few people stand for a real underground approach to techno like adam x does. for over 20 years he has been right in the center of the scene. before moving to berlin he ran the sonic groove record shop in nyc for 15 years. the sonic groove label also owned by adam is still a dominating force in the scene and has released music of legends like abe duque, blake baxter, frankie bones, kevin saunderson and many more. with djing, producing music adam in recent years has received a lot of support from people like chris liebing and many others for his productions as adam x as well as for his aliases traversable wormhole, admx-71.adam’s sound is dark and heavily influenced by his passion for industrial and old school ebm music. with coercive persuasion on the a-side he combines these influences with a functionality that can only derive from his extensive touring as a dj and live act. it is a dark anthem that will destroy all real techno floors. no doubt. the b-side deprogramming sequence comes along with driving bells that give the stomping beat of the track a little uplift and therewith balances out the heavy dark side of the ep.

adam jay brings the deep space techno grooves to beretta red for bear trax volume 3. pressed on limited-edition red colored vinyl straight from the murky depths of detroit, this record features articulating space, articulating space (brian kage remix), & one night only.

the next ep on back to yous collection is brit born, adam sheltons mindscape. following his debut on air london at the start of 2011, shelton has continued to pave the way with his undeniable originality. displaying sounds of tech through to atmospheric, the producers ability shows no boundary.

cocoon recordings is back on the track, just in time to start this years party season! and we are more than happy to present one of the men of the moment: adam port!

adam beyers original track starts with a heavy bass line that is a sure-fire, grooved out killer. the infectious vocal hook and melody line supplies the extra force to make this track one of the strongest releases on truesoul to this date. nic fanciullis take on take me away uses a rhythmic melodic synth-line before bringing in the vocal to maximum effect. alans darker approach gives this release an extra dimension, using deep-pounding toms to create a cool, stripped back vibe with warm stabs and hats to match.

chaos is a tough, ny-house jam with 909 trim. first 3 minutes for the mix, then ending up just north of hypnotic bell house. strictly for the floor. memphis is a broken shell of a sampled break, worked and loaded under matt maaskants emotive freestyling on a concertmate mg-1. trace is the wandering groove of an excited arpeggiator, after the drum machine has left the building.

adam jay’s “mediastinum ep” is the product of a near death experience turned into an opportunity to create. after experiencing acute trauma to the left lung, the artist was diagnosed with pneumomediastinum, the sounds featured in the production of this record were recorded in the intensive care unit at community east hospital in indianapolis. “inward” is a raw, stripped down stomper filled with anxiety and a pace of purpose. the a2 track, “terrible precision” brings an atmosphere of tension and darkness that drives the ep forward. the synth groove of “chatter” sits atop the recordings of medical monitoring equipment intended to alarm the listener. the unsettling dischord created is contrasted by a powerful low end groove. “concert of the machines” comes with an addictive half time broken beat groove. the warm, effected electric piano work plays off more alert sounds from the hospital room creating a chilled out vibe that is ideal for closing a set. already support from justin berkovi, nigel richards, gayle san, tony rohr, andrei morant, and brian kage.

vinyl only. no digital. no re-press. hand stamped & numbered. limited 200 units. blue vinyl.

adam beyers mad eye records was created as an opportunity for adam to be as experimental as possible with records that dont fit on either of his other labels drumcode or truesoul.

massive floor attack ! the len faki remix is a bangin primetime track at it best... just listen

adam jay & rebecca ciaglia team up and strike back on starkstrom with this amazing ep containing 3 outstanding original techno stompers plus a huge remix of andrei morant. coming on limited yellow transparent vinyl!

new kanada enters the fall 2012 season with some dark angular acidic house. black and medleys >roll the dice< - featuring the voice of rosina – is an old-school blend of disco, ny house and classic toronto warehouse vibes. slightly acidic, with its bubbling juno bassline – and slightly techno with the driving, repetitive beat – this house track should rock the deepest of dancefloors. file somewhere between henry street and early adonis. 5am - no earlier. for the flipside, adam marshall sits down at the controls for a clinical, tight, stripped-down scrubbing, turning the original into a late-night fear edit. broken, diffused drums and lots of black empty space in this one. the lights go out – blackout.

drumcode release nr 100, labelowner adam beyer selbst und unter mithilfe auf der b seite mit ida engberg... drumcode prime time drama

european manufacturing, crafty, dark atmospheric techno cuts.

neyt adam beyer prime time techno madness

ultraphat uk prime time techno

dennis ferrers objektivity imprint return with their first release of the summer and a debut single from hot new talent, adam berecki. the 22 year old from dortmund is set to make a huge impact in 2012 with his westpark trax ep. a double-header that sees him channel the spirit of early nyc and chicago house.

new kanada enters the third season with two white hot electronic tracks. >white mouse< is an acidic stormer which winds its way from old-school house - into serious dark club territory. with a shifting, swinging bassline, tough metallic toms and some killer drops - this one is a weapon in the mix. sounds like tevo howard meets luke slater. kind of. >spectrum< is deep, digital radio dub floats freely - somewhere between baby ford and a broken fm receiver. drifting melodies, haunted white noise and serious house beat. a track for late night driving, and early morning warmth.

early big support by hanne & lore, compact grey, audiopunkz, kanzler & wischnewski, chris blum, claude von stroke, kiko martinez, playane, mozaic, christian kornberg and many more.here is the remix ep of arts & lenis funny dancefloor bomb tony and the little violine with massive remixes by rich vom dorf (acker, rennbahn), felix bernhardt (afulab, der hut),martin dacar (supdub, shaker plates) and audiokalypse!the original was supported by adam beyer, rene bourgeois, hanne and lore, david jach, franco bianco, dr.needles, dembowski, thomas lizzara and many more!

nice price deal !!! powerful track excursions from adam marshall. >bass tracking< is a raw, throbbing techno bounce with jamming claps and a grizzled analog bassline that will tear out the speakers. >holding down<, and the alternative beatless version are trusted mixing weapons for early mornings or dark, heavy nights.

extreme limited copies, killer techhouse, for friends of keinemusik or keinerechte

limited special edition on transparent vinyl … brilliant techno tracks by mastermind adam jay who previously released his tracks on kombination research, punish, phobiq, monoid, fine audio, chroma and various others!

prime time techno by these two heavyweights

remix of the sting track >inside<, made by timmy regisford and adam rios.

remix of the 1980 stevie wonder track >lately<, made by timmy regisford and adam rios.

after only a handfull of remixes and original productions, but a long period as a dj philipp adam as one part of two-b-music delivers his long awaited debut ep. he therefore provides four tracks full of soul, pendeling between warm harmonies, stargazern, melodies and magic funk always with one eye on these days back in detroit. we are very happy with this release and its gonna be available within a limited edition of 250 copies only.

adam port redefines the number 13 as a number to love with this high quality release from the keinemusik camp ... top! including strong vinyl only track: >i love you<. we love you, too!

15 years of drumcode , part two with bangin techno , a side is made by adam beyer and remixed by joseph capriati. flip with > olique <, made by roberto capuano

nkltd enters the fall season with a simmering two tracker from adam marshall – backed with a tough remix from torontos kevin mcphee (idle hands, naked lunch).

part 1 : original & joel mull rmx!

part 2 : radio slave & jesper dahlbaeck remixes

limited backstock action !!!

limited to 200 copies, no repress. excellent tech house anthem with a special feeling. dj monster (please make preorder to save your copy)

supported by: dubfire, nic fanciulli, audiofly, gregor tresher, martin eyerer, karotte, anthiny collins, julietta, tiefschwarz, meat, andrew grant, paco osuna, nick curly, robert dietz, martinez, enzo siragusa, federico molinari, jose belo, jose maria ramon, julien chaptal, arado, raresh, kabale und liebe, martin landsky, simon flower, dj t, dj w!ld, anja schneider, slam, ralph kollmann.

new kanada wades deep into the white waters of bass for this black summerdub. >my best dress< is a tough, confident jacker with awesome, mystic vocals by rosina of lal. 808 thumps, moog whispers, and a serious cr78 swing – nicholas murray (aka murr) really massages the mixing board on this one, and the resulting production shimmers with unexpected aggression. adams remix extends the raw groove into a 12-minute journey that beats the wooden floorboards into pleasant submission. disco hats, b52 bass lines and suburban base drops – the new feel for the old style. new kanada goes blue.

2nd part with more slamming prime time techno and skudge remix

remixes by adam port + &me and amir.

stunning double header on drumcode, mr fitzpatrick together wir adam beyer, any questions ?

ultraphat split 12 inch with prime time techno coming from adam beyer & jesper dahlback and paul ritch on the flipside

big package with remixes by chase buch, marasco and danilo himself! support from marco carola, paco osuna, adam beyer, josh wink, gregor tresher...

there are few labels who will get the opportunity to work extensively with the most dynamic remixers, dj s and producers of this decade. bbe seems to keep coming up trumps. grammy award winner louie vega has been on top of the dj game for over 2 decades. he gained further notoriety as part of the collective known as ‘masters at work’ with kenny gonzalez form a formidable partnership reminiscent of the greatest producers of yesteryear. quincy did it with chaka khan, james ingram, al jarreau and the brothers johnson, while gamble and huff did it with archie bell and the drells, harold melvin and the bluenotes, teddy pendergrass and mfsb.

new kanada enters the emerging spring season with two cuts of hope and despair. on the a-side, adam marshall drops >vamp< - a 12-minute modal jazz monster that winds its way from a bass heavy dub to an swirling psychedelic quilt of sound. dripping modular sequences for girls in white. on the flip, nk presents a cut from toronto-based matt maaskant. >outside the cave< was recorded in his fathers grain silo in northern ontario and evokes smokey post-club memories. murrs delicate, gorgeous mix-down freezes the track into an example of fragile beauty - complete with fuzz clicks, choir ensemble and a deep 808 kick. burial meets bon iver. we are really feeling this one. music to fall out of love to. limited to 250 copies - clear red vinyl edition.

for our 68th release we welcome back the collaborative genius of chart-topping duo doomwork (alex catalani and claudio maura). with their last 100% pure release >andromeda< making the dj likes of adam beyer, dubfire, karotte, paco osuna, riva starr, butch very happy, we are delighted they have returned with two expansive and excursive space-inspired tunes complimented with stellar remixes from christian smith and 2000 and one.

adam shelton & subb-an have single handedly made birmingham cool over the last few years with their infamous below gigs at the rainbow. >feel so real< reflects the duos work at its height. it is a classic sounding house record with familiar vocal hooks, warm chords and throbbing drums. it stands out from the crowd in much the same way fcls >lets go< did last year. is it old or is it new? old school sensibilities brought right up to date with cutting edge production skills. so it was with this thought in mind that we approached new 2020 signings fcl to remix. they have added their own vocals and developed the hook into a synth heavy workout. the pack comes complete with another track >inside my head< which features a line many will remember from nights spent at warehouse raves, one for the spotters.