jose rodriguets last two releases were orientated to a more deep and minimal sound, his first solo release came out on blackout77 under the name of >celula ep< and gained the support of all top jocks from the minimal and electro clubbing scene and then he released alongside xpansul (leftroom, discos de lata...) an amazing electro-tech record on permissive records last year. now he is back to blackout77 with 2 big room minimal-electro anthems full on crispy beats, distortions and groovy basslines. the bside contains a strong, dark and very intense remix by larsson, courtesy of traum and b pitch control

after the blistering disco volante picture disc, its again up to label champ john dahlbaeck to rock the pickadoll label with this neo baleric trance infected eletro tech two tracker

high level remixes from our two favorites english guys.... mark henning with a very serious techno track and glimpse with something a bit different than usual, less minimal and more powerful. important: >magda had a little troll< is an original track by pheek. play it, its very very hot!

first release for contentismissing and the first for eve white. eve white are sascha kurz aka motec and daniel gelbe and they come with two timelss warm and deeper techhouse tracks

solid italo electro house two tracker

sweet percussive latin ibiza house in two mixes by bozzy vs. castaman

nice balearic guitar hook flavoured vocal house two tracker with a cool funky xaxo !!

joey returns to his own jackin tracks imprint for a lovely 4 tracker, this time re-releasing two of his classic tracks and showcasing two new ones. for anybody who may have missed it, joeys >sunrise ep< on freaked records uk came out in 2004 and was widely regarded as one of the best records in his discography. the standout was >memories< featured here beautifully remastered on a1. it has since become a house classic, and also a very hard-to-find record. on a2 is >the devils groove<, a twisted cut perfect for those drugged out moments at 5 am in a very dark room. flip for b1s >country life,< nice dancefloor-aimed material with a massive bassline and soulful male vocals, this one was surely inspired by derrick carter and achieves that sound perfectly! and lastly is >45 funk< – the full a-side track on the original freaked release - old-school youngman sound, undeniably funky with a wicked keyboard solo thrown in for good measure

it was 1883 when the krakatoa vulcano erupted and generated the loudest sound historically reported. about 120 years later, in 2002, the project krakatoa was born, generated by the underground enthusiasms living in the city of turin,aiming to contemporary electronic sound esploration with a special appeal for clubbing. krakatoa was originally established as a cult underground party based at the beach club in turin, where every thursday more than a thousand youngsters use to meet at the feet of the dj booth where the two founding fathers, dj pisti and samuel, regularly perform. they are often supported by special guests such as josh wink

a fresh new three album track remix ep containing mixes by charles webster, the long term deep house maniac who serves to be an incredibly good choice, will saul, label owner of simple and aus, and a final remix by the man himself phonique. the charles webster remix of worked it out starts off as a nice thudding beat with a crisp minimal click on the offbeat, until an echoing vocal sample swifts in and around starting off the soft but pushing shoulder shifting bass line. smooth piping reverbed blows outline an almost euphoric melody, a very trippy and atmospheric tune with soft cymbals pattering away in the background. soothing sounds and housey chords mix perfectly to make a chilled out dreamy beach tune with a nice progressing beat. a swerling bridge with a 90s casio chord melody steps in and then fades out to the echoes of the vocals drifting silently away into the sun. on b1 its the will saul remix of bang. dun, dun, dun, dun, whoosh! - then a descending high minor melody calling with an electric bass response. squeeky bird sounds and weird reverbed chords makes you feel like you‘re in a crazy dream falling and falling yet the beat keep you stable and composed just about! an out of tune dungeon computer game. strange but true and also very interesting!! and finally, on b2 its the phonique version of space cruise feat. gui borrato. trekking through a spaceship journey tune with mechanical functional sounds releasing here and there. a repetitive two noted melody comes in and fades out, is replaced by an array of spaced out tones, arrivies back again, meets up and resounds into a fanc

talented australian newcomer jamie lloyd continues his upward trajectory with his debut album trouble within released internationally in september following two successful eps in 2006. the album has been getting the remix treatment from some of our favourite producers ahead of its global release with the first 12 to surface featuring remixes from berlin duo trickski (sonar kollektiv) and zwicker (compost black label)

aube records 02 is here. a great jean michel jarre inspired interstellar disco. produced by the guy who remixed jupiter blacks we like morder and who produces music for guys like marc almond. two tracks of very robotic synth disco that will take you to another cosmos. made as hommage to the european youth (that sounds a bit eastern europe 1979). dont sleep on this

with estroe (connaisseur, 7th sign) from amsterdam neutonmusic is releasing two emotinal and exuberant house/techno tracks with handclaps, catchy bass line and dynamic hi-hats. the remix on the flipside comes from jamie anderson (nrk, outland, om), who is currently enjoy ing the success of nrks re-release of his 2004 underground hit >time is now< featuring a remix from man-of-the-moment, radio slave.

the p series are coming up with a new banger! two massive hits get a splendid treatment by two big players in the techno game. gwenn and fergies hits are now huge techno tracks that will make that crowd go wild

two of san franciscos hottest djs, monty luke and tasho bring us their very first release, a low down paranoid techno groove to keep you biting your nails and shaking your ass. todd bodine (tresor, highgrade, immigrant) rocks the remix adding the necessary bumpy tweaks and hot precision to make a great track even more freaky

following fondations first release - danton eeprom - these eyes/strictly erotics, cheerfully welcomed by djs, radios and press across europe - is the first ep of brwn shoes. this newcomer to the electronic scene played for long the role of observer, in the sweaty basements of london and valencia, before getting to djing and music production with panache, brio and attitude. brwn shoes sound is based on dirty, insistent monosyllabic basslines and superpositions of subtle notes and minimalistic gimmicks, providing moody, stripped-down pieces meant to drive the crowd and its dj corpus mentus. zeugma and tigers dont sleep are two perfect examples of this new breed of sound hes developing. crude, raw and sexy.

after the two tracks on the recent soul jazz >box of dub< compilation jay haze and michael ho follow up with a full-length of growling electronic dub and dubstep

here it is... the brand new single of konstantin wallner! after his great remix for the miami twice smasher >cada vez< here comes his first solo single >at night<. thrilling phunky house with dirty vocals and a big remix package including mixes by ben delay !

yes! format b are finally back with their second release on stil vor talent. after massive tracks on opposum and highgrade rec, their newest ep on stil vor talent is another huge minimal monster. kongo time is typical for the two berliners: a flickery percussive loop with some stretched out effect envelopes over a wobbly drum n bass style bassline place this track between freaky rave and minimal chic. its definitely going to make you trip out for sure! on the flip its the funky mondo time that builds up over some cuts and bleeps until it leads the listener into pure euphoria when the simple loop kicks in. a huge organic subbass and some chopped-up vocal sample add the funk to this delirious minimal hit and when it comes to minute 4:00 you really won t be able to hold your feet still. format b are at the top of their game and we are so happy to have them!

the 2nd part of the >the life we choose< album series starts with >who you gonna call?< the track is built on a melodic 303 acid line, which, followed by two more 303s, results in a complete acid trip. >the life we choose< is compelling, with its 117 bpm electro-groove, strong bassline combined with a hypnotic acid line, right up to the triumphant string finale. >itz ok (club mix)<: sombre, expressive vocals mixed with acid beats make one thoughtful, despite enjoying the whole package in a >hardfloor will survive< club mix! attention! full album cover comes with part 3!

remixes by woody & dj t.!! dj t.s >the dawn< 1st appeared in may of this year, and it was a 12inch of typical poise, refinement and dancefloor effectiveness from the get physical boss. now its time for the remixes... first up, t. himself tackles >jam pot<. the resulting track is the dancefloor monster that >jam pot< always threatened to be - subtle, intelligent, but unswerving in its intention to rock the floor. for a fresh treatment of >the dawn<, t. hands over the reins to woody, the legendary former resident dj at berlins e-werk and a true architect and soldier of the citys techno underground.the result is undoubtedly psychedelic, but the powerful, minimalist drum patterns and sheer production panache mean this will be a big hit with the feet and hips as much as the mind. this is a remix 12inch you cant afford to miss - two very different productions which will stimulate both cerebrally and physically. the dawn is here!

a year after their triumphant debut single >chasing you<, sleeper thief aka audiofly and miss jools are back with another creepy-crawly two tracker thats got thrills and chills to spare. full support by dan curtin !!

the third stadtwald comes with two atmospheric and minimalistic techhouse tunes by w.j. henze and robert drewek

ohh!! nubian mindz hits again! this time with some of the best broken madness we have heard in a long time. bossa boogie is destined to be a big club track due to its infectious synth lines… just one of those.. it comes in two versions, the original and the 4 to the floor technorub to please any crowd. tangents should do the same, with its rolling bass and its crisp beats, just the right groove to make anyone move

hammered by steve bug, ralph lawson, simon baker, mike shannon, tommy four seven, phonogenic, so strong! after a fab 3 track ep on 2020 vision in the last couple of months, burnski is back with his second ep on morris audio. >skip tha< is a great peace of house music, which sounds great in either the warm up or grave yard slot of the night. with smooth melodys, funky bassline and a great groove, is has everything to get people jackin! on the flip comes a awesome remix from slg (trapez, channels records), who speeds up the pace and gets things moving with his trademark tricky patterns. a absoloute must have record for two artists causing alot of hype at the minute - this record shows why!

t junction & osiris team up with mc syco to drop this brand new hardcore bomb livin the hard life!a track that breathes through the hardcore blood and oozes energy when unleashed at high volume. melodies and kickdrums change pace from distorted kicks alongside in your face vocals to breakdown chills.both producers deliver an individual contribution to the release with two solo produced tracks on the b side under the titles of remember the name and guns and missiles.a superb 4 tracker trapped on 12 inches of vinyl with the potential to hit hard, t junction & osiris take the hardcore mass to new levels of madness

kaskade recently did some massive remixes of david morales here i am and pussycat dolls dont cha. kaskade is a special breed of house star, one who has increased in popularity over the past few years in an industry where most of the major players have at least a decade (often two) of stardom behind them. sorry is taken from kaskades third album love mysterious. though his trademark melodies, sensual vocalists, and emotionally driven sound remains intact, love mysterious is a bolder production and reflective of kaskade s growing acclaim and popularity worldwide. man of the moment dirty south did an amazing job on the remix, that rocked almost every party at miamis winter music conference

tribal proggy two tracker oncl hardware remix

deep minimal electro house two tracker including remix by will bailey and calvertron

two outstanding forgotten house classics from the cbag vaults, first up is long lost gem >racing tracks<, which appeared originally on umm in 1993, a villalobos classic with a minimal funky house break, a rolling bass line and racing car samples, on the flip is an exclusive derrick carter edit of the 1988 acid house classic >downfall< by fellow chicago legend armando - this version has never before been released on vinyl

crispy minimal tech house with some trancy elements. the b-side offers two different versions which are a little bit >louder<

tribal proggy house two track ep

finest energic tech breaks two tracker

two rockin club monsters with o toolschen beats and basslines !! sure shot for all pumpin techhouse with electro touch lovers

so you know were partial to a pseudonym or two in the dubsided camp. so just to confuse things further we would like to introduce voodoo chilli aka herve aka count of monte cristal. with a remix from mustapha 3000, aka erol alkan, the banging title track >look what you done to me< is accompanied by two more knock-hard tracks on the ep

after the banging lordag 001 from terje & anders, the 19 years old terje bakke from bergen/norway returns with a solo-release on lordag. both tracks are displaying terjes unmistakable enthusiasm for warm and driving chords forming the linchpin of the tracks.on the flip we have two very strong remixes. the first one is produced by dirty doering together with donna k from berlin. he is a part of allyoucanbeat records from housemeister / otherfucker, so his remix is a kind of freaky electro stuff with cool rhythms and a catchy beat. blood & tears from karateklub is responsible for the second remix. his first ep was supported and played by chris liebing and pascal feos. the remix is an incredible hot peaktime burner

funky and filtered electro house in two mixes back in stock

public service message: from the pale horizon of the calm world, here emerges critical tension. product of his society, henry the white collar goes through a crisis. today henry is nervous, negotiating the heave and shove between fear and his uncontrolable urges, and this is his music when he does. we, the producers, are his fantasy. does it hurt or is it good? can you make him relieve his debt? after two releases on sound of barclay, and a hit (sink) on yvan smagghes compilation (suck my deck) released on react, and the famous cover of lios amoureux solitaires featuring jennifer cardini on kill the dj, henry is back with a dodgy 10 inch no punk, no electro - this is wobble

if anyone remembers a lil 10 with a cow on the cover that came out on heading home two years ago and missed it, nows a chance to rejoice! the two tracks by hotlips & hawkeye featured on it are available on broken rule once again now supplemented by de la luna and del sol, two more extra-dubby, slo-mo disco nuggets, pretty much in line with the previous two tracks. excellent stuff from pylon records

zoltán palásti kovács and konrád pilisi founded the lushlife project two years ago and much longer since then have been inspiring people with electronic music which is going far beyond definitions of genre-bending entertainment. more than ten years of knowledge and research unify both of them - kovács as musicologist and historian – pilisi as radio presenter and well-known deejay

solid prog house two tracker

after two successful singles, >do me like< (remixed by chab from azuli, imago & saw fame) & >so bad<, heres the third single extract from the album, >making love & music<, just in time for the summer period! >makin love & music< has been remixed by top us producer morgan page in two version (instrumental & vocal). for those not familiar with morgan page, he is 24 and living in los angeles, has several remixes under his belt for grammy nominee wax poetic (norah jones), ashlee simpson, jean f. cochois, terry lee brown jr., nigel hayes, home & garden, and dozens of critically acclaimed eps out on labels like bedrock, saw, and nordic trax featuring collaborations with colette, gregory shiff, and astrid suryanto. recently, his music has garnered support from a wide-range of top level djs including sasha, deep dish, danny tenaglia, dave seaman, hernan cattaneo, john digweed, mark farina, and jason bentley

originally released on out records way back in 1978, >black devils disco club< is an extremely rare disco masterpiece, an epic journey into the deepest electronic disco !! this vinyl features a kerrier district (luke vibert) remix and two other exclusive tracks

enter the hej, the first release and the launch of a unique new label via punisher and the overfiend, to produce a constant flow of fresh ideas and explore musical boundaries. this release plunges head first into the ever changing realm of techno and makes its mark. punisher delivers the first track that begins with a hypnotic melody that consumes you until the chunky bassline hits hard and you are hurled into the infectious rhythm. cyborg k presents a perfect fusion of the sickest shuffled techno and dirty electro. funky bass and smooth rotating synth stab loops that float around your eardrums while the beats work you. the breakdown hits with dirty electro bass and effected sample snippets, amazing overall production. punisher remixes cyborgs itikiti with segments from the staggered synths over chugging, thick percussion and bass that twist around the electrial hiss. versatile release from two techno veterans. enter the hej and hear what its all about

this is a fresh & rockin kompass musik release, presenting music from the hamburg-city boy denis karimani aka remute! after lonely and quiet years of experimenting and self-discovery he released his first 12inch called >hypnoconsole< on zombie nations label dekathlon records and got remixed by munich-techno-hero richard bartz.the first livegigs followed directly and led him into smoky rave-basements, uproarious clubs, sunny open-airs, as well as shaky party-boats...due to excessive and unresting music-making, denis released lots of 12 s and made several remixes in the following years. he released records on fine labels like traum/trapez/mbf, areal , dial, num, smallville or liebe*detail, made remixes for artists like dominik eulberg, move d or station17 and released his first album >remute< on ladomat. his regular appearance in magazine polls for best live act of the year proves that this is not just theory. now, we proudly welcome this jack-of-all-trades to our yet small but nice label family at kompass musik. he contributes a bodacious three tracker, jam-packed with dirty and pushing club tracks. >slam with the face< on the a-side brings us into some rough, gruffy and exciting soundscapes, the b-side holds two more fantastic proves of remutes far-reaching talent. >cause he likes it<, a pretty deep piece of techno and >propellersweat<, a reduced but heavily effective monster track in the end rave on.!

the spatulacity crew is proud to present some more fresh talent with real time hand motions prime time man lotion ep! these two have been making major waves with blistering originals and remixes over the last year or so, and break ya neck and who got it are probably two of the hottest examples of what these guys are capable of. unbelievable studio trickery in the vein of spatula city label bosses the sound republic, rthm deliver funky grooves, dancefloor firestarters, and were without question one of the most talked about artists at this years wmc. this is only the beginning of what will surely be a long career for this nashville duo. chicagos sexual chocolate (of junky trunk records fame) delivers a nasty dubsided esque wobbly bassline stomper of a remix for break ya neck while the original funks, shuffles, and grooved its way in to the boxes of all of the underground heavy hitters with massive support from dj mes, the sound republic, diz, raoul belmans, justin martin, the inland knights, and more.

lovely slice of deep vocal heaven here starting with an afro brazilian flavored guitar intro and gentle beat with a subtle kick that slides into some extra warm synths and the baduesque vocal by zansika that sets the tone, polish all the way. incredible break about two thirds the way through that gets quiet and takes a moment for just the beat, echoing vocal and dizzying synths that should mesmerise the floor. b side dub strips the track down to its essence exposing all its elements to let us see what makes it work so well

behind basic bastard hides dutch techno legend orlando voorn. razor sharp and frankfurther are two strong tracks on the fine line between electro house and techno