excellent percussive 90s inspired techno

aka alene marie

with its sixth release new york trax continues the mission of highlighting the jewels of the new york underground. liquid asset is a philadelphia-born brooklyn-based hardware virtuoso who has made a name for herself by virtue of appearances on labels such as e-saggila s summer isle brooklyn s own primitive languages jacktone and acid etch where she has recently delivered a furious 7- split with isabella. liquid asset built her own 808 and 303 clones by hand. the modified 303 is particularly audible in the opening track of the record -ephemeral nights- where she did not waste time on an intro and went straight to creating a sonic pandemonium by blending an airhorn sound with frenzy acid basslines and a hardcore-leaning 909 kick. -contact- is a merciless creature of the night with its relentless dark groove building up throughout this composition cannot easily be classified as a representation of any particular genre. -controlperception- opens the b side. here liquid asset plays with a cheerful acid line over a dreamy landscape often punctured with bleeping sounds. finally in -forgetmenot- two opposite sounding basslines intertwine creating a minimal yet very capturing composition to close this one of a kind record.

if anything, stojche�s take on detroit inspired techno rarely requires your permission for engagement. the fifth installment of his own label, tangible assets, is no different. this singular producer always manages to conjure up otherworldly atmospheres that resonate from head to feet. with that said, we could spend the next three paragraphs throwing around adjectives and splashing colorful words all over this press release regarding his sound, the aesthetic within each track in this release, and we could even volunteer a side helping of words that somehow make sense of this young producers studio ability. one thing however is for certain. tang005�s true charm lies in its ability to capture an honesty and sincerity that�s as captivating as it is transcendent. there�s a clinical yet organic approach that stojche adopts time and time again in formulating his tangible asset releases, and if anything, tang005 should provide further evidence of his depth, maturity and innate ability to create enchantment. this record is wrapped in captivating moments born from flourishing stabs, twilight synths, rolling charges of calculated manic rhythms and subatomic motions living within a range of intricately programmed beats. add to that a host of cinematic sweeps that develop into harmonic clouds of melancholy and you�re one step closer to the true romance etched within the grooves of this record. once again, stojche has created an ep that catalyses imagination. a series of intense voyages with thoughtfully considered moments and movements that have been executed by a man well in tune with his craft.

tangible assets returns with its fourth release in the series by label owner stojche. an outlet that�s given the berlin based producer the freedom to explore and distill his trademark dubbed out detroit fueled productions. asset 04 follows on from three previous releases and opens its account with �payback�. a dubbed out affair that�s firmly grounded in a powerful groove. stojche sets about reinforcing his strengths in composing a surgically laden foundation with precision placement of 909 toms, panned snares and staggered kick drums that proceed into razor sharp hats, blooming into subtle delayed pads which are further lifted by emotive and colourful chords. payback�s true charm lies in its ability to capture an honesty and sincerity that�s as captivating as it is transcendent.�tunnel� continues where �payback� left off and leads in with a booming cavernous kick drum, diving directly deep into a wonderland of mysticism, an effortless trademark that�s clearly evident within all of stojche�s productions. rich swirling pads rise and sit happily beside cleverly programmed melodic keys that tease in out of the mix, directly complementing the main elements of its structure. if anything, �sinister alley� should be further proof of the macedonian born producer�s maturity in exploring the outer worldly and broken beat time signatures. his approach in creating both depth and enchantment is both pragmatic and effective. beautifully deep, undulating and atmospheric. �sinister alley� opens with an airy signal that captivates upon overture. combining quintessential snares, a series of rapid fire hats that are anchored by an analog baseline, he sets about creating hypnotism with layers of atmospheric suspense, while fluttering waves of electronic circuitry waver in the distance. a multitude of pads and textures combine to create an ethereal feel and harmonic cloud to float within. tangible assets 004 is far more than just another chapter in stojche�s musical journey and much more than just another release on his label. it�s further evidence and development in a sound that truly captures the essence of the man behind these tracks. an ethos he�s been exploring for quite some time, catalyzing imagination and furtherance that�s beyond tangible.

asset003 is stojches debut release in 2013. he returns back to his solo imprint to present the 3rd ep in the series. again 4 �tracker 12 inch, range of quality techno and house outputs in brilliant symbiosis

after his last single asset 001 and releasing his distance track on dogmatik records, stojche returns with the second release on his own solo tangible assets imprint delivering another four cuts, whereby we witness his consistency in putting out a must-have quality works. the 1st track on the a side is called you & me. podium techno tune where the 909 drums and the fat baseline interact perfectly with musical theme. stojche starts off with the pad lines, building them up with various chords, synth swabs and dubby layers that strike in perfect timing. this one is real immersive moody groover. a2 -mechanism has an electric piano aspect as key texture that jams along the track, and later the amazing string arrangement creates a lot of space for the drum sequence to bring the mood to another level. this tune could do a lot of damage on the dancefloor if dropped in a right time. b1- revolt kicks off with a storming groove right from the start. uncompromising drums with the acidic synth keys that rumble in 4 on the floor beat that showcase chicago house influences from the past. b2 - podrum is the closing track of this single that carries a real strong emotion and deepness. classic detroit influenced after hour tune approached in style. the warmth stretches across the entire soundscape, where we witness stojches skills to create an essential spiritual deep house number. definitely stojche has succeeded in delivering four different quality works to one beauty of a record!!! asset002 will be available only in tangible (physical) format

prepare yourselves for an electrifying journey as temudo makes his mark on sciahri�s label sublunar, with a mesmerizing ep that encapsulates the essence of the artist�s multifaceted techno mastery.

deluxe gatefold sleeve, deep red and deep blue heavyweight lps

mastered by enrico mercaldi

the debut release from nyc based party / label sublimate features russel el butler, ali berger and turtle bugg and more

industrial techno & noise affine leftfield electronics with acid elements

touched music und furthur electronix gehen in die zweite runde mit ihrer zukunftsweisenden compilations reihe.

whether thought of as a fistful of small change or as a digitally distributed asset, monetary exchange is best calculated for aesthetic ends at the planetary scale. zoom out, and as far as you can. yen towers is copenhagen�s simon formann, known for his work as a member of lower and age coin. �bidders must justify their price� tracks the mechanisms of global exchange and scales sound system dynamics to fit, preserving only the minimum quantity of human perspective necessary to calibrate itself for advanced club environments.

the artist run gallery schloss, inhabiting the space of a defunct porsche repair shop in oslo, has birthed a record label under the same name. run by the visual artist ida ekblad and the dj/ producer karima furuseth. the first release is by londoner max fowler,who has a certain affinity for ageing samplers and dusty samples.the b-side features a remix by stockholm mainstay and, among other, the trilogy tapes-affiliate samo dj. mixed and mastered by matt karmil.

following the �frequency vs atkins � mind merge lp� (march 2017), featuring the collaboration between orlando voorn and juan atkins, italian label out-er (out electronic recordings) welcomes long standing detroit producer terrence dixon for a 21 track triple vinyl pack �12.000 miles of twilight�, out in july 2017. this is dixon�s fifth album and follows his last �badge of honor� released back in 2013. the legend has been putting out material since the mid -nineties. recognized worldwide for his visionary, futuristic sound, dixon unites ages of inspiration traversing diverse musical styles including electro, jazz and minimal sci-fi techno. this overall hypnotic approach can also be seen in his parallel project population one, which appeared on out-er respectively in early 2016 with two-tracker solo �temporary insanity ep�, as well as in late 2016 with �temporary insanity remixes� which saw the label offering reinterpretations from cosmin trg, pangaea, voiski and label co-founder simone gatto. �12.000 miles of twilight� remains an experimental techno asset offering a non-linear, emotionally absorbing journey into the singular experimental edge of the detroit artist, pulling the listener in all kind of directions from the opening track to the closing finale.

eight dubbed out techno cuts with a futuristic twist blending the memories of nineties dub techno with contemporary sound aesthetics.

vasista, the first track of leskin�s ep is a pure analog techno weapon. it�s a vigorous rhythm makes of this track a proper dancefloor killer. its major asset is probably the break�s trick that offer leskin and which leaves no one indifferent at first listen. with monkey track ii , leskin if taking us on a dreamlike deep journey. half fanciful, half raw, the result of this combination is a captivating track! on the b side, the last track of the ep is a remix by � el pingon � (no one but greg beato himself). el pingon has captivated the essence of the original track and brings a hint of jungle and sprinkle drum&bass. the signature mysterious broken beats and blurry sound effects close this track with sublime class

francis inferno orchestra has steadily released a number of successive calls to the dance floor over the last few years. from smashing pianos on 3am piano thing to bouncing harmonizers on hezbolla, fios simple and subtle approach to song writing is his best asset and the reason we love his music

in time, plusculaar has become an indispensable asset to our label so it is only fair that we kick off this esemtrax limited vinyl series with his *rumänische* ep. after the massive success *stai jos* on enough! music, it is our turn to take advantage of his talent so we asked for some top quality tracks. the result is mind blowing! it contains his finest work yet, a blend of techno and minimal, the very well known romanian sound.
played by: richie hawtin, someone else, amine edge, transmit promo radar, luca doobie, mariano mateljan, guido durante, herck ceryx, ovidiu adrian, indy lopez, edgar de ramon, javi alvado & thc, pantany, claude solis, alessan main, elchinsoul, michel de hey, marco carola, dirty culture ...

whether he is headlining at nightclubs or playing a marathon set for an underground afterhours event, elon has a key asset in shaping new yorks vibrant underground music scene.

with its title track heralded as �essential new tune by jamie jones & seth troxler on bbcs radio 1, shall ocins tribute to summertime ep on leftroom is tipped to be a crucial asset in record crates this autumn.

nice price deal !!! expanding on the success of forward strategy group, label boss smear has fashioned the new minimalist outfit, retail & leisure, with a new addition of the fsg corporate family. retail & leisure is in many ways the polar opposite of fsg, ditching their trademark dense, heavy techno in favour of simplicity, space and a more systematic approach to composition. side a strips right down to the bare essentials, leaving little more than an ice-cold rhythm, bleep and hiss, creating a deep mix-tool for fans of artists such as mika vainio and sleeparchive. the b side features a remix by fsgs latest recruit adrian ross. mechanical scrapes and clangs mesh with deep, pressing kicks to create a sound which is dense and impenetrable. ross is a unique entity in techno: with a genuine outsiders take on the genre, he is an exciting prospect and a great asset to the group. the final track is r&ls take on dubstep, with dry, chalky percussion, discordant siren and churning bass. snares spin, shuffle and shatter against the tracks main, oppressive rhythms. the record ends with some valuable advice on where one should position ones feet

lyrical wit is in abundance, magnified by russell maels soaring falsetto gymnastics. failure with the opposite sex is a recurring topic, from the adolescent fumblings of amateur hour to the resignation of falling in love with myself again. its easy to see why the teenage morrissey was a dedicated fan. the track that really grabbed the publics attention was this town aint big enough for both of us, a classic stomper with a gravity defying melody. 1974s kimono my house is the sound of sparks firing on all four cylinders, providing one of the most curious and comical albums of the 70s. freddie mercury wasnt the only operatic rocker on the block in the mid 70s. the genre was pretty much taken to its logical conclusion by ron and russell mael, the decidedly odd couple who formed the nucleus of sparks. dropping references to immanuel kant and yehudi menuhin, these boys werent your average dumb rock band. kimono my house was their third album, recorded after the brothers had relocated from la to london (where tolerance of tongue in cheek pomp pop was obviously much higher).