fresh 2010 repress !! historia y violencia is a new project exploring the hispanic roots of santiago salazar (dj s2) and j. mendez (silent servant). both producers dissect their latin upbringings as a cinematic theme to create snapshots of the day-to-day blood and sweat that has shaped them as individuals. the sound takes cue from detroit, berlin and chicago to create classic, deep dancefloor tracks. santiago salazar started djing in the early 90s inspired by mix tapes his brother was bringing back from the gay underground scene in los angeles. his style has always been a mixture of house and techno. after moving to detroit, santiago began his music training with mike banks, label founder of underground resistance. he is also half of the duo ican (ican productions / planet e) who have been responsible for some killer techno releases. the central american born j. mendez cut his teeth as jasper in the late 90s/early 2000s, running the california-based cytrax label. a veteran dj from the age of 16, he has performed worldwide in clubs from berlin to osaka. along with technical wizards kit clayton and sutekh, he helped shed light on the small but influential minimal techno scene on the west coast. a chance meeting with karl oconnor in 1999 established a friendship that would later open the door to the sandwell district label in 2006. silent servants sound is a reinterpretation of early 80s post-punk electronics, paired with the deep, metallic sounds of basic channel and downwards.

big with: anthony collins, nick curly, mathias kaden, reboot, rozzo, deepchild, d julz, lars behrenroth ...
a new curl curl 12 inch is on the horizon: distance learningwith various artists. simon flowers latest rise on steve bugs poker flat is backed up by this new track >eyes and teeth<: firmly aimed at moving the modern house floor.

supported by adam beyer, john digweed, dominik eulberg, ewan pearson, perc, danny tenaglia, dave tarrida. roland m. dill is a passionate dj, trained musician as well as bit of a scientist. this release tells a story of psycho acoustics. so expect >low go< to be something special for your ears and for your soul. roland likes chicagomusic and this track has the chicagoesque feeling in it from the beginning. those who remember green velvet will get a hang also on this powerhouse-techno production! this track will be easily fitted in to every berghain dj set and rock the shit out of everyone on the dance floor. dont expect dubbed out lushness, this is serious dance or die action .
the remixes come from prominent producers around europe, so starting chronological from a2 to b2: sian has appeared on a lot on raves and parties with his surf board. he is an international traveller who loves to be reminded of the times when surfing farmers left their houses with door frames and no doors. his remix works in a way a countdown functions. building up tension at an incredible speed, this track is set out to explode... but sian would not be sian if he had not developed a club friendly torture . sian rides the wave of superfatt basslines and adds a sequence that sounds as if someone had replaced his teeth with thin pieces of metal, creating a humming voice comparable to one of a jaws harp. sian keeps the tension going with very few elements and shows he is a true masterof techno.
secret cinema has been accompanying us since his first releases mid of the 90ies and we truly believe quality prevails, not to mention his mayor chart hit just 3 months ago with “shake ur tech-ass”. well secret cinema is unbelievably massive in his production. we dont see how anyone can fatten up the sound more than he can. but it is not only about tuning and pimping and pimping and tuning... his remix is a masters piece of perfectionbecause it creates something rare... deep emotional hydraulic strength. this is like diving head on into a pool of silicone and getting sucked into it. this track has an hypnotic feel to it that is comparable to radiohead.
darko esser is an icon in the techno scene of the netherlands. his remix takes the track in to a direction you would not expect it could go to. starting rather minimal darkos remix soon takes a turn and brings in jack elements and cool nostalgic melodies that will warm the heart of every detroit techno lover. was it derrick may who played chords like this... these strings are looked up in the back of our heads like childhood memories of having your first popcycle exploding in your mouth. this is soulful music with just enough analogue imperfection and warmth to it.

david keno is going for the trifecta with feast, his 3rd kindisch release of the year. following on from his excellent label debut discoteca, and his storming tout le temps collaboration with jaxson, keno is back with the 3-track smorgasbord that is feast. starting off his career with a number of releases for on corrado izos 1220 label, david keno has since cut his teeth with morris audio citysport edition and frankie rec, and has honed his sound into a fresh combination of masterfully constructed beats, perfectly pitched percussive elements and infectious melodies… all the right elements for dancefloor devestation! feast shows david keno taking a leaf out of the book of us westcoast house pioneers, and giving the sound a new perspective. >bonito< opens with a hint of cheeky latin swing and demi-percussion, before breaking into a tough jacking beat and boompty house bassline. a lone, melancholy string sample in the second half define the track by injecting a touch of unexpected quirkiness into the mix. keeping the momentum going is >808<, a slightly deeper affair based on a throbbing, undulating bassline and conga-led percussion

markantonios analytic trail label has been instrumental in creating what is now recognized as the neapolitan techno sound. the labels inventive approach is the key to their success. marrying raw basic elements with funloving party vibes, the label is a destination for djs wanting a bigroom sound. previous releases have featured the likes of rino cerrone, valentino kanzyani, the advent, davide squillace, and joseph capriati.
electric rescue has been at the heart of the parisian rave scene for the past fifteen years. cutting his teeth at parties at legendary avantgarde club >boy<, a career evolved fast, becoming part of the mentasm crew alongside laurent garnier and chaotik rames. since then electric rescue have released on many innovative techno tracks on high profile labels including fcom, afu, yellow label, eterno and his own skryptom imprint.
the flash tool is a simply constructed but incendiary club tool. deploying a limited palette of elements to create an earcatching track, the use of heavy kick, undulating bass, ever rising synth lines and wildly distorting pitch tones screams dancefloor impact.
las castagnettas is nothing short of a mainroom monster. uncompromising and direct with a raw, assertive energy this is inyourface ravetastic techno. booming beats and abrasive sounds set the tone but this is all about the supersized bass stab. watch out..
saving the title track for last, electric rescue unleashes the beast that is locomoto. industrial and uncomplicated, this 4am bodyshaker is packed with plenty of percussive punch and crowderuption moments to ensure maximum effect. file under >encore tune<.

repress of this 1994 punkrock classic!

flying in from another disco dimension comes the return of the ædisco spaceship series. hot on the heels of volume 1, which featured æthe disco spaceship by laurie michael, ævolume two heads deeper into the cosmic void. first up we have a proper piece of et boogie from sylvia love. æextraterrestrial lover is an uptempo belter with a rapturous chorus and a driving bassline. check out the incredible heads down pulsating breakdown complete with keys and an incredible re-launch! here in both vocal and instrumental versions. on the flip we have another incredibly rare jam in the shape of pluton & humanoids æworld invaders. a dark sci-fi electro-disco epic with heartfelt vocoder vocals thats rare as hens teeth. the third instalment of ædisco spaceship series is in its launch pad with its ignition sequence started!

wash your hands before touching this record and your ears before listening to its sound! this invaluable collection of sounds deserves to be handled with care and love.

franco cangelli is back on mowar with deep and spacy techno grooves. >locked on< goes in a stripped down techno alley with basic square grooves layered with a drifting sawtooth bass sound that gradually shows its teeth and gets you down there... estroe turns this groover into a deep workout, soul music for emotional cyborgs, with strings creating a melancholic detroitish feel. >create your own space< is a techno soul track where stabbing chords and lullaby pads make sweet love to square bass melodies and off-beat rhythms. it s a deep groover in the strictest sense. glasgow s solab from seventh sign give the track a more uplifting feel retaining the original s deepness but adding an element of raw dancefloor friendliness. mowar stands for quality deep techno and this third release delivers you just that

2nd album by london-based the rocks brings us fresh indie and punk-rock

the second single from the scratch massive album >time< contains two remixes. the first comes from siskid, hes a member of black strobe and known from his releases on initial cuts. the second comes from inaqui marin, hes known from his el diario ep on galaktika records this year

thoughts in retrospect is the first single from rinses debut artist signing beezy. a fantastic lyricist, possessing an ability to paint vivid images with the potency of eminem and effortlessness of tricky, his combination of bold and vulnerable has endeared him to the aforementioned producers and fans across the globe. although this is his first introduction proper to a mainstream audience, beezy has already cut his teeth with the cream of british producers including skream, benga, plastician and coki dmz, self-releasing two albums and numerous mixtapes giving them away as free downloads.

split ep of dark metallic hard-fun from the human shield mixing funnel. manasyt leaves his manners at home and takes the a side by force with two solid cuts of pure industrial horror: wrist sewing leaves little to the imagination whilst his bloc 08 set opener vibro speeds up the synth suspense until your loins are sore and your mind is truly spent. overworked and underpaid north wales bedroom musician cestrian (bunker/monox) softens the blow just a bit on the reverse with his hearse giving you the perfect funeral, driving off into the near distance with dead waves and metallic shards of fluctuating hiss. the stately anti funk of rizzla teeth brings us to a conclusion with gun metal grey sneers of contempt and harrowing neg vibe downer skree. suit up and dig in!

great melodies meet autobiographic texts by john darnielle. 2023 reissue.

conforming to abnormality unveiled a style of extreme metal that was completely unique in its makeup: blending mind melting guitar technicality with inhuman drumming, a wildly schizophrenic vocal attack, smatterings of jazz sensibilities and devastating sub bass blasts.

incl jori hulkkonen remix !! anthony gonzalez (m83) enlisted the help of producers ken thomas and ewan pearson. thomas, known for his work with sigur ros, sugarcubes, cocteau twins, suede and clinic cut his teeth on outré acts such as psychic tv and alien sex fiend more than 20 years ago. berlin-based british dance producer ewan pearson, who has worked with tracey thorn, the rapture, and ladytron, came on board to give this record its smooth, modern edge.

nach seiner debut ep >public house<, die sich in den plattenkisten von sven väth und john digweed befand, hat luciano pizzella jetzt seine zweite ep für italic produziert. 12 minuten voller ekstase, die dich auf eine tolle reise schickt

ost & kjex (cheese & biscuit) are known for their releases on crosstown rebels (uk), punkt & par records (germany), dialect (france) and planet noise (norway). ost & kjex currently have an ep planned with get physical over the coming weeks. the boston food strangler is a new villain in the world of cheese & biscuit (ost & kjex). armed with razor sharp teeth and a deadly appetite hes a piece of foods worst nightmare. the song is a moody techno journey with cheesys lamenting vocals going on about his most dreaded cereal killer. bleu de vache is a hymn to the boys favorite french blue cheese and their favorite animal, the cow. imagine small blue cows shuffling along in a sweet electronica landscape. dreamtime!

morseton 2.0 is the up-to-date rework of the classic tune from 2003 written and produced by heiko & maiko themselves.put the needle on the a-side and enjoy the elektro - energetischer mix, coming along with a pure and nasty sequence which setsyour teeth o

>madthumbs< the debut release by headphones head (aka delmar & alvaro munoz) from madrid. is and ep, that shows clearly that these guys are coming with a lot strength and armed to teeth with electronic bombs that will be blowing up half of the world s dancefloors. it s also remixed by one of the most promising new faces in the spanish electronic music scene: gus dallas

the bass heavy everybody jumpin, that will have your teeth shaking in there sockets includes dany t remix

robbie riveras label are really getting things together at the moment!! here we have a hot new ep from tikos groove. on the a side is the bass heavy everybody jumpin, that will have your teeth shaking in there sockets. on the b side is the ace bouncy mover world of your dreams

after their immensely strong last single i know what its like (to be a dog) and cheeky debut no hands no teeth australian rising stars >stick figures< turn up the pressure with an electro house dancefloor bomb! useless is a dark and twisted club rocker with rolling basslines, dark analogue leads and chunky drums custom built for large sound systems. swing sixty retains the darkness in deeper tech house mood with hints of tastefully restrained acid. flip for a wickedly building 45rpm remix of useless by parisian producer random factor that compliments the original perfectly - tough, deep and uncompromising

the aussie trio stick figures who recently dished out the dancefloor winner 'no hands no teeth' are back, this time with their first official release on risky disko. on the a side theyÆve once again taken elements of electro, techno and house and fused them together for a real floor treat with uber cool vocals and tearing analog lead lines layed over chunky drum programming to create yet more crazy early morning club action. flip for a funkier and deeper electro house outing armed with just as much heavy artillery for all round club play

excellent unreleased techno traxx ...incl johannes heil, ricardo villalobos, heiko laux, alexander kowalski, christian morgenstern...pure champions leaque

punk rock electro tracks with female fox.. ersatz quality..

detroit duo adult. present their 9th longplayer.

experimental, ambient styled tracks

like all dj koze records, knock knock exists outside of trend and influence. in fact, it s a step further beyond: absolutely every single thing here, from grooves to voices to handclaps, is otherworldly and unique. which is not to say it is utterly alien abstraction, mind. there is still disco, there is still soul, there is still techno, there is still hip hop, there is still psychedelia Ð there are even wafts of easy listening, lost crackly thriftstore record memories and... sort of... indie rock Ð but though it may sound familiar, it never does what your brain thinks it s going to do.

fee fire ist der neue film von ben wheatley (high rise, sightseers,kill list, down terrrace) mit brie larson und cillian murphy in den hauptrollen und martin scorsese als ausfŸhrendem produzenten. der titel bezieht sich auf den epischen shoot-out in diesem coolen 70er jahre gangster-movie. der score stammt von geoff barrow (portishead, beak) und ben salisbury. das album enthŠlt zudem dialoge aus dem film und lizensierte stŸcke von kŸnstlern wie the real kids, creedence clearwater revival und john denver. cd wie doppel-lp enthalten eine zusŠtzliche download card, die nicht nur die stŸcke des albums sondern auch zusŠtzliches material enthalten. die doppel-lp (140g) erscheint in einem gatefold-sleeve, das vinyl ist silberfarben

the band scarletts fall is a duo formed in 2014 by ruth childs (british-american performance artist and singer based in geneva) and ste?phane vecchione (swiss performance artist and musician based in lausanne). they define themselves as dirty-girlie-kitchen-pop mixing catchy melodies and repetitive looping with fragile vocals and provocative texts. out of their playfully ironic and poetic universe you can ear shades of can, broadcast and young marble giants.

hotflush are proud to introduce an exciting young artist, pyur, along with her singular debut lp epoch sinus. despite her relative newness, pyur meets the world with fully formed and unique signatures in both visual and sonic work, revealing a deep artistry that transcends medium. growing up in munich, in and amongst the same fecund scene that spawned artists like the zenker brothers and skee mask, pyur cut her teeth from a young age as a guitarist and singer before becoming spellbound by the electronic worldÕs endless scope for sound design. endowed with innately strong synaesthesia and reared in a shamanic household, she tells how music Òplayed the biggest role in my growth. it alone had the purpose to help me dissolve boundaries, discover the beauty of lifeÕs mechanisms, create freely. it talked. soon i felt like the music was making me, not the other way round.Ó epoch sinus is a seamless and heartfelt whole, a life-like being unto itself, describing the disintegration of barriers between the self and the all. here pyur offers an intimate and personal statement, combining knowledge of universal harmony with electronic music. she states: Òi m mainly influenced by my inner visions and nature itself, yet also a lot from club culture, which is undoubtedly an important space of connection and freedom for so many people. the record dances playfully between supposedly incompatible qualities: moments of brutality turn to softness, new life embraces decomposition, while explosive rhythmic and melodic structures are tempered with gentle and subtle percussion.

theatrics is as much a folk song fairytale as it is an exploration of electronic wonders.

weaving sophisticated orchestral scores with spacious electronic production, oofjs baroque modern pop perches on the edge ofcontemporary music, overlooking both the familiar past and the anything-goes future.

dj hazard, der erste drum & bass dj/produzent, der als nichtmitglied der ganja kru auf deren berŸhmten true playaz label gesignt wurde, liefert ein adrenalin geladenes jump-up-drum & bass-set der sonderklasse mit 50(!) tracks in 66 minuten ab, das es einem die sprache verschlŠgt, und legt dabei techy, soulful und rhythmische variationen an den tag, so dass der mix durchweg tight und abwechslungsreich bleibt. ein kšnner eben!

rinse fm radio-dj oneman liefert auf der neuen fabric-cd ein fulminantes dubstep-set mit einer wirklich exquisiten trackauswahl ab, die von top-tunes der jŸngsten vergangenheit (joy orbison, sbtrkt, mosca) Ÿber aktuelle produktionen (pearson sound, lando kal, teeth) bis zu garage-klassikern (nu birth, steve gurley, youngstar) reicht, allesamt auf top label wie hyperdub, hotflush, night slugs, xl recordings oder soul jazz

ruffneck production and a funny furious flow... a breath of fresh air!

hailing from perth, australia, this talented and prolific producer is no stranger to the music scene. following his first taste of an akai sampler to drop film samples on the intros of songs in his metal band, the dirty whittler, rregula eventually found himself drawn into the world of drum and bass and formed one half of bad robot in 2003, a monster collaboration with future technique and viper superstar, phetsta.with a number of releases on subsonik sound, black sun empire, and drumsound & bassline smiths popular technique recordings as bad robot, followed by solo projects on vampire records, dsci4, citrus recordings, icarus audio, climate recordings, and too many others to name, rregula has been scaling new heights with his output in the past year. having just released an album project in 2011 on trust in music entitled echoes from the future with dementia and collaborations from the likes of smooth, trei and optiv, one might think of calling it a year.. rregula is not one of those people.now set to unleash his highly anticipated debut lp on climate recordings, rregula presents:the barramundi experiment. an album extraordinaire, with over 30 tunes of deep and dirty rolling drum and bass, halftime and drumstep.

xhins debut album on stroboscopic artefacts,sword,showcases the breath of his vision. as the second full-length release on stroboscopic artefacts, sword stretches the remit of the label s identity ever further. produced and recorded in singapore, xhin plucks sounds from the outer edges of electronic music and fuses them together. xhins approach revels not only in a hybrid sound palette but its also an album desi- gned for multiple contexts. its a record typified by duality. sword harbours electronic music ranges from brutal club sounds to deep and delicate murmurs.

2 cd compilation incl. papparazzi, alejandro, telephone..

classic , back in