steve lawler & jimmy hill gehen auf minimalen house mit tribalelementen steil. das passt prima in eine reihe mit piemont, bukkador und den anderen guten freunden. bereits im handgepäck von john digweed, sasse, tim green und anderen

2x12 inch lp – welcome to industrie & zärtlichkeit, the raw, quirky yet emotional debut album from moon! although the berlin-based duo is revered for dancefloor bangers such as ze power, johannes albert and johannes paluka (better known as iron curtis) have put much effort into making this album a true listening experience without sacrificing their roots in house music

double vinyl compilation, showcasing the influence of funk, rock and disco on nigerian music during the 1970s.

repress ! instruments used for this ep: roland - tr 707, á juno 2, juno 106, jx3p jomox - xbase 999, m.base 11, m.brane 1_1 cyclone tt 303, korg electribe esx 1, mfb 522

fantastisches, drittes album des münchner produzenten scntst aka bryan müller auf boysnoize records. scenes and sketches from the lab ist ein amtliches werk, das die makellosen skills, reife und musikalität des jungen produzenten, kombiniert mit einer fülle an frischen ideen, offenbart. die 14 tracks hüllen techno, ambient, bass, idm und electronica in neue, kunstvolle und hochdetaillierte formen, die sowohl auf kopfhörer als auch im club perfekt funktionieren.

the canadian producer has built an impressive discography in recent years with a stream of quality releases via labels such as clone s royal oak imprint, spring theory, lone s magicwire and most recently his -hope you re well- ep on ninja tune s technicolour imprint. pitchfork were quick to acknowledge his unique production style and innate ability to balance the openness and experimental qualities of the back room and the hooks and sonics of the main room describing previous single is it dry? as -a rarity: peak-time techno that won t rot your brain or insult your intelligence, with appeal from the basement to the big leagues-. following recent excursions channeling the big room sound, he returns with a sleeker, more refined ep. -for this record i pushed myself to keep things more minimal than usual, in a relative sense.- he explains. -focusing on repetition in melody, rhythm and harmony, putting a lot of trust in my initial ideas and letting them play out. it was harder to stop than to add more.- the resulting five tracks span upbeat opener napoletana - -a rough and ready duet between a mfb 522 drum machine and juno 106-, through the swirling improvised piano loops of last day - recorded in an hour just before he packed up his gear at the studio of fellow montreal residents braids and moved it all home, to the bumpy 2-step of less and less .

sequenced and recorded in using synths like roland 909, roland juno 106, akai cassette deck gxc 325d, mfb 522, doepfer modular, telefunken m15a...

available now soul jazz records’ record store exclusive limited-edition soul 7” box set comprising five heavyweight 70s afro-funk, afro-disco & afro-rock seven-inch singles all with unique bespoke label artwork and all digitally re-mastered. seriously rare, killer and classic nigerian 70s afro-funk, afro-disco & afro-rock tunes bought together here in this unique one-off record store day box-set edition. this unique box-set edition is only available as a one-off pressing especially for record store day 2017.

für ihr album >unreality< haben trickski jede menge lorbeeren eingesammelt. zu recht! mit >good time to pray< koppeln die berliner nun einen weiteren hochkaräter aus >unreality< aus. veredelt wird diese nummer von dem unglaublich talentierten sänger ernesto. die remixe kommen von axel boman (pampa), tom trago und soul minority. hit! hit! hit!

ricardo villalobos playlist!! the endless white of the far north. the opening melodies of adam marshalls >north at night< can be heard faintly over the whistling wind. a small black dot appears at the centre of the distant horizon. at first it appears to be still, but gradually we recognize movement. over the next few minutes the shape begins to grow until it has defined the image of a man walking towards us. as he approaches, the music grows clearer. like the warmth of the first sunlight >rose mountain< radiates its glow through the use of a flurry of rhodes electric piano chords. adams signature percussion permeates the dub and binds its elements into an infectious groove. >mfb flex< is the counter balance to the organic flow of the other cuts and molts the warmth into a techno roller designed for the long player mix. marshall said… >ive long been intrigued by that incredible tapestry of tundra and taiga which constitutes the arctic and sub arctic of our country. ive read about it, written about it and even pulled up my parka once and gone there, yet, like all but a very few canadians, ive had no real experience of the north. ive remained, of necessity, an outsider. and the north has remained for me a convenient place to dream about, spin tall tales about, and in the end, avoid<