on the genre smashing what she wants, metrics productions have become more assured, as have the range of influences he brings into his music. inspired by everything from jacques le cont and daft punk to his obsession with bad 80s records and krautrock rhythms, metric chops up the beats n vocals here like if he were prince signed to ed banger. slamming tracks like oh percolate with ironic electro pop synths and brash hip hop attitude, while breakin hearts seduces with chunky guitar glitch given the trademark metric acid wash. the e.p.s cheeky power culminates in the title track, what she wants, a squelching dancefloor stormer whose chunky hooks bring rude rock intensity to electronic club thump

excellent release by one of the most revolutionary artists for deep house in spain, his name, jesus gonsev from cuidad real. the manchego native rounds out the tenth vinyl release of house cafe music with a definitive american sound from the early 90s. the future of this artist looks bright as he is poised to release more records on soul cafe music from south africa and gotta keep faith records. next to me, the title track of this ep brings memories of the productions of steve bug or gamat 3000 from the dessous glory days, lots of groove with simple elements which make it both mixab le and danceable. so deep, has already garnered the attention of house legends such as larry heard and ame, who have already included this track in their sessions.

after the first release for mule musiq at the sampler 12 inch - mule disco - of mule music016 newcommer of italian disco artist >marcello giordani< returned to mule with very cool house sound. title track of a side im not a blade runner is a electric fusion disco house sound, like a a sasse dirt crew etc…disco mare of b1 is a slow disco house sound and >shrimps of portofino< of b2 is bit more funky percussive disco. marcello giordani is working for his first album to release from mule music in this winter at the moment

next up from fear of flying we have pawas, originally from india and now based in cologne. pawas is currently in a bit of a groove on the production front with releases on adam krolls excellent squonk label and also with an ep forthcoming on germanys flash records with good friend daso. title track >playtex< is a twisting and turning groove through the deeper echelons of minimalism, very fx heavy with wibbles, whooshs and tripped out noises aplenty. one for the >hazy< moments on the dance floor with its hypnotic groove bound to lock them in until the early hours. >nylon< delivers a summertime injection in the form of an upliftingslice of niceness...

italian dj/producer remo is no newcomer to the international scene and to dance electric label, his black sabrina track was a massive hit throughout the hottest clubs worldwide. now he returns to huntemanns outlet presenting >mild steel< alongside his studio mate max cassan, and introducing a new project called: >sidechainers<. the title track is a huge arp-trenched killer with a big melody, stunning and spaced out efx and a certain dose of italo feeling. steel 24 on the flipside drives through the club like a heavy tank fuelled with acid. a big statement towards machismo and patriarchy – metaphorically spoken you know the deal ladies. remos music always has this special kind of presence and thats why we love it so much, ragazzi!

jt donaldson follows up 2 outstanding eps for hudd traxx bringing his untitled orchestra partner cpen with him appearing under a new guise. the title track lives up to its name as it d bang the lights of any club! jt & cpen work out smooth beats, techy keys and melodic strings with a killer bass to make this track the pick of the ep. flip for the b side and jts signature deepness shines through starting with intimate friends. crisp beats and crunchy hi hats accompanied by low swung piano keys will keep the heads nodding into the early hours. spaced out is a late night deep viber which rounds off this ep nicely. full marks to the slum science crew for another essential release.

stefan engblom and olle cornéer aka dada life have caused a massive stir in electro house land. or shall we call it la la land? anyway, after impressing releases on imprints like mylos breastfed, john dahlbäcks pickadoll, fatboy slims southern fried and rise records its now time for a kickin release on the alphabet city label platform >this machine kills breakfasts< is as crazy as the title already suggests. lunatic stabs, kickin beats and funky peaktime action, you have never heart before

the long a-side is reserved for bülent gürler and his project bee-low. >the hidden noise< is a neo-detroit-screw of the plus 8-hawtin school in a very popular plank of the minimal-rave. a track like evolution. antonelli digs, as >random aficionado<, a handful of melodies deep under a rave that is hardly recognizable as such one. he removed the snare completely in favor of a more effective feeling of the song. that s the way deep-house should sound and the way you always imagined it. no frowst, no references, just clear warm water. martin hirsch, alias deer, lived in devon (uk) for a long time and was an immediate neighbor of lee norris, also known as norken or metamatics. recently, the two of them have revived the connaisseur label neo ouija and that will surely do good for the cultural environment. and they have decided to start a long-ranging cooperation in terms of producing records. an outcome is >beyond the breeze<, a piece of house music whose title couldn t be more precise... sasse, giles smith, jeff milligan, laurent garnier

all tracks on arti farti have been tested out the last 6 months by our local heroes, and have been proven to work in many a club:-) a: yesteryear: this one is rough. combining modern tech house with some old school >funky< rythms, and catchy keyboard riff, this one has blown up floors for me for a long time. its full of details, and has that eiry >ive heard this track before< feel to it. a massive hit in copenhagen allready, i hope itl be one for you too. full support from a bunch of big djs b: out run in: as the title suggests, this is yet another return to the olden days. i love records like computer madness, but they absolutely sound like crap next too newer releases. this is my tribute to the days where a 808 and a 101 were enough to creat magic hope you like the stuff, and remember. stay on the scene, like a fax machine!!

supported by laurent garnier, mike monday, miss kittin, tiga… right after the tremendous debut release by paul panzer, here comes the second slammer on the new born label called knall. the cryptic rod todd keeps it minimal on his>its dangerous< release. super-functional micro tech patterns underneath insane licks and vocal snips make the title track a truly paranoid minimal rave-journey. dangerous indeed. the b-side brings in some serious mad-max afterhour vibes. driving & repetitive, deep & disturbing… not only for the berliners

dj fred hush is back for more on the palm beachrecords. the label from brussels is starting to get real famous in country s like belgium, france and germany. after the >open your eyes< (pb 601) and the >dangerous disco< (pb 602) releases, the rubix ep follows in their known style. with the title track hush offers a track like a horse on a racetrack... its right after you and it wont stop running and running and running. solid electro–electronic music for discerning dancefloors and relaxing sofas. the flipside will break up your dancefloor because fred hush chooses to build up softly to reach an amazing climax. friendly but minimal electro – sounds with a warm and uplifting bassline..

slutbox (billy dalessandro & daniel mnookin) >nitrogen 2 oxygen 1< ep (jason emsley & brian ffar remixes) billy dalessandros, daniel mnookin & brian ffars beloved siteholder returns with one of the best releases in the labels history. the sound is infectious, minimal minded and addictive, spreading through the world like an epidemic this only proves their chapter on techno is yet to be written. the title track is intricate, layered and warm, some might say it makes reference to sleeparchive with its metallic drums and deep analog vibrations. the massive sub bass is something you must experience on a raging dancefloor at 5am, this will jack you straight into the afternoon. dark haunting vocals (very on par with the m_nus crew) clicks & cuts percussion and decaying melodies. flip this one over for massive analog richness with this huge jason emsley mix which i get the feeling he took a lot of influence from dan bell back in the day as this sounds like revisiting the 7th city again, stunning. the brian ffar & huge hephner mix is filled with ever evolving basslines and residual synth pulses on top of bass sophistication thatll beg for deviant behavior at any hour. perfection if i may say so myself, do not miss

trulz & robin are trulz kvam & robin crafood from norway. good friends with lindstrom & prins thomas (eskimo), they produce a mixture of totally deranged nu-disco & killer techno with detroit influences (which they rightly called >acid-house gone organic<) on their own planet noise imprint they run with ost & jex (crosstown rebels). they head for the suicide headquarters with a collection of trax, produced together, separately or with fellow producer christian cook and featuring some vocals by bassman. from killer dutch-influenced electro (>chest of gold<, the title track) to seriously hitting acid-techno (the weirdly-named >gummi tarzan<) and superb techno/electronic house (>feel techno<), this is a mixed bag of really original & crazy scando-med asylum dance music for your feet and your soul

with huge audiofly rmx !! the unholy 13th release on oliver huntemanns dance electric label is most definitely one of the strongest to date. uks promising newcomers richard wakley & paul maddox aka spektre return to the label with nothing but a true club killer! the long a side belongs to audiofly aka rekleiner aka sleeper thief aka audiofly x with releases on get physical, connaisseur, tsuba, sixty four, mobilee, adrift and kickboxer to name just a few. they remix the title track dark horse in their very unique way a driving and atmospheric 2007 tech house journey. on the flip-side neon drift embodies a big-ass bass, cleverly arranged rhythmic structures and a huge strobe-light soaked rave melody

dont worry, christophe dalla-ca aka kiko is not interested in a seventies disco revival, even if the tongue in cheek reference to john travolta in the title track of this ep might imply that. on the other hand, the work released by the man from grenoble for such renowned labels as ozone, hot banana, goodlife and turbo has consistently shown that kikos interpretation of techno from the 2000s also includes a conscious reworking of past dance floor orientated electronic music. in this sense, kiko has succeeded in making three stand alone, coherent interpretations of a mutual meltdown of new wave, disco and elektro, with the tracks on the >tragolta ep<. whether he is impressing with the best possible mix of ebm and dave clarkes red series (30.1) or enchanting us with the continuously jewel like, dazzling melancholic melodies of >electric burst< or >tragolta<– the fact remains true that he perfectly supplements this approach to the sound cosmos of datapunk

lerosa is dublin-based italian producer leopoldo rosa. the title track ruski combines a rough-cut sampled break with a loose, minimal arrangement of sub-bass and liquid synth pads. on the flip, russell and tempio are deep, moody house explorations, beautifully suspended by shifting sine wave pads and rhodes-like chords. born in rome, leo developed a love of electronic music through italian pop music of the 1980s, before discovering hip hop and acid house. he began djing in the early 90s and in 1995 moved to dublin where he got heavily into darker, deeper electronica and electro by the likes of autechre, drexciya and the extended detroit-inspired musical underworld. leo began producing his own music in 2000, concentrating initially on electro but broadening his range into unconventional house and techno styles. his debut lerosa release was the ‘maike ep’ on dublin’s d1 recordings in 2005. as well as this real soon release, leo also has a forthcoming 12inch on enclave recordings (ireland)

unique and strong well rounded ep from one of the leaders of canada’s electronic music community, adam marshall. the title track has been running through the dj circuit for some time now and has been causing some serious damage amongst some of the biggest names. with its sexy metallic cords and infectious rounded crescendo, it builds up to release a true form of energy that will leave any being hungry for more. reminiscent of works released on labels such as get physical, wagon repair, or mobilee. three more tracks between minimal and house packed with heavy funk.

fortuna marks another debut on get physical, this time from french producer paul ritch and his studio partner, anthony collins. this powerful four-tracker has a more techno approach than usual for the berlin label, but is sure to bring good fortune to any dj that drops it! the title track is an intricately pieced together affair, based on clicky rhythms and hypnotic bleeps that lead to a dark, filtered breakdown that will push the party over the edge whenever its dropped. motion12 continues with this dark theme, as deconstructed slivers of percussion and a nagging, insistent groove provide the backing for an ominous, acid-flecked bassline that keeps on building. drop this in a small, confined space and the club will erupt! pumkin sees ritch & collins explore an experimental: the rhythms still have that clicky, bleepy sound, but this time, there are fx-heavy drums to contend with and a dark, nagging techno riff that insinuates itself through the arrangement to cause melt down on the dance floor.!

after the succesfull introduction of the oldskool sounds by rootz masters basoski & romano, its time to let the real new generation be heard. on this second ep from this ongoing concept, olav basoski introduces remaniax and disfunktion. these 2 new talented duos bring you the oldskool filter flava we all love so much. the third track and finishing touch is by master basoski himself, and has the mysterious title george

concept lp featuring seven rome-based producers and styles ranging from electro to acid techno to ebm and nu disco, all glued by the rough sound of analogue synthesizers and drum machines. the title is the translation of monte dei cocci, an ancient man-made hill formed by crockery, mostly fragments of amphoras,

guaranteed summer big title !! f###g huge title buzz charted, bbc radio playlists, another massive hit coming from the french elctro school think digitalism, justice, bangalter & stuff !! supported by daft punk, pedro winter, digitalism, teenage bad girl...

nice price deal !!! from the old school detroit techno make up of >disport< to the grimey dub step influenced >fin< this record has killer written all over it. the title track >oxidize< and >dark haze< hark back to the good old days of the best underground resistance electro tracks and to top it all off theres an 8 bit style remix from letroset. supported by alex smoke, marco bernadi (frustrated funk) and gernot (modeselektor)

another superb two tracker from the french master, 2 tracks designed for the best dancefloors around the globe, the title sounds a bit scooby doo but the track is all about deep soulful underground house. franck hits the spot on rawsome with a perfect balance of hypnotic electronic elements and souful deep house attitude. a must for fans of kerri chandlers recent output. on the flip the spot hits just that and is another perfectly balanced deep electronic soulful house anthem. unmissable!

brand new - second on surprise - twelver from this international deejay / electrotech producer under his onderklank guise. the title track has the spirit of carl craig and motor city detroit written all over it. the first track on the flip reminds us of tracks by thomas schumacher mingled with old school flavours of newbeat and early trance. the twelve inch closes with a spicy dancefloor cut (the other tracks are also for that clubfloor as a matter of course) with a melody that could be produced by gregor tresher while on the other hand, the beats have a bit of radio slave ingredients.

d1 recordings mark their 35th release with eamonn doyle s >red shift< ep. following on from his recent >ghost of the machine< release on sweden s hertz recordings, here he lays down two more slices of extremely deep bass driven techno aimed at the more discerning dance-floor. the 12-minute title track >red shift< is built around a deep rolling sub bassline with layered orchestral strings used subtly throughout. the flip sides >winter sun< arrives with more shimmering strings, this time underpinned with a crisp 909 backbone and lifted with some rich and soulful lead string lines. this release is part of the d1 limited editions series. vinyl runs are strictly limited to 300 copies, after which the ep will only be available digitally. the red shift ep has already caught the ear of many of the world s leading producers with dj support coming from detroit legends dj bone, claude young, octave one and also mark broom, laurent garnier, rennie foster and kan shinomura

toolroom mainmen mark knight & dave spoon return for another blistering e.p on toolroom trax. collaborating for the awesome title tune sylo, and then throwing individual tracks background noise & drug music into the mix. sylo is definitely one for the clubs with its chunky beats, electro tinged rhythms and massive builds. background noise is another signature dave spoon track, background noise is a straight up grimey affair with tight production and programming being the order of the day. drug music completes the ep from our very own mark knight. another heads down roller aimed straight for the dancefloor

album of the masterhead eric sneo. techno, pure and genuine. a longplayer, full packed with driving technoid music, every title a precise combination of sound and statement

dj spinna remixes the title track from stephanie mckays new tell it like it is album on astralwerks into a smooth vocal house track. also includes an instrumental. on the flip are the original and instrumental versions of peace & quiet from spinnas intergalactic soul

almost twelve months after delivering the gastronomic delight that was sugar slow, foundation man gerry o rourke returns with the astrologically astounding gemini ep a joint tribute to adam goldstone and simon freaked brant both of whom sadly left this planet last year. appropriately enough, we kick things off with a track cunningly entitled on an esoteric, minimal techno/house joint with shades of dubstep adding to the slightly ominous feel. we then lift the mood slightly for the quirky, retro, synth heavy techno inspired house of the title track, before bringing things bang up to date with the furiously futuristic rapid recal, and then rounding things off with the veritably funky raze dilemma. a worthy homage and another fine package from the foundation camp

excellent remake of the disco diva loleatta holloway dance classic love sensation senor delete brilliantely remade a personal version of the title, adding nice accoustic live instruments, flutes, horns, pianos already supported by the usual big boys dj deep, dj fudge, jamie lewis, dennis ferrer, claude monnet.

already causing quite a stir in the electro scene, this title has been receiving huge feed backs from specialists such as axwell, benny benassi, funk d void, alex kidd, steve angello, erol alkan, erick morillo, fabrice lig, kiki (bpitch control), justus koencke, mylo, mike monday, to name a few.

german-techno dream team oliver koletzki and florian meindl with a new ep on their collective label flash recordings. >kolibri< is a deeply grooving piece of dreamy minimal electro with melodic and mesmerizing stabs and many trippy effects. on the b-side the humorous title >grandmothers flash< is sure to set the dance floor on fire with its fidgety loop, a typically raving synthie and a murderously deep sub bass. koletzki and meindl stay amused and allow themselves a joke towards the end of the track referencing the 2005 hit mückenschwarm. also on the flip, florian meindl’s >paris< has a thriving organic bassline, some great arpeggios, freaked out melodies and a very strong loop with many hi-hats. supported by chloe, karotte and oxia

the title track is a nice minimal melodic techhouse mover and the flip comes with a more elctrofied tune

played by ricardo villalobos !! here comes popof, aged 28, an electronical arranger and composer from france, with his first release for afu limited. this 12inch will definitely do it s damage and rock the floors big time! the title track alcoolic is just waiting in the row to be the next big funky-minimal styled monster. the track hypnotical has all the qualities for the crowdpleaser and hologram is the electrohouse rumbler to round it up! he fits perfectly into the line of rockin afultd. releases and will be found in the playlists of the big ones pretty soon!

detroit s new >soundshift< imprint makes a stunning debut with this intoxicating two-tracker. opening up is the soultek remix of billy dalessandro s smashing >don t sleep< release (which was found in the many sets of dan bell, ame, annie mac & pete tong last month) this mix is nothing short of brilliant and will certainly capture the hearts and sets of all those mathew jonson or loco dice fans out there. it has a subtlety that really creeps up on you and before you know it you re tapping your feet and zoning out listening to the intricacies of the music. truly minimal, there are loads of space within the track which is somewhat similar to the original but still a world apart, particularly in the fantastically eerie synth programming. in the forefront of the song is the shimmering and haunting vocal loop, >don t sleep< which has an almost hypnotic effect. (think richie hawtin in closer) the melody of the title is a delicate affair which sips cocktails in the company of some nicely chosen whirring and echoing noises. the build is effected so subtly it verges on melancholy but halfway through a rumbling bassline, appregiated melody and backbeat hi-hat pattern announce a funkier escalation!!

if someone had to describe the sixth release from pascal feos album >synaptic< with one word, >bassline< would be the one that fits. the a side >ausklang< is dominated by a sawtooth >bassline< which modulates more and more to reach her climax shortly before the break. the b page >stargazer< begins with a techno groove to change later by a charmingly lascivious >bassline< into a nice floating tune. as a bonus we have on b2 a nice >acid bassline< , which reminds of that man from the >jackcity<, regarding to the title > mr f <.

4 smooth disco and boogie tracks in the remix, re edit versions by amplified orchestra. the title tracks is a crazy driving disco house track (kind of motorbass). the original version comes from a bollywood soundtrack. discotrippin is a great boogie track with a nice party feeling. a duck on my truck is a strange cosmic disco ish track which is really cool

here it is. the follow up to daze maxim s fabulous 12inch entitled >simply driving gold< (hello004) which is without a doubt one of the most stunning releases of 2006. on this ep daze hits you again with a funky, bleepy flow to make you bounce. >pull absurde< - the opening and title cut - is a dry, hard hitting, n driven track, accented with daze s typical vocals and breakdowns from outer space. a real bumper. the flipside holds a rough percussive and hypnotic trip - take me home. with this piece mr. maxim proves again his highly individual taste and takes us into a deep journey through the endless world of his musical spectrum …. listen carefully. welcome to planet pull absurde

first solo release on roy ayers own, now legendary uno melodic label in 1983 and surely his best album of the 80s. recorded with a stellar cast of sideman including bobbie humphrey and fela kuti! almost impossible to find in recent years, its now re-pressed. highlights on this strong outing are the title track, everybody and the dance classic chicago!

second release on thema is by a trio from rosario, argentina called, fran matjor. we are honored to introduce this new group which consists of jorge savoretti esperanza, telegraph, franco cinelli milnormodern, alphahouse and matias oviedo. together they blend a sound all their own, full of groove, subliminal atmosphere and a low end that will end up shattering champagne glass on dancefloors around the world, which makes the title all the more meaningful >vidrios rotos<. there must be something in the water because of the incredible sound that is being produced in argentina these days. these guys are no strangers to the sound they like to call >tesh<. they are a part of a new breed of young and talented groove setters, with a keen sense of rhythm, atmosphere and glitch on and off the dancefloor. in other words they know how to get into your mind and and shake that soul!

in 2006 the linzatti brothers definetly define a new era of swedish electronic music. staffan and his older brother mathias is truly pushing the barriers of healthy living with their hunt for new sounds and new way to perform. they eat, sleeps and for sure awake swedish techno music.. to follow up the great success of staffans >monikers< release he now teams up with his brother mathias for this split project. the title track >gomit shin< is their first track produced together. and this twelve minutes track is, twelve minutes of future, twelve minutes of innovation, twelve minutes of what techno is all about

this is for sure one of the most requested electro track soon available. track title says it all. it s sick and will make you feel sick. dirty and twisted bass synth and a banging beat. just listen to soundlinks and you will know why this track is charted and playlisted by david guetta, joachim garraud, robbie rivera, enzo mori & stephan clarke, antoine clamaran, richard grey, bob sinclar, b. benassi and many many more

john daly is a young cork, ireland lad currently based in london. the title track is a deep and soothing slow burner of exquisite proportions. melodic keyboards combine with shakers and congas setting a nice vibe-y tech house tone. >do it< is more of a minimal tech house number, topped off with the essence of dub and iron percussion. subtlety is the key hereas this moody number builds with tense strings, deep pads and iron percussion. the last track >too much pressure< takes the classic deep house sound and brings it to the 07 dancefloor. very much like nu groove or chicago tracks, starting off with nice organ riffs, it matches delicate melodies with wooden beats and a 80 s r&b vibe that is as sensual as it is groovy

this dope 4 tracker starts off with homero espinosa (yerba buena) delivering the goods on >le one<. tight drums, a deep pulsating bassline and superb keys are the order of the day here. wicked! next up we have the 1200 warriors dropping a remix of >le one< that gives us a different take on the origianl with it s boompty funk and spoken vocal samples. on the flip we have those two badasses from indianapolis john larner & slater hogan coming correct with a nice deep funker that is sure to get the booties shakin on the dancefloor. last but not least we have dani deahl s >too hot to handle<, which is exactly what the title says, hot with its massive sub bass. 4 heaters on this one

played by dinky, karotte, trevor jackson!! these new tracks venture to the deeper, often evocative ends of techno and house. the title track fuses an percussive old school house groove with deep techno chords. so when the organ line kicks in, it gives you this very orginal emotion of timeless house. in keeping with einzelkind s unpredictable tendencies – he used to make drum n bass before he switched onto house and techno – you still can hear something of his former musical alter ego in the second track, >bonnieland<.based on a low-slung, growling bassline, the track gradually evolves to reveal a trippy sequence and lush chords, which sounds like the fusion of a detroity atmossphere with the dynamic of a drum n bass-track. a strong release, that consolidates the unique fingerprint of the two einzelkind-boys from frankfurt

thom yorke is the pen, voice and soul of the rock group radiohead he has just released a solo album the eraser and that is where this story begins. abandoning his guitar get-along gang for the cold warmth of his computer and underhyping an album that should be plastering the walls and buses of your local city, the anxiety ridden and morose yorke cuts to the core of the dark state of humanity, unapologetically commenting on the zombies that were once humans. on this extremely limited 12,the album title track the eraser( already big with timmy regisford ) gets remixed in a distorted detroit style by slow to speak, following up on the recent bjork, u2 & arc gospel choir reworkings. on the flip is various acapellas of thom speaking on the current state of society and commerce and the radiohead song climbing up the walls, which in some strange dysfunctional way is married lyrically to the eraser. comes in a hand made silk screened jacket

this is the 4th release with man-to-man on q-records . the title >chord of love< says a lot of the track. it is a very nice melodic chord that is looped-up and gives you an extremely nice melody to catch. the original mix is a funky, house-ey slamming mix and is already in the loop with djs like bryan cox. tim track, know from his work on abyss and sway is doing a more futuristic session on his remix, best described as techno meets tech-house. on the full b-side, and there is a reason for that, you will find the pierre j remix

after his dessous debut >bona fide< in spring 2006 st. sebastian aka gamal sebastian kaba returns with a new two-tracker. on >genetics< the young talent from manchester perfectly manages to produce stripped down and dark techhouse tunes. both tracks spread a rather dark atmosphere with their vocal samples and an elaborate choice of sounds set in the right spots, but still manage to make the hips shake. the title track >genetics< convinces with a sparse but very effective build up with synthie stabs and a wafting bassline. just as well and cleverly arranged is >backwardsman< on the flipside. the mumbled vocal sample and some spooky laughter hide in the dark behind a punchy kick, a deep deep bassline and some strange chords which make this the perfect soundtrack for your techy ghost train

already played by magda, chloe, dinky, mike shannon, laurent garnier the beloved member of einmaleins, sweet n candy is back with number 017release of the established label. scrollmops the original track is charactrised by clickyness and simple but effective sounds.deep, dark n slow.no title (…!?#) is a more playfull track with quirckyness and trippy landscapes of noises developing all the way through its existence.it gives groove to the body based on nice textures.falko rmx is keeping it dark just like the originalkeeping the rhythm and the paths its works slow and trippy. falco brocksieper does a really nice interpretation of the original within the boundaries of the sounds available to him, completing this release in the best way