supported by dj sasha, michel de hey, denis karimani, clemens neufeld, laurent garnier! a continuously swirling and twisting techno track. the youngsters remix consists of an effective melody with an ever growing detuned pad underneath leading you into a seriously overwhelming breakdown

the original of song for marie and elise is a melancholic pop jewel, which was made for the movie in your head. the remix comes from the disco superstars aeroplane (of which vito is also a part of). they keep the sweet melody, but put a fatass bassline under it to shook to your very heart and soul and make this an outstanding remix. flip over you ll get code 7429. it combines 90s rave sounds with a stunning piano making this a dancefloor sureshot. hot hot hot!

you re the one is the first single taken from his forthcoming album as high as the sky which will be released on wagon repair in may. baby you re the one is fast out of the blocks with racing percussion and a plunging bass loop. a piercing metallic tone encircles a distorted vocal sample as subtle melodies rise to the surface of the mix, steadily intensifying to climax. on the flip side, crackbeat is a darker animal. kindling wild percussion carries an eerily distant key melody that supports a rich synth siren. teeming with activity, the synth melody is trailed by bubbling bass tones as a feral percussive drive chases to close.

tony lionni is the new signing here at versatile. born in liverpool, his love for the music was passed on to him by his father, a record collector and former dj, who introduced him to crate-digging at the early age of eight. his roots stem from black music. hip-hop will become his musical bases before he discovers the acid-house explosion at the mythical hacienda in manchester. he naturally starts mixing in the late 80s/early 90s, playing a mixture of rare groove, deep-jazz, deep house, etc. he then turns to production and is noticed by gilb-rs fine-tuned ears who signs him on the spot. releases on labels like wavetec and mule musiq are planned further in the year. listening to papaia one cant help to think that 2008 will be the year that progressive house will make its comeback. it has been a long time since we had heard such a simple and effective kick and bass intro. the hi-hat then come in along with a small acid sound. the filter opens before the rhythm accelerates. in the middle of the track, the main melody gets dropped in, arms raise and the listener gets lost in the darkness of the night. on the b side, shuffle explores the deeper roots of lionni. the title is surely a reference to the beat, which is predominant in this track. once again the hi-hats are up infront mixed to percussive sounds, which undulate to the rhythm of the bass, making this track an essential tool, ready-to-use and be mixed into almost anything

incl javi reina remix!! alberto rousseau release on set me free from spains madrid a great progressive house track with a summer vibe

two names synonymous with melody, style, and forward thinking, brazil�s gui boratto and germany�s own martin eyerer present two hot new productions on audiomatique.

musetta is a new signing to irma. peace and melody is a really cool soulful house club track. includes mixes by gutterstylz, bart van wissen and dj yellow

off-key limited is a new subsidiary label of off-key industries whose aim is to give exposure to new artists alongside established producers and to bring a wider range of genres with less of a focus on the dancefloor. each release will be strictly limited and will not be repressed. we start by raiding the off-key vaults to unleash a series of releases entitled >the dust off<, featuring material written in the off-key studio over the years by matt o brien and various collaborators and associates. matt kicks off the ep with >a new page turns<, a bangin dubby detroit techhouse cut driven by a low slung rhythm and analog stabs dripping in reverb, overlayed with a melodica riff which calls to mind the smokey refrains of augustus pablo. next up is >untitled< by newcomer mat gates, a beatless slice of electronica whose understated melodies conjure up thoughts of late summer evenings of times gone by. on the flip, o brien and gates combine under the artist name kimble to bring you >epiphany<, led by a shimmering melody underpinned with haunting strings which combine to form an electro track of rare beauty. this diverse ep is completed with mat gates second contribution, >in a hole<, a drum n bass track with a disjointed, skeletal rhythm, sub bass drops and fragile, melancholy melody.

an acclaimed young five piece from leeds, stateless have already displayed their mastery of beat driven guitar and turntable rock on previous releases. but their third single bloodstream, is their masterpiece. a 21st century blues ballad built from cinematic hip hop beats, super heavy bass and perfumed piano. it sounds both heartbroken and drunk on its own romantic intoxication. the berlin based producer and remixer henrik schwarz, one of germanys most respected djs, brings his trademark love of jazz and deep house to his version. schwarzs remix re engineers the track as a sleek dance tune, speeding up chris vocal into a restless, nervy, emotionally naked torch song. by contrast, the chic parisian re edit maestro pilooski strips the track down into a cubist collage of rhythmic throbs and sparkles, with a staccato piano melody pulsing through it like a heartbeat. its a playful and vibrant fusion, where soul baring yorkshire poetry meets sleek french disco chic.

first release on the sublabel mythica white !crazy on the dance floor is already a big hit on all dancefloorz with its upliftingvocals and catchy melody. so check out this hardstyle bomb!!

slamming 2007 ibiza styled house mixes

supported by: chez damier, jimpster, chris duckenfield, leandro gámez� from the hands of nacho marco, who recently had a big succes with his >sweetest ep< on freerange, various forthcoming releases on pacha recordings and with a bunch of releases during the last years on labels like odori, shinichi, mutes future groove, d.press industries, exun or hypnotic, comes this new label focused on house music in its most deep, electronic, tech and groovy side. based in valencia, spain, loudeast records will be bringing the most elegant, quality, moody tracks to your favourite dancefloors. for this first release own nacho wrote >sundays in love<, counting with the special remix collaboration of partners mike shannon (cynosure records, montreal) and garcynoise (justified cause recorthings, barcelona). on the a-side you will find nachos original mix letting the melody and bass persist amongst the rest of elements. a2 is the turn for our canadian man mike shannon, who with his >tuesdays in love< mix drives you to an uncertain techy point between montreal and detroit cooked with hot spicy percussions.

next hot fat spanking on the way. this time labelboss kriz miller co-operates with jason little ! 4 powerful hardtechno tunes at its best.

>dark side of the moon< follow up, but? the wait is over, the boys have returned!! remixes are from the likes of german electro trance meister wippenberg, house big boy jerry ropero, canadian maestro dj dlg and of course ernesto and bastian their selves also provided some mixes. vocal support comes from the famous jamaican reggae singerjahmark, for the ones who are wondering where the boys found this raggaman-stylee voice.. >> on support are already armin van buuren, above & beyond and marco v!

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.

minimal grooving techy edged/electro flavoured atmospheric house tracks

funky electro flavoured breaks number with sweet female vocals by liz melody a side feat a huge atmospheric remix by fats records artist mark ford aka merka

matthias heilbronns >jungle dub ep< on poker flat reveals the more techy and reduced side of his musical creativity. >do it right< kicks off with a groovy and hypnotic bass-loop which paves way for cascading synth lines and a funky melody. >jungle in the city< is another tech-house dancefloor track. it keeps the mystic vibe, but adds a darker atmosphere and features loads of soundbits!

>the dawn< is a moody, undulating cruiser of a track, which will subtly but surely make a dancefloor feel a sense of sunrise, whatever time of day or night. busy, clicky percussion sets the scene for a full-bodied, rising, almost trancey bassline to take control. t ups the intensity with real dancefloor nous and precision programming, layering distressed synth sounds and heavily treated keys atop each other while never losing sight of the tracks fierce ,fundamental groove. �the dawn� builds and builds, by turns dropping out the percussion and the bassline, every departure and return a heads-down, hands-aloft dancefloor moment. the crisp snares and rich, melodic notes of delay add even more depth to what is already an essential tune. b-side >jam pot< is more playful, and driven by a classic physical bass melody - at once intimate and techy, dubby and dancefloor-urgent, gritty but optimistic. again, the attention to detail on the percussion takes this track to the next level, and jazzy keys provide an organic ontrast to the robotic blips and bleeps.

something slightly different perhaps, but probably even more cutting edge and effective. from definition records we present christian fischer. he is probably one of the most open-minded techno artists around judging his numerous releases which covers just about all aspects of techno music. miracle places is solid stomper with electroid influences and dreamy vocals. this would definitely not be misplaced in a dj hell or terence fixmer set. the b-side is a collaboration between fischer and newcomer the ascent. this results in a dark driven and steady stepper with freaky melody. a solid b-side track for the little hours accompanied by smokemachines in full throttle and full on strobe-action

surefire peaktime house bomb backed with cool guitars and the blinded by the light piano hook a must have

sleazy mcqueen and the nasty fruits make their boogie farm debut with an e.p. full of tripped out detroit-influenced disco-funk! on the a-side we have the detroit influenced >neurotic city<. it s smooth pads and eerie percussives blend well with the breathing bass line and chaotic melody making it the most clubby track of the release. on the inside, we find >things i do for you<, a heady deep house workout that will appeal to fans of late night debauchery! we ve been told that it was written late at night after a few bottles of wine, when sleazy mcqueen woke up the next day, there it was on his desk top. we think he should get drunk every night if this is the result! on the flip its remix time courtesy of one of the hottest guys and label at the moment: philip lauer and brontosaurus! the >brontosaurus< remix of >gimme a kiss<, with its smooth running bass line and great pulsating rhythms keeps a good disco vibe reminiscent of kano! boogie on!

the line in between will be released as three vinyl singles and a cd album. the second single includes two tracks from the album, >lost< and >panamuno <,with two brilliant remixes by zentex and 3 channels. the original version of >lost<is all about minimal hi-tech funk with a jackin flavour, while zentex s (kickboxer)soulseek remix drives on ghostly melodies and a haunting soundscape. the flipside tune panamuno is filled with warm synths, beautiful strings and a hypnotic melody,yet again by the frozen north grand wizard himself.3 channels remix thrives on controversy and begins where the original version ends. a real gem for the likes of progressive approach! martin landsky,loco dice..

the psychological poets drop some nasty beats here. it took a while for this record to finally arrive after we got the first demosent. not strange with this group of intellectuals from bulgaria who are constantly in group therapy for a hobby! the original mix of remix (whats in a name) is funked up techno flavoured infective beats, topped with a hard to resist melody.

jazzanova have given us an extremely nice christmas gift this year. they produced together with secret love hero sascha gottschalk aka thief a lovely one sided 7 single. the sirens call is based on a jazzanova instrumental of the same name to which thief has added lyrics and written a melody. limited collectors item

hypnotic pumpin house grooves

nice price deal !!! the infrequent recording career of rob rives resumes with this chunky wave tec 12 which provides for twenty minutes of nice n crunchy electronic house, often verging on the techno side of things. melody attack takes a while to warm up, but once the miasma of jagged keys,grindy synths and clipped drums reaches their optimum level, things can only continue to climb. counter attack is a dubbier eleven minute excursion along the theme of the a side

futuro is back with a doubledecker o fclassic detroit influenced technohouse by none other than kim rapatti aka mono junk (styrax/dum) in his melody boy 2000 disguise.when sähkö was starting to release minimal records in early 90s mono junk had allready a few years earlier made an impact in the technoscene with his original detroit techno sound. influenced by the sähkö sound, mono junk released monotone fantastique in 1994 on his dum-records label (dum-014) on a limited 12inch which has become a classic. almost 12 years later and futuro is picking this gem up from kim straight from his master dat tape. newly mastered this shit rocks!b-side features 2 new productions, a perfect way to evaluate the progression of this talented finn. sound steal er is more geared towards the dancefloor, it features deep eerie vocals and machine-alike drum programming while sient mornings is more of an early morning electro crooner

the hamburg based yul and dabrink aka combi with an excellent two tracker !! the a-side comes with a deep chicago flavoured techhouse track which a nice little bleeby melody makes the highlight. on the flip you will find a cool driven deep techno monster !!!

on la manie oliver koletzki released originally the track mÜckenschwarm. after oliver koletzki left la manie because of his own career, michael sehte get into the project and brought his anarchistic character in the new tracks. and here they are, the new tracks. >drecksbeat< sounds like it s called. dirty, nasty, horrible. the consequential continuation of >mückenschwarm<. it will be transform the dancefloor into a pillow fight and jawing match at the same time. the b-side track >the cocka hola company< is affected by the homonymous wonderful book of michael forsakken. the gloomy matrix retrieves memories of old ebm-days. it is sallied by a an elegiac melody. its for the dj who will not shrink from kitsch. see you at the floor. the weasel-quick children from downtown are back!

oscar mixes techno-electro and some tough bass thats purely f-in rockin! on the flip is the highly talked about blackstrobe remix that gives the track a completely new sound design reminding us of new order or nitzer ebb, following the melody of the original whether new york, berlin, or ibiza, this is surely going to rock any dancefloor

smooth jazzy vocal house number with a great male vocal including two remixes by yukihiro fukutomi (sb)

big funky filtered breaks killer on a side that should work the dancefloors around very well flip for a dubbed out dancehall breaker (sb)

mark & john = mark o sullivan & john dahlbäck! an extra-fine ep including three amazing tracks. the titletrack most dangerous animal in the zoo is a banging acid-techno track which will set dancefloors on fire with its punching kickdrum, dark synth-lines, distorted vocals and the hammering hihats. trap 2 builds slowly into a more minimal acid track with a floating melody while last chance to see is a very dark track with a speric atmosphere, manic whispers and a spooky melody

big string killer a la silicon soul on a side big funky bass and guitar driven track on the flipside played by deep dish flash brothers and chab

the stay is based on a vintage drum machine loop a la sun palace peppered with live percussion, an acidic synth line plus some bittersweet melody. flip over for a classic house excursion working some classic bluesy detroit house chords and sporting great twisted drum programming. also comes in new blinding, in-yer-face sleeve design

another peak time winner coming from climatic. keeping the magic of the original with the powerfull vocals from b. beresford 'melody' hits us with a big synth line riding high over a bassline geared to make some booty s do some serious shakin

slamming phunkin disco house incl. new unreleased seamus haji remix, tune brothers remix and pat legato mix

strong ktf & seamus haji remixes!!

nice price deal !!! fastforward rhythm, big sounds & vocals and of course an extremely catchy melody. this time the guys teamed up with jan loechel (songwriter for: 4 strings, rank 1, survivors, mystery, ron v.d. beuken, ian v. dahl, sunloverz...etc) for the amazing vocals

allerfeinster minimal house groover , die platte ist sowas von heiss ..uiuiui for fans von villalobos & co..ultraphat summer burner !! // produced by james holden and played by sven väth�

2024 repress, 140g vinyl, remastered, double lp with the original lp along with a second record of 14 rare tracks

groove-centric, melody-driven tracks

felix da housecat�s esteemed label founders of filth are back with their second release. the label has received an accolade of praise from the industry since their launch was announced on resident advisor back in may. returning with the aphrohead alias, founders of filth volume two is bursting with enlightening verses and impeccable instrumentation. the divine opens the ep with a haunting synthesis and enthralling lyrics. aphrohead leads you down a path of eclectic percussion and that all important kick throughout. an almost space-age xylophone forms the melody of moonrooms hold/release, building up to a frisky array of drums and shakers, propelled by hypnotic, slowed-down vocals. in-house band the foftreal quintet end the labels second ep on a high with i wonfof002t try. an energetic beat structures the groundwork for the label boss and his enthralling backing singers, taking you on a journey with thought-provoking internal monologue. felix stallings has been making his mark on the industry for over thirty years. the detroit-born music veteran has worked with an impressive array of artists over the years and his productions span a wide range of genres from house and techno to trance and nu disco. felix has gone back to basics with his label founders of filth, claiming that no rules apply in the community he has created, it�s about your love for the craft not for the money.

valley center showcases lunsford s seamless genre-hopping skills with the outcome an lp packed with tracks that wouldn t sound out of place on ltj bukem s logical progressions series or in the metalheadz archives.

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