digitaline aka gregorythme and laps are one of the great discoveries of lucianos cadenza imprint. after their amazing >rubicube< 12inch the switzerland based duo will release a whole album on cadenza and the minimal nation is going mad from the first plays so far. we are proud to present the first solo twelveinch of laps aka laurent bovey. the straight pumpin but finest minimal structured a1 track fog off will kick the cat for sure. 8 minutes are just too short for that kind of beast- to be played any time! with b2 laps double kicks it digitaline- wise- a deep subbass hymn your ears will wake up with the next day

the music is playful, ambitious, simple, complex, fun and melancholic and not at least. it is extremely animalistic. they have an album >animals< ready to drop in 2007. elephant s parade was played completely live with drum machines, synths and analogue sequencers. the duo like to record this way (compared to stuck infront of the computer) as they get more free in creating a specific and spontaneous feeling. here one might imagine a big gang of crazy elephants getting lost on a psychedelic parade. in the middle of the track things are getting a bit weird, perhaps too much amarulla fruit, which gives the second part its childish and naïve playfulness. on the flipside bird song has a dirty, noisy, trippy vibe with a little touch of basic channel sound. shake a tail feather !! played by anja schneider, karotte, tobi neumann, troy pierce, woody

attention: it s nu-rave time!! sureshot for all fans of klaksons, kitsune, erol alkan. ed banger !!! next up on 12 inches we release a song from kim. of the presets and modular fame. whoah kim your a party machine! a lot of kim music is making us shake lately but this one especially makes your brain shake. it starts off with a din din da da da da din din of a steel drum and some bongo s and rolls and rolls like indy basement jaxx techno making you feel like you are in some kind of psycadelic carnivale in brazil in a moshpit or something, the vocal screams, >by the time they reach you i ll probably be dead< it s the kind of song you would be listening too if you were to be stuck in a hotel room surrounded by hot naked brazilian strippers doing coke off their asses and tits

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

with the vulva string quartett and via combination records leichtmann makes a poppy techhouse house sound as a present to the world. sharp - wittedly playful 4 - to - the - floor - beats are dancing to glamours, intoxicating synthie sounds and flirting with deep soundtrack - atmospheres. never too hard, always catchy and definitely extremly seductive

jay moved through the ranks at juno and with 5 years record shop work experience under his belt jay now has a broad influence base for his current productions. these mainly focus on classic, itaol and nu disco, us, deep, and acid house right through vintage techno and the modern minimal sounds. his recent productions like this fine four track ep combine many of these influences but always lean toward the warm, retro, vintage electronic sounds that first time around he was too young to experience

wherever there is a need for bumping house music and kids are dancing to boring grooves, you call shyza minelli. she returns to tuning spork after way too long with two dancefloor bombs that are primed and ready to explode on impact at clubs worldwide. for this release shyza is bringing you a 12 with two different flavours, one on each side. set the limit is the a and haunting me is the b. set the limit is 9 minutes of rippling stuttering unadulterated funk that only tuning spork can give you. haunting me is the b side on this sick 12, but if you were hoping to catch your breath after the a side then you can forget it, this is another crazy trip into nightclub psychosis ! big with ricardo villalobos, mac schneider, dan curtin, luciano !!

this follow-up to 1999s >dark of heartness< album (tresor.125) attacks from several angles beginning with the hell-bent, club wrecking ball, >dirty old face<. >blackout< in contrast works dub influences around a chicago groove while the massive p-funk stepper >no one<, the balladesque >work< (featuring schmidt on vocals) and >wagging tail< will definitely kill off any skepticism about this albums huge potential

second part of the collaboration between the great dj butane and roman,photo…this volume is still serious and deep but with more groove and functionality than the previous one (rp02) , specialy with the track >detained with bruno<. anyway too much words are not necessary, music of butane is really suggestive and really good for your imagination…so the best is just listen, dance and maybe dream with >techno for whirrled peas volume 2<. volume one was supported by artists such as luciano, troy pierce and lars sandberg !! for this ep confirmed support from: chloe, geoffroy mugwump, jennifer cardini, mike shannon, troy pierce (minus, underline)

it took a good one and a half years to see these two gentlemen reunite again. pro s may know why. you can only create so much quality work that it s good to take some time off now and then to get back on it with refreshed senses, new gear and new ideas. this 3 tracker is the start of a string of new 12s and simply >multiplies< everything good in john and arian s music. the motion, the funk, the accurate timing, the control, the tension, the groove, the deepness, the classic techno-ness, and the oh my goodness< kick assivity! :) check out the ultra intense, sturdy >multiplier,< a hard rocking deep dark tune layered with modular synth madness. flip to the b for >mathemagician,< the >mono on mono< update youve been waiting for. closing out the single, another analog scorcher >synthescheizer< does it s damage with 2 ms-20s side by side. no plug ins on this release, just good old dirty hardware... already support from anja schneider , karotte... and of course myself too...

supported by karotte !! with the signing of south-german newcomer dizko toaster oliver koletzki rediscovers his old love for squeaky peak-time disco house. toast hawaii is one of those tracks, starting with the sound of the sea breaking and combining filtered disco grooves with sexy techno synths that take you back to the hedonism of studio 54. the track itself is the bomb, but the list of remixers is impressive, too: koletzki as parker frisby turns it into a smashing hit adding his typically strong loops and some hypnotic vocals. on the flip man of the moment remute contributes his production skills and creates an effect-laden driving techno piece full of surprises. stil vor talents own h.o.s.h. then takes a totally different approach resulting in a deep and warmly grooving detroit-style track that immerses the listener into the depth of the tune. this record is a lot of fun

two heavy weights of the the fidget house scene combine to create a monster of a tune, and whats more theres a switch mix too

played by anja schneider, chloe, dj t ... !! peter dildo, the man behind trackdown records has in the past 12 months delivered such dance floor bombs that it was an easy choice to ask him to rework >gravity<. peter delivers his phat trademark sound of deep-housemeets-postminimal in a slamming arrangement of fine tuned drums and hypnotic synthstabing. something we love to play, hope you too! nick chacona and his partner in crime, anthony mansfield from hector works/rong music fame takes the original mix through their new york disco mill and delivers a severe piece of doped up cosmic disco – only for the headstrong! last but not least the finnish old-school electro guys mr velcro fastener transforms the original into an 808 jam with vocal samples to a final climax

reissue of the superb album from shaun escoffrey in a limited edition that contains bonus 4 track ep from the don e urban sessions

disciple of groove is a fresh new label dedicated to the teachings of deep house, influenced by electro, nu disco, space atmospheric beats & cosmic grooves. for this superb debut they have called upon ilya santana already known for his work on balihu, airtight, permament vacation and dessous. hes been supported by artists and djs including daniel wang, linstrom, prins thomas, tiga, steve bug and more. there are 2 a side tracks, analogic mind and blackhole, both inspired by the analogical synthesis of the vintage systems, emphasising a powerful bassline of one of those legendary synths. trademark santana sounds with disco soundtrack nods to giorgio moroder, koto, kano, gaz nevada. the flip includes a remix by jl salvatella, a more straight up dancefloor cut and some bonus beats too

style of eye aka linus eklöw always saves his best work for tiny sticks. previous releases have come on the legendary classic recordings, mouthful, doubledown records, sugarcane and eye industries. following the success of his bigger sounding releases, hes back with a more stripped down, underground selection. rockett evolves around a very funky groove, a track with a lot of swing, it has all the hallmarks of a massive tune. sounding similar to john dahlback s huggotron style, a huge distorted electro riff takes over and drives it higher and higher. rockett comes with a dub version too. l.d.r. starts off with a bit more subtlety than rockett. starting with a lovely bouncy shuffling groove and expanding spacey keys and then getting more and more pumping as it goes on with giant drum rolls and shouty vox. another big one for the underground heads

go!freitag is not a label in the traditional sense of the world, its a statement, even a commitment. a commiment to accept a blury, pounding head on saturday, feeling sick after too much party on friday

john daly is a young cork, ireland lad currently based in london. the title track is a deep and soothing slow burner of exquisite proportions. melodic keyboards combine with shakers and congas setting a nice vibe-y tech house tone. >do it< is more of a minimal tech house number, topped off with the essence of dub and iron percussion. subtlety is the key hereas this moody number builds with tense strings, deep pads and iron percussion. the last track >too much pressure< takes the classic deep house sound and brings it to the 07 dancefloor. very much like nu groove or chicago tracks, starting off with nice organ riffs, it matches delicate melodies with wooden beats and a 80 s r&b vibe that is as sensual as it is groovy

this dope 4 tracker starts off with homero espinosa (yerba buena) delivering the goods on >le one<. tight drums, a deep pulsating bassline and superb keys are the order of the day here. wicked! next up we have the 1200 warriors dropping a remix of >le one< that gives us a different take on the origianl with it s boompty funk and spoken vocal samples. on the flip we have those two badasses from indianapolis john larner & slater hogan coming correct with a nice deep funker that is sure to get the booties shakin on the dancefloor. last but not least we have dani deahl s >too hot to handle<, which is exactly what the title says, hot with its massive sub bass. 4 heaters on this one

joaquin durrieu aka paradoxxx is a producer hailing from buenos aries, argentina that already has a reputation for music that is freshly electronic and futuristic in its appeal. this is definitely one of the strongest 3 track eps to surface in the progressive house genre offering an upbeat approach that is all about zooming fx, layer upon layer of synths and melody sweeps anchored by crisp, crunchy beats

limited boot white test press! sexy hi nrg house / electro dub & vocal mixes!! brm says: although officially outraged at the unsolicited effort, the thrill of this of this powerful electro/ punk fest plus added bonus hearing her vocals mashed up with ramones, love & rockets, sex pistols: pinhead was too strong! plays by mark moore, robots in disguise, ... d.u.m.b. everyone accuses me !

freska already released his first ep on oliver koletzki s fabulous label >stil vor talent<. his sound goes deep under your skin and draws perfect pictures in your mind. take a deep breath, it will surround you intimately. the remixes are picture perfect too. freska is one of the newest artist’s on karateklub, but there s another. before he will appear with his on ep here, he just remixed >reflections< and showed his magnificent way of interpreting electronic music. on the other hand, we have our rising homeacts - super flu, with a just as excellently remix. elicious!

this is isometrics second release on disctrict of corruption. after their insert coin ep (doc007), the swedish trio returns with three new tracks. incl a remix by label boss aaron hedges in collaboration with red robin, known from releases on platzhirsch with his friend philipp groth under the name pachulke & sohn

and here is the kitsuné maison 3 compilation dlp. kitsuné means >fox< in japanese. this compilation could have been called >lair<. put the records on your decks, try to restrain from playing it too loud, thanks for the neighbours..

next cadenza killer ep !! the four cuts on this doublepack are monsters all, between eight and 13 minutes apiece. coming hot on the heels of similarly sprawling releases from ricardo villalobos and luciano & thomas melchior, they confirm cadenza s commitment to stretching electronic dance music s form to fit a more expansive frame. these are anthems, but they re anthems of a different sort. while too many hits beat their riffs like dead horses and treat their listeners little better, loco dice turns their attentions to gauzier, wispier elements: ghost melodies, feathery percussion, iridescent timbres that flash once and are gone

der funkigste techno der diese woche auf reisen geht vom bizarren aufsteigerlabel aus uk. tip!

label owner glenn wilson kicks of his 2006 assault by teaming up with stockholm new breed manuel fuentes. a1 sees glenn lay down a slamming stripped down twisted fat cut, >make um clap< which rips through some analogue sequences and pitched voxs, while keeping some solid twisted funky edits this cuts never eases up from start to finnish, manuel pumps the b1 with unity a fierce slammer which breaks down into nice grooves while layered with funky drums and percussion. glenns >we got too< cut, completes the release with once again a tough voxed workout appealing to the harder funk mob

connecting the doors remixes part 1 of 2 feat 2 deep grooving king britt mixes not to be missed

the maps with a new release called >dont fear< and sounds like ulrich schnauss playing too much spiritulized on no sleep and its utterly brilliant

better known as volum and as one half of angry robots volsoc (his musical partnership with justin maxwell), jean-paul bondys output to date has often been categorised as electro, but not as we know it, jim. since the early 90s bondy has been bringing us his vision of a cartoon future of blips, bleeps, squeaks and tweaks, all fed through your speakers and straight into your brain by a rhythmic salvo of breakbeats, bass, and straight-up, glitched-up funk.. bondys first solo album, >the path of most resistors< marks the culmination of this effort to date, while at the same time representing a subtle departure – not just for bondy, but for compost too. make no mistake, this is a record that is grounded in the kind of solid, machine funk grooves, synthetic melodies and sci-fi atmospheres that the best electro has always brought us

great minimal techhouse remixes by red kite !!!

the strongest hard techno label with another slammin & phunky 4 track ep! rolling, driving drum patterns infected with drum n bass / break beats combined with great little melodies with a trancy feeling !!

don mac hands us the next outing on mr cs superfreq label quality minimal house it is too, with warm basslines, techy chords and catchy hooks all over the place! being caned worldwide already by james zabiela, jo mills, ivan smagghe, kiki

with this brand new ep, his first one on a non-french label, d vincent turning back to 80s electro pop style, espescially on the a side >caps lock<, which could be the instrumental part of a depeche mode tune. not to be taken too seriously, of course ! >less< is more looking towards the actual electro-techno dance floor, and the other b side is a remix of bazoline founder doctor olive s the end of the beginning<. the original was released on parisian label missive music in october 2005 and played, a.o., by laurent garnier. this d. vincent remix was previously unavailable and definitely deserves exposure. in case of laurent garnier,doctor olive,dj hell,jack de marseille,lars sandberg,…!

well this little gem has been floating about since late last summer and thankfully will be getting a proper 12 release very soon. balearic disco heaven much along the lines of reverso 68, it comes across like indeep and chris rea in the blender together with it’s driving guitar licks, the unhurried walkin bassline and the soft kalimba touches. bound for big things this late summer and hopefully golden autumn too. theres the added bonus of a mudd remix of the b side track slow burning. i promise you folks its been worth the wait

next release from this young and fresh label from austria !! for fans of sven wittekind, dj kaoz and the other hard jocks.. check b1 !!

the sixth sequel in the traffic signs series convinces once again with its special signature sound. dry, acid-driven, stripped down but featuring enthusiastic structures and well-chosen sounds, this is what traffic sounds is all about.>coming down< on the a-side is a lively acid-packed track. opening and closing filters, delays and loads of nice effects make this a more than useful peak time weapon! >back on crack< on the flip brings a heavy dose of pushing chords, fizzing open hi-hats and cracking snares all around. don t take the track s title too seriously!

rich production, heavy beats, huge b-line and gritty male vocal combine to make this record a guaranteed floor-rocker. cuba s favourite scouse cousins rhythm code make a welcome return to the fold, twisting the original into a slamming jacker with a groove to-diefor. dub versions supplied on the wax too for the vocal adverse. support from laurent garnier, sasha, steve lawler, darren emerson

great six track ep by bjoern stolpmann with excellent easy going minimal tech !!

let me out is the dirty, gritty offspring of guildford based producers born tricky (jeremy duffy) and mr frisk (ryan stanford). having set up their studio only a year ago these boys have proven themselves as some of the most versatile producers in the business, having turned their hand to drum and bass, house, breakbeat and even live bands in their short production careers. they have engineered for a number of local acts too, enhancing them with their superb production skil

shooting stars john dahlback and dk7s mark o sullivan strike 2 killer blows as they launch their new label jm recordings. i saw your eyes is a mid set acid triggered tech stomper,driven by a sinister vocal hook, a pure celebration of those of us who have flown too close to the sun. while when you caught the sun clears the air with its lush crisp synth sounds and driving bass. the gravity pull of this stunning release will drag you into its orbit which is of course the centre of the dancefloor

total abgedrehter electro techno für ausgelassenen partyspass

you make me spill was already featured on the recent compilation from brussels best new club, dirty dancing. now picked up by suicide a&r geoffroy aka mugwump, and backed with a killer and dirtier low slung funk remix by suicides shapemod whos just released his amazing debut 12 with jamie lidell and snax (from captain comatose) on suicide, loves too much. also the engineer and bass player for eskimos supergroup the lotterboys and previously terranova, shapemod has given you make me spill the berlin sonic treatment while setting the funk factor even higher. to complement this fantastic pairing of mixes,arpolis is a serious piece of border community style atmospherics melt down with an electronic disco

paul hazendonk is considered as one of the new faces and talents in both national and international techno and tech-house scene of today. mhd born in paris, in 1979, mehdispoz is one of the upcoming french producers... a banging split ep for this new kill brique release with 2 strong acid tracks for the floor and a duriez dj tool (beware of the headache, this one is not to be listened to for too long) – but i m sure you know where to find the aspirin

after the fulminant launch of the label, modus operandi starts into the second round. this times releasing two new tracks of the gebrueder ton. der gelbe fluss streams like a sonic-river and carries anybody on who dares to come too close to the dancefloor. especially the second track denk an mich captures the ears of its listener. glass projekte – the latest track of the einmusik trio – this track develops massive, but not too heavy. and after the saw comes in it is all clear: go for the dancefloor, thats right. a very round thing, this record

next output from the beginerz posse - subtle tech house number with a chopped ska vocal - fuckin rockin

after his comeback single for playhouse we salutÉ nick calingaert back on the block with this detroit influenced italo stormer. analog feeling is the key word here ! straight jacking chicago groove with a murder bassline and soaring strings takes the track to higher level while slightly misjointed analogeffects tackles your toes. phonique who is currently riding high with remixes and releases on fine, simple and buzzing fly turns >through< into summer maddnesswith groovy drumprogramming and a strong breakdown perfect for those outdoor parties we all wait for !holmar filipsson (from mr negative/thugfucker fame) is keeping it real with a even more summery feel with light melancolic string work and minimal beats. with his own words >this is happy house as its best< – we think so too !

das neue label von krikor mit mixen von chloe, safety scissors, pentile....