the seventh studio album from black jesus experience.

repress allert! heisenberg welcomes two well known russian producers under the alias monteki. amazing minimal house three tracker ep added with smashing remix by silat beksi. must have for all the djs and collectors out there. vinyl only. limited copies. 180g.

ltd to 300

deep house master piece

brian d souza (auntie flo) and or:la team up with two long form ambient pieces celebrating the humble mushroom. the sleeve includes a scratch and sniff smell component and incorporate uv paint that will only show up in dark light

ltd 2019 repress! one of the most autochthonous and valuable pieces of our particular culture, probably the main tool to create the most simple and basic culinary items in our lovely gastronomy, but at the same time are the most precious, healthy and elemental ones. we cannot be more identified with this, and hope you can enjoy our humble musical efforts. the budare has their roots in the deeper land s of venezuela, but is developed and created for the global community.

one of our humble imprint s closest allies and a longstanding pillar of philadelphia s electronic music community, billy werner has been a constant presence in the booth at parties throughout the northeast corridor since 1998. we debuted his m//r alias in 2014 with the gathering response data 12- . since he s been busy bringing the grit to points beyond the city of brotherly love, putting in work for the likes of detailssound, l.i.e.s. and jackdept. most recently, he turned out a remix of karen gwyer s -why does your father look so nervous- for the rembo remixes on don t be afraid, as well as another for chaperone s -grit neglect- on the aforementioned snapbackbalaclava ep. written, recorded, and mixed over a period of 15 months, among the methods is in no small part a reflection of the affinities and sensibilities billy holds as both selector and producer. referencing a variety of influences from jazz to dub to electro, the album s allure stems from his deft ability to recontextualize those genres disparate aspects into a familiar–yet fiercely idiosyncratic–musical context. the end result is at once wildly fractured and precision-focused as among the methods finds its own seductive rhythm within a matrix of dub echoes and modulated low-end. it s heady ground,to be sure,as well as the most declarative aesthetic statement fromm//r to date. presented without further comment. the music is the message

after three major releases by tell, nachtbraker and s3a, its time for debuting italian artist verner to close our beloved trophy quartet. this milanese key virtuoso is ready to blow your mind with this eccentric yet humble ep, taking you on an emotional journey. long stretched pads, playful chord progressions, organic percussion all produced with analogue 70s and 80s vintage synthesizers and drum computers in verners studio reminding us a bit of harvey sutherland and nu guineas style. were talking groove, funk, jazz but also house and soundtrack style compositions which together form a very complete record carefully a&rd by nachtbraker. drop the needle on the a side and youll start off with linizio, a majestic piece of synthwork. hurdling through different emotions and vibes, this could easily be the intro of one of your favourite 80s tv series. upset takes you on a happy groovy tour whilst crash of the web era and the motion pictures take us on a trippy and ambient voyage that is hard to wake up from. when flipping the record to the b side, verner is stepping back into the groove and funk with tecladista, arguably the dance floor hit of this debut ep. starting of with again a majestic synth intro area drops into a festive funk and jazz bomb with some intricate synth work treating us with some lovely solos. closing this versatile ep is late night job, a deep, deep tune with a thriving baseline and mesmerizing synths. we suggest to dont sleep on this one and have a listen to this piece of art by the very talented verner.

del the funky homosapien and amp live have teamed for gate 13. the full-length collaborative album pairs the hieroglyphics veteran and grammy nominee with the zion i and unified highway co-founder. after working together during amp’s authorized radiohead remix project, these friends from their oakland days embark on 15 tracks that fuse hip-hop, funk, edm, and more, with guests including goapele and eligh. as they explore their overlapping chemistry and challenging music to a new place, this album may be another portal into something progressive, futuristic, and fun.

the next set of the japanese musical tales on hhatri s imprint comes from takecha (aka takeshi fukushima), a producer who has played a part in creating some of the seminal pieces of house music that have originated from japan. his music is characterised by the perfect marriage of experimentation and emotional content. for those that know, takecha s first ep kind of deep released on his own imprint, gwm records, in 1995 is a secret gem among japanese house music collectors. only 100 copies were ever available and it is a subtle reminder of what and how deep house should sound like. takecha provides no less in a tale of shiga four gorgeous tracks that provide some insight into his own creative, albeit humble genius in his approach to producing music. fresh off the press are three previously unreleased tracks with the addition of freak out. released in 1998. tip!

u has always displayed an unironic conformity to his own absolutely genuine/occasionally challenging ideal as to what a release should entail. after a series of predominantly, and (in the most loving sense) maybe begrudgingly, dance floor oriented eps, vienna orchestra is a long overdue insight into his core fascination as a musician, making complex and intriguing experimental pieces that belie the humble mode of their creation, recording from vinyl records and manipulating the audio on old school samplers. this lp is an insight into scores of hours of twiddling with loops and sequences to create music far removed from its source material (dusty classical records acquired on a trip to vienna). this is a dense, blunted world, which holds the sound of a musician indulging their own ear’s obsessions and insatiable curiosity.

celebrating the 10th piece of all inn black series phrasis veteris show their real talent by the tools of neverending rolling drums and moderated old-school deepness. these four tracks make the perfect combination of the sweet techno & house darkness, and it proofs the extraordinary musical taste of the famous romanian duo, again and again...

mosso is an intimate project, born out of the natural desire to present ones work in ones own home. it is a private space in which the artist picks and displays his own favored pieces, enabling an unconstrained and harmonious blend to unfold.alejandro grew up in mendoza, argentina, and has been producing electronic music for over 10 years. following the use of various aliases, funzion being the most celebrated one, he decided to pursue his experiments under his real name. this was a simple decision, made possible through his creation becoming the honest rendition of his very inspiration. alejandro mossos music is the humble exploration of the ample musical heritage our planet has to offer, side by side with an ever-expanding and personal definition of the electronic medium. the first record inaugurating this series stands as the perfect example for his intent, bringing melodies and instruments of the world together with sophisticated technique. instantly awakening the soul, ohrwurm and caracoles come together to form one giant leap of optimism. indeed, alejandro mossos tracks build into a sheer heartening experience. as a shamanmesmerizing his attendance, alejandro brings the listener along into his own reverie, temporarily suspending time and filling space with wonder.

after releasing heavyweights like patrice scott and dego, forbidden dance records continues its story with a new release from chicago don specter with a 4-track ep. highly recommended!

debuet album of laurine frost

shrunken heads” is something we were just kicking around at the time the label was starting to take shape, we felt it to be a good narrative of our influences and visions of how we see acrylic taking shape in the future. kid drama has kindly put together a killer remix for us to celebrate the labels beginning. he has been a massive inspiration for us all musically over the years and we are very humbled to have him on board with the first output. thanks hugely damon for taking time out of your schedule to do that. “motion design” came together fairly quickly, it was made with intent to homage the sound of the old guard we admire to o er our own contribution to that sound. all vinyl are strictly limited edition, and limited to 300 pieces per run. there will never be a repressing of any series. once each release is gone, they are gone forever. mastered and cut by beau at teneightseven. artwork and design by dave knapton at multiplex

london-based producer cera alba pairs up with vocalist zahra for a pair of tough tracks on jamie jones’ hottrax this june featuring a remix from stockholms tiger stripes. since his humble beginnings several years ago the newcastle-born artist has cemented a reputation for consistency, with releases appearing on the likes of hot creations, moon harbour, viva music, avotre, madtech and gruuv. as a dj he’s been making regular appearances across europe, including venues such as watergate berlin, sankeys ibiza, brixton academy london, not to mention festivals such as hideout. taking over me is a dark and moody roller from the get-go. robust drums and mesmerizing atmospherics form its basis whilst zahras soulful vocals and a cavernous low-end rumbles throughout to its rhythm as a piercing vocal and metallic elements ebb in and out of the mix. tiger stripes then provides a crunchy remix of taking over me, distorting zahras vocals whilst incorporating tantalizing synths into his own stomping rendition.

on thanksgiving 1989, kmart employee and audio enthusiast mark davis wandered behind the customer service desk to check out the store’s sound system, which looped muzak and top 40 plus ads and announcements under the banner of “kmrt, the kmart radio network.” when he found last month’s tape hadn’t been thrown out yet, he pocketed it and made a habit of doing this, collecting 56 tapes from 1989-1992. in september 2015, davis uploaded the tapes to archive.org with the humble intention of preserving them. but within a few weeks he became an internet celebrity among obscure media fans and supplemented the collection with reel-to-reel tapes from the 70s and 80s thanks to tom schwarzrock, who acquired them serendipitously along with a deck he purchased. the tapes are like a consumerist time capsule, a vaporwave trove of eerily familiar corporate ephemera extracted from its original context and purpose. similarly, attention kmart choppers is composed of pieces from this collection chopped up, resculpted, and mosaicked together by juicy the emissary, forming a new, distinctly contemporary sound while inheriting a haunting nostalgia that provokes memories burrowed deep in the subconscious

raging fyah is the celebrated five-piece band from kingston, jamaica making their name with retro sounding roots reggae riddims and sweet harmonies. the music is thoughtful and melodic, blending the best elements from groups like steel pulse and morgan heritage. “everlasting” is their third studio album and first with vp records and features busy signal, j. boog and jesse royal! the longplayer will carry the dub rockers imprint - an initiative targeting the growing us reggae live scene that has fostered bands like soja, rebelution and slightly stoopid.

>rdjcs5<, a new 4-track 12-inch ep by solvent, is the result. this is suction022. each and every sound on this record came from rdj’s old cs5, painstakingly programmed and multi-tracked by solvent over the course of several months. the limited capabilities and sound palette of this humble little synth provided quite a challenge, but ultimately the results are not merely an exercise in technical synthnerdery, rdjcs5 speaks more of solvents musical kinship to thee analord. opening track >curtains< bears similarity to early rephlex signing bochum welt, while >radiator<, >mould<, and >tassels< each contain hallmarks of the classic afx sound. at the same time, each track also sounds distinctly and unmistakably solvent. the 12 inch vinyl edition is limited to 300 copies, in brown chipboard sleeve with sticker, and also contains an additional noise/drone piece at the end of side b. entitled >sandpaper<, this cut will be individually hand-etched by solvent, for a 1-of-a-kind cut/click/loop experience.

incl district one rmx!! marcus meinhardt is ready to rumble coming up with his new single in the ring a, after buenaz nochez, jerry lee and pacey lynn. the woman who just announced the uy 22 left the stage and with fast, accurate combinations marcus is in the in fight without clutching and persistence. on his conditional high, hes proceeding with his successful series and lands a few, perfectly placed, deep hits in the base area and still stays agile when it comes to headwork. he finally had the crowd on his side after he finished the fight early with the lucky punch. equal scenes on the other side in the ring b, where bart skils and anton pieete step up with a humbler beatfrequency. here, the dutch are able to build up an immense amount of pressure into their hook and into their right and… another lucky punch knocks down the enemy: k.o.

multi vitamins gives birth to its third baby, mv 03: 4 tracks, 2 brains, conceiving some of the freshest and most forward thinking expressions in nowadays electronic dance music. sebastian russell leads you to some exotic, fascinating and still dopy territories. den adds some japanese folk to his cyber-minimal style. sebastian s misbehave breaks in with a reverberating crash and a rapping sample. to follow, while a low-fi soul penetrating bass line keeps the hips shaking, the combination of twisted mechanics, computer sounds with thirst-quenching vocals creates a mixed effect of drunkness and sensuality. sebastian s fusion of contrasting elements follows with chinese squid, where the warm melody of a canang ibu floats over a line of raw funked-up drums. den s sister 1 represents the most minimal piece of mv 03 dance output, characterised by a solid 4/4 bass kick, ultra filtered hi-hats and glitchy subtle electronic textures. n 23 to the beach is featured by a heavy slow-pi ched kick, spaced out with drills and chirurgical noises. a female vocal pattern kicks in humble, but after a hiccupping stage, the geisha is on fire