there certainly ainft no stopping franck roger at the moment: another 12 teaser from his forthcoming album makes perfectly clear that this parisian producer is churning out nothing but pure quality deephouse. >say you love me< sports a classic, slightly latin-fused riddim with and effective off-beat organ chords and horn stabs. the dub mix is even more stripped, putting the emphasis on the strong beats - dope

tomash gee (crownbar, combat skill) presents a sublabel of methadon which will be a place for the industrial or even hardcore sounds as well as fine hard techno and schanz tracks..

nice price deal !!! w.a.n.a. is a fresh sounding electro-house cut which refers a lot to the sound of producers like dj t, marco passarani, francisco or even the hacker, cool electro spheres put on solid house beats. the b-side features a wicked mike monday remix, who has gained growing support over the last year with his great productions on freerange and his own label playtime with hits like which day is it?, tooting warrior or buttfunk. this remix has a mega dirty pumping bassline that leaves the floor in a devistated state especially after the climaxing break when the strings come in. a great rocker this one

huggotron is back in form with an other dancefloorslammer on confused. >breath< delivers a floor friendly ,hot dipped, hypnotic track with a slice of acid. >dance< the title really says it all is an uncompromising piece of material, while >live< applies his focus even deeper into the modern techno abysms, frightening and unpredictable but strangely alluring

very big buzz tune, with a real michael grey meets shakedown disco/ house feeling production movin on up is a rousing, at night styled electro houser, with storming rhythms, along with lots of vibrant filtery vocals, all over pulsating basslines, with a over all party like arrangement already huge all over in europe in the clubs, and even on radio one too!!club mix + acapella radio edit workears mix

4 dance floor destroyers are compactly packed here ready to tear any club to pieces and make many ladies shake that booty. even though michal does not own a driver's license or posses any piloting skills he has a very advanced degree in creating ass shaking minimal booty house. michal kicks the party into action with kiss the wasp ...

this ep starts with an amazing driving monster tune from obi.. ryuji takeuchi, he japanese wizzkid drops a nasty crunched up techno bomb you will definitely remember! the ep end with an even more aggressive and explosive track coming from one of the most active producers in the scene, jorg henze..

'voyager' perfectly takes you through different phases of tension and release starting with a irresistible build-up where just the distortion of a simple chord raises the electricity topped for even more intensity by frantic hi-hat action in jazz-drumming style. for 'sucre' he teams up once again with qzen who already refined 'sweat' on pokerflat and 'paranoia' (palette034) and gives another alluring performance with understated, teasing spoken words over this gliding, liquid cut. whos the sugar daddy now?

killer deep house tune from south africas kb produced by osunlade. kb is huge in her native south africa and was the recent winner at the prestigious sama (south african music awards) this year. this brand new release is the second release on yoruba records (following on from the success of >el musica< earlier this year) and includes a serious yoruba soul remix by osunlade. both versions are already featuring in numerous dj charts, even though its only been given to a select few - this will appeal to all lovers of quality house music

lars sommerfeld underlines once more fumakillas unique new grown up sound profile - cool reduzed long growing tracks somewhere between sparkling electroniquness, thumping minimised grooves, bumpty discotech layers and at times even classic real underground new york house pitches in the like of early nervousstuff thrown in. sommerfeld combines it all to an ultra ônowö three track smasher ( a1- sundowner b1 - the next step b2 - transport) from what we think is his best and most worked out release to date. no denying, to get massive play here we dont need no whippin , this wild ôlife of oö will ôdominateö floors all over until full satisfaction!

kill memory crash return with an exclusive mix of 'the o'.. riding a dirty, drivintg, dancefloor-ready acid line, this version takes the song in an even darker, more urgent direction! massive kick-punch beats and eerie vocal treatments in the grat the hacker remix !!

giving a fresh new sound each time they play signal electrique diffuse a non stop flow of sonic information, following a mysterious path which combines acoustic improvisations and digital programming, humour and broken beats. 'a cocktail which is sometimes electro, sometimes post rock sometimes definitely punk or even funk eighties film porno like- shouts' trax

ein meisterwerk der psychedelischen technokunst.. so intensiv wie dial, so groovy wie steve bug.. genial.. nn

another super catchy anthem in the making from one of the most successful acts in electro house both mixes are hook filled power electro houses that are sure to capture the hearts of the serious house dj and clubgoers alike. limited qty, will go even quicker than the first release

extra large housetrack that has blown all over europe gets even bigger now with a massive peaktime remix by christian alvarez on the flipside

the first subrelease on mo s ferry beautifully sounding and exceptionally nice packlage sublet fenou. the first 10inch starts with dapayk & midnight emergencyone of the most blissful tracks we ve heard in a while. organic and clicking with beautiful vox reminiscent to a man called adams best moments or even the a real underground mix that ebtg would have propably liked to make. uberrocking! flip right over to so inagawa & sakurai , new artists on the block with some excellent sensitive minimal electro frickling that makes this package round and a pure collectores gem

bearback is back , this time bigger and better than ever ! not only do they bring the sexy , sleazy funk from the stars on down — this time they even hit it off with a little forward thinking soul on the inside cuts ! some could say that these guys could very well be the most ironic producers in the minimal scene

the second release is even more trippy than the first maschine.. dark & weired minimal deep tech with an electroacidhouse track completed this stuff you might have heard from oliver lieb before.

heckmann power on two tracks.. shadow dancer has a clever beatstructure and a nice hoovered melody hook.. cellar doors has a magic break in the middle and the swirling snaredrums, just to kick off even more and let the crowed flip straight away..

a colourful music mixture with groovy minimal and poplike experimental song where the familiar experiments of clicking snippets of niklas meet the cheeky, demanding and dreamy lyrics from eva's notebook. just from first brief listen 'close up' is even stronger than expected, dapayks sound is even thicker , intense and more worked out than with his recent singles, eva's voice is even more beautifully blissed and see through , the lyrics more refined. a grown up and thrillingly versatitle 'real' album project, 3 of the 8 tracks are definite and extremely rocking floor anthems

the opening series of stars-music hs finally come to an end, even more hi-fidelity and more emotional than before. so far the best release from stars-music. valve is for blue, sleepless nights with the neon lights of the city in the backround, kick and snare unsparingly mashing between the concrete heightsÓ minimal deep deep space disco boogie with techhouse flavours

original mix + remixes by lifelike & greg kazubski. lifelike actually topping charts with kris menace & the summer 2005 track 'discopolis', gives a fantastic danceable treatment to this post-french house modern love song ... you could even hear a little daft punk action creeping into this song. supported by didier sinclair (radio fg), mousse t (peppermint jam), alan braxe, shakedown (panorama), roger sanchez. a hit in the making, destined to reach the top of charts

paris acid burning in da house. chris carrier, one of the busiest guys in the game with uncounted releases on robsoul, detour, crack & speed, minority and his own adult only imprint teams up with dj wild again for the even more jacking bumpty side of things. 'acid enema' gets right down to business with an agile a 303-style bassline, quirky synth pads chords and rough robotic feel. and: the ep title already gives you an idea of what to expect from side b: right, another 2 dark and thick anthems between acid and electro - with 'texas kockroaches' being easily one of my favourite tracks out of the genre´s late offerings - this is sick

hailing from japan these guys dont muck around, the even make up there language and sing what ever comes to there heads whilst recording and underpinn it with beeping, quirky melodies sounding as if played on kids instruments - a loose percussive disco rhythm tries to keep everything togeter a bit but stumbles from time to time - cute, oddball and over the top at the same time like a takashi miike comedy. the idjut boys stretch the cut to a maximum disco workout and even generously treat us with a sizzling, stripped down and abstract bonus version

on this 2nd release from fastly rising imprint boys noize beware of the high tension that is volta82- a minimal yet heavy and powerful track which was programmed by alex ridha ( the dj and one half of boys noize ). additionaly you get a fantastic remix from frank martiniq ( boxer / sender ) who manages to make it even more minimal without taking away from its floor quality

it's the uk's answer to mega underground hit geht's noch. a big trippy number that asks the question we've all asked when we finally came to on some strange dancefloor the day after, or even the week after that ... 'what day is it?' big with: josh wink, xpress2's rocky, laurent garnier, tom stephan, lee burridge, ewan pearson, phonique & mylo

the perfect summertime soundtrack with 3 superb mixes for a long hot summerday and even hotter night

definitely one of his finest production to date, delivering a hypnotic kind of balearic peak time action. a huge b line stumbles through the a side track and makes clear why you get that tripy feeling unless the breakdown pulls you back and kicks you off again. the b side track is even more driving and rides on a great tech house groove with a never ending hook! you like it kicking - get this one!

this track has everything from a dirty fat electro riff to rollin b-line and even a breacks section before it unleashes into a pumping floor monster

patrice strike comes back with a killer electro house track love songthat even before its release receives great feedback from djs such as joachim garraud ive just listened to your track, i dig the electro-rock version, bravo. the title is already available on the sound of beachmade in ibiza compilation which will be released at the end of june

new opus by i:cube featuring three sharp and compelling tracks, chicago sur seine takes on early chicago house with a naive yet modern approach. reminiscent to the deep jacking imprints of the virgo four, rich in nostalgia its explores the roland juno 60 sound producing a basy and powerful drive. tokyo uno is a sensual slow motion disco tune, i: cube even brings in some melody with a balearic feel. a summer sunrise anthem

4 track ep with dark rollin schranzin techno banger

come on come on blends chunky beats, a meaty bassline, great spoken male vocals, and riffing synth chords into a driving peaktime houser. on the reverse, dj prom reworks the track into a an even bigger groove, with a beefed up bassline, solid primetime beats, and more of the vocal involved for another surefire big room floor pleaser

red hot r&b track that sounds like beyonce 'crazy in love' mashed up with a smokin 70s funk instrumental and is not even released yet emerges in a extended 7 minute workout by edit king mr

ark makes us happy again with his punkfunk. weird stutterhouse patterns with hip hop grooves and funky vocals. for the latter he has invited two guests: on sucubz xavier vindard sounds even dirtier than james brown. this album should be listened to with your sneakers on because you wont stop moving your feet till your neighbour rings the bell

with some real filfthy funk electro house here french style devious female vocal, wicked groove, sexy and cool ain t no one sittin around when this one plays! flip it to the b side for the even dirtier dub mauro m.b.s. - heavy hitter (bee's nees) keep the party going!

all tracks unreleased and recorded exclusively for tresor. mr. atkins was unique in researching and experimenting with future electronics on american shores in detroit long before the term 'techno' had even been use

the a side is an acidic pecussiveish munster, not just another 303 track, more a vital as hell, techy, uplifting piece of demanding modern music. the b side is completely different, maybe even stronger, kind of german(ish), electronic, melodic, prime time cut. both sides are big with: mr. c, dave mothersole, chris duckenfield, nathan coles, murray richardson, amir javasoul, fafa monteco

in 1983 public image ltd. (pil) scored its biggest u.k. hit with'this is not a love song'. here comes a up-tempo pop/rock song electro house cover version of one of johnny lydon's finest moments yep the pil classic. very well done indeed with some heavily fx d vox,a cool retro synth line and even some les pauls and marshall stacks making a guest appearanc

collaboration between these 2 french techno-producers /djs resulting in a powerful peaktime agressive soundblast. check out the b-side for even more power. not for pussies

john spring, rené breitbarth, metope und golden red versammeln sich auf diesem luxuriös ausgestatteten 4-trackers um dem bratzen auf höchstem niveau zu huldigen

the dose berlin's lectronic answer to for those about to rock serve a new 4 tracker so tightly programmed and intense sounding it s propably the most mature fumakilla to date, maybe one of the german records this year. their best moments remind of a meltdown between rockers hifi and an up to date green velvet but this time they take it even further

as the first pre-release of his first solo album, alex bau appears on toneman with the track 'difference' of the album 'connected', together with a remix of tony rohr, definitely the right man for groovy techno. everything new, everything fresh at the home of mr. bau, and he goes for even more, trying to reflect his dj-style on his album

a brilliant & catchy mini-tech’house release..with unique sounds, filter-(ab)use..and even a breakbeatish, acidic track.. not only for lovers

the original, with its wailing organs 909 beats and dark vocals samples takes this one down the road 3.am style. whilst the flip-taken over by dj linus - goes even deeper into a dubby synth workout with a chicago trax bassline and 707 claps hitting hard ontop of the 909 kick. pure, effective nostalgia.

surely one of the biggest hypes this year by one of the fastest rising production henrik schwarz - is finally ready to hit the floors. already his first epic ode to one of the soul greats marvin on mood music was getting mad props everywhere, but this monolithic, dirty midtempo-groover pepperd with sample cut-ups of roy ayers classic even tops it

the maurizio story continues with two more techno dub tracks of astonishing width, depth and presence of every single sound element. some chords appear after a break in the middleand gives the ongoing groove even more drive.

melodie opens up cinetic art records with two trippy cuts that will take you on a deep journey listening to them in your home or at the club. the b side also has a remix by legendary producer jay tripwire that takes you on an even deeper state. cinetic art records is about music which is constantly evolving and at the same time builds up a subtle energy in the listeners mind and body. vinyl only.