2023 repress

metal

phat remixes

radio slave meets ame meets gerd janson

excellent minimal hypno groover

deep dimension aka jeffrey hek and jimmy van de geijn

wage slave boss and founder attentat takes the company to the bank on this pummelling three tracker. techno built for cashing cheques and breaking necks with an extra added banker-bonus - one sick and twisted re-make of title track reflective surface by la based artist israel vines. big room techno that subverts the board room. you’re hired.

cheeky booty time! two of the uks original and premier house crews team up for this dope slice of heads down, deadly deep house action

label branded sleeve

decks tipp

incl rebekah remix

2000 and one incl radio slave remix. decks tip!

top notch remixes , tipp

great collab of radio slave and michael love michael

clear transparent vinyl

radio slave presents >wild life<

90s euro dance cult now on ltd coloured vinyl !

part 1 of 2, 2022 black vinyl repress

rave or die 07 repress on clear blue & black marbled 10 inch vinyl.

radio slave returns to his rekids imprint for his first release of 2021, variations.

incl. perc rmx

7x full of radio slave madness

detroit legend thomas barnett with killer detroit stuff

radio slave, einer der renommiertesten djs, produzenten und remixer des house/techno, mit releases auf running back, ostgut ton, r&s und nonplus, mit remixes fźr kylie minogue bis new order und als labelbetreiber von rekids bekannt, gelingt mit dem ersten studioalbum seiner karriere sogleich ein geniestreich. feel the same ist die essenz vieler erfolgreicher jahre in der house/techno-szene und vereint einflźsse aus breaks & jungle, acid, balearic, ambient, dub, chicago und die fźr radio slave typischen vocal-samples. mit sicherheit eines der relevantesten und besten dance-alben des jahres! -dieses erste radio slave-album ist ein ungeheuer vielschichtiges. geradezu zŠrtliche detailverliebtheit trifft auf eine beinahe mit wissenschaftlicher exaktheit errechnete wucht des sounds. gab es 2017 ein spannenderes techno-album? klares nein. (groove)

debut release on machine limited from this la-based production duo (alex mouracade and tk disko of jolly jams). a wonderfully revamped cover of dj camachos underground nu groove hit single slave. originally under the moniker camachos project with vocals provided by regina wilson, split secs updated versions are quite faithful to the original song but with an added production warmth and sonic pressure to each of their mixes. split secs called upon their talented friend alona to perform the vocals, a smoky and sensual mixture to the music–complimenting the catchy keyboard melody that made the original version so recognizable and danceable in the first place. comes with vox, instrumental and raw dub mixes. fans of dfa, golf channel, et al will love it. limited pressing.

ultraphat radio slave and sebo k remixes !!!

such is the importance of russells contribution to the modern music scene that many consider his work to be untouchable but several modern day producers have carefully picked out key elements of his songs whilst recording entirely new and up to date soundtracks. yam who?, faze action, singer mary moore, nycs pocketknife have worked hard to create entirely new instruments and vocals with additional remix work coming from radio slave. in addition peter gordon who worked with arthur russell on many of the original releases has collaborated. adding his musicianship to the newly created cover of >go bang<. further collaborations from arthurs friends and musicians, steven hall & joyce kirby, also provide a new version of >lucky cloud< which is produced by nycs pocketknife.

prspct recordings welcomes slave to society. the vinyl ep comes with download code.

the emerging label wage slave seeks to foster the growth and development of an international underground techno conspiracy. seeing dance music as a mechanism for creating social change the label is proud to announce the release of zeks in revolt. this release is the first instalment in a series of limited edition propaganda pieces designed as a tools for djs who desire to facilitate the liberation process of the earth and human kind.
zeks in revolt is the work of a long time, yet little known, agitator in the us underground scene emmett perlman. the track is designed with the late night hours in mind, when people are the most open to change.

rock

decks tipp, phat remixes !!

incl radio slave remixes

killer techno / rave tracks

the ebm-indebted techno funk of james welshs thread reemerges from the industrial fog, evolved into two outstanding remixes by a trio of established, emerging and somewhat unexpected artists. ozel ab delivers his debut remix, reimagining thread to encompass a widescreen vision of depth and drama. unfolding slowly and ethereally, with military kicks holding down a seemingly weightless, extended breakdown, his taste in dreamlike rave euphoria contains the same magic touch as it has done on previous, acclaimed releases for workshop and lobster theremin. on his garten remix, radio slave takes a percussive approach to the relatively raw electronics of the original track, adding a deceptively simple but immediately effective layer of drums to the production, before unleashing a more filtered and fucked-up interpretation of the riff to winning effect.

rekids celebrates 10 years of radio slave’s ‘grindhouse’ with remixes from len faki, slam, obscure shape & shdw, vatican shadow, markus suckut, lady starlight and special request. first appearing on a release as part of radio slave’s iconic ‘no sleep’ series, ‘grindhouse’ spawned multiple remixes from the likes of dubfire, danton eeprom, terrance fixmer and nic fanciulli to become one of the biggest techno records since its original release. to commemorate this fact, len faki has produced two different reinterpretations in the first of four heavyweight remix packages.
“i didn’t plan to go back to grindhouse. it’s a monster of a record and undoubtedly the biggest release we’ve had on the label, but after 10 years it seems right to revisit the track and also add some new versions from some of my favourite techno producers.- – radio slave with danton eeprom’s vocal resonating throughout, faki’s first remix features crunchy snares, ominous chords and shuffling effects before piercing synths come into effect in the latter half. meanwhile, the second version rumbles forward with its undulating bassline, soaring atmospherics and echoing elements to round up two solid productions exemplary of the figure founder’s seasoned abilities in the studio.

following a big ep from richy ahmed, play it say it returns with a talented collaboration in the form of mark fanciulli and rob cockerton, with honey dijon on the remix. mark fanciulli has carved out his own sound that takes the best of house and techno, turning in his own infectious releases on the likes of joris voorn’s rejected, as well as the legendary planet e and intec. long time friend and collaborator rob cockerton joins fanciulli, who’s own credits lead to labels including suara and snatch!, and together the duo cook up a storm here. ‘slave to the rave’ is the fantastic opening cut and is a real party starter with an old school feel. acid stabs bring raw energy alongside chattery claps straight from chicago in the 80’s, whilst the whole production is bolstered by slick drum programming that won’t fail to work crowds into a frenzy. the excellent ’10 channels of bliss’ is equally massive, with robust kick drums down low and huge incendiary hi-hats up top. swaying claps and rolling bass all help lure you in and shape shifting synths bring all that important looseness and colour. next up, classic music company artist and new york tastemaker honey dijon steps up to remix ‘slave to the rave’. her version is dark and intense, with an unbridled sense of frantic raves bottled up in the train-track grooves and the cleverly filtered vocals, this is a powerful ep of high class, high impact dance music.

all original organic groove trip hop coming out of cincinnati ohio. analog recorded, hard hitting vintage funk drums, thick grooving bass lines, meticulous guitar riffs, soulful electric piano’s & hammond organs create an original soundscape of emotion & groove. this music (we feel) is in a class of it’s own. we are not trying to duplicate a sound of yesteryear but explore a distinct natural sound of our own.
in 2016 grimez brought some of cincinnati’s best musicians in the studio to record raw analog recordings using vintage gear. guitarist brad myers currently has a phenomenal jazz cd out “prime numbers.” organ/keyboard prodigy, j-skillz, is a frequent session musician for hi-tek. tim hensley is the drummer for the cliftones, a reggae band that is touring and receiving well deserved national notoriety. the remaining musicians all have degrees in jazz and perform in many shows throughout cincinnati.