harris coverversion von i got my mojo working , unterstützt von sonny rhodes gruppe the daylighters, wurde bei der no way out-session aufgenommen und blieb unveröffentlicht, bis ace sie 1997 auf the domino records story veröffentlichte. mit der b-seite no way out .

remixes from paranoid london and minsky.

“teeth” from working men’s club on 45rpm 12 inch vinyl, backed up with remixes from gabe gurnsey.

anthony naples rmxs / cover not mint , a small kink in the corner , vinyl is mint and unplayed

electronic/dance

ltd. lp col.+dl: (white vinyl edition - fluro pink and silver pantone printing - limited edition reverse board o-card - 12 inch x 24 inch double sided foldout poster)

black vinyl

neon yellow vinyl, poster insert, printed inner sleeves, incl. download card, embossed, neon pantone and laminated logo on sleeve

the hardest working men in the d bounce back with a beach vibe built around a killer sample. remixes are by andres, danny j lewis & newcomer mrj hitting it heavy with the late night vibes.

rekids have teamed up with detroits fit distribution and enlisted the services of motor city locals marcellus pittman and urban tribe to put the 313 sound on *working* and *taxi talk*. on the former, marcellus pittman lays down his trademark blend of mechanical yet jerky old-skool drum machine rhythms and disorientingly dissonant, tripped-out synth chords – creating a somewhat eerie atmosphere that evokes images of detroits manufacturing plants of yesteryear. on the flipside, urban tribe transform *taxi talk* into a big room monster, using rumbling synth bass, electronic bleeps and laser gun snares to transport us back in time to a dark and hazy 90s warehouse rave.

warehouse find -...pogo features digitalisms trademark synth saturated production & live drums, but they ve introduced some new order esque guitars & jens moelle from the band singing vocals. these remixes of pogo comes courtesy of css. digitalism make electronic music that everyone can rock to - they are part of a new breed of producers leading the renaissance in electronic music reinvigorating and uniting the indie and dance scenes. after their sell out dates last year, hamburgs hard working digital duo continue to troop the globe with even bigger tours at even bigger venues before hitting the festival circuit.

tipp

tipp

james ruskins blueprint records welcomes setaoc mass to the labels ever-increasing roster of techno artists

2021 reissue

ft. dynamite mc

exhausted moderns year of the rat lp getting remixed.

funk ep

monday off is a vinyl only record label

two rnb classic from the 60’s back on 7 inch vinyl.

limited blue vinyl release for rsd 2019.

pe-cover with seam-split. records is unaffected.

pal joey (aka joseph longo) came up in the heady days of new york street culture, amidst b-boying, boom boxes and an unusually entrepreneurial spirit of beat-making. beginning with crude “pause tapes”, he was soon making tracks with drum machines and sampled vocals, all painstakingly assembled with razors and reel-to-reel. working at vinylmania, where larry levan might be found shopping for records in his pajamas, helped joey’s entrance into the city’s nascent house music scene, and he was soon working with everyone from krs-one to sade to the orb, whose “little fluffy clouds” he tweaked for stateside tastes.
true to his city’s inclusive spirit, pal joey consistently blurs the lines between disco, house and hip-hop, dropping scraps of old soul and recent rap alike over his skipping drum patterns and head-nodding keyboard lines. joey’s records (under his principal moniker and also aliases like earth people and soho) have appeared on jive, epic, talkin loud, wave and coco machete. he also has run three labels of his own - loop d’ loop, cabaret and footstompin records.
limited pressing, be quick!

„working class woman“, das anfang oktober auf ninja tune erscheint, ist die vierte und selbstreflexivste platte der in montreal lebenden produzentin marie davidson. der sound von „working class woman“ ist direkter als jede ihrer bisherigen veröffentlichungen. die einflüsse sind immer noch die gleichen, von italo disco über electro bis hin zu proto-industrial, allerdings führt sie durch das album mit der schwere eines heftigen schlags in die magengrube, was das album zu einer platte macht, die intuitiver ist als alles andere, was sie bisher veröffentlicht hat. die vinyl-lp erscheint inklusive downloadcode.

following a killer acid-piano house 12inch and contributing a test pressing-certified new-disco chug to a split release with tuff city kids (both) on terre des pommes in 2014, the working elite further refine their ability to soundtrack festivities with rockman / born again. while rockman conveys an understatedly cinematic mood with repeated imitation string cycles over crisp electro foundations, born again presents a new wave / rave endurance test, summoning perspiration from dedicated day-dancers with its metronomic hammer of a beat overlaid with motivating synth-lines like marching toys. on the flip, saap and lauer (tuff city kids) provide inventive interpretations of these tunes, reshaping rockman into a stomping, flashing-lights electro jam while born again gets a delightfully multi-dimensional digi-dub treatment complete with acid-reggae breakdown over a 4/4 house beat.

brand new release on mondo groove with a remix double pack of selected tracks from daniele baldelli classic cosmic temple six chapters that were out on the italian label from 2015 to 2017. you can find everything for everyone in these new versions. dj tennis and in flagranti tributing pure cosmic sound with their interpretations of gandharva and afelio, dj ralf transforming kosmaro into a house stomper, tiger & woods adding their subtle boogie touch and edit science to vhanessa, clap!clap! going deep and percussive on isotropo funk, alkalino tripping italo-disco with „inner light, club paradiso in an afro-balearic clash on joka joka, eric duncan working a deep-techy groove on diffrazione, and dionigi, often production partner of baldelli, finishing in glory with a brilliant funky take on taxon. you cant sleep on this.

mr bongo presents the first 12inch in a series of remix packages curated from ebo taylors brand new album yen ara. the 81-year-old composer, arranger, guitarist and vocalist has been a key figure in the evolving afro-funk sound since the seventies, working with the likes of apagya show band, ck mann and pat thomas. this 12inch combines three of the best remixers in the business - the legendary ron trent, west coast talent flako, and disco connoisseur nick the record. you will hear the high-energy afrobeat, sweet highlife, jazz and konkoma influences that ebo is famous for, and the remixes have contributed their disco pulse, house groove, and hard-hitting percussive edge to the tracks.

the next yoshitoshi classic is here and it s a heavy one - dino lenny s -i feel stereo.- anyone on the scene in 2001, when this monster tune was originally released, remembers its pulsing rhythms and ear-catching vocal hook. seventeen years later, -i feel stereo- is back with three remixes from some of the finest artists around. steve lawler (working here as lawler) has crafted a badass, bassline-driven house track that pummels with all the energy of the original. steve continues his reign as as key innovator in dance music, modernizing this classic with unquestionable finesse. the red axes boys deliver their silky smooth brand of minimal house with a variety of distorted arpeggio riffs, futuristic chimes, and other left-field sounds that make their remix truly unique. it s another ace production from the israeli duo. last but certainly not least, up-and-comer frankyeffe, who delivered the goods on his collaborative splitting minds ep with loco & jam last fall, serves up some impeccably produced techno for big, loud rooms. the italian phenom s mix is absolute savagery. of course, it wouldn t be a yoshi classic pack without a remastered original mix.

jocelyn brown should need no introduction at this stage, one of the uss most respected vocalists famed for bringing the gospel edge into contemporary r&b and soul music. brown was the voice behind the celebrated disco and boogie outfit inner life, the focus of this stars of salsoul volume. cutting 2 lps for the label in the early 1980s, inner life came strong with club hit after hit, working with the top producers, mixers, arrangers and studios of the day the group were gaining cult status with their records becoming the taste of the dancefloors at the garage, the loft, the warehouse and everywhere and anywhere else in-between! it s no surprise then, that these records are still coveted by music lovers and djs today, classic status bestowed upon this most soulful of catalogues. featured here are those hits, in their full unedited 12inch glory. listen to the classics as nature intended, you won t regret it. a truly essential package for the die-hard disco aficionado or for those who are exploring this most important movement in dance music for the first time. curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco. fully authorised and approved by salsoul records.

acid paulis album bld dropped earlier this year and was a superb reminder of martin gretschmanns unique place within the electronic music. breathing musicality and adventurousness into everything that he does, the album covered a number of moods and emotions, from dystopian carnivalesque vibes to moments of high intensity, through to deep melancholia and synth laden ambience. following on from the a remix package, b brings another huge selection of producers into the fray to reinterpret the originals. first up, hamburg hero stimming works over ‘amadou - flipping the original, into a techy bomb. a thick kick underpins a shuffling, off kilter rhythm and beautifully treated melodics. stimmings feel for gently pushing the dancefloor into new places shines through. ‘rené is reworked by roman flügel, the ongaku/klang/playhouse boss whose influence on the european electronic music scene has been immense. always willing to experiment, ‘rené is the perfect canvas - arpeggiated blips and beeps echo primitive electronic explorations by the likes of francis bebey, and a huge subby kick drum take this track into space. alex boman sets to work on ‘jeanne, locking into his signature groovy, tribal approach to working the dancefloor. the swedish producer adds dubby elements, an irresistible percussion track and disruptive, random sounds to the thick, heady mix. dutch wunderkind satori tackles ‘jorge - twisting the original into a psychedelic groover that finds room for backwards vocals, marimba-like melodies, fat basslines and shuffling breakbeats.

four strong, deep vibin disco cuts from the moonrise hill records founder ethyene ! stradling the line between deep house and disco these jams will warm you up this winter season

after releasing their first two releases on one disc, the third release on amsterdam imprint working titles is a release on its own. label founders scott franka & kaap are behind the label s third release that features two epic tracks from the dutch pair and again finds them exploring new and exciting techno territory with their lively machine jams.
first track poise i is a deep and dubbed out techno track with deft synths slowly shapeshifting and bringing sombreness to the quickened groove. it’s late night music to zone you out with sparse but rich detailing to keep your mind occupied and it gets ever-busier over the course of thirteen enthralling minutes. then poise ii is a 16 minute masterpiece that is watery and dubby. it has undulating synth currents and increasingly textured snares. building to a peak then pulling back, with occasional freaky vocal sounds and sci-fi motifs, it is a truly cinematic piece that closes out an ambitious ep.

the second ep of samuel rohrer’s range of regularity album presents two more striking reinterprations. these new remixes provide an intriguing parallax view of the original tracks, using the percussive eclecticism of the parent lp as a starting point from which to journey into sonically vibrant, feature-rich territories. the production specialists on hand for this project include burnt friedman and ricardo villalobos. villalobos, has already formed a strong working relationship with rohrer’s ambiq trio, lends his talents to both of the eps. (ror remixes i - amel-ep716). nonplace label boss friedman, as well, has carved out a unique space for himself within the electronic world, logging several decades’ worth of releases that with dub-wise production sensibility, skewed humor, and riots of tone color. though each individual remix has its own character, they are all united in their ability to provide a quick cure for fatigue with the common “loop”: though not improvised, they are strung together from fleeting phrases that evolve as if they are taking on a life independent of their creators. burnt friedman’s own dramatic interpretation of “microcosmoism” pairs up his consciousness of deep bass and analog inventiveness with rohrer’s continually transforming sound objects, making for a flowing and wordless narrative that simply dares listeners to stop paying attention. feeling more like a collaboration in “real time” than a remix proper, friedman brings his characteristic ‘mad scientist’ wit to the proceedings and delivers an energetic piece that simply glows in the dark. this is complemented nicely by villalobos’ remix of “microcosmoism”. it carries the energy level of the 1st ep over to a new disk, while heavily experimenting with feelings of emotional ambiguity. at some points aggressive and at other points merely curious, this mischievous collage of attitudes feels as inspired by the questing jazz of sun ra as it is by continental techno. contemplative keyboard runs, enthusiastic spring-like percussion and malfunctioning machine chatter all coalesce to make this a most fascinating piece of multi-purpose electronic music.

legendary philadelphia group first choice are undoubtedly disco legends. over the decades they have blessed turntables and eardrums with a slew of classic club records, look at any list of dj s choices or benchmark dance records and you ll see - doctor love , love & happiness , armed & extremely dangerous , double cross , love thang and many, many more! now, that s impressive. a truly legendary group, first choice came from humble beginnings during their student years in their native philly. off the back of some promising local appearances and some radio play they ended up working under the watchful eye of impresario norman harris who was managing soul legends the delfonics. the rest, as they say, is disco history! featured on this incredible compilation is some of first choice s classic mixes and cuts, touched by the old school masters, mixed by the heroes of disco - tee scott, shep pettibone, larry levan, tom moulton etc. truly an essential collection featuring all the classics listed above, and more, in their full 12- mix glory, untouched, respectfully remastered and compiled here with love and care. a truly essential package for the die-hard disco aficionado or for those who are exploring this most important movement in dance music for the first time. curated with the full input and backing of salsoul records and carefully selected to reflect the truly timeless nature of the music contained within. for listening, for dancing, for turning on a party! remastered by optimum mastering. artwork & design by million dollar disco.

sometimes amongst all the music that we hear every day, something comes along so unique and brilliant that its captivates your mind and soul and refuses to let go. that was exactly what happened when we first heard dokta - the ex-studio engineer with the freshest take on electronic music we have heard for a long time. fusing a fully analog working method & live instrumentation with a breathtakingly unique arrangement style, dokta combines all his experience working with some of the best in the business and transcends it into one hypnotic stream of genre defying mastery. for his first ep on 20/20 we are fortunate enough to have remixes from fabric resident jay clarke, and a collaborative contribution from seth troxler and bas ibellini. it is a major milestone for 20/20 to finally have a seth troxler production on the label. he has been a great inspiration for us and hugely supportive of our output over the years. seth went into the studio with good friend bas and came out with a remix worthy of dokta s long abstract arrangements. we hope you enjoy, and with an album in the pipeline for later this year we promise there is a lot more to come

heavy hammond organ led driving ancefloor devastation on whip it on me taken from the heavy soul album from 1968. on flipside and taken from the new genius of the blues album from 1967 and the first time ever on a 45 is bill s killer rendition of got my mojo working (but it just won t work on you) featuring mr hawks on vocals and organ and joseph jones on guitar. powerful stuff from the mukatsuku camp and another essential single for your record box! limited edition. strictly no repress

amsterdam producers and good friends kaap and scott franka have come together to start a new label and live act: working titles. kaap is best known as the label boss of tape cassette label yield, scott just debuted with his first 12” on quartet series. together they perform primarily hardware based live sessions. for their label they improvise, jam and record to press these takes only on vinyl. the idea is to capture the real, raw and authentic improvised moments as soon as possible after they happen, hence the name working titles. this first vinyl release features the wt001 and wt002 outtakes on one disc. these sessions were recorded by the pair in an abandoned cabin in the woods in the south of holland, surrounded by nature.

coming hot on the heels of samuel rohrer’s range of regularity album are two eps of striking reinterpretations. these new remixes provide an intriguing parallax view of the original tracks, using the percussive eclecticism of the parent lp as a starting point from which to journey into sonically vibrant, feature rich territories. the production specialists on the first ep include ricardo villalobos and vilod, the collaborative duo with max loderbauer. villalobos, has already formed a strong working relationship with rohrer’s am- biq trio, lends his talents to both of these new eps.