excellent minimal tech tracks!!

the label say: ben loves terre loves robin is the second ep off premature. featuring works by terre thaemlitz (aka dj sprinkles), scanner, and a first from london based producer ben galyas. the ep builds upon a private archival project involving thaemlitz and scanner, terre loves robin brings deep solo recitals to intercepted telephone conversations (think leveson, just more intimate). galyas cloud version is heavy ambience, glitched piano and harpsichord. limited to 500 copies.

the launch of this russian imprint in fine style, with two intricate, beautiful, house groovers. a journey in four variations, chemin tracks through hills and valleys with striking vision and fullness, propulsive yet restrained. premature takes a slower, deeper approach, packing its energy into a stomping bassline, whilst subtle melodies and relentless, bubbling sound course through, beaching us in a place both sinister and tranquil.

great new school disco from bangkok impact !!

seeking the overwhelming vibration of the genuine sound wave and its profound echo on the soul, kenneth james gibson has spent his career experimenting under a variety of aliases like as many brushstrokes to an ever polymorphic palette - successively releasing as apendics.shuffle, bell gardens, reverse commuter, dubloner, kenneth james g., kj gibbs, bal cath, eight frozen modules, and premature wig… the list is long. near to two years after his first incursion on kompakt with his third studio lp the evening falls , gibson returns with in the fields of nothing , his second full-length delivery for the cologne-based imprint.

as a truly indispensable bookend to any listeners with the slightest interest in experimental music, french culture or the foundations of mechanical songwriting this inaugural release by these parisian musical revolutionaries not only predicts the future sound of modern composition by almost 60 years but detangles the deepest roots of european popular culture celebrating an important historical family unison in the process. combining the infant steps of magma, the sonic blueprint of 1970’s tv theme picture box and the sculptural creations of polly maggoo this important and groundbreaking 3 track 7inch ep takes us back to the very first aural glimpse of the future of pregressive europe at the hands of physical sound sculptures glaring in the face of premature technology.

we’re getting almost regular here with our releases so maybe it’s about time to put a section in your shop for our label? maybe it’s a bit premature to start demanding things out of you...what do we know. so it’s time to hit you with number 6 and this one certainly smells like summer. split secs are a los angeles based duo made of some serious local mainstays travis kirschbaum and alexandre mouracade (aka sonns). they’ve put out a bunch of great records over the years on kompakt, jolly jams, throne of blood. they happen to also be behind the machine limited imprint too. impressed yet?

asher levitas is perhaps best known as part of old apparatus, the acclaimed and enigmatic london experimental outfit. over the last few years he has featured on releases for labels including deep medi, houndstooth and left blank as ‘saa’ with the singer linn carin dirdal.
‘lit harness’, his first solo album, started forming as a project in 2015 alongside the artist and writer michael crowe who worked on the live a/v show while asher created the music with vocalist marina elderton (from the ethereal psych band kull) who features on the tracks.

limited to 320 copies vinyl edition.
over the years of their creativity, nesmeyana have developed their own distinctive “horror-trash-synth-pop” style, occasionally blending it with elements of musique concrete and post industrial noises. notable russian media and critics defined it as “red disco”, which now not only refers to nesmeyana’s musical heritage but also to a blooming homonymous community residing on the russian facebook-alike social platform vk.com, currently consisting of nearly 10k music lovers and dedicated to lost soviet “cooperative disco” artifacts.
with their debut album &#1065,,,,,&#1072,,,,,&#1089,,,,, &#1090,,,,,&#1099,,,,, &#1085,,,,,&#1077,,,,, &#1079,,,,,&#1074,,,,,&#1086,,,,,&#1085,,,,,&#1080,,,,,&#1096,,,,,&#1100,,,,, (now you don’t call) nesmeyana begin a horror journey through the dark decades of 80’s and 90’s exposing the most troubled themes of soviet union’s “post-perestroika” period — premature deaths of aids and drug addiction, afghanistan war victims brought home in coffins, devastated industrial landscapes where often rape & murder takes place, this album tells us some unpleasant but quite realistic stories which may have indeed happened in the past.

one would never think of mystic rituals when thinking of basque county. yet, this might be a premature thought. naturally, the isle of haiti or the american deep south come to mind when thinking of these tribal traditions.

special spotgloss cover! hell revisits new wave vaudevillian (and fellow bavarian) klaus nomi, now getting awoken thirty years after his tragic premature death!

spring has arrived. think daffodils, premature outdoor parties, ambitious bbqs and the new fina 007. continuing our trend for spotting emerging stars we have enlisted the talents of mannheim poacher turned gamekeeper, and air london starlet, steffen deux. after mixing the >5 years of 8 bit< compilation and appearing on cocoons party animals mix , steffen has demonstrated his ability to turn his loft club fame, into a reputation as a producer, not just a record maestro.

duets ii is another collection of american songbook standards performed in the best of ways. it includes collaborations with the best voices of music: aretha franklin, natalie cole, norah jones and k.d. lang grace the recording booth with this legendary singer.
but it is the tragic and premature passing of amy winehouse that makes this album truly special, her appearance on the duet >body and soul< is the last known recording of the british songbird, and it is a truly heartrending version of the 1930 jazz classic. if this isnt grammy material, we dont know what is!
pressing on double 180 grams audiophile vinyl, housed in gatefold sleeve.

cool bangkok impakt shirt grafix from the premature ejaculation ep cool stuff

cool bangkok impakt shirt grafix from the premature ejaculation ep cool stuff

cool bangkok impakt shirt grafix from the premature ejaculation ep cool stuff

igor o. vlasow from moscow presents his fantastic debut on reborn forcetracks !!! this e.p. contains four tracks with smooth and dubby atmospheres of the latest house sound. its swinging and quirling along the click house sound, which was founded by forcetracks years ago..

seeking the overwhelming vibration of the genuine sound wave and its profound echo on the soul, kenneth james gibson has spent his career experimenting under a variety of aliases like as many brushstrokes to an ever polymorphic palette - successively releasing as apendics.shuffle, bell gardens, reverse commuter, dubloner, kenneth james g., kj gibbs, bal cath, eight frozen modules, and premature wigÉ the list is long. near to two years after his first incursion on kompakt with his third studio lp the evening falls , gibson returns with in the fields of nothing , his second full-length delivery for the cologne-based imprint.

being a product of the age it was written, slow clubs 2009 debut, yeah so, dealt with the all too familiar space between adolescence and the oncoming storm of adulthood. a boy-girl duo who played a flower-adorned chair live, they were the polar opposite of what was coming out of post-arctic monkeys sheffield. slow club were fun, cute, whimsical and all manner of other words just shy of twee - and they hate being called twee. paradise, however, is where the duo grows up. two years on, it stumbles out of a trivial, self-indulgent teenage malaise (where sexual adventure was priority for most) and carries itself with a sense of perspective that only adulthood can give - a darker, more thoughtful view of the world. for instance, on the poignant you, earth or ash, a song about rebecca taylor s granddad, her melancholic vocals (beautiful, as always) evoke an awareness of mortality for those around her: singing -and i know, soon you ll go,- her voice seemingly breaks under the weight of premature grief. whereas even love-wise (an inspiration every band draws from) slow club s lyrical output is glossed with a more mature and detached sense of sauce, with taylor crooning on where i m waking: -i can see you looking at me / you got the brains i ve got the body-.