hiphop / rap international

the collaboration between renowned drummer jim white and acclaimed guitarist marisa anderson is a natural union of two of the most intuitive players and listeners working in music.

the highly anticipated solo debut album from australian drummer, producer and songwriter jim white.

limited edition multicoloured vinyl.

limited deluxe edition triple vinyl, coloured in 3 different sdhades of green. comes with download code.

57 tracks on 6lp

black,180g, single sleeve, ims

discodelic white 7 inch vinyl.

black 7 inch vinyl.

expanded 20th anniversary reissue of the 3rd album from alternative country singer-songwriter jim white.

remixe zur debut lp

heavyweight trio of keiji haino, jim orourke and oren ambarchi return with their 12th release

limited blue splatter vinyl.

classic black vinyl edition.

solo album from pennywise singer jim lindberg.

2 lp compilation

b-stock! cover with bent corner. vinyl unaffected & mint. next superb hypno melacholic ep on adid

next superb hypno melacholic ep on adid

funky jim sharp edits on 7 inch vinyl.

jim morrison’s poetry over the doors’ music. newly remastered, pressed on 180 gram vinyl, housed in a gatefold sleeve with original 8-page illustrated libretto included.

deepdownsizedbigroomtechnotools by mørbeck with a detroit-peaktime touched remix by label head templeton.

steeped in the influence of flannery o’connor and tom waits, the album wrong-eyed jesus revealed jim white as a spiritual anatomist of the american south. no such place ups the ante revealing a broader, more diverse collection of songs about rage and redemption, depravity and dreams, dead cars and broken hearts. with tracks produced by morcheeba, sade co-founder andrew hale, and q-burns abstract message, along with stellar remixes by japanese underground guru, sohichiro suzuki of world standard and yellow magic orchestra fame, jim finds himself reveling in the unlikely zeitgeist of the new album. “this is a crackpot love letter to all those lost souls out there like me who won’t settle for wrong, but have no clue how to get to right.”

ltd funk 7 inch release

the recordings for the wires cracked were completed in a frenzied two week period in october of 2012. i had mentioned in discussing a previous albums construction that i prefer to forget how i build any particular electro-acoustic amalgam. this is so that i dont get to precious with them, so that i could refine them further, so that the sounds themselves speak beyond their aggregate parts. with the album being relatively fresh in my mind, i can still recall various components to the wires cracked -- the desolate howl of a metal screen activated by a desert wind, the hissing air compression from the cooling apparatus for a laser at the slac national accelerator laboratory operated by stanford university, and the tremolo rhythms from a thin wire that still get me thinking fondly of günter schickert -- but much of the caustic drone, thrumming reverberation, and tactile grit thoroughly escapes me. that is probably for the best, since these various parts speak to an existential rupturing, the collapse of the self, the aftershocks of dark energy, and a belief in the hope for renewal. (jim haynes)

the jim jones revue veröffentlichen mit >its gotta be about me< die erste single aus ihrem kommenden studio-album >the savage heart<. der track wurde von jim sclavunos (grinderman/nick cave & the back seeds) produziert und von jim abbiss (arctic monkeys/dj shadow) abgemischt. die b-seite der 7 inch enthält den exklusiven non-album-track >rompah stompah<.