after the first amc release which gained full support from a cast of music collectors and djs including dom servini, diesler, paris djs, moonboots, craig charles plus many more africa music corporation is back with another single ahead of the cd compilation release in october. twelve mabone conjures up images of dusty outdoor dancing, 100 s of pairs of feet kicking up the dusty red soil of africa in a manic outing of unbridled joy, check the rhythm and imagine a young malcolm mclaren hearing this type of music and the inspirations that it led to. the flip is a lowdown groove fuelled walk through the sleazy sound of funk. more quality sounds from the 70s and 80s south africa and re-released for todays audio pleasure

having hinted at upcoming collaborations on blkrtz over the last months in several interviews, deadbeat finally makes good on his promises offering an epic piece of heaviest dub business featuring the unmistakable vocoder stylings of canadian danuel tate of cobblestone jazz fame. title track lazy jane locks in a murderously tight 135 bpm steppers rhythm sure to appeal to fans of both the burial mix series and malas most head down exploits for dmz alike, with tates heaven streaking vocal elevating it to the realm of instant classic from the very first drop. the flipside s 909 dub meanwhile sends the originals synth and vocal lines deep into the echo chamber atop a reinforced version of the bass line and unrelenting 909 drum pattern to create the most classist, purified slice of big room dub techno you are likely to here all year.

2012 marks the spot for the return of the most applauded, the most respected and simply the loudest bass music record label in the world, valve recordings. captained by two of the most revered producers in the game, dillinja and k-aze (lemonde’s all-new multi-genre production project pseudonym), the valve has set a course for global domination once more as they get ready a whole host of beats from the full spectrum of electronic music. d&b, dubstep, grime, garage, house, footwork … its a new era for valve recordings, be warned, bars will be raised!

cobblestone jazz founding member danuel tate is back on the solo tip with his newest project for wagon repair - wag055 >doesnt like you back ep< - and this time, probably as a result of spending so much time on the road with bandmates mathew jonson and tyger dhula, he is bringing it harder. although some familiar elements from his first ep, >pushcard<, can be found in the horns and synths mixing together to form the beds for the quirky vocoder, this five-track release comes more direct. >doesnt like you back< reflects the moment on the dance floor when you realize the woman next to you is way out of your league, which we guess isnt a bad feeling as long as you like dancing with super hot women.

reissue - tipp

ltd colored

it’s fred again.. with the second part of his music diary, pressed on clear vinyl.

music from and inspired by “birth of the cool”. a career spanning soundtrack of miles davis classics from the stanley nelson film. double vinyl release, housed in a gatefold sleeve.

limited edition of 300 copies with download code included.

limited edition of 500 numbered copies. the double vinyl is housed in a deluxe gatefold sleeve with download code included.
lucky brown is forging new paths by soaking up musical styles from all over the world to infuse with his own trademark sound. those who praise the cross-cultural musical experiments of mulatu astatke of the 1960s and menahan street band of the 2000s will love this album.

back in stock !! double pack from rick wilhite on mahogani. act quick! 1 per customer

18 tracks from the limited event series score, including 6 new angelo badalamenti compositions. limited edition double picture vinyl release for rsd 2018.

18 tracks from the limited event series score, including 6 new angelo badalamenti compositions. limited edition green coloured double vinyl in gatefold sleeve.

doppel-vinyl + cd streng auf 500 limitiert
die straße kennt ihn durch seine taten und geschichten, die musikwelt durch seine kunst am mikrofon. kaum jemand aber kennt beide seiten seines schaffens. -der letzte weisse könig- wird beiden welten seine physische und musikalische Überlegenheit demonstrieren, aber auch barmherzig und wohlwollend jeden neuen hörer in seinen exklusiven kreis aufnehmen. asphaltreiche bezwingerlyrics auf bretternden beats, die den hörer zur sandsackbeschädigung antreiben. mit neuem modernen sound soll über die kenner szene hinaus erobert werden

mark rae is the man behind one of the key uk music movements of the last 25 years. as a founder of the shop fat city records and the label grand central, mark worked with some of the worlds biggest artists going on to earn several platinumm discs with his work as one half of the highly respected production duo rae & christian. this project is a worlds first autobiography and album, the release is packaged as a gatefold 10 inch which opens out to the book held within. the 40 000 word book covers the author mark rae s journey through the music industry. it follows the creation and dissolution of fat city and grand central records, rae & christian and yesking. the underground club scenes of manchester, gang wars, success, failure, working with bobby womack, jay z and the pharcyde. the project has been supported by whosampled, dj magazine, vice and the tate modern. the artwork is exceptional featuring an historical montage throughout the inner gatefold sleeve. the music features guest vocals from tony d who was a big influence in the original grand central records sound, soul king pete simpson, multi instrumentalist shawn lee and kate rogers.

london modular alliance is the raw and unpredictable music project from the uk’s best known, dedicated modular synth shop london modular. its members simon lynch, phil ventre and gavin pykerman met through a shared passion in modular synthesisers. impromptu gatherings and jams soon turned into live performances at clubs, festivals and museums. from the hushed environs of the tate modern and v&a to vast sweatboxs such as fabric, bloc, freerotation, weather and berghain, london modular clearly have a flair for all things modular. this year sees a return to bloc weekender as well as new adventures at festivals such as dekmantel. they create an intense live show with a huge setup of self-assembled modular gear. every set starts with one small looping beginning – a patch – and is expanded into a deep sonic landscape. with the use of cables they build unexpected circuits and explore the power of pure electronic sounds without the use of a digital software infrastructure. no laptops, no button pushing, everything is created on the spot using modular synthesizers and is based on live improvisations. overall lma tries to keep its live sets in the dark: unrecorded, off the internet and only for those who are present in the moment. a clear break with the capture-all mentality of the internet age.

lopatins präziser ansatz an komposition und kreation hat ihn zu einem der einflussreichsten und prägnantesten persönlichkeiten moderner, elektronischer klanglandschaften gemacht. so arbeitete er für viele künstler, regisseure, musiker und führende kunstinstitutionen: von sofia coppola bis ariel kleiman, von antony & the johnsons (dessen kommendes album er produzierte) bis nine inch nails, von der tate modern (london) bis zum moma (museum of modern art, new york). da dem künstler oneohtrix point never auch immer etwas geheimnisvolles anhaftet, läuft seine teaserkampagne mit einer serie an abstrakten interviews, trailern und soundfiles - so kamen bereits erste materialschnipsel als midi-dateien in umlauf. das doppel-vinyl erscheint im klappcover, downloadcode inklusive.

a soul experiment is the fourteenth album by trumpeter freddie hubbard recorded between 1968/1969 and released in 1969. it was his third release on the atlantic label and features performances by hubbard, carlos garnett on tenor sax, kenny barron on piano, gary illingworth plays the organ, billy butler & eric gale on guitar, jerry jemmott on bass, and grady tate & bernard purdie on drums. pressing on 180 gram audiophile vinyl.

rick wilhite delivers this super strong collection of tracks made by producers coming from either new york, chicago or detroit. this is part 1 of 2... tip!

like legendary stories of old, changing and mutating as the years go by. and also subtly transforming depending on whos telling the tale. re-mixers guillaume and the coutu dumonts, john tejada and danuel tate step up to re-tell blue fields infamous ghost story.

first on only via decks.de
für diese ep taten sich oliver schories, anerkannter und extrem aufstrebender super newcomer und holgi star, altrocker und gefühltes technoinventar zusammen, um der welt ihren spaß an guter und gehaltvoller techno musik zu zeigen.
herausgekommen sind zwei schöne, treibende, emotionsgeladene, tränen ins auge drückende, einfach moderne tech-house-tracks, die ohne große umschweife auf den punkt kommen.
holgi legte mit seinem buddy pierre deutschmann noch einen remix auf, und als sich dann noch julie* (der turnbeutel) entschloss mit einer gehörigen portion girlpower >miss you< zu verdedeln, brachen entgültig alle dämme :-)
kurzum: rauf auf die teller damit!

canadas cobblestone jazz have established themselves as one of the most unique and inspiring bands of the past decade. thanks to their exploration of house through the eyes of a jazz improv group, their music is derived from the organic energy of the groups jam sessions and their now legendary live performances. comprised of members tyger dhula, mathew jonson, danuel tate along with newest addition the mole, cobblestone jazz are as accomplished individually as musicians and performers as they are a band - united by long term friendship, respect and passion for writing music in the moment. their decade long history of releases on iswhatitis, !k7 and wagon repair have earned the praise and long time support from the likes of gilles peterson, carl craig, luciano and sven väth. >memories (from where we are)< celebrates the first of a series of 12 inch releases that will come out on wagon repair over the course of 2011/12. the outcome of a berlin jam session last fall, the band incorporated a fender rhodes, vocoder, and sh-101 to make up the core voicing of the tracks while a cs-20 provides the drive at the end of both. in typical cobblestone jazz fashion, the track was mixed live with no prior sequencing arrangement. the session was then cut by the mole into two sublime edits - the results could be their strongest release since >dump truck<.

sechs jahre nach ihrer ersten kollaboration auf dem album >superwolf< taten sich will oldham, a.k.a. bonnie prince billy wieder mit chavez frontmann und gitarrist unter anderem bei zwon matt sweeney zusammen und nahmen eine neue single auf, die am 22.04.2011 in deutschland und Österreich auf domino erscheint. die 10 inch enthält den song >must be blind< auf der einen und >life in muscle< auf der anderen seite.

two and a half years after their debut lp, 23 seconds, dazzled critics and lit up dance floors worldwide, cobblestone jazz are back with a powerhouse new album that captures their live-in-the-studio energy like never before. a mixture of heady, jazz-inspired house grooves and below-the-belt analog funk, it raises the bar for electronic dance music in 2010.titled the modern deep left quartet, the record marks an important addition to the cobblestone jazz lineup, as the trio of mathew jonson, danuel tate and tyger dhula brings aboard colin de la plante (aka the mole). de la plante is no newcomer to the cobblestone crew: the four musicians have been playing together for nearly 15 years, since their first performances in small-town victoria, british columbia, and theyve all shared the stage as the modern deep left quartet

the irrepressible cobblestone jazz present the first single from their debut album >23 seconds<, forthcoming in september on wagon repair. cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. >lime in da coco nut< is a potion brimming with transformation. cobblestone approach a simple key melody from every angle imaginable, with the harmonies, disharmonies, bubbling accents and rhythmic permutations exposing the otherworldly potential of the simplest of tunes. a sinister whispered vocal conducts affairs, seemingly flustered at its inability to contain the unruly elements in this wonderful experiment. on >saturday night< a deep synth line and ghostly vocoded moans progress through a jungle of percussion and falling echoed tones, steadily approaching a beat that enlivens like water on a desert journey, or rather, like vodka on a saturday night. the dizzy finale spins around your ears, a bit like the ceiling after a particularly heavy weekend adventure… be sure to be well rested before tackling this sensory safari

cobblestone jazz produce their tracks live, with a strong emphasis on improvisation, and the trio of programmer tyger dhula, keyboardists danuel tate and mathew jonson, make full use of their formative jazz training to transform the musical outfit into a pragmatic and responsive unit, a living and breathing creation, free of formulaic sequence. dmt is a particularly good example of this, progressing with a confidence and purposefulness that borders on sensual mastery. samples and trace sounds are revealed into the mix, weaving a hypnotic and infectious reverie that calculatingly refrains from climax. a display of power that is anything but vulgar, cobblestone arent showing us all their cards just yet. magic

incl felix jaehn, robin schulz, cro, gestoert aber geil !

diese zusammenstellung ist gewisserma?en der soundtrack zur ausstellung -soul of a nation: art in the the age of black power-, die 2017 sowohl in der londoner tate gallery als auch im new yorker brooklyn museum gezeigt wird. dabei geht die kompilation den einfl?ssen nach, welche die b?rgerrechtsbewegung und der schwarze nationalismus im gefolge von martin luther king, malcolm x und der black panther party gegen ende der sechzigerjahre auf radikale afroamerikanische musikentw?rfe in den usa hatten. zu den von soul jazz pr¤sentierten k?nstlern gehüren ikonen wie gil scott-heron, roy ayers, don cherry, oneness of juju, sarah webster fabio, horace tapscott und phil ranelin. deren werke illustrieren, wie politische themen zur entwicklung einer -conscious black music- f?hrte, in der verschiedene popul¤re afrozentrische stile dieser umbruchszeit kulminierten - die radikale spiritualit¤t john coltranes, der radikale avantgardismus eines sun ra, james-brown-funk, der soul aretha franklins und urbane proto-rap-poesie der metropolen. wie f?r soul jazz typisch kommt das ganze opulent ausgestattet mit umfassenden begleittexten und exklusiven fotografien.

leben, lieben, lachen. schmerz, schamgefu&#776,,,,hl, schuld. trauer, trost, tatendrang. hoffnung, heilung, hilflosigkeit. einsamkeit, egoismus, entta&#776,,,,uschung. u&#776,,,,bergangslos erleben wir eine harmonische verbindung all dieser und vieler mehr emotionen, die uns hypnotisch in den bann ziehen. hier wird man mit der wahrheit konfrontiert. einzigartig clever verpackt mu&#776,,,,ssen wir uns am ende vielleicht eingestehen, dass das, was wir von der einen auf die andere minute fu&#776,,,,hlen ko&#776,,,,nnen, zwar aufbrausend und einnehmend ist, dass uns aber genau diese eigenschaft menschlich macht. die zehn sehr unterschiedlichen titel, die differenten sprachen und sprichwo&#776,,,,rtern gewidmet sind, nehmen uns mit auf eine reise durch die gefu&#776,,,,hlswelten des menschlichen daseins. oder darf der interpret an dieser stelle psyochologisiert werden und stattdessen sprechen wir wohl eher von der reise durch sein gefu&#776,,,,hlschaos? denn durchaus verarbeitet mario hammer in seiner musik eine zeit des nachdenkens und gru&#776,,,,belns. er selbst nennt das lebenserfahrung. wir du&#776,,,,rfen teil dieser erkenntnis werden und vielleicht wird uns bewusst, wie oft wir uns doch selbst beim ho&#776,,,,ren der musik wiederfinden ko&#776,,,,nnen. es ist sowohl die kreativita&#776,,,,t, als auch das enorme feingefu&#776,,,,hl fu&#776,,,,r to&#776,,,,ne und klangfarben, die dieses album ausmachen. vierzehn monate hat mario hammer in zusammenarbeit mit josef steinbu&#776,,,,chel ein emotionen- und klangkarussell entwickelt, dass nicht nur unsere sinne beru&#776,,,,hrt, sondern ebenso gedanken anregt. bereits das debu&#776,,,,talbum lÕesprit de lÕescalier war ein voller erfolg und bescherte den ho&#776,,,,rern eine wunderbare andersartigkeit.

lopatins prŠziser ansatz an komposition und kreation hat ihn zu einem der einflussreichsten und prŠgnantesten persšnlichkeiten moderner, elektronischer klanglandschaften gemacht. so arbeitete er fŸr viele kŸnstler, regisseure, musiker und fŸhrende kunstinstitutionen: von sofia coppola bis ariel kleiman, von antony & the johnsons (dessen kommendes album er produzierte) bis nine inch nails, von der tate modern (london) bis zum moma (museum of modern art, new york). da dem kŸnstler oneohtrix point never auch immer etwas geheimnisvolles anhaftet, lŠuft seine teaserkampagne mit einer serie an abstrakten interviews, trailern und soundfiles so kamen bereits erste materialschnipsel als midi-dateien in umlauf.

feat.dusky, mk, maik and pasteman, new york transit. includes download code for full lenght tracks

rick wilhite delivers a super strong collection of songs & tracks made by producers coming from new york, chicago & of course, detroit.

>the mix is rather a non-conventional mix, as there are many unreleased tracks from friends and artists that i deeply admire, like bruno pronsato, matthew styles and the mole, as well as some tracks from ladies i really love musically, like nina kraviz, laverne radix or deniz kurtel who provide an extra feminine touch to the mix-cd< dinky says.