, open-minded and influential labels of the 1980s, celluloid records. change the beat is released in conjunction with jean karakos and celluloid records. all formats feature rare photos from the celluloid records archive and extended interviews with label owner jean karakos, bill laswell, afrika bambaataa, john lydon, rusty egan (timezone) and more.
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the official release of the 1976 recording the tribe. previously only a handful of ultra-rare test pressing copies were floating around of this beauty. finally after more than 35 years, this essential spiritual jazz recording will see its official release. big tip!
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THE NATIONAL JAZZ TRIO OF SCOTLAND S CHRISTMAS ALBUM (CD)
cd D
21.11.12
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>in the red< is the debuet album of trus me.its a collaboration of several vocalists and musicians,especially the jazzy detroit innovator amp fiddler who features two tracks on the organic and song based album.
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for volume 1 of breakin bread s new mix series, para and baila dig deep into the label s 12 year catalog and select the finest tunes and blend them to perfection. expect a breaks-heavy mix that includes cuts from para, natural self, rob life, quantic, color climax, ghost, tom caruana plus many more, spanning all styles represented by breakin bread from new school soul, funk, breaks, and beats.
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80s classics and rarities!mixing traditional senegalese mbalax with cuban rumba, hip hop, jazz, soul and beyond, youssou n dour is one of the most celebrated african musicians in history. featuring the prime of his early 80s senegalese recordings and the material he recorded for virgin in the late 80s >from senegal to the world< covers the decade when youssou became a world music icon.
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fusing latin american sounds with european electronic beats can often produce a bland and rudderless dross destined for derivative lounge compilations and deliriously dull playlists at pretentious after work cocktail bars. not so with the aptly named 1st trip, the superb sophomore effort from the equally aptly named los transatlanticos.
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das label affine samt seinem aushaengeschild, dem microkorg-wunderkind dorian concept, ist eine der positivsten erscheinungen des vergangenen jahres in der oesterreichischen musiklandschaft. nicht nur kenner der heimischen szene, sondern auch groeßen wie gilles peterson lassen sich vor verzueckung zu wahren lobesreden hinreißen, und das, obwohl die ep -twice upon two times- erst der zweite offizielle release des plattenlabels ist. bei jsbl trifft groovender jazz-rock mit progressiver verspieltheit auf knackige keyboard-synthie-lines, produktionstechnische sicherheit und viel liebe zum musikalischen detail.
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2011 two cd compilation including tracks from jane monheit, stacey kent, clare teal, ranee lee, maureen mcgovern, joe coughlin, and jamie cullum. the tracklist includes classic works by master composers gershwin, antonio carlos jobim, charles trenet and bill evans amongst others, the album also includes jazz covers of popular songs from the beatles, cat stevens and joni mitchell.
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soundway remain in colombia for the follow up to cartagena! curro fuentes & the big band cumbia & descarga sound of colombia 1962 – 72, with a collection of pure colombian dancefloor thunder. check! 16 tracks of the finest guaguancós, descargas and cumbias recorded by legendary bandleader michi sarmiento y su bravos, and released on the infamous discos fuentes label between 1967 and 1977
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