big with miss kittin, dan drastic, chris fortier, xpansoul, jaumetic, angel molina, pablo bolivar, davide squillace the 19 is the eighth prime number, are a centered octagonal number and for more information its octahedral. it is the atomic number of potassium, its 10011 binary system and most important,: it is the lucky number of iñaqui marín. >19< is the title of the new album of iñaqui marín. its previous lp >klinischtod < removed the foundations of the electronic dance music, and >19< promise to return them to break to remake them again. for its easy digestion and better enjoy, the album appears in three parts in its vinyl format.we presented here the first part of the serie of vinyls with two new hymns that serve like tasting of this long awaited album. beija flor (1): with a high flights production its lover of detail, dreamer, melancholic, intense, atemporal…yeeeah! (10/10) my little box: crazy, devil progression, groovie, hypnosis, powerful ,and those voices ..... (19/19)

>chariots<, the simple debut of james priestley and dan berkson, is a luscious house treat. driving percussion and throbbing keys move towards a crescendo through airy synths while the classic piano melody comes in to send the dancefloor to a blissful climax. soul and melody with a tight little groove, everything we at simple love! acclaimed frankfurt duo motorcitysoul, who made their aus debut earlier this summer, turn their hand to the remix. rotating clicks and punches move towards an ever intensifying push, while melodic whispers gather around the central chord progression, combining to create a deep and dreamy finale.

following their celebrated >meat is murder< ep, meat, aka carsten schuchmann, teams up with get physical regular einzelkind, arno völker and migual ayala, for >words from the frontline<. the ep opens with its title-track, words from the frontline. indeed, the word >frontline< is appropriate - the firm kickdrum sets the tone and pace before a hi-hat tattoo reminiscent of a military march asserts itself. rushing synth effects edge in from the sides before the track expands to accomodate a bending, feintly jazzy keyboard motif. this is quickly absorbed into the tracks fierce, linear 4x4 progression, and the addition of crisp snap-claps make this a winning modern take on 2nd wave detroit-style techno.

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.

incl remix by regular heads jaumetic and bruno d. !! spinky & parrado offer us a crunchy mixture of energetic electronic sounds designed to create intense moments due to its gentle progression and its forceful rhythms.

after some remixes for some labels, jaumëtic returns to his label with a shining and renewed sound, that will also see the light in new works for other european labels in the next months. dulces paparruchas is what we could call >hit< in all rule. intense, changing and forceful to equal parts, and with a impressive progression able to burn all the dancefloors. terribles albricias maintain an excelent groove from the principle to the final. a noticeable flavor of summer and a surprising mutation to perviete and transfers the track at another hotter level.

pikaya take to the a-side with a flourish of robes and flashing beams of light. >jedi< is not the track youre looking for… wait, no—it absolutely is the track youre looking for, all mind tricks aside. kicking off with a sparse drum pattern, it quickly shifts from a measured andante to an easy jog, as resonant synths and sweeping filters whip up desert winds and high drama. high, lonesome counterpoints and a moody chord progression carry the faintest whiff of ennio morricones outlaw music, and playful trills—you could almost swear they were birdcalls—suggest a secret oasis hidden just behind the next hill.if you find >jedi< cinematic, then >fango< will really blow your wide-screen mind. starting with a rhythmic underpinning thats everything youve come to expect from a cadenza track - tight, ultra-kinetic, just a little bit jittery - pikaya build up layer upon layer of hazy pads and cool arpeggios that shimmer like the aurora borealis. bullfrog-throated horns occasionally burst in with a fat, amicable fanfare, announcing the arrival of the peak hour. great, unison handclaps play off against heel-kicking syncopations: madness ensues. and then everything slowly, imperceptibly smears together and loses focus, and the tune fades flickeringly away. talk about a double feature! now playing on a turntable near you

unique version of detroit minimal !! old sensibilities are used to guide basic progression along a path of tweaks and burps. ticks, clicks and melody are used to hold together the shifting center of a busy bop. soulfully simple synths combine with warm bass lines, and churn their way toward a shared end

dj support : jennifer cardini, shinedoe, tobi neumann!! 8bit rojo on side a is a hard dirty groover. starting off as a straight up jacker that over a three minute progression turns into a heavy peak time cut. with a low rez processing throughout the percussion and overdriven subs the name of the game of this track is dirtyness. bouncing underneath the dirt is a slick gliding bass line that slides down from 100hz to 40hz. sure to work the dancefloor from peak time to down time. the b side red tide is a deep headstrong slow builder that elevates like an induced acid frenzy. massive funky techno

stuck in time is a personal statement on a particular time and of particular experiences in my life. the sounds codebase choses to use on this album point towards an alternate universe of where music may have gone instead of where it is now, fusing analog disco bass and electric piano sounds reminiscent of the 1970s with sampled electronic percussion sounds of today. this juxtaposition crystallizes the temporally frozen sonic landscape of the album a musical fossil from somewhere outside the linear progression of time

koba records have after it s launch gained great success among a large variety of people. with support from wellknown djs and producers like dave clarke, valentino kanzyani and erick decks etc., it is now time for the 4th koba release. this time mikael delivers a four tracker e.p. with a wellknown blend of retro sounds and electro flavoured rhythms. everything in order to make the crowd go wild on the dance floor

support by: hell, mandy, o. koletzki, inaqui marin... it is already here the long awaited album of citizen kain. the meteoric progression which they have represented all their maxis and specially its spectacular live act ones over europe, together with its increasing international recognition, causes that this disc becomes its definitive consolidation like one of the bands of the moment

futuro is back with a doubledecker o fclassic detroit influenced technohouse by none other than kim rapatti aka mono junk (styrax/dum) in his melody boy 2000 disguise.when sähkö was starting to release minimal records in early 90s mono junk had allready a few years earlier made an impact in the technoscene with his original detroit techno sound. influenced by the sähkö sound, mono junk released monotone fantastique in 1994 on his dum-records label (dum-014) on a limited 12inch which has become a classic. almost 12 years later and futuro is picking this gem up from kim straight from his master dat tape. newly mastered this shit rocks!b-side features 2 new productions, a perfect way to evaluate the progression of this talented finn. sound steal er is more geared towards the dancefloor, it features deep eerie vocals and machine-alike drum programming while sient mornings is more of an early morning electro crooner

circle music is very proud to present sébastien léger – one of the most outstanding artists in the recent electronic music business, an exceptionally gifted producer who is operating far beyond all the french filter house clichés. sébastien léger is bringing you the funk, now widening the boarders of techhouse on alex flatner s circle music! consequent progression in his production work, the great variety of house music colours in his tracks, the construction and arrangement of its electro and funky rhythms, all these ingredients helped to establish his position at the forefront of reconstructing contemporary electronic music. as a result of this you can find sébastien léger s releases on world famous imprints such as carl cox s intec, defected or josh wink s ovum just to give a brief summary

the a-side is a deep beautiful almost detroit-ish string track with a really good sence of progression. on the b-side is a percussive and really nervous twister with strings and dark sound scapes. it definitly will be noticed in any dj set !

lying in the genre territory that exists where breaks meet dubstep dj distances record is a fine excercise in the styles essentials subsonic warbling basslines skittering drum patterns and a slow but stready progression (sb)

first release on dynamic tension for 5 years! so, here are four tracks of classic surgeon gear, a logical progression from where the label left off five years ago, but with some new flavours to tantalise. anyone who has caught a recent surgeon or murder boys live set will know the effectiveness of these tracks in a club, now available to the general public they will cause dancefloor devastation on a much wider scale...played by francois kevorkian, james ruskin, ben sims, bbc radio 1 s mary anne hobbs on breezeblock among others

new unreleased trax from detroit legend dj assault ,strictly for the party people, assault launches his naughty and very dirty lyrical onslaught beats, minimal pole dancing music ,dj assaults cutting edge sound of the detroit street the acoustically unique and melodic funk vibe fused hip hop with his ghetto r&b style, is an example of his constant progression and originality.more quality electro tech booty on the fashionable dirty musik inprint

spacy euro disco affair with dramatic synth progression, exotic, slightly kitschy melodies, flamenco claps, girls humming away in the background and occassional drum burst that make this sound like a chicago edit of a lost max berlin gem.. overwhelmingly good !

cool filtered discoid japan techno !!

legendary dutch trance from 94 to 2005 !

hip hop album by verb t & pitch 92

after establishing himself with rough but emotive house as rimbaudian and jungle as birds of sweden, he unveiled his dj seinfeld alias to the world, first with underground hit single u, then with his time spent away from u album on lobster fury in november 2017. it was a post break-up love letter to the dance floor with heart-on-sleeve emotions colouring the dusty and analogue house grooves. acclaim came in from far and wide, with everyone from rolling stone to pitchfork fawning over its heart swelling nostalgia and melancholic immediacy. jakobsson approached his dj-kicks with the intention of representing all the things that made him fall in love with dance music more than a decade ago, as well as showing some of the progression that has occurred in that time and reflecting the simultaneous fear of leaving something safe behind as well as the excitement of venturing into unknown territories, musically and emotionally.

oscar mulero presents: perfect peace . don t expect dancefloor burners here, this time the spanish techno master goes deep and low, exploring sonic textures, low bpm grooves and the intelligent side of electronic music. melodies, pads, drones and grooves collide in this soulful collection, conceived to be listened as a soundtrack. oscar is not new to this sounds, in his grey fades to green or muscle and mind albums he showcased his abilities in this field as well as with his av projects biolive and monochrome. a new step in oscar mulero s ever growing career, showing his studio skills and music taste, far beyond his role as a fundamental techno dj.

23 essential dnb tracks & exclusives! incl. wilkinson, camo & krooked, andy c, hybrid minds, friction, the prototypes

this is a clear perspective on comelades musical universe and can be considered as an ultimate best of and a radical introduction tothis chaotic and uncompromising instrumental music. rocanrolorama abrege (abbreviated rockandrolorama, in english) is the short version of the complete works and reworks of pascal comelade published at the end of 2016 as a 6-cd box set in a sold-out limited edition of 1000 numbered and signed copies. pascal comelade made this album as if it was a new and separate album, with tracks that he considers best represent his work, from 1993 to 2016, according to the principle applied with the rocanrolorama box set: songs in their original form, alternative versions, reworks, additionsÉ this short version was conceived especially for a double vinyl lp format: four sides with six tracks each, which you can listen to in the right order, from start to finish, according to a logical, thought-out progression for each side (slow tempo, medium tempo, orchestrations, electricity, etc.)

psychedelic new jazz trio, pioneers in the tel aviv music scene, mainly by introducing through this band a brand new sound, blending jazz with rock and electronics. guitarist/pedal master yonatan albalak, drummer/producer aviv cohen (aka sol monk) and bass player gilad abro, are all well-known jazz-oriented musicians, constantly performing around the world with various projects. the three create under the name of layerz since 2010. things on top of each other is their second album, written and recorded during a 3 days session in the studio. it feels like a natural progression from memory tower their first album recorded in 2012. this album has a distinctly more beats-oriented approach. guests in the album are pianist nitai hershkovits, vocalist kerendun and vocalist marina maximilian blumin.

early support by: marcel dettmann, takaaki itoh, gary beck, dvs1, adam beyer, randomer, jeroen search, speedy j, jonas kopp, tommy four seven, slam, mosca, psyk, paul mac, nx1, manni dee, progression, scalameriya, thomas hessler, juho kusti, ryuji takeuchi, mr jones, anfs, dustin zahn, kyle geiger, joton, paul birken, hector oaks, charlton, dario zenker, kwartz, dimi angelis, drvg cvltvre, stranger, mikael jonasson, arnaud le textier, dax j, jerome hill, 3.14, pfirter, echologist, darko esser, tripeo, endlec, stenny, clouds, i/y, rivet, henning baer, dave tarrida, rolf mulder, w.i.r.e, shdw, pacou, patrick dsp, ansome, sebastian krenzlin, rebekah, gareth wild, domenico crisci, perc, setaoc mass, j.tijn, radial, aiken, the black dog, ness, developer, exium, sawf, joseph capriati, svreca, shards, truss, truncate, myler, inigo kennedy, advanced human, operator

armin van buurens sets sind keine stŠndigen wechsel von breakdowns und drops, sondern pure progression. lift off - wir heben ab! flug. landung. genau das ist das geheimnis seines erfolgs, mit der er jede partycrowd stets zur ekstase treibt. nach jahrelangen, erfolgreichen ibiza-dj-residenzen in clubs wie privilege, amnesia oder space, befindet sich armin van buurens neue residenz nun im derzeit hei§esten beach-hotel/club ushuaia. diesem widmet er seine ibiza-sonderausgabe 2014 mit den floorburnern der saison, inklusive armins brandneuer single hystereo sowie seinem remix des titels let it go von idina menzel aus dem soundtrack zu disneys -die eiskšnigin (frozen)

dj hazard, der erste drum & bass dj/produzent, der als nichtmitglied der ganja kru auf deren berŸhmten true playaz label gesignt wurde, liefert ein adrenalin geladenes jump-up-drum & bass-set der sonderklasse mit 50(!) tracks in 66 minuten ab, das es einem die sprache verschlŠgt, und legt dabei techy, soulful und rhythmische variationen an den tag, so dass der mix durchweg tight und abwechslungsreich bleibt. ein kšnner eben!