vinyl only release ... various artists / 08 ep from only 300 family recordings outlines a black cosmic forest growing, through organic vibrations and delightful sounds. hypnotic. resilient. overwhelming

almost exactly three years after nr&, a project uniting &me’s and rampa’s production with the voice of new york disco-house-siren nomi, dropped their debut ep, we finally can announce a new chapter in this ongoing transatlantic menage. this very “spoken for” ep is comprised of two new tracks, that again fuse songwriting with floor-demands and showcase the same crackling and pulse quickening passion that instantly has become nr&’s trademark. so here’s the evidence – a long distance relationship is not necessarily doomed to get boring after a while. “taste like” on a might be conceived as the club-affair of those two new joints. a tune indulging in self-control, extending the pre- eruptive moment of excitement to track length. there is nomi’s unmistakeable sexed up oration, flanked by an affirmative thunderstorm of claps, then a bass heavy bridge, overflowing into a noise brushed finale. altogether a tasty flavour carrier for an effective floor heating. “spoken for” is not only the title track, but also the hymn coming out of the flipside ambush. there is no kick necessary to underpin what nomi’s charismatic croon is laying down. therefore a wise choice to let the arrangement of interspersed field recordings, percussive details and piano- and synth-decoration exercise in unobtrusiveness. safe to say, this tune will refine many future peaktimes anyway.

a firm favourite in the hot creations camp, jey kurmis is back on board the label following his recent kari ep with another killer release in the form of the not too flabbeh ep. the release features two-standout originals, with a heavy duty re-edit of a third original from label boss jamie jones not too flabbeh features belgium producers nukov & yelmet, creating a bona fide hit! complete with tongue in cheek, catchy vocals, rolling bass, and infectious groove, its a winner! jamie jones steps up again, this time to do a reedit of farno, a four to the floor edgy killer. last up is monkle with its tripped vocals and old school stabs!

fusing forces from norway and ghana for crosstown rebels is djuma soundsystem & yann coppier feat. king ayisoba, with the expertly crafted anyimo a african infused techno beast of a track, featuring remixes from dj and producer ibadan kingpin jerome sydenham and the illusive johnny aux who brings his signature acid house sound. king ayisoba originates from ghana and has been sharing his modern day twist on kologo music all over the world. norwegian in origin, djuma soundsystem has been creating music and touring the world for over a decade on labels such as rebirth, eskimo and noir. the two creative forces have combined here to create a truly unique afro-infused head turner of track with king ayisoba superb ghanaian vocals. the legendary jerome sydenham delivers two floor-filling interpretation of the original, both vocal an ibadan dub, hike the tempo and hit the floor running. also, johnny aux delivers a rib rattling techno take on the original with devastating effect

banoffee pies records return to their original white label imprint for another limited ep with bp003. tip. again the bristol label continue to compile artists and styles from all over following there no f***s given approach. the one sided a1 heavily samples a drum solo from the blockbuster film of 2015 whiplash, a strung out track filled with space and delicate percussion. jaffa surfas b1 provides a mid way techno break pumped with analog sounds and a swirling kick throughout. to end, the finely unearthed and re-issued b2 edit closes this diverse release with a bang offering something completely different. rolling jazz feelings for the dance floor. more love for the banoffee people.

after starting as a digital label, chicago based groove access music makes its vinyl debut! groove access has multiple releases by label owner and chicagos own, ed nine, and is set to expand with more chicago artists and others outside of the city. the labels focus is simple to represent a music culture that just feels right & brings positive dance floor vibes. the debut 12inch release timeless also comes from ed nine. ed creates his own unique flavor with each track while simultaneously paying tribute to his city and its diverse house sound. join in on the journey from deep to acid house and celebrate chicagos timeless house sound!

nandu lands on off recordings with a spellbinding three-track debut. walk opens proceedings, merging a chugging low end with forlorn vocals, claves and clangs, setting a dark and trippy atmosphere. label head andre crom reworks the addictive original, twisting it into a swirling trip of layered synths and subtle, shuffling hi-hats. the exotic entitled limon sits somewhere in between. its off-the-wall drum programming and moody, arpeggiated synth line gives this one a late night feel that is sure to blow the roof off of any dance floor.

let, the young but already assured label from the amsterdam based party crew presents their next release from close friend, robin kampschoer. he previously released music on studio soulrock and redevice, and it is hypnotic, deep and painstakingly produced stuff that makes maximum impact with minimum effort. his first productions for the label come with a remix from none other than detroit s luke hess. serene and blissful rollers that will take any dance floor to a higher mental plane.

sound of speed japan is proud to present the latest release from london artist k15. whether its making hypnotic head-nod heaters, or pulsating dance floor grooves, k15s music always radiates soul and promise.

one edge society is back with the man of the moment roberto clementi. model n4 ep packs two stripped down relentless club cutz. ideal for the dance floor roberto reworks both sides and leaves no questions unanswered.

ep opener >air rising< is melodic cut sublimely crafted over stripped back drums, tranquil drawn-out keys and soft pads with a resonating vox that seamlessly dominates to dish up a an emotive start. >carpathia< oscillates into life through bouncy tones, shifting percussion and lively atmospherics to build towards a powerful crescendo to finish the healthy three-track single off in fine form. novio dub tribes steps in to somehow cultivating the original over rippling drums, warped atmospherics and shimmering synths, the culmination of which is a dubby fusion of sounds geared towards the dynamic dance floor.

the shag edits return on roots for bloom with volume 5. label boss jamie trench starts things off with where the party at which reaches in to a hip hop flavour with that 90s sample feel. reece johnson rounds off the a side with a disco style cut that will bring the boogie to any floor. the b side sees the label welcome more newcomers in bristols j.morrison and the mysterious g.markus. brown eyes sees that 70s style funk brought to the table and bing! is a more house affair with a rolling feel to it.

vohkinne returns to atrophic society for its fifth installment with 3 cuts of top shelf techno. bathed in dust is a tough and gritty workout optimized for the floor, and remixed to perfection by patrik skoog. wetwork is a fast paced, odd timed tool that will find favor with fans of the old school.

after a brief hiatus, brouqade makes its return with a brand new release from fernando costantini. exploring a different side of himself, his debut ep features two solid grooves perfect for different moments of the night. to start, * plusieurs zip* conjures up a deep minimalistic groove-taking us on a floor-minded tour of peak time percussion, abstract vox, and subtle acid bass-lines. intelligently designed snares keep the track moving along with spontaneity and subtle surprise.
flipping to the b side, * something different* is a slow builder that effortlessly pulls you in with rising pads, sweeping percussion, and a rolling bass line to warm you up for those cold winter nights.

policy returns to argot with a mature and joyful record entitled the disconekt ep. this time around the new york-based producer integrates an array of organic sounds into his refined palette, adding further depth to meticulously written tunes. plucked guitars pop out of the cinematic * we are connected* rotund floor tom beats set the pace for charmingly interwoven melodies on * moleskine* and closer * his meaningful breath* is flügel-esque in its zig-zagging synth leads and deliberate pace. the records varied, confident nature makes it a pleasure to enjoy at home and then pop in your bag for that nights dj gig

nice price deal !!! manchester s techno alchemist and master of the roland tr-808, the enigmatic mr.raw, debuting mancdetroit 12” on win or loose records straight outta toronto ca! long term nightclub shaman on the northwest of england circuit, raw served time in rotterdam s early 90s gabba circles before returning back to manchester to twist brain s n bodies with his wild blend of freestyle techno. raw s witnessed trends in production go from hardware to soft and back again but he s never strayed from a solid rack mount set up based solely around the tr-808. with a few added choice fx processors raw s style is loose n live and captures a pure spirit rarely exercised by today s pacified youth. -perseus dance- sounds like the kind of shit the great ron hardy would jam on, with two copies, for hours. inflicting a sherm-stick flavored mind-blast to the floor that may have indeed caused the good man to blush, we find percolating 808 percussion woven together with a mystic, fizzing lead line and twangy analogue artifacts. darkside acid dragged wailing and whining from rusholmes drains. flip and we have -hard on-: a twisted x-rated porno horror jam. raw s rapid-fire double-speed drum loops firing away while a plethora of abhorrent vox and coital sounds converge onto the track. a total wrecking ball of filth and hellish distortion which just smolders away in the basement of some sadistic nightclub like a rotten but highly intoxicating fungus ready to switch on any passing freaks.

2016 repress - further heat from gay marvine, brightening up every floor with powerful uplifting dj tools, the essence of the heat of the party. this time we have lost disco classic that just gets you burning, the funk of war given the perfect disco treatment, diana giving it to you like only she could (and later michael would, his exact staccato style), and luv tempo of factory favorites who later had a member who completed her phd in the cultural politics of the house music aesthetic in 1995. serious business for any floor!

limited edition of 175 hand-numbered copies.
crisp, organic and feverishly unhinged remnants of the duos dubwise sessions. like the end of a tape echos rotations, itinerant dubs serve up two cuts of full-bodied experimentation, morphing their previous floor-proof grooves towards newer, more visceral soundscapes.

the second release on people of earth is from another detroit native that calls atlanta home, mr. reggie dokes. the psychostasia boss is back and doing it better than ever. following up kai alces quiet revenge ep with a limited edition 10 inch that blends techno and house in a way that only reggie can. straight dance floor heat.
vital sales points: limited to only 400 copies. 10 inch vinyl only

2016 repress...the second sampler from king street celebrating the work of the mighty kerri chandler. kerris career in dance music stretches way back to the late 80’s and he has remained at the top of his game throughout, thus rightfully earning him the title of - house legend! as with the sampler before, the king street vaults have been raided for only the highest quality cuts from his extensive back catalog. kicking off the ep is his all-time classic, monster, dance-floor wrecking “bar a thym-, a real deep house masterpiece that should need no introduction and the perfect way to start things off. over on the flip we are treated to welcome to king street a deep, immense spoken word love letter to the dancers delivered in true kaos 6:23 fashion! this track has never been issued on vinyl before, only ever appearing on the 2012 king street compilation of the same name. finishing things off is be there-, another solid banger lifted from the kaoz on king street chapter ii 12inch from 1997. all in all, a killer selection of tracks from a true master! this (and the preceding) ep are the perfect points for those who missed these killer tracks first time around, or are a great place to start for those who are new to the legendary mr.chandlers sounds. all tracks included have been re-mastered and re-pressed in full conjunction with king street sounds, new york city

180 gr, vinyl only, adrian niculae aka priku
if you ever had been struck by the feeling of letting everything go away, right in the middle of the dance floor and you couldnt explain what was happening to you, then you have to listen to adrian niculae’s atipic 001. side a delivers nine minutes of carefully crafted momentum, adding layer over layer of tension. side b connected at an almost imperceptible level with the first track cuts deep within our electronic souls injecting us waves of rolling techno wearing adrian s obsession for subtle details.

past midnight. empty streets. from an ill lit doorway a sound. a woman. shadow. a scent. drawn into one. smoke and synthesizer music swirls. bionda e lupo. crossing the threshold, tripping into twilight. analogue emotion, styles twirled like garlands. nervous shuffles and the touch of fingertips. weaving, bodies twirl as morning shoulders into night. the realisation. the edge of eyes. curl of lip. the click of heels with creak of floor. feeling flows, ebbs, cascades and floods. lipstick and heavy perfume. two forms swimming in currents, bending to one another in the warm glow of aging speakers. breath and pulse quicken. electricity spiked with passion. the final embrace. whispered promises. a kiss.

sublime and slinky four tracker from james dexter on dessous recordings, steve bugs label for the deeper side of house. the young brit shows his mastery of the form with an ep that combines effortlessly club-ready grooves with exceptional sound design and a strong melodic sensibility. dexter clearly know a thing or two about creating dance floor moments, with each track exhibiting a classiness that belies his age. have it like that kicks things off with a chugging, hypnotic feel and crisp drums providing the basis for a cool vocal hook and thick, warm bass. no time gets a shade deeper and no less funky, while get to this points a little further towards the center of the dance floor. closing track 120 goes even further into the late night vibes with a seriously infectious groove.

our dance floor shattering collection returns once again as trash the wax 3 lands & leaves a trail of raised hands along the way.

2016 repress , ,somewhere between germany and italy the signals were found. and what we heard from distant echoes is dystopic techno in his own definition. echoes, echoes everywhere. find the debut ep here, 4 tracks for the floor, the home, the road

shawn o’ sullivan marks return to shifteds avian imprint with a four track ep under his 400ppm alias. following on from 2013s non nocere, the new yorker pairs trademark stripped back drum programming with heady, warping drones and frenetic sequencing. even at full throttle, careful attention to detail lends the productions a degree of musicality oft missing from contemporary techno. subtle nods to idm feature, and references to o sullivans work with katie o sullivan as further reductions remain in the form of spacious verb and fluid atmospherics, but the focus is undeniably on the dance floor. printed inner and outer sleeve... black vinyl.

next on raw tools is irish producer and label owner, costelloe, delivering two tracks much in the manner of his previous works, both of them at the fine line between techno and house music.
while the title track, “infiniti” is definitely a dance floor track, with its rave pads and solid bassline, “pheta x” shows a more darker side of costelloe’s music. both of these cuts get special treatment from two of the most prolific and respected producers out there, lerosa and dj overdose, rounding off the ep with two amazing, yet diverse remixes.

crossing back on the floor. avion delivers 2 new techno slices packed with mastermind remixes by tripeo and blind observatory. the release starts with the ‘intro‘ which brings up the mood of the record with futuristic signal bleeps and a warm analogue pad surrounded by kicking and stuttering percussions. the original of ‘centum‘ starts slowly to bring up heavy bassline surrounded by bright noises and alternating noise swirl verbed to voices highlighting partial explosions to end with bleep and soft strings. crossing 006 this time welcomes two fantastic artists as remixer and lays down ‘centum‘ to tripeo and blind observatory for their re-­&#8208,,interpretation. tripeo stays on the rough and kicking side of techno and delivers with his interpretation packed with the original strings and an analogue synth noise accompanied by a straight drumwork and cutted hi hats a kicking weapon for the floor. the myterious blind observatory takes the vibe of the original and pumped it with an acid bass to create a parallel universe built by dreamy strings highlighting the rides to lose control in the perfect moment. a real dancefloor killer.

during the last three years a new name has been making waves at ostgut ton and berghain: berlin born, raised and based producer kobosil made his debut with a remix of barker & baumeckers silo (ostgut ton, 2013), completely unknown at the time, he has quickly earned his stripes as a dj on the clubs main floor, eventually becoming a resident at berghain. following up on five subsequent 12 releases and kobosils first live sets, his debut album sees him covering yet new ground in the form of a full length release.

old school filter house from finland, lupu and toni are sampling only forgotten finnish disco and new wave from the 80s. talopalo ep (in english house mania ep) is a solid production made with a tr-909, alesis 3630 and an akai mpc. the result is five dance-floor burners

lisbons event promotor frenzy, kicks off 2016 with its first release, and its a massive one. portuguese house don pedro goya (classic music company, bloop, overall, music for freaks) delivers a functional deep dancefloor-ish theme - flux. rolling bassline, heavy mental atmosphere and four on the floor drums, turn this record into a very versatile and reliable one. on the b-side, the remix. archie hamilton simply did what he does best. vinyl only

2018 repress! common labour is back with another slamming compilation release. the four tracked 12” includes top notch offerings from an all-finnish producer guard. limited and vinyl only as per usual. a1 mirage man, born roope karhunen, has fingers in many pies. producing, performing and steering two record labels, this man does it all. fusion of noisy and raw rhythm section, sub bass and dub stabs in this track make a mean combo. a2 common labour head honcho potholes is back again with a funky tool. tabarnac is a mixture of live drumming and 303 licks in a skilfully produced manner. dreamy yet refreshing. b1 roberto spins silk with his old school rendition of the future - a fusion of deep house, latin, old school electro. surprisingly functional and unique combination which will challenge the audience to bust a few breakdance moves on the dance floor. b2 another ace from tuomas salmela’s sleeve. the trippy and balearic composition of -feroxified- takes the listener on a soothing journey that guarantees euphoric sensations. sterling track for most occasions.

we welcome our 2nd part of the 90s house collection series, on this amazing ep we find 3 rare and hard to find tracks, on the a side we have unreleased track by sanjay which is kings of tomorrow from the early days, this is a pure floor killer, on to a2, we have one of the most respected garage artists from the 90 s eddie perez, with his mentalinstrum dub of keith sibley s track, stand by me & finally the ep is rounded of with the legend that is donnell rush, the redawg s outhere alternate mix is a classic i its own and right and very hard to find.

hey everyone – so we re back again finally with number 5. it s taken us ages but expect a slew of 12- releases from us this year. the big news for stores is that we ve gone vinyl only. our reason is simple - we love digging and label honcho the mole only dj s vinyl so why not follow our passion! maybe tomorrow is starting the year off with a doozy from one of the most knowledged disco guru s on earth – koosh. this amazing dude has been keeping canada s west coast edits scene strong and free for many moons. the heads should know him thanks to his releases on cult labels such as common edits, red motorbike and his own 7 inches of love. what you get here are 2 prime cuts that we guarantee to bring the sunshine to any dance floor and a bonus fx ripper to melt minds.

dripping out of the pores of tokyo high-rises, aquarium deepspace serves up his debut vinyl release and the second instalment on natural sciences. drawing on a palette of 90 s detroit house music and the electronic tropes of his home town of japan, midnight at the tokyo central is the unspoken soundtrack for the lost souls of the metropolis, recounting the ecstasy of smoke-filled dance-floors, the touch of dry ice melting through a fur coat, and travelling through neon at 6am. narrated by two separate protagonists under one identity, deepspace side explores muscular acid trax, aquatic pads and throbbing deep house jams for the floor, while aquarium on the flip is coated in hazy electronics and dopamine drained murk, drawing on field recordings taken at tokyo s central train station (rainy night in shibuya) through to lush subterranean jams laced in serotonin nostalgia.

this is number three in our limited edition pattern series, signed as always by label owner oscar mulero. scientific techno crafted with the utmost precision, working the stereo field and the frequency range on behalf of a sonic experience far beyond simple floor action. pressiing on transparent vinyl.

dirty macs highly anticipated return gets right to the gritty rub with four cuts of slow-burning and erstwhile white hot, dance floor choice.

arts is a collective of very blessed artists, this time is the prime debut of the best youth talent i discovered long time ago, farceb is coming from argentina, he is young more then what you can imagine, i never found any artist with this quality in this early stage. 4 cuts to dominate the floor.

brendon moeller returns to third ear after some years, following up his lauded jazz junk safari trilogy of eps with 4 peak time bombs. all 4 tracks blow up the dance floor. brendon moeller known for his sound design, has taken his sonics to extremes on all four tracks, pushing, twisting and teasing frequencies to the limit. the bass on all tracks is phenomenal. it s just as well that a master engineer like pole has mastered these tracks, maxing out the sound yet protecting the sound systems that these bombs will be played on. super fun.

presenting the latest release on nicole moudabers mood records, exploring the many facets and nooks between techno and house. we introduce young spaniard alvaro am to the spotlight with his ‚every time ep, a two tracker laced with clout, energy and spring in plentiful amounts. ‚every time aims it sights on a more house focused sound, skipping, pressurized tics around swinging beats and bass stabs, while wobbling, squelchy bass melts into the tapestry. no glitz, no glamour - just a raw, grooving jack thats tailored perfectly towards the floor.on the ...

2016 repress, this is the ep long waited by all disco lovers. on the main side *makin love* with the lovely long intro with congas and spacey fx that warms you up for the explosion of the hot sexy vocal line. on the b side a fantastic re-work of a rare disco/folk track modernized with loops, fx and lasers that give you the right kick on the dance floor.

paul cottam was diagnosed with encephalomyelitis disseminata, or multiple sclerosis, just as his first records were released in 2009. the symptoms can come and go, one day you can feel ok and the next day a relapse can floor you.

we know this is a very special one! our seventh record is a track that has been burning up the people must jam dance floors for years in its previous form - al kent has created a disco dance floor beauty! an unreleased monster that first came to pmj s attention through the now legendary dj history website. this track has been retouched and re-mastered for its vinyl release nearly eight years after its inception, we are really proud that this is seeing the light of day and will finally be available for people to get their hands on. mastered at the carvery for added bump and shine. the record is a strictly limited 10inch heavyweight pressing

the ep starts with the german vocalized protest song -uberall polizei, nirgendwo gerechtigkeit-, an ebm inspired track which reminds us of the early 80s belgium artists like the neon judgement and nitzer ebb. on the flip the riot continues with -kriegdienstverweigerer-, a hypnotic neo-electronic jam with rattling synths, psychedelic baselines and a repetitive robotic vocoder on top. the ep ends with the title track -unify-, a deep cold cinematic floor burner.

the detroit wizard gari romalis is on fire again, this time with a bit more techno approach then we got normally got used to. -comeback- is a powerful and hypnotic techno/house hybrid which is sure to fill up the dance floor s around the world. word is bond ladies and gentlemen!

the 2nd release from japanese label gabriiela including tracks by liiebermann and kiyokazu hamawaki s solo project quietjackson. 3 tracks focused on the low groove with hypnotic voice samples and dubby synth that hit the floor. bomb!

william thurman aka royer follows up two astounding releases for material image with a deep, curdling ep of wandering house for lobster theremin. picking up where his last excursions left off, collectively finds royer on typically dreamy form, taking micro-thought experiments and carving them into evolving, metamorphic journeys that capture as much the ambience of late night paris as the spirit of us house music. to even the balance, german newcomer trp fires up the cannons for a tough, bouncing remix on the b2. crackling and chugging with dust-coated drums and pads, this is a serious floor-banging rework right here. original artwork comes from royer himself, with full artwork matte sleeve, warm red centre labels and a mind-bending b&w a4 insert.

resopal retrieves two more smoldering remix cuts on transparent vinyl. safe to say that both of them - the a side by heidelberg s casio casino (aka steffen neuert of bergheim 34 ) together with lopazz - and the stunning b-side by our marseille connection roar - are absolute stompers. what we have here are two finely crafted remix versions of the original that seduce the dance floor in totally different ways. both contain perfectly structured arrangements that creep up on you with the stealth of a ninja, making them a real pleasure to mix with. the heidelberg guys show a minimal disco hybrid version of the original. from the moment the bassline emerges from a dense thicket of white noise the pair make their intentions clear. with expertly-crafted sequences punctuated by dramatic crescendos and distinctive mood changes their re-work is a melting pot of styles and influences that somehow manage to coexist, creating a rich montage of sounds and textures. on the b - french duo roar deliver hallucinogenic, long, patient grooves followed by some fantastically understated sonic tweaking which gives the track a real kick without ever losing that empty, laid back vibe.

the vfmm is back with a cracking new 12- by one of the label s dearest producers. the underground wolfpack proudly presents again one of its leading wolves, kai von glasow and his newest output: a mesmerizing and bedazzling 4-tracker piece of vinyl replete with neatly arranged techno soundscapes that bring about a feeling of satisfying gloom. and yet, whilst listening to these soundscapes, the compelling and driving force of the entire musical arrangement of each track sets free an unremitting urge to dance the night away. this piece of vinyl is designed to take full control of the dance-floor by pouring out its stomping and fierce percussions. be it as it may - you ought to listen yourself! this record comes as a white 12- and is fitted with hand-numbered out-of-250 labels as well as a beautifully printed cover-sleeve. you had better buy one copy as this 12- will be sold out sharpish. the vfmm recommends the underground movement