old school electro tunes.. ltd backstock

a collaboration that was recorded in seoul, korea with local dons east4a and dj jinwook is a piece of gritty new york deep house topped off with some old school flavours

supported by 2000 and one, anja schneider, jesse rose, loco dice, shlomi aber, trickski, tobi neumann, to name a few.. once again theres a real nod to the old school here in a track inspired by arthur russell. rich, warm analogue pads and subtle fx flashes from the space echo build an enchanting groove. the intensity gradually develops with sounds slowly evolving, lending a deep hypnotic feeling to proceedings, until the chord progression opens out and you cant help but smile. a genuine end of night anthem and when dixon does his own edit you know your onto something special... version: double for your money, with an extra version of the original that doesnt open out into the full stabs and maintains a deeper groove. martin landsky remix: with a tight, tribal tom pattern and straight ahead groove martin landsky achieves a darker more spaced out feeling with his remix. he pushes the pads to a dubbed out climax without fully opening out the progression and this fully hits the spot. martin landsky has been making waves as a dj and producer since the mid-nineties and is one of the key producers at steve bugs excellent poker flat recordings and running his own intim records.. hes compiled many mix cds for labels such as poker flat, systematic and the partysan compilation series. his debut album was >in between< for pokerflat and since then hes remixed the great & good as well as producing several stunning releases and jetting about with his box of records

zweites album von cotton für spectral. fuer freunde des old-school chicago & acidhouse ein tipp !! james t.cotton bringt seine düsteren techno visionen auf vordermann. ein neues verständnis des alten >jack< themas ist seine mission und die erfüllt er ohne in billige klischees abzudriften...

the west flanders connections, the label owned byfred hush is up for its 3rd release, presenting partner noseda. the first track is called >x-or track< and presents kind of a music storm coming up where old school housey techno impresses with percussion layers. a fat bass bounces towards a very uplifting peak-time break. better get ready for its massive sound! the track was already compiled for a >10 days off< promo cd sampler. after huge response they decided to press the track on vinyl. flipside has >click clack<, a very deep electronic music dj–tool track, beginning in silence but the further you go the more party you get.

limited to 200 copies!! old-school italo flavoured electro with huge dancefloor appeal. reminiscent of klein & mbo and exactly the kind of stuff you can imagine getting banged at the box by ron hardy and caned by the hotmix 5 on chicagos airwaves in the early 80s.

an >old school 90s meets dirty rave< style. headman could not let this tune die without the glory it deserved. he decided to enroll revlover in his relish label and to release his track on a e.p. with 2 very special remixes, as relish needed at least 2 crazy minds for this slice of sickness. canadian dirty 30, who already remixed his buddy don cash on the disco wreck 12inch, took the bull by the horns and injected some nasty drops of acid in this steroid-fuelled monster. on the flipside wicked aussies of zzz came courtesy of bang gang 12 inches with an amazing piece of rework in a pure nu-rave symphonic style with rolling piano madness and ear-blowing basslines that wont miss its aim of getting those asses shaking on the dancefloor

another banger from nick chacona on the fledgling speak recordings. >gaze< and its flip >hush hush no rush< is chuggy nu-disco thats straight for the dancefloor with old school traum/spectral dudes broker/dealer providing a remix on the flip too!

with blind way, franck roger is going back to the early years of house. in fact he shows a lot of himself, musically and vocally, taking us onto a fascinating night-tracky journey. some may call it old school, franck simply calls it 100% pure house music. i dream of u is a little shout out to the wonderful & inspirational detroit scene. the hypnotic chimes loop, turnin around a looped bass, whilst stabs drive this riveting track along its way. only for real house lovers! call it detroit house but why not also call it paris house music!?

ltd warehouse found! an excellent three tracker from the well known artist andomat3000 (cadenza / platzhirsch). he keeps the perfect balance with adding the warm groovy house feelings and the freaky sounds he stands for! kind of his typical dippy style flavour with a bit of that minimalism tech house sound…. wicked! >vertical smile< is a percussive rhythmic and powerful minimal house tune grooving with a hypnotic voice that can be used as perfect warm tool for any dance floor. >cicl?< has an old school touch in a futuristic production and gives you real power and more than enough matters to shake and rock the dancefloor. >hominid< is an modern crazy effective techno track, nice percussion, small cuts and a deep base…frickl wickl

played by move d., deetron, agnes, lerosa, quarion, … attention: limited to 350 copies! hot on the heels of his real soon limited release, berlinbased producer hauke freer offers another fab piece of deep house music! hauke has an old-school production approach, working with contemporary software but using a palette of mainly vinyl samples to give a loose, rawsounding edge. all 3 tracks maintain a deep, dark yet smooth feel, using some lo-fi percussion. hauke is keeping a >minimal< edge, fusing detroit flavoured electronics with a rough berlin feel. old-fashioned in a good way - just the way we like it! hauke freer grew up in a small town near hamburg and moved to berlin in 2000 to work for the techno label kanzleramt. after spending a year in australia djing and working for the label future classic, hauke returned to berlin to work for the resopal schallware label

very strong release by martin landsky. -killer with a monster beat!- (record of the month in de:bug), -a corker from martin. really intense. manages to capture a futuristic feeling whilst still using classic sounds and percussion. superb! (will saul)-. already suported by argy, clé, dave dk, emerson, karotte, m.a.n.d.y., huntemann, phonique, agoria, chloé, d julz, fex, laurent garnier, sian, jeff bennett, jamie jones, mike monday, st. sebastian, will saul and many more. martin landsky is back with another strong release: >man high<. honni soit qui mal y pense, >man high< doesnt intent to glamourise drug abuse. its a tribute to captain joe kittinger and the man high project, a pre space-age military project that took men in balloons to the upper layers of the earths atmosphere. not only took the balloon joe kittinger to a record high, he also performed a sky dive from 75.000 ft. imagine how yo feel, falling free from the stratosphere, close to unconciousness, rotating like mad with 22 g … martins track >man high< captures a bit of that vibe with its live played wildpitch- like oscilating synth modulations. all three tracks on the ep are breathing martin landskys special analogue sound treatments and a rocking old school vibe. b1 builds a bit more subtle while b2 is an offbeat driven dancefloor smasher. brilliant release

brill electro pop / indy styled longplay album

with huge, driving bass lines, captivating melodic elements, funky tech grooves, and organic rhythms, tylers new school technique lends an innovative character to the edm scene !! on the flip we are graced with a rare mix from astro & glide, who take the track down a cooler electro-ish route

nu school of deep house ! baaz music has matured so much in a couple of years, it is now something very special, that appears simple to your ears but is indeed properly produced and incredibly deep. baaz gained as well with hes recent works hes very own sound signature that is really incredibly sweet, groovy, intelligent and properly swinging. we think that this is one of our pearl record and we are simply proud of pressing it on black wax. dont believe the hype, copies remains copies, the truth is in the original !!

support by heiko laux, leandro gamez, anderson noise, nils hess , nacho marco,..!! young and talented boris brejcha has a long musical history. he was trained in playing drums and keyboard at his childhood which had been a perfect school for the following chapter – producing electronic dance music. his sense of humour resonates in his productions as well as his predilection for unconventional sounds. he started showing his talent at several stages and online labels which lead him to harthouse mannheim. now he shows the ropes to his audience with his first vinyl ep and you hear him grin because he knows what hes doing

excellent driven & funky old school flavoured techno three tracker !! b1 produced in collaboration with ignition technician

>jurassico< is the third release from nemesi a.k.a. gianluca pandullo of i-robots and ebbro fame and alessandro lestino. on the epic nine minute ‘jurassico’, nemsi elements of krautrock, 70’s german electronica, old school italo-electro and the darker side of 80’s rock to come up with something seriously cosmic. prins thomas b-side version probes and emphasises the more rhythmic elements of the track which results in a real disco banger.

limited upfront copies, the best seller electro title from teenage bad girl gets new remixes from vitalic & d.i.m. a must have for all new school electro warriors. pink coloured vinyl

long time activist on the french electronic scene, léonard de léonard is back after two critically acclaimed albums, successful collabs (his duo with maxx aka mcuhoh from the goats was a rated as one of 2006 best french live acts) and a departure to berlin. part of the ekler o shock roster (data, danger, terry poison), léo is a talented producer whose influences vary from classic techno and old school hip hop to all the modern forms of digital grooves & ghetto musics. now back with an ep dedicated to the dancefloors, in the form of a tribute to horror cult movies, léo asked his new berlin friends chris de luca (ex. funkstorung) and phon.o (shitkatapult), and paris rising kids donovan to remix his single. the result is here, catchy as a scream, hot as hell!

next hypnotical gel abril two tracker !! on the a-side, >200 grams< cannot be the weight of this heavily bouncing and hypnotizing tune. with a distinctive quirky line and a heavily bouncing groove like we are used from gel abril, “200 grams” keeps you moving all the way up to the main break, and then takin you back into the dubby old school groove. if the a-side was freaky and bouncing, well the ep title-track >your face is a mess< on the b-side can only be descibed as a dirty mindblowing minimal/tech house track with a druggy vocal all over and a very stripped down synth line

hollands rising production talent raul moros aka simon van kesteren aka soul conspiracy is no stranger to the soulfuric trax stable. following his well received debut release on the label amazonica, he now he returns with a brand new offering to set the floors alight. with back 2 basics and way back when, moros delivers two energetic cuts that combine old school inspired sounds with modern flavas to full effect. a pumping bassline and driving, melodic synths give back 2 basics its spice while its all about the bouncy rhythms and piano riffs on way back when. for those who want to go a touch deeper, check out the way back when d reflection dub mix. rounding off this solid package is the back 2 basics synth tool.

dimi angélis & jeroen search. both artists are among the few internationally acclaimed techno artists from the netherlands. their dj activity and production work reaches back into the early nineties. >the new frontier< melds the firmness and determination of old school techno with a contemporary subtlety. it is amazing how few elements jereon search and dimi angélis need to create a dense and compelling athmosphere. >lunar< is the kind of track that slips perfectly in a wide range of club sets. while it offers the dj a vast span of possible connections to other music, its hypnotic melody does not leave your head for hours. >jupiter< is bolder, it is centered around a demanding groove. while the melodies operate in the background of the track, the complex net of rhythmic patterns shifts indistinguishably. it is the type of music which holds you in a tight grip - and you are not even able to tell what exactly is so striking about it. its implicitness makes >the new frontier< such a special record. it belongs to the rare breed of music which does not demand to go into your box - and this is exactly why it is made to stay there for quite some time

here it is, and its damn good: the first full length album from apoll called >memorize the phonics<! released on his new imprint neopren, >memorize the phonics< is a 12-track strong journey through apolls musical roots and styles: tech-house, minimal, old school, lounge and more! looking for the perfect groove? apolls got it! and he prooves it on this longplayer, as well as he did on his countless releases on labels like sub-static, morris audio, sthlm audio or punkt music - not forgetting his mighty tongut label

from the four corners of the globe (sort of) comes a collection of some of the hottest club bangers 130bpm has ever seen. first up is dangerous in the 80s from kid who (brixton) who managers to unite the strange pairing of calvin harris and busta rhymes to make an old school electro tinged post classic combination. t wrecks (toronto) is next out the box with stabs, cut ups and the think break that turns timbalands tune into a baltimore anthem. estaw (amsterdam) takes the hip hop anthem of all hip hop anthems, breaks it down, builds it up, bobs, weaves, throws a right hook, throws some ds on it and throws the dance into a frenzy. last but not least, jim sharp (london / toronto) re animates talib kwelis ode to the fairer sex into a fidgety, bumpy, electro slab of sound that makes feminine undergarments moist.

neu rave manifesto from australia! incl. rmxs by spruce lee & kato , knife machine, waxmaster .. its that time again... is what james said to me on the 7th of oct. time to write the jargon for our next bang gang 12 inches release mr icecream by the soft tigers. ok. lets get to it. they are a band from *canberra (*canberra is aboriginal for meeting place) they are young (please dont think operator please) think late high school early uni or first job freedom type young. ummmm.

support comes from alex from tokyo (innervisions), chloe, muallem (compost), tim paris, will saul and philip sherburne (lan muzik). the belgian power-trio mugwump have gained solid support from the likes of ewan pearson, ivan smagghe and ata among others in the recent years for their floor crunching sound on labels such as eskimo, hi-phen, suicide, crosstown rebels and brique rouge. >memory lane refund< was projected for moodmusic as a proud statement. building on a solid house basement, the original is influenced by early chicago and uk house with jacking beats and excellent synth workout from the belgian maestros. their own acid retraxion remix works out some more rolling beats and an evil bassline straight from chicago ala 1987. for remix duties alexander maier (buzzin fly/criminal) turned the original upside down and injected a funky, yet melodic dose of new school house in its best form. this rocks. sasse deliveres a serious sunday afternoon rocker with same flow as his recent work with kiki & nick chacona

after the hugely popular conf006 (inc bitch fuck) comfortable records returns with three choice underground cuts. 76-79 (aka label owners vigo & tomski) show they are adept at creating 3 totally fresh and edgy house cuts that will appeal to a minimal or tech house floor. however if house/minimal is not energetic enough for you, check >six ten< for a record that llies halfway between techno & house & is layered with some very nice old school sounds. this ep really breaks the mold!! in the past when these artists have released tracks they have had a massive amount of praise from the likes of laurent garnier, rob mello, mr scruff, charles webster & fabrice lig. this release is a prime example of why they deserve such high merits & is destined to becoming just at large as comf006

this time hertz is back with a funk fuelled energy bomb that balance in between an old school vibe ala 1998 and a fresh approach for 2008. expected support from a wide range of djs. on the filp you will find a track with a repetitive acid-sounding bassline but without the 303. this is rather a fresh synth that gets the tweeking. on the b2, you find a pierre j remix that takes care of the house-ier sounds

new release on legowelt s strange life records. grackle delivers some nice nu-school space disco kraut rock kind of tracks. comes with legowelt and music cargo remixes.

excellent jackin and tribaling electro tech trax.. old school influences

here it is, and its damn good: the first full length album from apoll called >memorize the phonics<! released on his new imprint neopren, >memorize the phonics< is a 12-track strong journey through apolls musical roots and styles: tech-house, minimal, old school, lounge and more! looking for the perfect groove? apolls got it! and he prooves it on this longplayer, as well as he did on his countless releases on labels like sub-static, morris audio, sthlm audio or punkt music - not forgetting his mighty tongut label.

dario zenkers new label !! ralph sliwinski is allready known from his releases on labels like below, morris audio or hartchef discos and surely for a good reason. he is one of the producers who have their own unique style which is recognizable directly. analog old school sounding beats fat as the women of the us mc donalds promotion campaign. this ep is smoove,dubby,crispy,housy,gay, played by usher and all other westcoast rappers around…

new kanadas adam marshall delivers a stunning peak-hour track with obvious inspiration from old school detroit techno and classik chicago house. >kokane< begins as a tightly wound minimal house groove with precise, pounding percussion and heavily swung jack. after the 3:30 mark the track gives way glistening synth chords which shine through the darkness transporting the cut into carl craig-ish jazz territory. on the flip, montreals ernesto ferreyra mutek, cynosure brings a south american flavour to the remix and takes the dancefloor oddessy deep into the chilean canyons. a late night mixing tool for the djs. lastly, we find the outro called >moonlight chills< on the second cut of side b. ambient and lush, this one is for the late night detroit highways. mojo and the darkness along i75! a deep ending to a very personal journey.

great new school disco from bangkok impact !!

legowelt comes with an amazing disco/chicago/detroit hybride track. on the flip side nice retro sounding tracks by orgue electronique (on a string) and gibson fowler (house galore).. 2 old school chicago tracks for the aficionados of that sound. great job of legowelt and orgue electronique!

soulful funky little house number. includes dj leeski and stu foster mixes.

peter introduces himself like this, >ive started making music with an oric-1 home computer in the middle of the 80ties, later the commodore amiga was the flagship and then....the casio fz1 and now i use the galaxy of software and the korg mx1, roland tr727, roland jx8p, korg ms20, yamaha tg33, yamaha dx7 so i guess that it makes things clear, peter is one of these producers that uses older analogue machines along more recent software gears. and you can sure hear it in its productions, it sounds huge, powerful while style wise keeping things on to the soul filled part of the dance floor. peter delights us here with two stunning tracks that contain modern beats structures echoing rather old school house patterns and hooks. as always with peters incredible music, originality, surprises and ingeniosity are 100% at the rendezvous

original old school funky breaks. collaborated by the drummatic twins

disco flavoured electronica incl riton new school mix, shakes remix and skateboard remix

coming up with a mixture of drumfunk elements, dubstep vibes and old school sounds, martsman is the new kid on the block that will prove you wrong if you thought youve heard it all in drum & bass. >kontamin< is a journey back to the good old days when jungle didnt have the obligation for constant climax that is found in most drum & bass tunes today

another massive tune coming from the french electro school incl remixes by olivier giacomotto.. supported by daft punk, pedro winter, digitalism, teenage bad girl, magic johnson

don cash is the canadian electronic hip hop wunderkind with the liquid flow, who caught the attention of the underground with his disco wreck 12inch on headman. his second treat in new-wave rap called 2k7 is straight old-school production with heavily snythesized basslines and crunchy 8-bit rhythms. additionally zongamin have given >hey there< a funky, bouncy treatment, while on the flip kitsune raising stars punks jump up deliver a rejuvenated version of disco wrec

>datcha musik< is the strong first release of russian artist oleg poliakov. born and raised in omsk, siberia, oleg fall in love with house music of the early nineties with artists like kenny dope, carl craig, kerri chandler, moodymann and labels like trax records. his ep on circus company is a perfect combination of the warm vibe of classic old school house with a solid interpretation of the sound of today. supported by jay haze, john tejada, karotte, d julz and tobi neuman

chicago is back with two amazing jacking and pumpin tunes on the third ostwind limited release. >i can even remember< is really a chicago anthem, all fans will love this for sure!! big debut by new ostwind artist lepetri. tuettchips is known from the first limited release >een< with his ear candy >earbeat<. here he teams up with production partner tom hoax and delivers a destroying electro peaktime weapon themed old school is cool !! support comes from, dj t., 3 channels, luna city express and gebr. teichmann

old school wkkc hot mixer comes correct with some classic chicago vocal house. ron trent does the honors on the hi fi mix with lush synths, analogue drums, & plenty of trailing echoes.

funky party rockin breaks. includes all good funk alliance remix

after releases on sonar kellektiv and melting pot music its now time for jazzanova member (sygaire) to join forces with defcon. this time we re going back way back back into time (jimmy castor style)! as you might guess its all about the old school breaks on this one. with some crazy production skills we get served a massive break beat medley that will be hard to match and that most likely will get those feet in the air with any decent b boy. not much of song, but what a dj tool. b boys watch out! on the flip sygaire goes on a solo venture with a truly adventurous track. the barracuda combines funny cartoon voices, broken beats, uk 2 step styled b lines and lil touch of jazz into one crazy track. its already had heads turned everywhere its been played and is sure to be that special peak hour tune that brings the party barometer into a dangerous red. beware of the bass line drop ok!

electric love is the lead track from the new freshly squeezed compilation eclectrik and the first single to be taken from the forthcoming new album by londons multi instrumental, theremin teaser, dodo. the a side of the single is a left field electro pop gem featuring hooky vocals and a retro vibe described by properlychilled.com as amazing a minimal 80s aesthetic in an old school human league style with vocals that just make this track soar in an altogether disarmingly alluring way. meanwhile the b side weights in with a tripped out dubby instrumental imagine john barrys persuaders remixed by king tubby!