(180 gram pressing) one of jorge bens greatest albums a groundbreaking blend of samba and soul that forever went onto transform the face of brazilian music!

talman15 courtesy of our long time friend jorge savoretti ( bass culture, savor ) - including a phat remix from reflex blue ( craigie knows, limousine dream )....

repress

die a seite kommt mit tricky und illapa, techno, spooky und mystic sounds. die b seite kommt mit universe und 52598 ein dancefloor track mit altem sound von jorge gamarra.

brazil samba

danish guitarist jakob bro, norwegian trumpeter arve henriksen and spanish drummer jorge rossy present “uma elmo”.

phat minimal groovin house

amaniel presents his sixth release by felipe valenzuela that brings us an ep formed by 3 original tracks and a remix by jorge savoretti.

debut release on the new kaleidoscope jazz chair reissues label. first release contains some beautiful and well crafted dubbed out techno by kit clayton with his 1998 deadlock tune originally released as the b2 on the 4-track unreliable networks ep (on silent servant s label cytrax ), it slipped under many a record buyer s radar. nearly 20 years later, now that electronic musical tastes have matured and expanded, the time seemed right to re-present, this lush, atmospheric, percussive work out to the heads, deservedly pressed on a full side of 12- vinyl. pussy clap was originally released on the remote label, set up by charles webster, and featured house music predominantly written by charles and neil tolliday, better known as nail. jorge felucca was the alias that neil used when creating the more dubbed out, techy tracks for the label. sounding somewhat like a deep house take on maurizio, pussy clap was also released in 98, but had since fallen into obscurity, and the time had come for it to be rejuvenated and polished with an amazing remaster by pole for the modern ear that is a dramatic improvement on the original

gilb r part of chateau flight with i:cube back on syncrophone recordings with * sir* professor genius aka jorge velez included interpretation by willie burns (l.i.e.s). check this out with special sleeve

jorge cortés comes from santiago de chile, where he records for his own record label, ojo de apolo, under the name >receptor<. the >mas musica e.p.< brings jorges minimal click-house sound to the states where hes found a new home on detroits matrix records with this wonderfully groovy and absolutely dancey e.p. of funky disco inspired house. fans of kenny dixon jr. and theo parrish are sure to find a new weapon in their dance floor arsenal with this four tracker

incl franco cinelli remix

comes with an 8-page insert with photos and liner notes in portuguese and english.

incl d julz remix

jazz

lp, incl 12-seit. 4-farb-booklet mit illustrationen von jorge velez (professor genius).

rare funky songs from brazil on double 12 inch vinyl.

debut ep

jazz

the 1983 masterpiece from jorge ben back on vinyl.

classic brazilian soul funk from 1976 in the same vein as tim maia, jorge ben or carlos dafé’s recordings from that period.

deep house at its best! pressed on 140 g vinyl

a mosaic of lo-fi breaks, cosmic ambient jazz and wonky chromatic funk, the eccentric brazilian diy wizards debut album furto beautifully pieces together a huge range of seemingly disparate sonic elements.

2021 reissue

next brazil 45 release with 2 jorge ben songs from 1980.

edle house tracks zu dieser 10. veröffentlichung auf ojodeapolo, einschließlich herausragender remixe von alton miller und terrence parker!

brand new album from the legendary nyc producer jorge valez. we ve been big fans of this guy for a long time at rad and this new album see him going in deep into coil-esque soundscapes.

repress

official mr bongo reissue. replica original cover artwork. recorded in 1978, this is a latter-period gem from the larger than life legend, combining the glitz and glamour of disco’s heyday with maia’s raw funk and soul roots. for “disco club”, maia left his usual band and went into the legendary estudios level with an ensemble of rio’s finest including paulinha braga on drums, jamil joanes on bass, robson jorge on clarinet, hyldon de souza on guitar, sidinho on percussion, trombonists edmundo maciel and darcy seixas, and juarez assis on tenor sax. arranger and keyboardist lincoln olivetti was a crucial presence during these sessions – he added the all-important string flourish and brassy joy to the uptempo tracks, leaving maia enough room to express himself.

the next ep on raum musik is coming from our dear friend jorge savoretti. jorge is hailing from argentina and is one of the main artists in his country besides franco cinelli. we have been following jorge s work for quite a while and now it was the right match as for our label. we are very happy about this release and we hope that you enjoy the tracks as much as we do.

3 texts about that record from daft punk, the pilotwings & jorge socarrás (friend and musical partner of patrick cowley) have been written. (see below) andrei orlov pushes alive sounds from modern electronica spectrum through avantgarde, krautrock or ambient. it is totally new even if you would quote tangerine dream or john carpenter to assimilate ... it includes a track reinterpretation by le chocolat noir. based in moscow (russia), andrei orlov pushes alive sounds from modern electronica spectrum through avantgarde, krautrock or ambient. it is totally new even if you would quote tangerine dream or john carpenter to assimilate ... this space world full of lights crossing the city late at night, boarding with them all kind of styles ... cosmic disco,psychedelic pop, synth music. linking past to modernity is something conscient in andrei s sound, permitting him to play live at local places involved into technological process where conferences also take place, at the 2016 synthposium festival for example.

since the release of his 2 first albums on favorite recordings, lucas arruda has quickly established himself as one of the most talented young artist and composer from brazil. his music is filled with fusion style, mixing influences and elements from his latin musical background, with his genuine admiration for jazz, soul and funk music. . here s a new single, announcing the release of lucas’ third album. this new opus is pursuing the music direction set with solar, mixing touch of blue-eyed-soul, pop, soul and brazilian styles together, and influenced by the path of legendary brazilian producer lincoln olivetti, who recorded some of the biggest stars of brazilian music (marcos valle, jorge ben, tim maia…).

baby whale doses a cross between classic chicago house and e2-e4 with a no-prisoners boogie bassline and piano chords glistering in from rimini. jv’s signature spaced-out production assures a head-turning dancefloor banger for the 4am crew. adam & eve is an intriguing mix of exotica and arthur russell. ‘the sound of matisse,’ says the label.

east meets west, gunmetal grey meets sparkling purple, industrial meets garage, master meets student, techno meets disco, stomp meets two-step, chicago meets london, the rubber meets the road. f/ stellar jorge zamacona rework

barker & baumecker and ivvvo remix 2 original tracks from the groovement catalogue and contribute with exclusives for the “10 is not enough” compilation to celebrate the label’s 10 years journey. these 2 reworks are dense, dee023p and rhythmically strong. being distinct, the tracks complement each other giving this 12” a coherent authorship. already being played in clubs such as berghain (berlin) or lux (lisbon) this release marks the label’s longevity and also its connection with the main music cities of the world

release #30 in mr bongos brazil 45 series is a brazilian disco/boogie double.

london/venezuela production duo juan laya & jorge montiel aka los charlys orchestra take influences from salsoul, fania, donna summer, cerrone, herbie hancock and even jamiroquay and blend them with their very unique style of production in order to deliver their latest anthem of neo latin disco. after a few months of experimentation across different sounds los charlys are back into their main arena with an outstanding new single entitle everlasting love. los charlys orchestra were first known by their initial disco/funk period and more recently by their infectious latin/funk sound, which has been buzzing all around the place for the past couple of years. this new single expresses a cross road in between the two periods of lco bringing up a new perspective for the future of this outfit.

five tracks with full of slamming underground house

ojodeapolo presents the second ep from jorge c. who made his debut some years ago on sean deason matrix label. the track el effekto opens the a side with freaky filtered jumping nu-disco treatments plus delicious horn sections. a2 track creation gets into deeper underwater sounds with a dubby feeling. b side is a peculiar rework of el effekto by the legendary producer jamal moss aka. hieroglyphic being who takes us into a long journey through pure chicago noise

following dancefloor burners from esperanzas papol and lucas mari, respectively served with remixes by ekkohaus and g-man, savor finally turns to label numero-uno jorge savoretti for an unabridged ep. 4 tracks with full dj pleasure. (chicagotriptool with well known nuyorical soul ft. india sample)

hot off the heals of their debut >we hunt buffalo now<, the soft rocks gang dishes out >magic milk<, and utterly sleazy weekend dancefloor monster serving as the second single in the series surrounding their imminent debut album, >the curse of soft rocks<. guest vocals are once again provided by san francisco post-punk hero jorge socarras (vocalist of indoor life and songwriter for patrick cowley). remix duties on side-b are provided this time by washington dcs rising stars the beautiful swimmers. their mid-tempo coconut dub takes the percussive nuances that are deep in the original and made them centerpiece, surrounding it all with loose house instrumentation that oddly achieves a tropical vibe.

relaxing sounds from brazil.

vinyl only

ed dmx, electro-veteran und ehemaliger künstler der rephlex records roseter dmx krew, nimmt sich die bekannte geschichte von jorge luis borges über die bibliothek von babel vor, die angeblich alle sprachen der welt enthält. hinter dem konzept des albums stecken einige tiefgründige philosophische Überlegungen, aber das überlassen wir ed, um es zu erklären. stattdessen sagen wir ihnen, dass von anfang bis ende eine menge der typischen 80er-jahre-synthie-verspieltheit zu hören ist, mit einem generell eher sanften und soundtrack-bezogenen als frenetischen und tanzflächenfüllenden vibe, selbst bei schnelleren stücken wie „the combed thunderclap“. dennoch weiß ed, was er tut, wenn es um diese art von elektro-material geht, und es ist ein lohnender, nie langweiliger hörgenuss.

carpet & snares boss jorge caiado is back