90 influenced house

last year japanese public broadcaster nhk aired the animated superhero series “the reflection”. the legendary english musician/producer trevor horn served as music producer for the anime. the story of “the reflection” is set in a world where a mysterious atmospheric phenomenon known as “the reflection” killed many people all around the world while causing the survivors to spontaneously develop superhuman abilities. some people become heroes, others become villains...
while achieving great success as a member of the buggles, yes, and art of noise, trevor horn also worked as producer for many popular musicians, such as paul mccartney, frankie goes to hollywood, tom jones, cher, grace jones, seal, tina turner, lisa stansfield, pet shop boys, simple minds, and mike oldfield.
the reflection release includes a 4 page booklet and is available for the first time on vinyl. the limited edition of 1.000 individually numbered copies is pressed on pink coloured 180 gram vinyl.

australian super group glamouratz first full ep comes exclusively via public possession promotions. including cheeeky misogyny remix by andras fox. hung up on tee vee? come cross dress for me. correctly dressed. looking your best. xxx - rated - xxx

the brilliant club rocking benny benassi mix, previously only available in small amounts as a very rare import, comes now on superstar with a new dabruck & klein remix. hit !! plays: pete tong, judge jules, autokratz (kitsune), the beat thiefs, the flash, brothers, tony humpries

the super sounds of the seventies is a selection of seminal and sometimes wacky hits by artists such as stealers wheel, harry nilsson and joe tex. the movie also raised public interest in the dutch band george baker selection, due to the use of his “little green bag” in the film’s opening titles.
keep on truckin !

the songs, the words, the melodies in this album, they all matter to me because they represent the real time outworking of my own trauma, pain and discovery of joy and peace. but there is a life inside this record equally important to all of the above, which is also trying to be communicated. it’s almost like how listening to a song in a foreign language doesn’t hinder you from absorbing what the song is communicating. in listening closely as i expose myself to myself, that is where the art is. maybe every time we have the courage to unabashedly be true in ourselves, the courage to do the same is received by someone else.
i ask that you pray for me, so that i can continue to live on the surface, not only in private while making art, but also in public while living life visibly. also that as i continue on this journey with myself, that i can communicate who this old yet new person i have found is. a little better each time, with more clarity each time. - vicktor taiwò

highly anticipated first time re-issue of the super rare soundtrack of swiss film >l oeil bleu<. originally released in 1968 by soundel records and pressed at only 300 copies. >l oeil bleu< delivers a mix of psychelic pop, acid folk and jazz groove. it also includes a few monster break beats. the soundtrack is now re-issued on flow motion, a new swiss label specialized in highly collectible swiss records from the late 60s and early 70s. a must have for all break beat collectors and psychedelic soundtrack lovers. limited to 700 and selling fast! 180g virgin vinyl, original cover artwork, includes insert with replica of the original poster on the front and liner notes by film director jacques sandoz in french and english.

number 5!

chill pill number 3!! tip!

incl. eden burns 48hrs remix

the first release from study records is a disco-infused ep from everyone’s favourite cop polisen. with these four tracks, the gothenburg raised producer, takes you on a trip consisting of fun, chugging sampling-work accompanied with groovy baselines and stabby pianos.

from playing acid house at the legendary haçienda to residencies at a number of the world’s super clubs and a grammy nomination, sasha s career trajectory is pretty much unparalleled. his contribution to electronic music in the 90s is synonymous with the rise of progressive house. as a producer, his vast discography includes a number of studio albums, remixes for madonna and the chemical brothers and soundtracks for computer games, whilst a long list of acclaimed mixes are heralded by many as some of the greatest of all time. as well as his work as a highly visible public figure, he has an extensive history of mentoring other artists behind the scenes, running his own management agency and a studio in new york whilst introducing a wealth of acclaimed artists via his last night on earth imprint. here, across 4 plates of vinyl, all but 4 of the 20 tracks on sasha s fabric 99 mix are available in their full-length glory. featuring his own exclusive track smoke monk (fabric mix), his moog-apella edit of george fitzgerald s echo forgets, and his fabric1999 remix of baile - amae feat. felicia douglass.

adesse versions coming on toy tonics! after some heavy releases on numbers, local talk, make love in public spaces and his own white-label imprint, kevin gorman brings us four new raw, heavydriving, superfunky cut-and-paste- house tracks. killers! adesse versions started as a re-edit project while kevin lived in vietnam. it grew quickly, getting him big fame for being the guy playing just dubplates with unknown crazy music only he had. (check his boiler room). gilles peterson, derrick may and larry heard are fans. adesse versions is all about paying tribute to his musical idols and creating timeless music. through rough sampling and raw emotion and as a dj and collector. he is an artist that has toured the world many times over. exclusive edits are a staple, alongside a wide selection of music that comes from a deep knowledge and love of what he does. to hear this in action, check out the monthly adesse versions show on rinse fm.

its all about the dub mix on this next instalment from lips, unusual for this nascent black label from an un-named though not too hard to guess infamous band of london party promoters. this one is a semi official release on top trumps smashing 180g vinyl.

recorded in 2010, *promised* gets a vinyl only release, with remixes from adesse versions and charles webster. the mysterious adesse versions, hot on the heels of his releases on prime numbers and make love in public places, delivers a strong vocal version, in his own inimitable style. charles webster, works out a super dubby version bringing back the gold days of deep house music. a precious and special release! rest in peace cristiano.
pressing on green coloured 10 inch vinyl.

early support by marc depulse, matt star, julien chaptal, emerson, helmut dubnitzky, toni haupt, sven teet, and many more....
a wave of unmistakable sound is currently blasting its way through clubs all around the globe.the release of his debut track >bed swing< pushed newcomer fabe into the eye of public attention and it is not surprising that the >bed swing ep< rocked dance floors of clubs like tresor (berlin) even before its official release. in addition to the original mix you will find a mesmerizing remix byholgi star (kiddaz.fm, micro.fon) & pierre deutschmann (plattform b, kiddaz.fm, k: lender) - the best mix for an audiophile firework. french sound artist super tape, who is well known for his club and party music just as much as for his home-suitable tracks, gives the >bed swing ep< a finishing touch.

dubculture has been pushing the sound in ireland running ‘dubstep’ nights for over a year. now in celebration of the success and evolution the sound has achieved, and to satisfy public demand for high quality music, we will be launching the label dubculture records. the aim of the label is to supply the scene with quality music, from top irish and international producers that share the same attitude and direction. dj support from appleblim..

here comes the little brother of the recently kick-started luxaflex label. the original was released as a b-side to kelis superb hit track millionaire. for this limited white vinyl edition offshoot >in public< was properbly rebuild. where the original was pretty sweet, this rework add some soice to it. the sexy vocals of new york rnb singer kelis smoothy ride along a throobing minimalistic groove with a rough bassline..

die spezialisten fźr konzeptalben haben wieder zugeschlagen: jazzkantine begibt sich auf eine zeitreise zurźck in die achtziger und beleuchtet die anfŠnge des hip-hop. dabei kommt es zu wiederbegegnungen mit grandmaster flash & the furious five, eric b. & rakim, epmd, public enemy, nwa, tone-loc, afrika bambaataa und den jungle brothers.

brand new ep by compact disk dummies. including cry for me and latest single satellites. solar lottery and easy life are two brand new tracks. the superb asa moto remix of satellites completes this ep. the ep will be presented to the public during their two sold out live gigs at ab club

two of russian electronic music’s rising stars, phil gerus and alexander lay-far, invite you to join them at the solitary high social club. while table service is provided, they’d much rather you throw caution to the wind and head to the dancefloor.
before joining forces in the studio, both moscow-based musicians have delivered a string of memorable solo productions. lay-far has previously released a wealth of material on such labels as local talk, city fly, lazy days and 4lux black, while synthesizer fetishist gerus has showcased his electrofunk and disco-fired cuts on futureboogie recordings, sonar kollektiv, public release and superior elevation records.
the five tracks that make up solitary high social club deliver a perfect marriage of the two producers’ distinctive solo styles, combining the rich musicality of lay-far’s house productions with the spacey, intergalactic electronics of gerus’s discoid adventures. in many ways, it’s a marriage made in heaven – or in lay-far’s celebrated in-beat-ween studio, at least.

adesse versions has been dropping some choice originals and edits on a host of renowned and respected labels for the last four years and we’re proud to add him to the esteemed list of artists to release on delusions of grandeur. from early white labels on make love in public spaces and his own adesse versions label through to his recent outings on heist, numbers, razor n tape, let’s play house and local talk, he continuous to impress with his raw, sample-heavy production which brings pure energy to the dance floor. for his pulp fusion ep, adesse presents three diverse and brilliant cuts, all showing off his deft touch in the studio and providing what we feel is his strongest work to date. pulp fusion leads the a side with cutting clavinets doubling up the syncopated bassline, a super-charged romp where disco meets filtered house resulting in a track with widespread appeal despite its raw and underground approach. the a2 entitled fade out drops the bpm’s for a string-drenched, philly soul jam, heavy on percussion but with a gentle lilt and balearic vibe that makes it perfect for the wind down. last but definitely not your average b side filler we have the mighty raw in its live edit incarnation. militantly minimal in sonic palate, this jacked up house track simply rocks the spot thanks to adesses ballsy arrangement,production prowess and nasty bassline, rounding off this ep with a punch

ltd 2017 repress - following the rapturously received top ten album *our love*, which has dominated end-of-year lists, caribou has revealed a gloriously layered remix of *your love will set you free* by the one and only carl craig. dan snaith had this to say about the remix: *carl craig is a peerless remixer. i ve dreamed of having him remix one of my tracks for ages. he was one of the first people to publicly mention how much he liked *swim* when it was released and we ve been in touch since then. before i d gathered up the courage to ask him to remix a track on this album he got in touch and suggested it himself. the result is superlative and speaks for itself.*

after the last years widely appreciated 12? with two extraterrestial dancefloor cuts on jon rusts levels imprint and a handful of now hard-to-find 7? releases, the estonian musician ruutu poiss returns to his minimal funk and leftfield synth-pop roots releasing a debut ep on international major label. the six selected homerecordings from 2011-2016 reflect almost a chronological and caleidoscopic journey through the authors musical explorations, instrumental storytelling and unique sound design, imaginatively non-locking to specific genres. the ep starts with a massive stadium-hype pop groove that soon descends into an unsteady bassline of emotional undercurrents just to illustrate a clear shift from public to highly private and minute. there onwards its a search for a way out of the rabbit hole, a trip of curious naviagtion and personal reflection. from haunting vocals to vicious toms, celestial soundscapes over restless rubbery bass, shimmering synths over polyrhythmic strcutures an environment of romantic futurism and organic transformation appears, surrounded by a warm psychedelic sound pallette. previous releases played and supported by secretsundaze, benji b, james blake, mary-anne hobbs, call super, omar-s and many others.

the super sounds of the seventies is a selection of seminal and sometimes wacky hits by artists such as stealers wheel, harry nilsson and joe tex. the movie also raised public interest in the dutch band george baker selection, due to the use of his “little green bag” in the film’s opening titles.
keep on truckin !
limited 25th anniversary edition pressing of 3.000 numbered copies on ear bleeding red 180 gram vinyl.

from his early days in 90s collective kmd to his reinvention as a masked supervillain leading the indie hip-hop revolution, mf doom has consistently pushed the boundaries of hip-hop in new and unexpected directions.
this is the special blends vol. 1 & 2 standard 2xlp vinyl format.

known as pantaleon perez prado, was the younger brother of the famous king of mambo. pantaleon, who came to europe in the 1950s, recorded several albums with unifunk. a powerful big funk band sound featuring: tullio de piscopo, mario rusca, paolo tommelleri, pino prestipino and others. for this second lp, the obscure vocalist don alfio had gained enough prestige within the band to share the top of the bill with the bandleader. that is probably because, in october 1973, the love child 45rpm (which has nothing to do with the 1968 supremes hit) had enjoyed a good airplay on supersonic, a daily italian public radio show that presented a lot of freshly released records. the djs explicitly credited the record to don alfio with perez prado. the reviving of chicago banana from escandalo!, plus many new tracks including circle, imperfect and the jazzy chato, gave the record a precise latin-funk attitude. bossanova evergreen bahia (also known as na baixa do sapateiro) and a synthled version of ciliegi rosa (cherry pink and apple blossom white) are the only two concessions to latin standards.
the deluxe vinyl edition comes in gatefold sleeve with a cd-copy of the album included.

it has been nearly two years since superpitcher released his equally lunatic and magistral album >kilimanjaro<: an eternity for club life, but not more than a stones throw for legendary producer axel schaufler, whose idiosyncratic mixture of yearning romance and hedonistic folly repeatedly stunned the public with its perceived timelessness.

played and supported by the likes of kris wadsworth, brodinski, dj t, round table knights, marvin zeyss, tom budden, kruse & nurnberg, alex kennon, hackman, mozaic, kolombo, adriatique, untitledmusic, nick holder, uglh, jesus pablo, homebase, dean newton, t.williams, szer uysal, daniel sanchez, steve murrell, nico lahs & others!
finally on 12 inch by public demand! the lyon - a super emotional, driving track is carried by a warm synthline and a heavy bass, that will make you dance and feel your melancholy - at the same time. the release is rounded by two very different remixes by atapy and creek, who both brought their own approach onto the deep sought feelings, transforming the track in their very own way.

duff mckagan. a man with a big reputation through his involvement with major bands. guns n roses and velvet revolver...you know the drill. but this isnt about mega headlines, superstar status and volcanic ego mania. loaded isnt a band merely to fill in time, to allow the famed bassist to massage a hyper publicity drive. this is all about music!

the first in a series on theory that will feature tracks from new, established or promising artists that have been the highlight of ben sims sets for the past year and before, as the label has been on hold, these tough but intelligent dancefloor winners have been only been dropped by the artists themselves and a select few circuit djs, its now time for them to go public. watch out for part 2

after publications on superfancy, 38 db tonsportgruppe and magnetic disorder, andre tränkner release two new tracks on his homelabel myminimusic. he proves again, that less can be sometimes more and both tracks are brim-full of energie and groove. support comes from da fresh & dani casarano

after productions with sven väth and dj hell, anthony rother continues the tradition of mutual sound enrichment in an ingenious way, including the current publication for the sublabel datapunk limited. this time, no less than xenia beliayeva is involved, up to now the only female producer on datapunk thanks to her highly acclaimed >ultra glamour ep< of last summer. the 26-year-old muscovite by birth has regularly worked as a disk jockey already since 1996 and is considered as one of the hottest german dj insider tips since her support gig for kraftwerk at the zkm opening in karlsruhe. a part from brilliant breaks, xenias remix of rothers retreaded super space model hit >dont worry< is mainly characterised by the interplay of beliayevas and rothers voices, >love s gonna change your life for good<, who would have ever dared to doubt about that. with the flipside, rother once again did a solo revision of >roses<, available up to now exclusively on the cd version of the album >super space model<, and created a highly dynamic synthesis of classical datapunk sound and sporadically interspersed reminiscences of the romantic synthpop of the past century