next classic edition with tracks taken from bound 02 (henry cullen) and bound 07 (lars klein & michael burkat)

marcus was created in the early 2004 by davy standaert, stephane matten and geert standaert, as a new essay to the electronic music scene. their first single >weekend in paris< was played during summer 2005 on fm brussel, and came over during fall on national radios such as studio brussel and nrj. a first support for the band as they had no record company at that time. in april 2006, they signed a first deal for an ep with dirty dancing records, the label from the wellknown discotheque. the ep including the track >f-bees< was released in december 2006

if youre fed up of looking out your window onto grey dreary weather and desperately need some sunshine in your life then you are in luck. chris lakes new track >carry me away< does just that... described as being >reminiscent of a hot summers day dancing on the beach< this track is tipped for huge success. featuring the sultry voice of emma hewitt, an uplifting piece of blissed out electronica, you cannot help but fall in love with emmas beautiful vocals over a hooky piano riff that is chris trademark. complimenting the original, there is the sébastien léger remix which tears apart chris mix that gives you a deep, dark, electro-twisted journey, still keeping the vocal with a soaring orchestral break that makes the hairs on the back of your neck stand on end

sd records delivers three excellent new takes on the excellent, genre-defying and astounding >beyond the stars<. speedy j takes off with a deep, dark and minimal technotrack from the industrial realms of rotterdam. this will freak the crowds. syncom data go as deep as they can with the pulsating, low-end, trippy sd mix. playing live on the melodica, syncom data float somewhere between dub, techno, dubstep and electro, while chanting to the fall of babylon. legowelt proves his love for dirty, pumping chicago jack with this constantly rising techno mix that builds to a superb climax that will lift the roof and rock the floor

already supported by dj hell, dave clarke, steve rachmad, alan oldham !! big one again from the succesfull goog series. massive electro techno with a trance influenced aside

this is the third tuning spork blues experiment. inspired by legends like miles davis and modern day techno producers like dandy jack, andreoni is forging wacked out new house sounds, in the true spirit of jazz. this ep is no exception, and it shows why the likes of ricardo villalobos believe that signor andreoni is an amazing musician. to begin the experiment, andreoni jams you deep into space, with some seriously fucked up effects that will have you hiding under your bedclothes. sleepover is perhaps the most techno cut on this release, but the deep haze of dub still remains, over a banging percussive track. on members the melodies are perfect as you expect from signor andreoni, and here the acid line is more prominent in the mix, over deep warbling bass notes. in borderline, nothing is as it seems. melodies fall down cliffs into weird drones, and everything seems a little skewed. this completes a 4 track ep from a unique talent in the world of deep electronic house music, with 4 distinctive colourful tracks that take the genre far away from the middlebrow. make sure you check out our third tuning spork blues experiment, even if you spent most of science class using bunsen burners as water pistols

von sudenfed are a trio formed by andi thoma and jan st werner from mouse on mars and the fall’s brilliant, anarchic frontman mark e smith. fledermaus can’t get it is the perfect introduction to von sudenfed, combining the genre-smashing attack of early-millennia club music with mark e. smith’s free-associating visionary wordplay

all tracks written and produced by jallokin at deaf zone terminal 2. a1 decomposed by pink elln at null prod. studios, miami. b2 decomposed by narcotic syntax (james dean brown / frank ford sinatra) and recorded at perpendicular sound, san narciso. b3 repiled by jallokin at deaf zone terminal 2... inlc the legendary >epic< ep by pile from 1996 !!

since fall 2006 dapayk is raising a lot of dust with his first solo album >impulsion parasite< and the ongoing tour. now, mo’s ferry prod. presents the >rmxs part 1< with adaptations by louderbach, butane, tanith and 3dots. the tracks are as diverse as the remixers themselves and show in what plurality and variety dapayk’s music is recognised and interpreted

finest dark industrial soundscapes and atmospherics !!

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

the 3rd release from urban graffitis tags & throw ups dubstep series. limited supply

swedens jack of all trades of electro and techhouse returns with the 2nd single from his debut album man from the fall the most played track of the album includes 2 new mixes by stephan bodzin and john himself

bringt den gefrorenen dancefloor auf jeden fall zum auftauen...

das viewlexx-nachfolgelabel mit tragischen italodisco opern und dramatische synthiesequencies.

zen-kei (ramon zenker & tom keil/ greatstuff) production. excellent proggy electronic house hymn. about to massively heat up this year s fall & winter!

this anticipated clink release is produced by new yorks long time minimal techno connoisseur, ambivalent aka kevin mchugh. this ep, titled >roomies<, shows the diversity of this fast rising minimal label by adding stripped down, dynamically percussive yet funky tracks to their archive of releases. this ep is a crate essential for minimal techno lovers this fall

as a coproducer of jennifer cardini he could already rest on some laurels, but he still has own plans. after a lonesome 12inch on freak n chic this likeable party terrorist, not goes free of charge with paris anarchos like dj:terry: co-operates, now to the attack. sub static presents two properly psychedelic minimum racketeers as they could hardly fall out more individualistically.correctly fitted with spring beats deliver the through ball for precisely placed schizo chords and who is still responsible there, has missed the takeoff. hypnotically the sounds mill themselves by the bodies and hatch behind the diaphragm, only to press ahead at the right moment like alien out of ripley. techno, how he raves and dances. to one howls, yesyes

gnadenlos fetter sägezahn hypnotizer aus finnland... naja oder so.. auf jeden fall durfte die tanzfläche keinen raum zum handyweitwurf liefern! drei ganz dicke tracks , das steht fest !!

another u know hit !! poliak & preach go crazy on gnarls barkley.... definitive 2006 fall monster

hot techno track ep,with 4 artists!!!!

clara hill, bekannt für ihre gefühlvolle stimme, präsentiert nach ihrem debut „restless times“ ihr zweites album und schafft es mit leichtigkeit ihre stimme mit tiefgehenden texten – mal melancholisch, mal euphorisch – und raffinierten beats einer erlesenen auswahl an producern, zu soul geladenen deep house und nujazz tracks zu verknüpfen. größter gewinn ist dabei auf jeden fall die gekonnte auswahl der producer, wie slope, vikter duplaix, atjazz, charles webster, georg levin und king britt. ein komplexes und reifes album mit gehörigen portionen an emotionen.

zwei wundervolle post-detroit stücke die zeigen das minimaler techno noch nicht tot ist. in diesem fall riecht er noch nicht mal schlecht !!

back in stock....

finest classical detroit tribal techhouse three tracker flavoured with little acid vibes..

moskau s schönste technogeschichten erzählt von anton kubikov und maxim milutenko, die gebr. grimm des schlanken grooves. so spielbar wie emotional hochwertig

the over song is a guitar driven electroclash song with cool male vocals followed by a cool minimal techy broken beat remix by colder flip for the original rise and fall plus the rocky daemmerung not to be missed

troy pierce (aka louderbach, slacknoise and one third of run stop restore with magda and marc houle) unleashes one of the year s most anticipated tracks with >25 bitches<. the original track goes back a while, coming into creation as a joke composed while stuck waiting in an airport. not like humor is never ever a part of troy s music or persona, 25 bitches has been knocking down doors in his & fellow djs sets like magda and richie hawtin since last fall. pierce s bass-heavy mix starts of full of dark ghosts, working into a dub bassline and surgical mix of effects and vocals

4 track 12inch sampler with stunning tracks from french techno , retro techno to detroit techno (rodenbush)

ultraphat minimal freakig funkige tech tracks

super electro house remix with 303 lines of 'waiting for the night to fall' and great uptempo house mix of 'little 15'

wir stellen vor: einer der anwärter auf den hit des jahres. auf keinen fall durch die lappen gehen lassen

nun also doch. es war ja eh ein fall für die wahrscheinlichkeitsrechner bis john dahlbäck auch mal bei kompakt landet. nun ist er da & wir freuen uns drei differenzierte, ja fast verspielte tracks zu präsentieren

huge classixx, ltd backstock!!well known tracks

the third chapter in matthew dear s audion 12inch series is here, the true precursor to this fall’s suckfish lp. potentially the most insane and dancefloor-destroying of the group, following the already classic eps kisses and the pong. this is the sound of matthew dear s subconscious coming to life. mule-kick beats, dirty synth squelch and a bass roll-out that has already rocked everywhere from detroit to berlin. roman flügel (of alter ego fame) delivers a summer party-ready club bomber with his 23 positions in a one-night stand mix, which strips the original down to its essential elements but keeps the infectious energy of the original. guaranteed to rock. you have been warned

really cool and also hot minimal stuff from morgan geist und co ...

ultraphat disco house classic >> these sounds fall into my mind by mr kenny dope gonzales (masters at work)

excellent deep minimal funkin clicker tracks >> no 1 in mathias schaffhäuser s dj chart

brill floatin minimal micro tracks !!!

excellent electronica electropop / ambient album

punk rock electro tracks with female fox.. ersatz quality..

musik für die romantische seite der klimakatastrophe. schwül, sexy, entspannter gitarren popambient.

2 cds full of 90s classics

decks tipp

nice price

full packed with 90s classics

hardcore on 2cds

ltd

ausschließlich high fashion 12 inch veröffentlichungen, einige davon sogar upcoming und noch unveröffentlicht. einige von ihnen wurden mit verschiedenen (aber nur erweiterten) remixen versehen, weshalb es für jede ausgabe eine 2cd gibt.