this is necro deathmorts first foray in the world of vinyl. and, as you would expect again, it is yet another change of pace for the duo, supplementing their doomy ambience and whirlpools of 23hz low-end with 70s evil filthy synth and 90s harsh, pummeling techno, with frequencies cutting, slicing and bursting all over the place. think the likes of the the tuss, goblin, underground resistance, john carpenter, maybe even tangerine dream, surgeon, or the horrorist.
limited edition vinyl release, download code included.

limited edition of 300 copies. pressing on pearl white translucent & marbled vinyl.
to commemorate the x anniversary of the festival electrónica en abril (http://festivalelectronicaenabril.tumblr.com ) born in 2003 at la casa encendida, madrid, we have invited some of the artists that left their personal and sound mark in our event, right now the oldest music festival in madrid. all of them have contributed with exclusive tracks to this double lp that does not pretend to become a scanner of todays electronic music scene, but just an insight to the quality and diversity of our festival.

supplies for dub techno and ambient fans: following his debut album >1549<, binemusics lars leonhard releases >no comment<, a six-track 12 inch ep including bonus remixes by renowned label colleagues.

brill four track vinyl sampler with killer prime time techno , made by sasha carassi (drumcode), spektre (weave music), lutzenkirchen (great stuff), phunk investigation...

after leaving behind the somalian pirates, geiom is cruising the sunny waters of the indian ocean when he picks up a distress signal on his scanner. he follows the signal until he locates a tiny remote island and a guy called bowly, who said that he was on his way from france to the new world, but got totally lost. judging by the age of the map he was using its easy to see how. bowly spent his time on the island hanging out with the locals who amuse themselves by creating a unique style of music on some amazing handcrafted instruments. geiom helps bowly get on his way again, and leaves him with a more useful map. some months later, bowly beams over his music as a gift from his new found homeland in canada ? the tracks are like some strange mutation of those distant tropical players and the uk-based pirate radio transmissions that bowly has been tuning into ? geiom loves the result and decides to send them straight over to transition in london for mastering and release on berkane sol. this 12 has been getting played by selectors like ? subswara crew nyc (soul motive), brackles (rinsefm), grevious angel (soul jazz), martin kemp (blunted robots), cooly g (hyperdub), shortstuff (ramp), spamchop (wigflex), oneman (rinsefm)?

great electronica/techno compilation with exclusive new tracks by move d, scanner, fold, benjamin brunn...

part one of the well known jittery heritage ep

"dust science returns with fresh blood for 2007 on the faith is fear ep. weve been fans of fabrice lig for years her at dust. hes released an avalanche of great techno on classic labels such as kms, 7th city, fcomm and playhouse and hes done us produ with his first release for us. "access denied" is a surging, swinging, darkside monster thats relentlessly tricky and funky. the detroit pads are seriously tripped out and swamped in glitchy beats and stepping hi-hats, and theres some serious low end; its a hell of a track. regis and female are responsible for some of the best uk techno ever made. here they contribute c/chaos; performed live at the orbit in leeds, its simply massive, propelled by downward twisting strings and utterly slamming, intoxicating electronic rhythms. techno luminaries the 65d mavericks are renowned for their driving but innovative techno. "wiretap" is well up to their high standards."

industrial-esque cutting edge techno & drones.

in den tiefen der sounds läßt sich so manches schätzchen finden. benjamin hat mit hilfe von move d, scanner & wendt tief gebuddelt & einen feinen schatz gehoben. tief, rein & ähnlich den black dog releases

super schöne atmosphärische technostücke!! so stark wie eine border community . hören und genießen.

immersion teams up with tarwater, laetitia sadier, ulrich schnauss and scanner for the new nanocluster project.

house music broke through in 1987, at the same time when aids arrived in france with the first contamination peak in gay and drug addict circles. in 1989, the founders of act-up paris knew that both the fight against aids and triumphant house music should be joined together. from 1992 to 1995, the period covered by Ò120 bpm-, house reached its most beautiful plateau even though techno was becoming dominant. Ò120 bpmÓ is a get-together moment through clubbing, this moment where fears are forgotten by dancing with oneÕs friends, what we called Òthe chosen familyÓ at act-up. boys and girls dancing in a club where the walls cannot be seen, flooded with simple light. this is their activist recess. arnaud rebotini, composing the soundtrack of robin campilloÕs previous film, Òeastern boys-, is a recognized dj, a composer and a kind man, which is for me the most important quality. here, his work is marked by restraint of his love for house and after techno. i believe he deliberately withdrew himself in relation to the filmÕs power and the aids theme.

our longest-running compilation series after total - sees a new instalment for 2017, featuring exclusive material from acclaimed genre veterans and series newcomers jens-uwe beyer, yui onodera & scanner, max w†rden, leandro fresco, thore pfeiffer, kenneth james gibson and soulsavers remixed by wolfgang voigt.

machinecode - velocity lp (subsistenz). velocity is the third album from machinecode, following hot on the heels of 2013s seminal under the sun and continuing where its predecessor left off, taking up a position outside currently definable sub- genres. 12 tracks deep this time (including remixes from mindscape and the sect), the duos classic d&b sensibilities are well-evidenced, with rugged breaks, deep basslines and elegant pads the order of the day

mere is a new project that began as a soundtrack and continues as an experimental, dark-ambient jazz group. guitar, drums and bass clarinet provide an intense and improvised journey into the abyss. the trio first came together to work on a soundtrack for a dutch tv documentary called visserman. having known each other for some time this was the first time they had combined together to write music and the name mere comes from the dutch word for more. each member adds a different influence to the sound, the modal finger picked guitar playing of thomas adds a sense of movement while gareth takes both folk and free jazz ideas to play against leos free rock influenced drum work. the tracks were recorded all in single takes with just a quick discussion of outline and tuning as a basic guide. gareth davis records on important, miasmah, sonic pieces, dekorder, home normal etc. collaborating with machinefabriek, steven r. smith, scanner, frances marie uitti, ryan teague, elliott sharp, ian hawgood and the like. leo fabriek releases on digitalis, home normal etc. and is also the drummer with the noise rock band julie mittens.