incl toni neumann & x-press remixes !!

nice price deal !!! slow to speak triumphantly returns from their self-imposed hiatus to refurnish the label gears, reignite the promotional engine & proceed forward full-steam with their latest release, a limited one-sided 12, pressed on 180 gram vinyl with japanese obi and featuring an exclusive sample from the forthcoming second installment of joe claussells >trans.late< mix cd compilation series. nrsb 5 s only dictate is to follow the uncharted. revolving around a determined synth loop, it transforms as it unfolds and reassembles, returning with new determination as it obsessively revisits its own chosen refrain under the skilled hand of the producers manipulative shape shifting. never static, always moving, dodging its own melody to return with the same body beneath a new costume, the rigid, unyielding control remains intact, as each second serves a precise purpose in its masterfully assembled, inter-reliant structure: a beautiful whole, completely unified in its chaotic infinity. add to basket

tim davison delivers his new side project quartech, and the monstrous >cats cradle< in all its main room glory. with its lush strings, driving bassline and trademark percussion, this is a gem to rock the dancefloor. featuring two remixes from infusions jamie stevens, who has been making waves of late with his superb remixes. jamie opts for a driving techno orientated reinterpretation, wih his nine live mix utilising the full strings in the original and his tech dub taking things dirty, deep and slamming

killer minimal techno ep !!! ibiza bomb!!

essential tech-house interpretation of the jazz standard! tip ! at the core of >take five< is a warm, fluttering piano loop that wouldnt sound out of place on a nina simone record. around these rich, faintly jazzy chords, jona builds a thrillingly direct, percussive track which nods to the passion and polish of classic 90s house music. a shuffling snare pattern and a tough, buoyant kickdrum combine with the keys to give the dancefloor a workout it wont forget. this is smart, optimistic stuff from jona, a ready-made soundtrack for hands in the air at late summers parties. >sunset< is a darker but no less seductive affair. its skeleton is a supple, minimalist groove, undercut with a raw, rangy bassline, and topped by tight snares and a steady, sibilant rush of hi-hats.

after a short hiatus bighouse recordings is back with a fantastic release from super hot canadian talent glenn morrison and frequent studio partner human adams. glenn has been making big waves recently with his big room productions, here he shows that he can write music for more intimate settings as well, turning in a smooth, late-night inspired groover in siesta. on remix duties is the legendary bruce aisher in his gutterstylz guise. his remix is like a walk down memory lane, combining the best of oldschool prog with the sounds of today!

this summer mos ferry prod. comes up with a new two-track 12inch by dapayk solo, announcing the release of his second album >devils house< in late september. the title track on side a is already giving directions for this journey – provided that theres a proper bass response – >frickelsound< with affection to the little details, in particular with regards to the bass frequencies. but knowing dapayk thats hardly surprising, by now ... on the b side he presents >a saw attacks< - a track like a recapitulation of certain minimal elements that are around for quite a while now. but only the beginning is a typical sportive staccato theme. after a while a full-stereo sawtooth sound and a demoniac vocal sample take the lead, pushed by a strong punchy kick drum and accompanied by a sounddesign of clicks and sweeps

fantastic deep late nite house , blaze remix

2 track ep with a cool dm track and an well known late 90s trance monster

played by afrilounge, chris liebing, d julz, dj emerson, h.o.s.h., holgi star, jesse rose, joel mull, laurent garnier, paco osuna, par grindvik, ripperton, rob mello, solomun, thomas schumacher and others !! alex niggemann has been releasing on labels as diverse as get physical, meerestief, moonpool and sportclub. he impressed the micro.fon guys with his outstanding interpretation of smokemachine, released on the affiliated label freak waves. circles is a wonderful track starting quite easy and developing into a huge anthem with wonderful mars attack sounds and a weird expanding and contracting, analogue-sounding synth-line,...wonderful tune destined to be played out on crazy ibiza partys and drugged-out berlin after hours....cut b1 is the einzelkind (get physical, kindisch, playhouse) rmx, a huge wonderful swinging rhythmic house interpretation fuseing an percussive old school house groove with deep techno chords. b2 comes the funk fueled tech house cut transitions a wonderful late-night-tool with a nice techno appeal and huge soundwork,.... delicate 3 tracker

elevate, if you remember, is the deep house label from daniel bell that put out a series of influential records in the late 90’s including the first 12 from theo parrish. these releases are still very much in demand and are going for high collectors prices online. it is now the summer of 2008 and elevate is proud to present a new release, this time from baaz. baaz is a new artist with only a few releases so far including tracks on sascha dive’s deep vibes label and a full e.p. on sthlmaudio. baaz may hail from southern germany but you would swear he grew up in the same detroit neighborhood as mike huckaby or moodymann when you hear his warm, gentle and deeply hypnotic house music.

ein deepes meisterstück hat stephan hinz hier zuwege gebracht. der groove sitzt locker, die melodien hallen im kleinhirn nach und der bass schiebt das stück in die magengrube. entspannter tanzspass für die hellen & freundlichen momente im clubleben

new artists on bombay, chicagos j & j soultempo come with a strong gospel influenced late night slammer for the dance floor. featuring the vocals of the renowned terry moore combined with the soulful chicago acid house production of j & j soultempo, this release has an real early nineties murky deep house sound with modern production. jason ferguson jaycee and jere mcalllister are emerging from a strong community of the new generation of producers and musicians based in chicago that will be turning heads in the house scene. some kinda good agrees with the new york vibey heads as well as the chicago and detroit kids the tune defines house as going back to just one category and one community.

+ strong remixes by agnès & ruoho ruotsi ... esquina is the groovy brooding spawn of late season and eddie o. rife with innovative rhythms, subtle chords and atmospheric influences inspired by artists like vainqueur and jooris vorn, this secret deep techn

chic miniature comprises of ernesto ferreyra and guillaume coutu dumont, a pairing of immense musical wisdom. the ep opens with the warm tones of escandalo, putting romance back into the dancefloor with floating melodies and guidelines to loosen your mind. this track arouses all the senses, a pearl in the ocean set to be a classic that wins all hearts and minds. chanchita appeals to the depths of many a late night, rising like a viscious wasp this track has a sting that sparks ripples of energy

adam marshall comes here with a late-night igniter with a tough house groove, and two jamming remixes from todd sines and scott monteith aka deadbeat

played by karotte, sebo k, shinedoes... >hamlin< leads us down a path so groovy, its hard to resist this dreamy tale from the very beginning. steady pushing drums define the tracks mood, amounting to a tactful combination of classic deep house vibes flowing freely against solid and functional percussive elements. drifting late night synths and childlike, ethereal chants osmose the mind of the listener, warming and arousing, spreading only positive energy on the dancefloor. deep vibes rec sascha dive takes hamlin off on his own trip, elegantly stripping down the groove of the original and spacing things out even further. this mix is a pure and prolonged snapshot of the orignals travelling mood, building the groove in subtler steps, emphasised by dives treatment of the chanting, spinning vocals and playful, live arrangement. opening with the same finely strung groove as >hamlin<, >snowflakes< introduces a beautiful and delicately dubbed melody amongst its bubbling rhythms

following the success of last years >nitrogen 2 oxygen 1< ep for siteholder records and the recently released >filthy fibber< ep on uncut, the duo of billy dalessandro and daniel mnookin have teamed up once again under the slutbox moniker to deliver the >backseat driver< ep. switching up the rotation, the ep kicks off with los angeles based producer jason emsleys >lick it, smack it, rub it down remix<, a filthy number that no amount of sludge can adequately describe. a subtle, yet effective rhythm section keeps the dance floor busy while the dirty synth overtones grow larger and larger until they have conquered ones brain synapses. feeding off of the original vocal and adding some x-rated lines of his own, if pornographic techno wasnt a genre before, it is now. the original is pure slutbox at its best. deep bass, seductive rhythm, addictive loops, and a spanish guitar combine to make this one another club killer. as if you had a choice, please make your way to the dance floor - the night has begun. rounding out the vinyl release is st. louis via berlin dj/producer butane (a.k.a. andrew rasse). known for his widely praised work on his own alphahouse label, as well as top techno imprints dumb unit, num, and rrygular, butane has long been a friend of the siteholder crew and takes this opportunity to make his debut on the remix tip. deep, druggy, and hypnotic, butanes >percocet remix< is what one has come to expect from the late night veteran. whether its early evening, time to jack, or after-after hours, the >backseat driver< ep is an all-in-one tech fueled necessity

soulful piece of house music presented by roland clark! a side feat organ mixes by daishi dance. flip for the deep grooving dolls combers mixes

6th yakuza sampler!!! the a side is diggin deep in house businezz in shape of late night society and unus emre!! flip for the jazzy and funked up part with soydan and gramophonedzie

french maestro dj gregory, the man who brought us seminal track such as elle, attend and dont know malendro is back again with another bullet on defected. breeze, taken from his recent album defected presents faya combo session, is a late night tale with gregorys trademark sound. the package also includes a remixes from new york bad boy marlon d (who had the killer underground collective ep on strictly rhythm), george mena & gregor salto. another defected cut not to be missed.

incl dan curtin remix !! barcelona based label >vinyl did it< honors its name by releasing its first vinyl ep. dr. needles delivers nonstop minimal tech, demolishing and more on the harder side, no bleepy stuff here, perfect for keeping it going late at night. label co-founder, digital ape, remixes ping pong, giving it a much more dubby and atmospheric touch. he highlights the melody to give it amplitude and make of the original a track ideal for early on or for coloring a set with more melody. dan curtin, one of the most respected american techno producers, creator of excellent music for labels such as peacefrog, klang, dust science, tuning spork and his own metamorphic, remixes ping pong on the b side, taking it into another dimension

from the honest jons hood — ladbroke grove, late 1970s — stomping disco, dubwise reggae and regal steel band

schöne luftige house-nummern mit und ohne vocal einsatz. typisch compost !

4 huuuge bombs on one record. includes mixes by dons & dbn and chris kaeser. a must have record !! special rerelease

glückwunsch zum 50ten highgrade release !! die größten geschenke kommen von format b, heinrichs & hirtenfellner, jens bond, sven brede, phage und daniel dreier, todd bodine und natürlich papa highrade, tom clark

this 4th release from aesthetic audio features deep musical visions from deep dance architects juju and jordash (amsterdamn) and keith worthy(detroit) on aesthetic audio 04. juju and jordashs african flower is an epic, beautiful, deep and melodic electronic journey thru time that is sure to appeal to the deepest of heads...keith worthys atlantis (original deepstrumental mix) is a deep late night banger that has the true deep heads and dancers in mind...classic 4/4 deep house at its best! b2 is an deep and ethereal voyage that takes you to a musical place that is filled with thoughts of pure expression on the dancefloor deep house!!

after the genre-smashing, seven vinyl pressings deep (and counting) success of viktor casanova, there is no way that the italoboyz could possibly top their first appearance on mothership, right? wrong! we are happy to report that they have created an organic techno masterpiece in >bahia<, enlisting the help of one of the greatest jazz musicians of our time - john coltrane. youve never heard the master like this - the italoboyz have molded the original >bahia< into a stomping peak timer as only they can. their trademark monster kick underpins stuttering jazz kits, a playful piano line, and an insistent, soulful tenor sax sample from the man himself (cleared after four months of intense negotiations). bahias intro leads into one of the most surprising and euphoric breaks you will ever hear. there are two versions to choose from - the party swing mix gets right to the point, grabbing you by the scruff of your neck. the flip sides mucho lungo mix is perfect for those late night warehouse moments, taking its time to deliver the sweet payoff

after >first assault ep<, >second shot ep< & the recently >late night cities<, the french duo are back with 2 new fantastic deep techno tracks.. supported by laurent garnier

not only is franklin sharing his flat with yapacc these days, hes also remixing the likes of peter grummich, colorswitch, ricardo villalobos or pheek, the berlin resident is also releasing constantly persuasively arranged and produced music on crack & speed, sender, trapez, immigrant and on his own imprint the green empire (which is he co-running also with his long-time friend yapacc). >this is probably the best cadenza release which hasnt been released on cadenza<, said a journalist a week ago - and who are we to deny this? these two tracks are beautifully towering tripped-out, post-minimal techno pieces which are not only suitable for late night moments.

this is soul jazz records new journey into the heart of new orleans and a guide to the citys finest funk music produced in the late 1960s and early 1970s. featuring everyone from the meters to eddie bo, lee dorsey to betty harris, this is a whos who of the crescent citys most famous and most funky! the city of new orleans has deep musical roots that stretch back to africa. new orleans first gave birth to jazz music, a black musical form centred on rhythm, improvisation, freedom and collectivity at the turn of the century. similarly in the late 1960s new orleans funk came to define a unique sound, mixing caribbean rhythms, new orleans second line syncopation and rhythm and blues, all played by the big easys finest musicians.

as we look forward to lisa shaws upcoming full length artist album set for release this september on salted music, we are thrilled to deliver her latest single titled all night high. lisa has been performing this sexy late night gem for quite some time now to an overwhelmingly positive response from fans and enthusiastic dance floors world wide. in an industry currently overly saturated by a lack of quality control, we welcome this refreshing vocal cut and are happy to share the love. just let the music speak for itself and create the hype. migs vocal and dub take things into an upbeat techy territory stripping down the elements and maintaining the original vibe while boosting the dance floor appeal.

thumping house gear from ferrer and sydenham on this 10inch release on ibadan. behind a booming bassline and a little french kiss synth influence as well, double penetration is perfect for that late night floor action, with a little progressive feel in the sweeping synth lines setting it off just right. both mixes glide effortlessly along - in fact if you get 2 copies and play both sides one after the other, the results would be outstanding!

ferrer and sydenham having been knocking out some superb stuff on the ibadan label recently, and sandcastles doesnt break the streak, with its sublime piano line coming into its own late in the mix after a lengthy lead in of subtle percussion, throbbing kickdrum and stellar synth play. a warm and lush track, the cut builds through the beats, to the piano line and finally to vocal refrain and a wall of synth strings that round this track off perfectly.

although only 23 years of age englishmen cris barratt is already considered one of the hottest new producers on the block. what makes him really special is his unique blend of sounds, which is not melodic house, minimal, tribal, rock electro or techno, but at the same time it is all of that. two tracks on this ep are the best reflection of chris >get maximal< approach: he builds the story slowly, upgrades the basic theme bit by bit, then weaves in another leading theme and spices the blend with unexpected small but effective element from the late 90s. the result of this blending is very rich, warm sound, perfect for the parties somewhere at the seaside. re-release

support comes from adultnapper, italoboyz, jimpster, karotte, laurent garnier, david keno, pheek, sasse and sebo k. it has been clear since his very first release, in late 2006 with ‘auftrieb’ on karmarouge, that alexander roland is an exceptionally talented producer. at 17 years of age and with little more than one year since his first production effort, alexander roland releases his second 12 on karmarouge

nice price deal !!! rooster p incognito s debut ep, two tracks of deep, warm disco. >swing ratio< is pure class late nite wobbly disco, reminiscent of daniel wang old balihu sound, a similar loose feel and swing but with an added hybrid electrofunk touch. flip for >love deluxe<, a sweet and beautiful early doors space groover. should fit right in with your 80 s dubby, disco or metro area faves.

reissue of 96 classic as sampled by janet jackson on got til its gone

the first aroma release of the year is definitely worth the long wait. originally uk singer natalie williams released this song on her late 2006 album secret garden but wonder boy giom (london) who beefed up already swirl peoples last single a few months ago has now done his magic tricks again and housed up this song with grace. this is not your average deep house song but this how vocal deep house sounds anno 2008: clever beats, wiggly keys and a heavenly vocal by natalie to make this all to a perfect dance floor blend. and now you are ready for the spring with this new aroma release!

bad landing is a throbbing mass of dub reduction fuelled by all the space and compression the very capable hands over at dubplates and mastering managed to cram into one side of vinyl. beyond the gargantuan bass weight you find yourself in the presence of a towering valve organ, a looped refrain slowly opening up to reveal a hook thats as catchy as it is incongruous. the a side is substantially more robust and propulsive, fine matallic dollar constructing itself out of sparse percussion and an elongated bassline thats as warm and destructive as you could possibly imagine. the chords here are gnarly and disfigured, slowly disintegrating into an oscillating wave of late night wonkiness that finds mr stott exploring yet another stylistic side street, emerging once again with his own utterly individual sound.

marcashken is part of the new breed of techno, the past couple of years have seen him come into his own sound within his home the leftroom imprint. ashken treats his productions as a personal journey, an expression of his influences and his environment, never conforming ashken is making his own rules. this release brings a remix package of >root rot<, one of the gems on his debut artist album >have you seen my dancing shoes< out late january on leftroom. >root rot< gets a rework from three unique and gifted producers that all add their charm to the tracks

supported by cosy mozzy, felix da housecat, tocadisco, john acquaviva funk d void, miss kittin, da fresh, angel molina, jori hulkkonen, terence fixmer. french techno uber-lord kiko delivers his best track since monique, returning to his nourish techno roots to drop a 9 minute late night gothic epic. melancholic chords and strings dominate- vitalic fans will love it.

feinster techno der dich durch die nacht klöppelt. ob im psychoaktiven original, im minimalen end of tape mix (gunjah & stachy ) oder im magisch verpeilten mix von insect o, etui 11 ist von vorne bis hinten eine geile platte. empfehlung

ltd backstock.. woddy mcbride acid techno double vinyl.. spinning backwards

respected uk remixer and house producer charles webster rips into one of the most played tracks from dennis ferrers hailed album the world as i see it. how do i let go started out as a soulful r&b tune but charles turned it inside out. on his club mix, charles removes the soulfulness and injects a more electric lounge flavor. his deep mix is just that, a profound pumpy, warped & heady affair. both mixes put a whole new twist on the single and are ripe for the early or late set.

big with: minilogue, dj yellow, luca morris, gregor tresher, davis&may,.. arcobaleni, thats the massive debut single of the talented italian boy spada. hypnotizing bells, sweet melodies and bassline fuse together warmly to create the kind of emotional maripoza stuff everybody loves. as special guest mixer, zakko, who was heavy played by james holden and gregor tresher with his >for her< masterpiece,was in studio to do a deep and melodic interpretation to enjoy…also teatro a devotionful producer created with another point of view for the song a dark, groovy and atmospheric walk

cut the crap, straight to the essence. lizm04 is among us, essential dancing and listening courtesy of ahmet sisman, our own private istanbul/brussels/essen connection. some pure dancefloor pleasure hidden in a-side track hiyan, multilayered, quirky luvly trippiness: one surely aiming for the boxes of djs digging the onur ozer vibe of late. the other side (why call it a b-side anyway ?) goes for a slightly deeper approach, guzzling in the vibe of a few hours later down the line in your favourite afterparty .... but hey why not just use the authors own words to sum it all up : this is surely: >dance for the moment<

the second freak n chic release of 2008 brings the premier release from long-time fnc dj collaborator dyed soundorom. 01 >question< lays down a dubby slow-moving groove from the start, as the grooves pick up the questions land, letting the pace take you up and bring you down to the deep-grooved finish. 02 >infection< instantly creates a deep and dubby late-night vibe that holds back the pace and keeps the funk grooving. support coming from.. claude vonstroke, ali schwarz, anja schneider, damian lazarus, kiki, sebo k, shonky, shinedoe, camea, chloé, jennfier cardini, todd bodine, benno blome, anthony collins, jamie jones.

hum along is one of the earliest productions of mr. mwambe. he started the track in the beginning of 2004 and for the last 4 years it has always been a very important and personal part of his life. only brontosaurus intelligence & ca$h were able to get this masterwork for this lickyboom- boom-down house 12. to complete the commotion full time nice guy, father and electronic innovator move d from the beautiful city of heidelberg sat down to deliver a spontaneous disco version of the track – reanimating the fresh and impro vibe of late 90ies german disco / house productions. the b-side >greatest love< continues where artos mudhutma 12 ends, celebrating the unholy passion of deep housemusic. voila.. a limited number of covers will be hand-printed with another nice torso. as always.