olof dreijer presents his rosa rugosa ep

changing channels: part 1

changing channels: part 2

electronic / minimal

pearson sound is back on hessle audio

shanti celeste did it again. dont miss!

club monster!

freaky stepping tracks

pearson sound is back on hessle audio

slamming trippin bass / uk garage

ultra limited to 500

bruce aka larry mccarthy is set to release his debut album sonder somatic this october on uk imprint hessle audio. the album packs 11 singular uk club tracks that evoke a distinctly emotive and dense energy, channelling detailed sound designs, tangled textures and club anthems for 2018 and beyond

hessle audio is proud to present the first collaborations between longtime friend joy o and saxophonist ben vince. introduced to each other by jon rust, the two tracks are a result of studio sessions together as well as manipulation of bens existing recordings. both tracks explore the tonal, textural and rhythmic possibilities of bens playing within a focused dancefloor framework. ben vince will be releasing a solo lp with where to now? in late may, featuring collaborations with micachu and percussionist rupert clervaux.

pangaea returns to his hessle audio label for the first time since his debut lp in drum play , with two club tracks exploring different textures and designed for impact.

beatrice dillon and call super debut on hessle audio with their first collaboration, an ep of intricate and immersive club tools

hot on the heels of his cold outing earlier this month, bristol bewitcher batu makes his debut on hessle and marks their first release of their 10th year of business. timing is everything -marius ripples with an insistent broken drum pattern that s coded with latent funk and dubspace while of court creates even more room between the drums while maintaining the techno pressure. -noseme- flips for a more subaquatic session where the beats adopt a more relentless rolling formation while the groove develops more of a dubby sensation. finally dont brings us back up the surface with a soft beatless thrust. play safely.

2xlp version comes with free download card. bbc radio support from benji b, huw stephens, b traits, mary anne hobbs. initial dj support from: ben ufo, pearson sound, joy orbison, blawan, pariah, objekt, call super, midland, kowton, peverelist, tessela, martyn, luke slater, hodge, anthony parasole, mosca, a made up sound, etc.

bruce returns to hessle audio with a 3 track ep, following his debut on the label in 2014. the a side is given over to the shape-shifting dancefloor mechanics of steals, with the eyes-down relevant again and petal pluck completing the release on the b side. each tune demonstrates bruce s unique approach to sound design, and confirms his status as one of the most versatile and exciting young producers in the uk

hessle audio’s first release of 2016 is by ploy - a 3-track 12&#8243,,, of fragile yet impactful music for dancefloors.

part two of two 12inches with extended mixes from the debut pearson sound album. cut at 45rpm by matt colton

hessle audio are excited to announce the release of the self-titled debut album by pearson sound, aka label co-head david kennedy. characteristically minimalist in approach, its nine tracks use a handful of elements to craft mesmerising, self-contained worlds, alive with motion and near-subliminal detail: from vast and inky landscapes, to electrifying rhythm tracks, where layers of percussion and bass tumble over one another like rocks in a landslide.

hessle audio is happy to present its 27th single - a three-track 12 inch of glistening techno and broken abstractions by newcomer bruce. played from benji b and gilles peterson on bbc radio, and joy orbison on his essential mix.

after finding a kitten named lola in an abandoned rimowa suitcase, pearson sound (aka david kennedy) thought it only right to wheel the creature home and write a track about the experience. and that is just for starters – if you love the shepard tone and powerful drums then you are sure to fall in love with *power drumsss*. on the flip, pearson pays tribute to one of the uks best-selling confectionary products.

>do your thing, just make sure you are ahead of the game<, warns >game<, the opening salvo of release, pangaeas new double ep for hessle audio. it is a statement of intent for the entire record, reflecting the increasingly idiosyncratic nature of his music. releases eight tracks are entities unto themselves, each a natural evolutionary continuation of the rough and rolling pirate radio techno he began to culture on last years hex and inna daze 12 inches.

following on from last months 12 inch by elgato and having premiered music from the likes of blawan, untold and joe, hessle audio is proud to present another debut ep – this time from uk producer bandshell.

tj hertz he has a white label unknown objekt. from below as if the body is muscular rock sound, the words of the author’s case, dub step, three steps are a complex mixture of core and base, garage, techno. record during 28 months, hessle audio, including obtaining support from the scuba and surgeons, aphex twin, james ruskin, release the forefront of the techno / electronica scene, in the presence mysterious, and the label is. in addition, the top clubs such as fabric, such as radiohead sbtrkt work and nun or a mixer containing a book and berghain has been steadily eroded the deepest part of the scene is employed as. his name, the founder of a leading car rental company, or unit of frequency cited physicists in the mystical setter for a feature not leave a name, tj hertz. doberman, writing for himself while living in retirement in the body that is born in japan and raised in the uk, now in the outskirts of berlin, came from a magazine interview requests all 100 dj mag special million euros was more interested in the beginning with no offers, he said, the behavior is earnestly devoted to the basement

bruce aka larry mccarthy is set to release his debut album sonder somatic this october on uk imprint hessle audio. the album packs 11 singular uk club tracks that evoke a distinctly emotive and dense energy, channelling detailed sound designs, tangled textures and club anthems for 2018 and beyond

hessle audio prŠsentiert des selbstbetitelte albumdebŸt von pearson sound, aka labelmitbetreiber david kennedy. im ansatz minimalistisch, verwenden seine neun tracks eine handvoll von elementen und šffnen dem hšrer faszinierende, in sich geschlossene welten, lebendig mit bewegung und voller unterschwelliger detailarbeit: von riesigen und farbigen landschaften, zu elektrisierenden rhythmus-tracks, wo schichten von schlagzeug und bass Ÿbereinander liegen wie felsen nach einem erdrutsch. kennedys weitreichendstes gesamtwerk bis heute, eine suite von aufregend impulsiver, ausdrucksstarker und offener musik.

massive one for fans of quality uk club music such as hessle, timedance, parris, mosca etc

lws debuts on glasgow s tdsr if you liked the 515 connection 12, alongside timedance, hessle and minor science then check. support from ben ufo, haai, batu and more.

new 12inch from posture on velodrome. good one for fans of dj sports, perko, hessle etc

early support for the a side coming from hessle heroes joe & ben ufo.

meda fury welcomes tom wrankmore aka eliphino to the imprint for a stunning ep of thunderous breaks, 303’s and serious sub-bass pressure. hailing originally from the leeds, but with wider travels to settle down in both london and berlin, wrankmore’s music embraces hip-hop, rave, and uk garage. he now serves up a pungent confection pitched between the hessle audio crew, joy o and demdike stare’s most recent efforts. having released heaters for brownswood and hoya hoya over the years, eliphino now debuts as part of the meda fury family with the realistic sex ep. wrankmore has been locked away in his studio for the last 1.5 years, abstaining from gigging and releasing records to knuckle down and produce, emerging with a new darker edge and a much more hardcore sound. tom explains: “the theme of the ep is trusting your intuition in an information flooded world. i’ve collaborated with visual artists tom pounder & jon harris who have created two videos for the release, one for disc rhythm and one for realistic sex.- meda fury boss nick williams, “tom s new music epitomises to me what modern club tracks should sound like - wild, energetic, deadly. he’s discovered his own dark new world of sound fusing breakbeat, acid, speed garage and even industrial stylings”

support from: ben ufo (hessle), oli_n (phonica), ander b (robsoul), eltron john (uncanny valley), simon caldwell (fbi radio), herzel (hivern disc), nori (posivision), sascha funke, nathan g, dmitry (neo violence) acid influenced many of us. in fact, for a huge proportion of us, acid kicked off this sweaty, painful, yet incredibly fulfilling journey. the 2 originals by dircsen utilize the 303 in different ways - the opener ‘beyond collapsing silence’ sounds like an instant acid house classic with its energetic drums & dreamy atmosphere, whilst ‘depth scan’ slows it down, focusing more on hypnosis. rounding off the 3-track ep is an idiosyncratic remix of ‘depth scan’ by l.i.e.s. legend, florian kupfer. a dubbed out original gets well and truly saturated.

london based artist ben vince is best known for his minimal & transcendent saxophone soundscapes. with assimilation we find ben treading new ground with his recorded output, moving away from the limitations of solo saxophone, instead embracing collaboration and communication to forge new paths. whilst vince’s sax work still undeniably holds ‘assimilation’ together, the new territories explored by working with an artistically diverse range of collaborators allows new life and influence to flow through ben’s work. the album features collaborations with micachu (mica levi), rupert clervaux, merlin nova, valentina magaletti, and cam deas. ben vince has also recently collaborated on a 12inch with joy o (forthcoming on hessle audio).

lithuanian artist pletnev debuts on sze with 3 tracks of ethno-techno, backed with a remix from ploy. having previously released on the likes of meda fury, bahnsteig23 and le temps perdu, the &#8203,,thrown furniture ep&#8203,, sees pletnev delve into the harder-edged side of his work.
the a-side features &#8203,,her cruel smile &#8203,,and thrown furniture, &#8203,,two acid fuelled workouts with a strong rhythmic pulse and those afro-tinged samples that are fast becoming a characteristic sound of the artist. the b-side kicks off with &#8203,,my first teacher, &#8203,,a creepy and slow burning trip that gets right under the skin. rounding off the release is a remix from ploy, coming off the back of his standout eps for hemlock and hessle audio, the remix is a dive headfirst into the distinctive sludgy sound of this young artist.

berlin based zehnin keeps up a fine release schedule by asking blawan to remix its inaugural ep from lucy. once again focussing on experimental, ambient and techno sounds, it is another fascinating release. blawan has been in his own sound world for years now. releasing on the likes of hessle audio, hinge finger and his own ternesc, hes made brutalist, heavily textured tracks, big room tools and dark grooves with freaky sound design. its all helped to make him one of the most interesting producers of the day, and here he shows another side to his sound. first up is his version of ‘the hermit, which is seven spacious and mysterious minutes of creeping pads and implicit rhythms. dark but inviting, its stripped back, hollowed out techno that manages to be hugely absorbing and menacing without any clearly defined drums. on the flip is the equally beguiling ‘the high priestess. deep, subliminal kicks set the tone as groaning riffs, train-track percussion and distant, tortured pads all slowly hypnotise. it builds in pressure and creeps you out as it locks you ever further in. this is evocative dead-of-night music that says a lot in impressively economical ways.

from deep within the uk underground special things can emanate without warning. this is exactly what happened here, a special one-off white label remix of one of disco’s biggest stars by one of the founding members of possibly the most influential electronic music crews in the land? yep.
originally released as a promo-only white label, this remix has been wreaking havoc on dancefloors over the course of the summer and has featured heavily in the hessle audio crew’s dj sets. gaining rave reviews on sites such as ra and with people literally passing out with excitement over this very special remix / re-edit it felt only right to give it a reissue on the label that serves as loleatta holloway’s spiritual home - salsoul records. the hype is real on this one, do not sleep!

hessle audio s pangaea reworks two 90s tracks in his own style for 2017 dancefloors. early dj support from ben ufo, pearson sound, joy orbison, gerd janson, daphni, call super, shanti celeste, kowton, b traits on bbc radio 1. vinyl only / no digital.

after a handful of 12-s for labels like hessle, liberation technologies and his own imprint b.s hell, bandshell returns with a knock out blow for ftd!
mutant drum structures, cascading synths and industrial bell ringing forms the backdrop to bandshell’s latest work. those paying close attention to his output over the years will remember his work on labels like hessle audio, liberation technologies and his own recently setup b.s. hell.

four distinctly diverse cuts here on the second edition of blue hours * remixed* series
printed, stickered disco sleeve
the second edition of blue hour s remixed series features four distinctly diverse cuts. mark broom delivers a peak time take of common ground , followed by substance s (aka dj pete) dub driven remix of the untitled hidden ambient track which appeared on reference 97 . on the flip hessle audio s pangaea re-captures the jacking and functional energy of falling lines , then closing the ep is a raw and dreamy electro workout of introspective ii from vc-118a.

rekids return with an ethereal release from burgeoning producer patrick conway featuring hessle audio’s pangaea on remix duties. -records inspired by transcendental mediation, uk rave, sheffield bleep/warp records, carl craig circa early 90 s, silent servant, shabba ranks and joss sticks smoking out the studio…- – patrick conway syncopated percussion introduces ‘sandy lane’ whilst ebbing pads and metallic nuances add to an overall shadowy aesthetic. ‘orbit’ then sees intricate breaks, ghostly synths and murky melodies join piercing vocal cries before pangaea delivers a cacophonous remix combining crunchy drums with effervescent notes and a throbbing low-end.

2016 repress - r&s welcome another newcomer to the family. with only one release behind him on hessle audio and a wicked remix for warp (the hundred in the hands) blawan finds his new tracks in demand from the likes of james blake, jackmaster, untold, ben ufo, ramadanman and pariah. the title track is already creating a bit of a stir from its inclusion in a few high profile dj sets, but all three tracks raise the game for this young producer. the whole ep is filled with an honest, infectious energy, just like his dj sets. you cant pigeonhole this as >post< anything, its pure, stripped down, club music. sometimes drums, bass and acid is all you need.

nice price deal !!! the follow up to his genre-fusing debut, >no charisma<, sees martin kemp with his boney little fingers firmly on the weird switch. best described as sounding >like carl craig making uk funky<, our martin is way darker than that bloke off eastenders, and here lies the proof … djs showing love include alex nut, joy orbison, zomby, jackmaster, ross allen, untold, brodinski, hessle audio and geiom.

* kowton makes an emphatic return to livity sound this autumn with his first solo 12” for the label since 2012. * a foundation block of the label, kowton has also released on hessle audio, all caps and idle hands and most recently scored a hit with his ubiquitous -glock & roll- on young turks offshoot whities. his music s been remixed by karenn, kassem mosse and surgeon and in turn he s remixed work by paul woolford, tessela and untold. * now a regular some of the finest clubs around, kowton has played across europe both live with livity sound (alongside peverelist and asusu) and as a solo dj. in the past 12 months he s toured japan, america, australia and is set for repeat visits this autumn. * this new livity sound 12- see s kowton in a typically reductive mode: on repeat layers pulsing subs with weighty percussion and enveloping synths, holding patterns flips things into a streamlined modulating techno workout of abrasive drums and rotating rim shots.

pangaea (aka kevin mcauley) is one-third of hessle audio alongside ben ufo and pearson sound - a label and dj collective which has been operating since 2007. the third release on his own hadal imprint is another 4-track ep of techno mutations, indebted to both the lineage of uk soundsystem culture and us/european dance music.

the maghreban is new to house music, and doesnt really listen to house music, which isnt necessarily a bad thing. he has worked extensively in other genres under other names. looking at house from these sideways perspectives perhaps gives him an interesting angle on it. this second release sees the maghreban expand his sonic palette somewhat, taking in some african sounds but also continuing along the vintage theme of his first 12 inch. radio play from benji b (bbcr1), thristian (nts), support from ben ufo (rinse/hessle), brian not brian (going good/kristina records), gatto fritto (international feel), sasa (in flagranti, nts), leri ahel (mutant disco).

groove covermount track! pan is excited to announce the release of objekts debut album, flatland. written between 2012 and 2014, flatland follows up a succession of dynamic single releases from his base in berlin, including the recent split 12inch with dopplereffekt on leisure system, cactus b/w porcupine on hessle audio and three 12inch singles on his eponymous white label series