remix ep

played by floating point

slamming new june featuring morah (brokntoys) and mannequin records boss alessandro adriani

excellent old school detroit techno by mastermind arne weinberg !!

islenskur turbonutter, volruptus, contorts your expectations for the third and final 12” on international chrome in 2023, basssalina yeee, reciprocating 2021’s huge collaboration with jensen interceptor on the former’s sweaty records imprint.

silicon scally, the alias of electronic music producer carl finlow

pressed on violet vinyl, ltd 500 copies

purple vinyl pressing.

acclaimed vibraphonist and composer joel ross returns to blue note with his 3rd album for the label. comes on double vinyl lp, housed in a gatefold sleeve.

instruments of discipline presents the new album from verset zero.

if you want something done right, sometimes you just have to do it yourself. in a world filled with false gurus and misguided leaders, so goes the mantra of the new york duo walker & royce. after a swift rise in recent years during which time they pioneered a sound that is often imitated but never replicated sam walker and gavin royce have used this mantra as the impetus for their debut album self help, on their label home dirtybird. in order to grow, one often has to look inward, and the pair set out on a trail of self-discovery and advancement. their journey has resulted in a diverse album that evokes a range of emotion and fervor, one that can be appreciated both on the way to a club as well as feverishly dancing to it in one. walker & royces signature production is in exceptional form on their solo tracks, such as why tho, warkin it, best track ever and sunday. the way they contrast heavy, low-end bass and beats with pristine melodies arises from the first thing they ask themselves when they fire up their studio: will we play this? the pair has also continued to push the boundaries of their minted formula for a bigger purpose, enlisting several distinct vocalists and collaborators to captivating effect. the legendary green velvet lends his vocal talent to rub anotha dub, and longtime friend dances with white girls appear on two memorable tracks, including the hit single take me to your leader. other collaborators such as sophiegrophy, oncue, forrest and mr. jpatt each introduce their own individual elements to the album, rounding out the varied tones and feelings that comprise the self help masterpiece. the road to self-discovery is filled with many bumps and obstacles, but with self help, walker & royce have proven that theyve got the keys and in the driver’s seat

almost a year has passed since the ghost of serena butler made its appearance on the realms of eerie - techno oddball marco shuttle’s label. now s/he and other beings gave birth to a new continuum, bene tleilax, where serena’s second ep, “from the cloud to our bodies”, has been conceived.
dub visions and found sound sculptures float over a maelstrom of skeletal techno remains, together with delicate melodies and vocal swarms from a realm where nothing is so sacred that it cannot be reengineered and transformed. this is a release which seizes alienation as impetus to generate new worlds while remaining still counter-trend to certain dark souls in modern electronic music. another biomechanical effort which sounds like the perfect nexus of fluid hopes and unparalleled roles.

london-based dj & producer dimension returns to the limelight this year with his highly-anticipated new single, ‘generator’. premiered via bbc r1 on friday by danny howard, theatmospheric and energetic cut follows on from one of 2016’s biggest underground d&b anthems, ‘uk’, in what has been dubbed his “strongest year to date” by annie mac. the rise of dimension has been nothing short of remarkable. with multiple best-selling and seminal anthems including ‘whip slap’, plus numerous remixes under his belt for the likes of chase & status, duke dumont, nero, emile sande and deadmau5, 2016 became a real turning point for the producer as it saw two of his singles, ‘automatik’ and ‘uk,’ crowned ‘hottest record in the world’ with annie mac on bbc radio 1. a thrilling and enigmatic producer who likes to let his music do the talking, dimension’s commitment to the sounds of the underground whilst still receiving mainstream success provides further impetus to deem him one of the most exciting artists of 2017. this year will see him undertake his biggest tour to date in australia and new zealand, return to amnesia for another season as a resident dj at together and hit the summer circuit once again at festivals including sw4, tomorrowland, snowbombing, sziget and creamfields.

born and raised in newcastle in the uk, man power is now embedded in the depths of mexico in monterrey, a city on the rise after many years of internal strife. this unique new perspective and observations while on the road as a touring dj has given man power the impetus to launch his new label entitled me me me with his own production ‘tachyon’ paired with a remix from dj tennis.

pisetzky’s sound comes from a walk through elevated paths, passing through obscure lanes of a mysterious soul. hidden between its urban inspiration, his music expresses a unique vibe that drifts from a dialogue though this inspiring metropolitan nature. shy spirits whisper wistfully synths of a never ending voyage, five alluringly deep tracks that hit their hypnotic impetus as soon as you let them lead their full ambitious course. elevation, born from a collaboration with primal, has been produced in a nordic desolated environment in the outlands of copenaghen.

** released on vinyl only **!!
in the space of two short years shlømo has quickly established himself alongside the likes of marcelus, bambounou, francois x and the antinote records crew as a key figure in paris’ current techno generation. having established his own taapion records label in 2013 and built a roster around a core of local producers including roman poncet, pvnv and antigone, in addition to enlisting stephen brown, conforce and sterac as remixers for the label’s releases so far. for its fifth release, bright sounds - run by fellow parisian kennedy smith - revisits last year’s rechaïm ep (bsrx003), with a trio of remixers offering their own takes on shlømo’s established deep and expansive sound. first up is the aforementioned 50 weapons artist bambounou, who offers a dynamic groove-based version of the title track that bounces along an elastic kick drum with cut-up fragments of the original’s atmospheric pads providing further impetus. label owner kennedy smith takes on theory is the worst by bringing its dub textures to the for while filling the track’s empty spaces with intricate drum patterns. finally, italian techno pioneer donato dozzy turns grounded queen into a classic dozzy slow-burning techno trip, with his trademark layered sound complimenting the track’s subtle rhythmic backbone.

bleed follow up their inaugural release, by volte-face, which received plays and praise from the likes of dvs1, pangaea, luke slater, marcel fengler, blawan, erol alkan and anthony parasole. rote is a debutant artist, formed by volte-face and daniel avery, best known for his lp drone logic , widely considered to be one of the breakthrough dance albums of the last decade. rote is a project with no precise mission statement. the goal is to approach each studio session with a fresh impetus, to release club eps with minimal fanfare and fuss. the ep features two densely atmospheric, peak-time techno tracks as well as remixes from semantica head svreca, and arguably the most prominent contemporary techno artist in japan, dj nobu. a small pool of djs have received the tracks ahead of promo, with early support from nina kraviz, dvs1, silent servant, tripeo, ryan james ford, jp enfant, distant echoes and samuli kemppi

vilod = ricardo villalobos & max loderbauer
it is a smart and airy groove of atoms in space that rules this mesmerizing album, leading off with an irresistibly deconstructed downbeat monstrosity deceptively tagged as the modern hit midget as opposed to actually being a giant. one giant of seven, to be precise: safe in harbour are the seven giants of free funk who proceed through a variety of way-out psychedelicacies. which increase in flavour under headphones. the wane of villalobos and loderbauers free-floating energy of their re:ecm work is more than offset here by the increase in rhythmic push through sensual syncopation and eruptive bass energy. the duo is the impetus in perlons great new swinging machine....
ps , as an additional feature each vinyl side contains a hidden floorfriendly dj loop

ltd 2013 repress, vinyl only release. dutch newbie ivano tetelepta steps up to the plate for his 2nd release on fear of flying, >i think about you< is a sleek slow burning groove with hypnotic undertones, the repeated female vocal and sharp hi hats giving the track its dance floor impetus. >taksi< takes an altogether different path - pumping up the beats for a slice of pure peak time phunk whilst >open moment< injects a light melodic feel over dubbed out beats - one for early mornings and a fine way to end a really well balanced release.

super peak time excellence from the italian duo – >i decide…< is a bassline led groove and a half with flecks of melody adding impetus to the track. flip sides >hyperdub< is a 9 minute journey of pure breakbeat excellence

here we roll after a long pause back to musik krause. toting three nuggets brought to you with care which are somewhere between gentle hardcore with a weakness for the horns, and a warm coolness that finds its place without the chocolate cake. whoever thinks that what i am doing here is again on a peppermint accordion ditty got it twisted. dark, complex and almost avant gard-ish hearty.

recognition opens up its archives and invites to a futuristic sentimental journey with respective stages set by the 9702. album contains a set of varied tracks recorded within five years after warsaw labels launch and its first release. extended compositions and short improvised sound notes resemble eccentric propositions of such labels as (early) warp or rephlex, standing next to melancholy-saturated minimalistic techno and abstract collage structures which prove out to share many characteristics of clicks n cuts movement of the second half of the 1990s. usage of human voice samples is an outstanding feature of many of these archive materials. entirety of mastered-anew content encompassing both records, contains all principal trademarks which distinguish jacek sienkiewiczs creations and his label recognition - utmost care about depth of sound sphere, experimental inclinations and focus on complex motoric aspect of the rhythmical base. this collection of music from recognitionÕs first five years, surprising for its freshness and sheer impetus, is a must for all fans of jacek sienkiewicz and polish electronic music of the turn of the 20th and 21st centuries. in connection with publication of yet-unheard tracks, jacek shares another slice of yet-unknown artistic vision, connecting sound with other media such as image, light and movement. recognition xx audio-video performance comes out in summer as a result of this retrospective look.

it is a smart and airy groove of atoms in space that rules this mesmerizing album, leading off with an irresistibly deconstructed downbeat monstrosity deceptively tagged as the modern hit midget as opposed to actually being a giant. one giant of seven, to be precise: safe in harbour are the seven giants of free funk who proceed through a variety of way-out psychedelicacies. which increase in flavour under headphones. the wane of villalobos and loderbauers free-floating energy of their re:ecm work is more than offset here by the increase in rhythmic push through sensual syncopation and eruptive bass energy. the duo is the impetus in perlons great new swinging machine.