released in 1973, pronounced >l&#277,,,,,,,h- nérd skin- nérd< is the debut album of legendary pioneers of southern rock lynyrd skynyrd. they brought together all the best elements of southern culture – blues, country, garage rock, southern poetry – and created a gumbo of southern sounds and flavors as none had done before. there are few debut albums that sounds as raw and determined as pronounced does, and this is largely due to the hard, lean edge that lynyrd skynyrd bring to the music. the album features the songs >i aint the one<, >gimme three steps< and >free bird<, their famous rock anthem. music on vinyl is proud to present this album, which marks the birth of a great band that spawned an entire genre.
180 grams audiophile vinyl in gatefold sleeve.

after hearing this release, one could ask himself why petar dundov and gregor tresher never did something together before?

second release on is records, the a-side, the future never was combines sparse beats and pads held together by a growling stuttered bass, which gives the track an industrial feel but on a techno/house tip. on the flip, fake the feeling, draws on sounds beyond the current trend for vintage analogue in an original take on the house blueprint. the b2 track out of orbit is 4 minutes 48 seconds of tech soul, for the floor or the headphones.

ruede hagelstein wants it all, and not just that jazz. the berlin producer, known for his productions that straddle the boundary between house on techno, released on labels like souvenir and upon you records, will release his debut album soft pack together with his band, the noblettes on november 18, 2011. a priori is the first track on the indie-electronic lp, and cannot claim itself free from jazz influences. with piano, a horn section, and brushed snares, the track swings with the best of them. since ruedes vocals also require something a little more dancefloor-friendly, this digital appetizer will be served up with a remix from the man himself. the vinyl will follow with remixes from guillaume & the coutu dumonts, noir and tiefschwarz.

next up from abstract forms is part two of the combined ep series, again the focus being on outer-worldly electro jams. the artists on offer are versalife who has already made a big impact on the recent clone west coast series and matti turunen, otherwise known as one half of finnish electro duo morphology. together they offer 6 tracks of electro music ranging from fast paced, but deep and spacious compositions, to slow and sleazy bump and grind electronica.well, thats what we call it, see what you think.

played by reboot, joris voorn, martinez, christian prommer, lee curtiss, sis, ... ever wondered what a butch diana ross on acid might sound like…? well youre about to find out… but before we get to overside, youve gotta enjoy and marvel at the sheer brilliance of the rest of jairo catelos latest offering on silicone souls darkroom dubs. our man from the asturias has rapidly built a strong and loyal following thanks to his beautifully crafted house cuts. jairos ability to bring together dubby textures and an innate soul within his productions is most enviable. his warehouse ep features three original new cuts backed by a rework from french house guru, phil weeks. lead cut soul school is something of a two-headed beast. whilst its kick-drum and dramatic synth stabs drive it with a serious dose of funk, it still retains a warm-summer soul that will keep the fillies moving. then, as a little sax break goes to our head, were flipped and the beats and bass get sleazy and old school. killer! mr. weeks beings some 90s flow to the table on his remix. working the guitar licks and bassline hard but always retaining a smooth as silk groove, phil shows just how to keep the dancefloor cookin. a beautiful house record from one of the very best. >yairos 303 acid< mix of overside finds us getting upside down and inside out. serious funk with an injection of some classic acid styles. final cut >the shake< sees jairo roll out drums. a lazy bassline is swarmed by ripping snares and a host of percussive sites and sounds. a perfect close to a pretty much perfect ep.

as its getting cold outside, this music makes me warm inside! the nights are getting longer, stars are shining bright-it is time for the season of real deepness again. smallpeople come along with another joint in splendid house music to welcome wintertime. dionne and julius steinhoff had an enormous success with their meadows ep together with christopher rau on smallville in last years autumn. that smallpeople issue has been celebrated by all the deep house buddies such as fred p, jus ed, dj koze and lawrence, mcde, xdb, rndm, etc- and it was included on some great compilations, like the timeless mix by lawrence on cocoon or gilles smith 10 years of secret sundaze cd

following a landmark ep by pacou, and after mike huckaby paid homage to tresor records steeped lineage with his vault-dipping 20th anniversary mix, sights are set squarely on the future with the labels next release from fresh techno outfit puresque.
puresque is paul brtschitsch and mocca—paul whose discography stretches back to the mid-90s and is widely regarded for his sensitive sound arrangements both on record and live, and mocca—real name michael kunz- who has been simmering his sonic pallet on the berlin circuit over the last few years. they met over a mutual love of vinyl and entered the studio together with the desire to create something raw, as removed as possible from the synthetic feel of purely digital production.

83370 is the first transmission from ollie viero and nico serrus, a pair of french brothers who grew up in a beach town along the coast of the french provence, saint-ayg, which has since become the basis for their name: sinteg. now based in montreal, their collective output has made up the bulk of fur trade recordings signature sound - this sixth label offering is the third to feature one of the two brothers at the helm. they are fresh and prolific and, as such, they are the sound of a new generation of montreal producers. vieros version of house music is upbeat, fiercely layered with percussive latinized shuffles and necksnapping samples. meanwhile, brother mindbend is one of the labels co-founders and has been designing its style and directions since the beginning. together, sinteg is a breeding ground of propulsive dance music punctured with tiny shards of detroit funk and chicago soul, but with the brittle dryness of techno substituting in for the deepness of house.
comes on transparent dark green / smokey marbled vinyl.

pulp disco & the outcasts - overnight to dusseldorf is the latest release on ashley beedles out hear audio imprint. put together in it s original sublime whoozy electronic form it was passed to mr. beedle who then took up the space baton with his studio partner darren morris to create the kommune mixes. with a nod to can, talking heads and some raucous psychedelic punk funk, the boys have whipped up two dancefloor killers that compliment the kosmische referencing original.

deep series is back! the third deep series features a fascinating symbiosis of two individuals: ekkohaus and santos resiak. the two of them started to work on this project in 2009 and are now finally ready to share it with the rest of the world. during that time, ekkohaus made a splash with a whole array of top releases e.g. 2020 vision, circus company and cargo edition. santos resiak was also having a blast – e.g. after his last release at mothership. the three tracks on the new deep series fuse together the artists still unbroken enthusiasm for deep sounds in one melodic common denominator. >thanx but no< is a homage to the saxophone (btw: played live by robert wuerz). heavy with groovy loops the track creates a free floating ambience reminiscent of a jazz club in new orleans or a night club on an early morning in berlin.
supported by: agnes, dan drastic, dj terry, frank roger, huxley, julietta, kate simko, laurent garnier, miss jools, mr.g, mr. statik, nekes, onur ozer, osunlade, p.toile, m.a.n.d.y, raresh, ray okpara, reboot ...

over the last few years we have all seen an emergence of new methods of spreading and accessing music. some might say this is normal market evolution, we say we keep enjoying music as we always have, on vinyl that is!we love vinyl. we love its sound, we love its shape & we love the feel of it in our hands… our goal is to offer a medium, paying particular attention to the recording process, which will not only conserve the cherished ritual of music listening, but will also deliver a properly put-together abundance of well made, richly defined ear snacks, from genres of all sorts both old and new. vinyl kills mp3 is a vision, a message & a statement. our mission is to preserve all that is music on vinyl. ,label headquarters are in berlin, the leading capital for electronic music worldwide. weare currently ,accepting submissions for artists worldwide. distribution is organized together with syncrophone.! ,parisian youngster john jastszebskis new track la toureille is a deep techno wonder reminiscent of the vitriolic sounds of berlin techno. the trenchant beat and the syncopated percussion convey a heavy yet ,addictive atmosphere. sounding timeless already, this pure, icy tune is definitely dance floor-bound. b-side funky dreamer is a violent and sharp composition by french dj john jastszebski. as a young but experimented artist, jastszebski skillfully maintains tension and elation throughout the raw, hypnotic track. it is as straightforward as spontaneous, and leaves the listener wanting nothing but more!

very welcome reissue of the original sire records release of dinosaur s kiss me again from 1978. written and produced by disco legends arthur russell and nicky siano and weighing in at a heavy 13 minutes long, this is a truly hypnotic disco odyssey which takes you on a curling and tension-filled journey through funky piano riffs, signature scratchy guitar work by talking heads supremo david byrne, tumbling drums, stabbing horns and of course mr russell s swirling atmospheric cello solos. all this is held together by myriam valles beautiful yearning vocal performance until the crazy mind-blowing orgasmic final minutes where david byrne goes wild and the whole thing explodes in pure dancefloor meltdown. choose from the a-side jimmy simpson mix or dinosaur s own more stripped down, chaotic but equally compelling mix on the flip. huge in new york especially at nicky sianos own gallery nightclub, later championed by frankie knuckles in chicago and more recently chosen by twitch as the perfect record to end the very last optimo espacio, this is a true disco classic and absolutely essential in any discerning record collection.

the eraly years of a decade are good times for exploration, just like in 1993 when we (alex & sasa) first started working together. we rented a huge loft space on ave b & 2nd st. in the east village in manhattan. the winter was tough, we had 16 snow storms and due to a landlord who hated everybody, we had our heating turned off except for a few hours in the morning, sometimes not even that... the only way to stay warm was to wear hats, gloves and scarves the whole winter... but that was fine because nightlife was a lot of fun. there was a good club/party every night. right below where we lived was one of the best after hour clubs called >save the robots<. but one of my favourite parties was >sugar babes< which was at the cbgbs gallery space right next door to cbgbs, every monday night. the dj used to sample parts of the records he was mixing and then just play the loop of the sample and alongside was a drummer playing to it. it was really inspiring. so we wanted to go back to this idea of sound assembly and create a new series for us to work with called >skematics< its like a diagram or manual to help understand the interconnections between the odd parts we find and assemble, an imaginary manual for a new decade that has not been musically defined yet

ultra limited! limited to 500 copies worldwide - reverse board sleeve features gold metallic pantone logo and lettering front and back, pantone matched labels, plastic inners.
darkestral was set up as an imagined cinematically orientated sound space allowing producers creative room to make music of a more visual nature, within or outside of their percieved genre. continuing this theme, transportation aad was dreamt up to bring together drkstrs (label owner) short film script ideas with boddikas exemplary talent at interpretation and production so that over the course of the studio sessions, the script could come to life in audio form. the refers in part to a vessel (transportation) descended from the darkestral mothership and to the recording path process, (aad) analogue analogue digital.

11 track double vinyl album from new mark broom and james ruskin supergroup ! limited initial run on marbled grey vinyl - similar look to the recent sfbsf003 surface 12inch full picture sleeve. the project, knows as the fear ratio, has seen two of the uks finest proponents of no-nonsense, immaculately sculpted techno locked in the studio together. these sessions have already borne three 12 inch titles - no time soon, erotic misery and night nurse – two of which were released on ruskins blueprint records, with the other pressed up on brooms beard man imprint. the fear ratio moniker was adopted following the release of these club-focused 12s, with the album project honing in on more abstract and experimental textures. ruskin revealed details about the project in an interview earlier this year. he said a live fear ratio project was also in the works, with a press release claiming these would commence in 2012. as the fear ratio, broom and ruskin delve into the hinterland of contemporary music. a space where cold atmospheres meet lush melody and tough, yet clipped pulsating beats. from the warm poly-rhythmic funk of >ax< to the deep spatial reverb of >guv 1<, the dub induced strains of >pinhead< and melancholic refrain of >morning blues<, ruskin and broom deliver their new artistic agenda

here comes the already promised vinyl-extraction of the already released upon you diary no.2 compilation, on which you can find the uy- clan members and artists around the label. the four most popular titles of the cd were pored on vinyl. on a1 a collaboration of douglas green and delhia de france, who lost gallons of love about their song > sense<. mark henning has also formed a passioned tech-house-mover with his track > stacked<, which complies his cool style. the b- side has an opener from our number one dutchman onno, who got together with our youngest member marcus gehring to produce the title >elephant in the room<. of course marcus meinhardt, who was responsible for the survey of the tracks cant be left a side. his contribution to this product carries the name > splash< and is an example for marcus meinhardts driving tech-house-sound

compilation of current amsterdam house music featuring 11 exclusive tracks from amsterdam based (or born) producers like awanto3, san proper, tom trago, boris werner and more. if you want to get a piece of some top-notch, upfront action from the underground culture of amsterdam, this compilation gives you a front row seat. the 11 exclusive tracks that together make up for this compilation take you straight to the heart of what s bubbling in the nightlife of mokum town.

for led010 we have a great studio return of cirillo the icon italian dj and producer from circoloco@dc10 ibiza and cocoricò italy, together with new italian producers athletic duo. the ep >por obaluae< include original vocal from brasilian singer carla cruz, for a powerfull tribal tech with a strong dancefloor response. include very great mixes starting with the jackin house mix from andrew grant and lomez, a remix conceived in an original jackin style. the project is been killed already on the ibiza dancefloors with strong feedbacks from greatest as damian lazarus, loco dice, timo maas, dan ghenacia, ralf, ricky montanari

the cryovac recordings label is kept alive by the efforts of a. garcia. the name is taken from a dirty and cranky device used to seal shrink wrap around records. in this way, cryovac works to preserve the time and space around its artists identities. who they are is translated into tone and vibration, which is captured onto vinyl by garcia himself. cryovac remains creative and searching to maintain a personal sound. kimyon huggins (metroplex) is a painter, musician, thinker and a lover of life. he pulls together concepts that inspire, and informally applies them to his funky sound. this sound has been crafted from a wondering nature and a deep respect for history. kimyon huggins is one of a few that continually break the mold.

the second in the sold out series combines the powers of three of the hottest producers in the disco game right now. heading up the field is toomy disco with a monster of a track. deep, hypnotic and swirling >into the flashlights< hits you right in the chest, a certified dancefloor bomb, make no mistake. on the flip, remixer and producer de jour mario basanov reworks a lesser know stevie wonder track into a towering disco gem! soaring pads elevate the track to dizzy heights before its dropped back down into the groove to great effect. finally sean roman pulls apart, loops up and glues back together a boogie banger in the vein of tiger & woods. all in all a damn useful 12 inch

erstes release des berliner labels evamoarr music. die a-seite -forever more- nimmt den zuhörer mit in eine mantrahafte wiederholung jener sehnsuchtsvollen worte - always and forever more. together stayin lonely.
schleppend schöne eindrucksvolle maxi mit zwei ohrwürmern und einem zucker-remix von rampa & re.you

produced by elektro guzzi and patrick pulsinger recorded directly to analog tape. no edits. no overdubs.
elektro guzzi redefined the meaning of performing techno live. with just guitar, bass and drums, they take the most unusual playing techniques and put them together into a rigid mechanical form where everything makes instant, evident sense. if they had not performed live extensively, becoming audience favourites from mutek to sónar and from berghain to fabric, it would have been hard to believe this is really how the music is created. that said, it seemed impossible they could go even further in this direction. yet thats exactly what they did. parquet, their second studio album sees them in monomaniacal, claustrophobic techno mode. throughout the nine tracks the distinctions between instruments and roles are totally vaporized.

g.h. is gary howell, longtime associate of modern love as one half of pendle coven and sometime contributor to the hate project. the ground ep features howells first material produced outside of pendle coven and takes on a much darker, more stripped down aesthetic - making use of location recordings amassed over the last decade. the title track extends over 7 minutes from a solitary bass pulse into a slow, three dimensional industrial reduction heaving with uncomfortable bass weight and a sense of nervous expectation. its like the bare, skeletal noise framework for darkest junglist hardcore stripped of its percussion - all bar a bass drum and intense shards of noise. albedo has more of a swing to it, dominated by a growling bassline and the metallic clunk of disjointed percussion at odds with the squashed funk lurking somewhere at its core. the template is extended on earth, a brilliantly discordant club variant that sounds like an r&b mastertrack exploded into 100 constituent parts and put together not entirely in the right order. it builds and collapses into itself, a stylistic oddity that at one and the same time brings to mind boards of canadas re- working of colonel abrams - trapped and the extreme frequency vortex of the raster noton lab

next beatwax is coming from franconian tom shopper ? this time he worked together with alma gold, simple and max volkholz. in addition to that there are 2 fantastic remixes from brise records head helmut dubnitzky (8 bit, yellow tail, microfon) and great stuff artist joseph disco (stil vor talent, style rockets).

support from deetron, lee curtiss, h.o.s.h, martin eyerer, jef k, alland byallo, jona, till von sein….. his three track debut for 9am sees him refreshing the 80s. heavy on the samples, valmont expertly and seamlessly brings them together on a bed of groove-heavy electro-breakbeats. time to get your rockers revenge and enjoy the madness of sample spotting

for his discographic debut degustibus has chooses to release gin sonic, a tune made by rubini, an italian artist workin and livin between venice and berlin.
gin sonic is a classy old-school track, made in berlin but dreamed in a synthy-outerspace. circular bassline swim in a invincible funky-beat and crush against a wall of synth providing you a sure dancefloor-filler.
in addition they commissioned a remix from berlin-legend dj filippo naughty moscatello. he made 2 versions, impossible to choose the better they included both in the release. remix 1 is a dubby-hypno ride with a moroder-like dizzy bassline. remix 2 is a perfect example of the best naughty style: sharp bassline and vintage-synth blended together in an solid old-school disco journey. already a classic.

its a love story: stil vor talent have long been mad about niconé and sascha braemer so that the recent past has seen some very memorable releases by the two producers. now its about time they join forces to release a whole album together, of which the first set of two vinyl packages is taken. known for their often very musical techno and house productions, >romantic thrills part 1< encapsulates this style while adding an extra element of sex and pop appeal, without straying too far from the dancefloor. >pianotic<, >runaway< and >caje< are three prime examples of how to incorporate piano, trumpet or guitar melodies organically into electronic music without sounding artificial

here we have the sampler to the long awaited album from the talkin beatz camp, >make way for the new generation<. label boss kg has worked really hard to pull this project together and he has been working with some of the best producers in the scene.

ruff revival livens up the dance by offering the best in raw bass driven tunes for the floor. jungle, garage, and dubstep vibes get mashed up together on each release, with the emphasis on fun, rudeness, rhythms, and bass experimentation.

after gunnar stillers latest release- the upon you 050- had been served together with marcus meinhardt, wich grew on quite a few dancefloors to a club hit, everyone is of course curious to know what he will put on the dancing feet next. the a1 title >way to wollongong< has been inspired by his australia-tour last year and is tying smoothly on to the agility of his former releases. >antipodians< on side b1 is therefore taking more time for the housework and is sprouting his introspectively chords through the bush of the outback. the remixes are coming from our upon you shooting star marcus gehring who adopted to wollongong and timid boy who is doing the digital exclusive remix.

glass tear groove is the new concept release from drum machine rookie, inkswel. a follow up to the random yet bubbling >get to my party< release, this ep cohesively mashes together drum machine sounds and new wave funk tendencies. the title track featuring vocal funkster zackey force funk (baron zen/jellphonic/mike gao) brings forth a timeless love song vibe into inkswels popping and locking approach to song composition. >good times< is inkswels ode to post disco and pre house sounds, fuzzy yamaha synth stabs and watery chords. backed with the bonus beat vibe of >whos fooling who<, a stand alone banger for beat heads and party animals. also packaged with stellar remix work from ppu/superior elevation s tom noble aka disco tom.

played and supported by chris liebing, tommy four seven,speedy j, adam x, norman nodge, colin dale, dave ellesmere, brendon moeller, audio injection, forward strategy group, arnaud le texier, ness and more.
second release for the label created by darkcell. another step in the deep darkness of the modern techno, industrial, where the sounds come together to repetitiveness. sounds powerful but always hidden by a fog that makes the original track for a walk in our modern times. the remix of perc (perc trax, clr, etc.) makes the whole vision faster and stressful .. creating a set of rhythmic and repetitive sounds that destroy and alter any vision around ourselves. the version of bcr boys (nachtstrom schallplatten, darknet, etc.) has drawn much more syncopated, and industrial, the sound cut the atmosphere created by the syncopated rhythms ... a set of mysterious forces surrounding the whole track. power of darkness!

unknown to the unknown have put together their 5th release stingray enters the unknown a collaboration between detroits dj stingray & londons dj haus. entitled the sadist pts 1 & 2 the release is backed with remixes from the legendary heinrich muller (drexciya, dopplereffekt) & cestrian (ali renault, heartbreak).

east meets west on culprits seventeenth ep release, as three emerging producers from russia make their debut on the los angeles based label as special case. as culprit enters the next phase in its lifecycle, young producers are submitting music that is inspired by the culprit catalogue. championing fresh acts, as evidenced on the above the city compilation, is becoming a key aspect of the culprit ethos.
heralding from st petersburg and moscow, special case is part of a rising wave of eastern european artists, a region that holds tremendous importance for culprit s ukrainian born andrei osyka. having established reputations as individual djs in their native soil, the trio came together as special case specifically to create a release for culprit, and with the belief that the whole would be greater than the sum of their parts. aurum is dancefloor gold and proves they were right to do so.

there is a certain dynamic that emerges whenever andre galluzzi and dana ruh pair up to create a record. with last year s >freya / mauersegler< split ep on ostgut ton, the two have already hit up some of the most prestigious labels in the electronic music landscape. tracks that are upbeat, driving, and, most of all, fresh have characterized their co-productions, which now have aras as a home. taking its cues from their label nights at berlin s panorama bar, galluzzi and ruh have solidified aras into an imprint based around expanding upon the creative energy that both share. their first release, >trambolla<, harmonizes each artist s approach into a grooving whirlwind that showcases their ability as producers as well as live musicians.starting off with the title track >trambolla<, the ep begins with tribal beats and infectious arrangements that seamlessly build upon each other along the course of the a-side. grooving from the start, it is the kind of track where the listener or the dj gets into the vibe right away. the percussion of >trambolla< especially stands out amongst the latin-tinged bongos, hi-hats, and hand claps that interchangeably come in and out of the track, a journey of its own at 9 minutes. >thelema<, the b-side, contrasts with the lightness of the a-side and demonstrates galluzzi and ruh s equal comfort in creating darker and heavily pounding tracks. the ten minute track grows out of a simple beat and growls ever louder as it takes in more intensity with its cascade of filters, delays, and booming bass. aside from the hard edge of >thelema<, it also provides a preview into the live set that the two artists are about to debut together.

lower east launched in the summer of 2010. it was the result of a coming together of 3 likeminded friends: cozzy d, lee brinx and ed kane (kanio/dexter kane). all established members of the london scene in their own right, they combined forces to create a label with one simple ethos: quality electronic music. whilst the idea itself is unified, the influences are vast. disco, techno, garage, hip-hop, drum and bass, jazz, 80 s and soul all inspire lower easts subtle blend of 4/4 beats. notable artists on lower east include: lee foss, gavin herlihy, robert james, uner, nima gorji, pezzner, richie ahmed, puente and rosche, waifs and strays, and death on the balcony.

with almost two years working with top producers like john talabot, uner, dops jaw, wareika, edu imbernon, kid culture, jairo catelo, hermanez, affkt, ramiro lopez, feygin, samuel dan or darlyn vlys, sincopat arrives to a melting point. this gran misterio ep is the perfect advance of the first affkt album that will be released in 2012. this new and sinister release shows a next step in the sound of the spanish producer, going from the fresh pitaya to the dark and solid nuvol. pop, jazz, soul and funk, joins together with a common factor: organic flavor. pay attention to the featuring of argenis brito and sutja gutierrez - limited edition 190 copies - no repress.

above machine is a new label from production duo the project club.field of dreams (reprise mix) incorporates their trademark dreamy guitars coupled with a gorgeous synth hook courtesy of the dave smith prophet. this mix is best served horizontal.
the lexx remix stays close to the original mix but moves gently into the world of disco by adding a smooth bassline by reto gaffuri, along with a tight drum track that together creates a beautiful beach bar groove.
d-pulse serve up a top-notch remix production using all the very best elements from the original mix whilst adding their own unique quality and musicianship to the proceedings.
beginnings started off life as a remix, but ended up as a project club beach epic. the track is irresistibly melancholy and a worthy inclusion on this stunning debut 12 inch.

following the smash hit >summer beach edition compilation< and dinkys positively carnivalesque >time to lose< ep, visionquests latest collection showcases the label at its curatorial best. offering up three elegant tracks from across the broad spectrum of dance-oriented electronica. the inspiring juxtaposition of david k, my favorite robot and mirko loko together on the fall/winter collection works to create a remarkably unified whole, a versatile remarkable collection for the ensuing darkening months.

south of croydon raised christian sibthorpe (aka a1 bassline) sent over a few things over the last 12 months that really had me paying attention. but it was jessica (j. phlip) ended up being the first one to drop falsehood at the spring dirtybird party in sf which pretty much sealed the deal. it just smashed the room to bits. later on i met christian in person when he helped me do a live radio show at rinse fm in london along with ben westbeech and we agreed there that dirtybird would put these two tracks out.a1 claims to have been heavily influenced by early metalheadz and you can really here it on these tunes. while buoyancy is a smooth pulsing affair that really shines in the deeper mixes, falsehood (which we are re-releasing from a1s tighten up label) really buries the hatched in your brain with bits and pieces of 808s, breaks and house hi-hats all forged together like hot iron.

after two buzzing releases, senzen is quickly getting recognition it deserves. but third time is the charm, right? well, at least in this case. senzen 3 title track, >gonna b<, is based on studio sessions of label boss benno blome together with his long time friend armin engel, who has worked on projects with fela kutis band rhythm taxi & jimi tenor, and had a show on jazzradio berlin for years. the track itself has influences from both producers. tech house meets jazz, what a fascinating concept! freestyle drumming, keyboard jams and effects tied together, creating an original approach to club music. remixers of >gonna b<, marcin czubala (mobilee) and jin choi (contexterrior, private gold, archipel), are two of the hottest producers at the moment. after his excellent streak of releases on mobilee, marcin makes an outstanding debut on senzen and delivers a deeply rooted house remix concentrating on tiny tweaks and variations while carrying them solidly throughout the track. jin, on the other hand, doesn’t let functionality stand in the spotlight of his remix. his music is supposed to touch emotionally and to move the head and the body - and believe me, it does!

chicago legend robert owens teams up with tevo howard!?! words from tevo: >i had the opportunity to correspond with the great robert owens some time last year, and we were able to shed light on a project together. i cannot tell how much of an honor it is to work with such a great predecessor, and to continue the tradition of the celebration of chicago house music. here, we have featured 2 moody original versions, and 2 exciting remixes. together they comprise a 4 track single. robert and i hope that youll join this celebration.< t.h.

gary beck teams up with house legend and personal hero mr. g on their first col- laboration together. their efforts highlight both producers uncanny ability to create something that is instantly recognizable while distinctly individual. >all my people< brings a true and unadulterated house sound with a swaggering vocal sample and straight, crisp and assertive percussion. mark broom returns for his second appearance on bek audio with >stag<. steady, rol- ling techno shows the darker, head-down side of the bek imprint and marks produc- tions. intense percussion builds with the addition of a haunting synth leading to the break. stripped back to the bones the track jumps in with powerful effect.

the first official release by the berlin duo, samanta fox aka daniel frank gizzie iii and jean-daniel tömör. they hold a residency in berlins famed salon - zur wilden renate where they do their bi-weekly whiskey tango foxtrott night. prior to being involved in samanta fox, jean-daniel was known as lazymouth with his partner thomas tietz. what a woman needs is the foxy duos first step into the production world together and encompasses what the boys to convey in their eclectic, yet forward thinking dj sets. a tr-808 tom driven bass-line and ghostly strings move the track along while a 909 high hat/kick drum combo keep the rhythm flowing.the b-side is a remix by the swift. the swift is also one of renates residents and his bi-monthly voyage voyage night brings a premium list of emerging artists to the berlin club scene. witness his swiftness take the foxs a-side to another level of house. a floor burner for sure.

stefan schutz aka juno6 belongs to the society of the leipzig new school, which for the last 5 years has cut a path through emotions and change in diverse regions. his particular real estate is comfortably between deeper house and thoroughly scrutinized techno. sometimes he tends in one direction, at other times the opposite. all the while juno6 captivates both listeners and dancers alike with something new. his live sets are always an occasion – sound expeditions in the most literal sense embedded powerfully, yet imminently fresh as they are bound to tradition. he even dials up the the ambient/electronic field with project beautiful planet earth, or together with friend daniel stefanik as sensual. the sonic awareness of juno6 is expressed consistently as a potent degree of warmth, which paints a distinct lively and long-lasting tone on club music. the tone is hardly useful as a flavor of the month, but rather, a music with stamina and character. his track >guununk< is for more than a few the quiescent highlight of the fat 5zig compilation. on his second from fat, he displays the juno6 portfolio fully and expands his present effect with a portion of funkiness and a sprinkle of pop – at least on one of the cuts. with clever vocals mr. schulz informs us yet again.

sk supreme presents another hot act of the moment ? nice7. after releases on great stuff recordings, monique musique or noir music we introduce ?longboard? together with hot remixes from namito (greenhorn, kling klong, blufin) and the promising martin dawson (off recordings, crosstownrebels, session deluxe).