late 90 s big techno producer did some raw detroit tracks. more than a decade later, we have brought the songs from their graves and sascha dive has made a remix. get your hands on this limited copy vinyl only release

vinyl only - incl christian burkhardt remix

corrupted from memory, no longer the power / its creeping up slowly - the last fatal hour after the mind-expanding ms20-fest that was his studio barnhus debut earlier this year and with a warehouse-maddening remix for naphta fresh in the stores, simon haydo returns to his home away from home with a glowing four-track ep chock-full of beautiful techno ranging from the mischievously boombastic to the straight up drugged. artwork by johannes brander.

nuk em is a blistering concoction that ll have ravers running for cover!

clear vinyl pressing, featured guest artists include g herbo, nardo wick, bc jroc, benny the butcher, peezy, and juney knotzz

original game soundtrack on triple vinyl.

fabio vinuesa kehrt zu district 91 zurück und liefert die vierte ausgabe des labels. eine schöne fünf track ep mit essentiellem club material.

uk grime / bass

cool breaks ep

very limited lp + hand-numbered poster limited to 100 copies

"moscow is the city full of posh decorations. like a black hole, it’s gorging clouds of chaotic ideas. madly fast, it’s flooded with shallow hippies, jealous dealers and susceptible artists. everyone desires to have its own piece of luck, looking for the shortest way to some easy life. most of the nomads arrive from the capital suburbs and other big cities of immensely corrupted russia. everyone can tell a tale from outskirt. senseless rivalry and art falsity together make the special demands: your tale has to amaze, to inculcate; you must do something notable, freaky one and truthful. to dare to let it. there are no any rules. your voice has no matter, the only important is a sales skill. the local scene is tired of identical copying outside world’s standards. thereby the more your approach is unacceptable, the more valued is it. but the more it’s valued, the faster it will depreciate. the glossy shell with cheap content is the way to survive in such a tight plexus of cruel love, substance abuse and electronic music."

caibu is paul rose’s first album as scb. the album builds on material from the below the line, old media new society, and engineered morality eps which explored a fictional narrative in which a hypothetical timeline is corrupted by a climate-related disaster. the title of the album itself refers to an imagined surgical procedure where cognitive ability is augmented through transplant from one brain to another. as such, caibu invites the listener to forge their own ideas on the development of society in the context of crisis.

being closely connected to the label, it was only a matter of time before daniele cosmo was released on pinkman. at long last, he makes his debut appearance with co-conspirator cco as savage grounds. what they came up with is a tight two tracker presenting full speed, minimalistic punk electro workouts. both tracks, while boasting with furiosity and dread, as is often the case in the broken dreams releases, carry an infectious groove that is guaranteed to get bodies moving in the highest gear and right into the abyss. pressed on a single 7- this concise release is far from falling short in completeness, expertise and potential to break dreams.

vinyl only, alex took his first musical steps by studying piano and guitar at the young age of 6. his fascination for the more outlandish, experimental side of each instrument corrupted his lessons and sent him down a modular synths and tape loop composition wormhole. years later alex resurfaced, got himself clean and, through connections made while spending time as a vocal audience member (and sometimes uninvited participant) at lyman woodard, phil ranelin, and other tribe- and motown-linked gigs in cass corridor during the mid-1970s, spent time as a session musician for earth wind and fire, chic, and prince. it was only toward the mid-90s he found himself enthralled by the techno and house sounds of detroit and chicago so he went into the woodshed and came out firing electronic salvos.

big riddim salespack incl. 021 / 020 / 014. 3x12” hard hitting drum n bass packed together in a new sleeve.

social decay expands on their intense approach to techno with nods to noise, industrial and drum & bass. the manchester duos second lp-a triple vinyl package-follows 2014s cosmic microwave background, which also came out on speedy js label. social decay is out september 22nd.

give me wings to cope with that corrupted future to let my church burn down
truly yours janice

its not often you hear a techno record produced by a total of five people. when it happens, it’s usually to mark a passage and make a statement. sometimes it is a matter of celebrating a rita of passage, a shift into maturity and the embodiment of a new skin. this is what repitch is doing with the fourth and final installment in their “features” series, reuniting all the crew for the the final blast of what’s been a long and massive barrage of heavy techno. this is the collaboration to end them all: repitch founders ascion, d. carbone and shapenoise have shared the studio with longtime allies and. together, they explore a common ground made of pounding metallic percussions, gutwrenching bass and thick, furious grooves, with each producer bringing his own peculiar contributions to the table. this last installment marks the end of a process that accompanied repitch throughout its whole existence, thus enhancing the beginning of a new chapter in the label’s creative output.

magdalena strikes again on broken mind recordings, this time with her first release on vinyl.inspired on the track agressiva of front 242 and the corrupted political environment of her country, colombia. desobediencia civil starts with a straight intro and evolves into an old school but at the same time fresh sound techno, calling the attention of mister myles sergé, who adds his quote to this ep with an exquisite, elegant and dark remix. and to finish this trip a dark and deep outro. a killer ep from start to end

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various/different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the antiparallelity is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking,anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you.

this ep was formed with a concept in mind that involves a natural phenomenon occurring in various / different fields of science and nature - anti-parallelism. as the word suggests, anti-parallelism describes the natural relationship between two occurrences, objects or even non-material things, that are virtually identical and yet oriented in different directions. during the time the music was made i was researching natural phenomenons like this one. naturally, this became part of the nucleus, fabric and inspiration for this work. in genetics, for example, if the >antiparallelity< is corrupted during the process of dna replication it is called a mutation. this mutation can be anything from totally inconsequential to critical for the survival of the whole living organism. a double helix of dna contains two helixes, that are naturally anti-parallel to one another. in physics this could be two of the same objects moving through space and time in opposite directions - just like the instruments or parts of a beat in electronic music production. so metaphorically speaking, anti-parallelism holds a natural balance to keep it safe and stable. although this might sound all very conceptual and theoretical this music is obviously just what it is - it is not intended to teach math, physics or biology in any way. the above mentioned aspect has simply found its way through my head and might have led to a piece of music that somehow, at least for me, is connected to these thoughts. it might evoke something very different for you

following closely on the heals of the wildly popular amedou et miriam >bara< 12inch, joe claussell returns with his highly anticipated the lower east pipes project, delivering an eclectic, energetic & inspiring dichotomy of party rocking efficacy & esoteric ambient exploration in this latest e.p. 12inch from sacred rhythm music. disorganized corruption combines the experimentally minded disco reverberation & percussive chaos of manhattans glory years with the funky cross-culturally minded aesthetic conveyed flawlessly by claussells productions to create an all-out party rocker

greg notill is known from big releases on carnage, working vinyl, cannibal society and many more.. here comes another stunning 4 tracker

2022er album !