second pressing on 180 gram vinyl.

psychedelic space rock from the amorphous androgynous & peter hammill.

180gr pressing , the now legendary abbey road version of “the isness” was the originally conceived version before last minute wholesale changes resulted in new tracks, different mixes and/or edits appearing in a wholly different order for the commercial release of “the isness” in 2002. the abbey road version had been initially promo’d to ecstatic reviews, receiving an unprecedented 6/5 stars from mixmag “it’s like a beam of white light from heaven”.

beyond the wizards sleeve, the sonic brotherhood of erol alkan and richard norris, present a brand new single, diagram girl released april 8th 2016 on phantasy. taken from a forthcoming album, diagram girl glides into view on the wings of hannah peel s reflective, androgynous vocal, glacial synthesis and a haze of woozy electronic beats, as if its willing spring into existence.

neue vinylauflage der neuen ausgabe der amorphous androgynous (aka future sound of london) compilationserie a monstrous psychedelic bubble. die der cosmic music australiens gewidmete ausgabe the wizards of oz enthält als lp 16 der insgesamt 33 tracks von künstlern wie tame impala, cybotron oder russell morris. klares vinyl.

following the first installment of the furnace series, solparas thinking of jaeta is a dark techno ode to a fictional androgynous creature who lives on the moon, haunted by earths turmoils. sector ys hozvepian is a pulsing journey, inspired by the early winter mornings of montréals fattal. blue shifts in absentia is an extract of oren ratowskys and hugo boccas debut live set in the summer of 2014. on the b side, pts untitled leads you on an entrancing tribal journey, unwinding your thoughts into dreamy pads, spiraling up as it goes. finishing up the furnace series is arabie 82s woozy, introspective caravan.

finally after being a part of mark e s dj sets and very much in demand for a long time heres a much requested edit of one of the biggest tunes by the cool androgynous disco icon. it was already featured on marks resident advisor podcast and has received plays from gilles peterson on radio 1

a 1997 private cd release from randy williams finally available for a broader audience. the vinyl lp is limited to 300 copies.

special 6x12 inch set in tri-fold sleeve, limited to 200 copies.

nadanna is extremely proud and excited to present tobias bernstrup’s new album “technophobic”. bernstrup who works both as a visual artist and musician has been touring worldwide since the late 1990s and positioned himself as one of the leading re-inventors of italo disco with his unique mix of italo, synthpop and gothic noir. he has created his own unmistakable stage persona wearing androgynous outfits in shiny latex and heavy make-up. tobias has collaborated with seminal artists such as trans-x, apoptygma berzerk, martial canterel, xeno & oaklander, lebanon hanover, and she past away. “technophobic” contains 10 smashing tracks including the recent single “utopia”, and “metropolis of tomorrow” featuring french dark synth wave artist hante. combining influences from classic synthpop, minimal wave, dark wave in a retro futuristic manner tobias bernstrup has created an album reminiscent of the 80s but in a contemporary context of sound landscape.

debütalbum von cindy lee, dem experimentellen no-wave/blues/trans-pop-projekt des ehemaligen women- und androgynous mind-sängers/gitarristen patrick flegel. die 12 düsteren songs kombinieren anmut, verzerrung und süße zu einem intensiven pop-klassizismus, der stark an eraserhead erinnert.

nexus is the first collaborative record by yes-guitarist steve howe and his son - the late great virgil howe (little barrie, fsols amorphous androgynous). an instrumental, cinematic record fusing brilliant guitar play, wonderful keys and dynamic, moody grooves.
pressing on 180 gram vinyl, cd-copy of the full album included.

tobias bernstrup is a contemporary musician and video artist born 1970 in gothenburg, sweden. he received an mfa from royal college university of fine arts stockholm in 1998. using the visual language of pop culture, video games, sci-fi, classicism and gothic noir, he has created a stage persona with notorious live performances. dressed in elaborate costumes of skin-tight rubber suits and fetish gear, tobias’ external appearance is androgynous. he raises questions about representation of identity, the body and physical space in both virtual and non-virtual realities. between 1997 and 1998 he self-released two limited cd-r eps. in 2002 his debut album ‘re-animate me’ was released by tonight records followed by two limited 12” singles for the song “27” and the italian version “ventisette”.
“27” is a 5-song ep collecting 4 different mixes of the title track plus one unreleased song from the ‘re-animate me’ recording sessions. the material on this ep is closely connected with the world of computer games which bernstrup also inhabits.

juan ramos speaks twelve languages and loiters at the zoo. this is his second offering for the esp institute. last year his debut dropped us at the edge of oblivion and this follow-up release picks up right where he left us—atkm pumps right from the start with a collision of elastic percussion, tubular clinks and cranks under what sounds like fragments of our androgynous tour guide’s speech though a malfunctioning pa. halfway through the chaos she makes a left turn toward belgium where the drum programming fattens up and we acquire an optimistic shimmering of chords. on side b, globalizacio&#769,n a&#769,cido conjures imagery of a moonlit expedition on the hunt for lord-knows-what. many producers rely on jungle sounds, loosely appropriating some misguided sense of mysticism, but juan rules his own kingdom where he creates an ecosystem through synthesis and digital manipulation. the narrative quality of his production knows no limits and his ability to twist machines into this chorus of cyber-creatures puts him at the top of the food chain, however, no animals were harmed in the making of these two songs

33-10-3402, also known as serbian-born artist/producer nenad markovic, returns to the esp institute for the third release in his opium den and whorehouse inspired mecanica series. slow port is a cacophonous track, skillfully composed of an erratic barrage of percussive klinks and klanks as you might find in an automotive factory pistons, gears, quips, cranks, but despite its industrial instrumentation, nenad manages to extract a beautifully seductive quality from this beast. on side b we re faced with the slightly more musical plutonium certainly, an exercise in distortion which is punctuated by repetitive androgynous chanting, and finally we culminate and release simultaneously with elika, an overtly ethereal blur somewhere between hope and melancholy. to fully appreciate nenads crafted subtlety, we recommend repeated listening.

nice price deal !!! hot-trotting french-canadian dirty-disco duo ezlv kick off silks new dj imprint, house of silk, with four fresh & carefree club classix led by *home*, the lush uptown house anthem/collaboration with multi-faced melbourne vocalist/mc/boheme romy hoffman (ex-macromantics). the rest of the ep spans funked-out nu-groove edits of prized salsoul sides, a magnetizingly deluxe *home* deelite-dub, plus a swank, androgynous slow-pitched re-imagining of the hard house heartbreaker *it s over now*. quebecois cultures finest body-rocking export of late, crafted expressly 2 b n-joyed. for fans of letting loose. black vinyl 45 rpm 12 inches mastered by a.p. for maximum stereo physicality in hand-stamped and stickered sleeves. one time pressing of 275.

manic street preachers originally gained a loyal following and cult status with their combination of androgynous glam punk imagery, outspoken invective and songs about alienation, boredom and despair. the bands later albums retained a leftist politicization and intellectual lyrical style, while adopting a broader alternative rock sound, especially after the mysterious disappearance of lyricist and rhythm guitarist richey edwards in 1995. >everything must go< is the manics fourth album and was released in 1996, now back on 180 gram audiophile vinyl.

the next ep on germany s hello? repeat imprint comes from seuil, one of paris s most inspired underground producers. in terms of style, it is a match that could hardly be more perfect. hello? repeat has spent the past six years carving a niche for itself with eps from cabanne, audio werner and label co-founder daze maxim, plus acclaimed albums by bruno pronsato and kate simko. seuil, meanwhile, has put out a steady stream of ultra-deep 12-inches on labels like freak n chic and sammy dees ultrastretch. both specialize in a sound that is modern, understated and hypnotic. late call is exactly what its name suggests: a record made for the deepest, most tender portion of the night. the drums are slick and punchy, but the rest is woozy and romantic–this is one to put on when the crowd has stopped chatting and everyone s dancing with their eyes closed. topping it off is a vocal line made famous by diana ross but recited here by an androgynous diva: if you need me, call me, no matter where you are, no matter how far… dark, trippy and weirdly moving, this is one of seuil s finest tracks yet. >slow motion< strikes a similar chord but with a more subtle approach. here you notice seuil s rare touch for subtlety: in the absence of any real >hook<, he keeps the track moving with expertly sculpted drums, a warm half-melody and a gently propulsive beat. soft chords sustain in the background to create a balmy summer night feel. both tracks show seuil and hello? repeat doing what they do best: delivering something deep, functional and full of character.

he s now back with a new 2 track ep, wait & see, that gives a sneak peak into his album that wil be released in october.on the a-side, wait & see, a secret weapon already triggered by agoria on his recent sets. the track opens with a steady but slightly dizzying rhythm pattern that eventually makes way for an androgynous chorus that build and lift your hands in the air with them. on the flipside, -love birds- a night owl, minimal and graceful and which waves its wings of synth arrangements and nocturnal chants till the first shines of the day