the worlds the loop (extended edit) is hiding on this rare as you like italian promo 12 inch. an absolute stinker is this euphoric piece of instrumental cosmica. massive drums, crunchy guitars and soaring synths combine to make a huge sounding fanfare of a tune. nash the slashs wolf on the b side comes from a classic cosmic obscurity of an lp produced by steve hillage and this is our favourite track from the album. no drums, no synths, just a heavy wall of warm violins and wordless vocals. an amazing piece of music from way left of centre. essential for all fans of the true cosmic sound

feel good house music from this summer one of the biggest title from ibiza summer 2007 and so is the sunshine. vision factory once again proven their skills in making proper house music. their mix gives a good vibe and the sing a long factor is huge. second mix comes from the man of the moment ali payami (suesse, serial). full on big room feeling with a slight of trancy elements! steve n king ends up with his dub mix. we all know him from the big hit bounce (boss and mobizz) in 2006.

aus continue to release the best and brightest of contemporary dance music with the oehug the scary ep, a collaboration between luminaries will saul and lee jones. will saul is best known as the head of simple records, up for nomination as best british label in dj magazine this year and also sister label to the more experimental aus imprint on which this ep is released. in his career to date he has released numerous singles on simple, the critically acclaimed space between album and has recently produced an ep for the german label systematic. englishman in berlin lee jones has to date released acclaimed singles on liebe detail, aus and his own label, just rec. formerly releasing under the moniker hefner , he is also a main creative force behind playhouse my my, whose oesongs for the gentle album won plaudits worldwide in 2006. opener oehug the scary is a transcendental journey. trace echoes of melody encircle an intensifying percussive step, filtering to a chimed key reflection. tonal themes fade in, compete, distort and then depart, making way for peaks of overwhelming melody, with only the fittest surviving and elevating to the sublime. on the flip side, partial arts (the duo of ewan pearson and al usher) give their own, heavily percussive, account of proceedings. stormy fuzz and bubble bath accents introduce a funk bassline and interplay between looped guitar and tonal melody. a sci-fi synth haze halts and then dictates the progression into a saturated melodic climax.

this is a fresh & rockin kompass musik release, presenting music from the hamburg-city boy denis karimani aka remute! after lonely and quiet years of experimenting and self-discovery he released his first 12inch called >hypnoconsole< on zombie nations label dekathlon records and got remixed by munich-techno-hero richard bartz.the first livegigs followed directly and led him into smoky rave-basements, uproarious clubs, sunny open-airs, as well as shaky party-boats...due to excessive and unresting music-making, denis released lots of 12 s and made several remixes in the following years. he released records on fine labels like traum/trapez/mbf, areal , dial, num, smallville or liebe*detail, made remixes for artists like dominik eulberg, move d or station17 and released his first album >remute< on ladomat. his regular appearance in magazine polls for best live act of the year proves that this is not just theory. now, we proudly welcome this jack-of-all-trades to our yet small but nice label family at kompass musik. he contributes a bodacious three tracker, jam-packed with dirty and pushing club tracks. >slam with the face< on the a-side brings us into some rough, gruffy and exciting soundscapes, the b-side holds two more fantastic proves of remutes far-reaching talent. >cause he likes it<, a pretty deep piece of techno and >propellersweat<, a reduced but heavily effective monster track in the end rave on.!

next strike on fumakilla, this time new shots produced by french artist paul ritch, well known for his stunning releases on labels like get physical, resopal, kickboxer and paradigma, just to name a few….paul definitly knows how to create deep and smooth atmospheres, without sob stuff….he has resources against boredom!!!! fluffy basslines and soundscapes, a wicked little synth chord and a reserved drumwork starts the main track called > back to time<. after a short and constructive break the principal theme restarts, with a striking sound selection and harmonious arrangements. call it mini-trance, call it tech-house, or even detroit-tech, call it whatever, it doesn t make any differences, the main thing is, the boys and girls all over the world will boogie with a smile on their faces, and deservedly so….trip down memory lane!!!!on the flip another tune called >vaticans bell<, and also another straight forward goin up groove monster with pretty great arrangements and awesome placed strings. paul ritch plays the first violin, he knows how to produce a timeless masterpiece, reduced but heavily effective monster tracks at the end, come, look and see… 10 points to berlin again!!

incl. brilliant rmx by man of the moment 2000 and one !! a new face at moon harbour, simon flower comes from gorgeous new zealand and has been affecting theantipodean club scene hugely since the early nineties. as peak shift this pleasant fellow released principally on his own label, nurture recordings but now, after a short break, simon flower is kicking off under his real name. the auspicious twelve-inch >shinjuku skyline< on curl curl was just the beginning as here, he makes his debut on moon harbour before he delivers a12 to pokerflat in a few months time

this is not one of those run-of-the-mill edits that just extend a break for 3 seconds but total dubbed out reworks of two boogie classics by the discoplumber. ace stuff

three crispy & fresh tracks. a1 (hot) is a detroit flavoured track with a deep vibe. b1 is a superb ante perry (systematic/ moon) remix and >just< on b2 completes this gem with its more relaxed attitude and cool guitar samples

a full release by san frans beat broker-known for his edits and mixes and also one half of broker/dealer who released on labels such as asphodel, spectral, traum and californias own sentrall records. >warriors (in space)< is a massive, up-tempo synth track which sounds somewhere between tantra and patrick cowley - same epic vibe, cowbell gallore, guitar licks and spaced out sytnhs. oldschool sounds with a modern arrangement, just what the discotheque needs. flip for two gliding cosmic-edged disco-house cuts. deep, warm and emotional tracks that will work both for the crowd and the listener. timeless

eurocold, smashing track using a special sequence as similar as a brain hook from liaisons dangereuses. already played by the hacker during his solo live for almost a year, this track is devastating like a hurricane. future classic to have in the records collection. 2. as well, eurocold include a remix done by terence fixmer who bring here some freezing action in the track. >moon patrol<, can be a definition of real techno and what people expect in listen to that word. hypnotizing and warm, this track is just a travel to another planet

auf der a seite: interessante techno mischung aus girgio moroder synth sounds & chicago house nation vocal samples... gnadenlos fetter treibender peak time techno, flipside verarbeitet tim deluxe kracher in alter bush recorde tradition... latin techno sagte man damals... just peak time alert

brother, the second track of reeads album take what you need was conceived in collaboration with guillaume françois & johann querne. this track has an unusual pop rock touch quite different from rewind, reeads first track selected to be on the official compilation of the 2007 winter music conference. brother is just as diverting & enchanting as the album. it reflects the artists will to widen its musical spectrum focusing maybe a little less on the electronic influence of his music and going back to the essence of it. brother thus features a steady voice accompanied by a strait guitar & an efficient bass line. without a doubt, the single and ep will conquer its audience thanks the several remixes that will rejoice the electro music fans. reead >brother< produced by reead written by reead, guillaume françois & johann querne.

limited pic disc edition , incl seamus haji & plastic little rmx

limited one sided 7inch !!

right after kiko s spaced out 12inch here comes another team of the grenoble dance music elite. french techno legend oxia joins newcomers ginos & snake for the latest outing on huntemanns cult label confused. oxia just had a huge hit on kompakt and ginos & snake aka stephane deschezeaux runs the upcoming notorious electro label. stripped down 4/4 electro is the main root of this production, with a rated x bass-line, super cool drums and modern fx are the main ingredients of the a side. the gino’s & snake mix on the flipside has a more classic & slightly darker touch

if you want to know what the big club tunes are going to be on the white island this summer, then theres just one album you need, and thats eivissa 07, the latest in defecteds annual series of ibiza compilations. as ever, its packed with all the big tunes that will be soundtracking countless thousands of dedicated clubbers summer holidays this year

if you want to know what the big club tunes are going to be on the white island this summer, then theres just one album you need, and thats eivissa 07, the latest in defecteds annual series of ibiza compilations. as ever, its packed with all the big tunes that will be soundtracking countless thousands of dedicated clubbers summer holidays this year

if you want to know what the big club tunes are going to be on the white island this summer, then theres just one album you need, and thats eivissa 07, the latest in defecteds annual series of ibiza compilations. as ever, its packed with all the big tunes that will be soundtracking countless thousands of dedicated clubbers summer holidays this year

sandy warez and manone present you a brand new label which pays attention to harder electronical music from jacking techno to industrial

jt donaldson makes a quick return to hudd traxx after his big just bounce release. jt takes things deeper on this ep with 2 slices of cutting edge house music. first up is the future, a deep house groover with live guitar riffs, synthy stabs and a big bass line. flip over to the b side and jt serves up a techy number with plenty of spacey fxs thats build throughout. the underground culture tourist (classic) reworks the original with tougher beats and sick breaks to round off another top notch release from hudd traxx

after the successfull >miami spice ep< in 2006 comes here the follow up >axis of evil ep<. great electro rock flavoured techhouse to techno tunes by christopher just, sigfried and boy, newbornchristians and tony alpha

incl. a huge my my remix !! simon baker has been playing records for over 15 years now. being a true aficionado, his versatile and passionate dj sets are never bound to just one style. he is a firm believer of “if it’s good, play it”. his passion for deep electronic house and techno is further fortified by releases on his own imprint infant records. 2007 has been a brilliant year for simon so far, his fast-growing reputation is proven by current residencies at a number of uk’s acclaimed underground house nights including asylum & technique at the warehouse in leeds, and ddd at the key in london. apart from connaisseur, simon has recently been signed up to german top house label playhouse, and has also been picked by steve lawler as his worldwide support dj. for us, he opens his pandora’s box of production and delivers a masterpiece of current club music

something slightly different perhaps, but probably even more cutting edge and effective. from definition records we present christian fischer. he is probably one of the most open-minded techno artists around judging his numerous releases which covers just about all aspects of techno music. miracle places is solid stomper with electroid influences and dreamy vocals. this would definitely not be misplaced in a dj hell or terence fixmer set. the b-side is a collaboration between fischer and newcomer the ascent. this results in a dark driven and steady stepper with freaky melody. a solid b-side track for the little hours accompanied by smokemachines in full throttle and full on strobe-action

proggy percussion driven electro flavoured house track includes a&d electro remix on the flip

powerfull peaktime electro techhouse to electro techno monster incl. miles dyson and nu disco remix !!

fabrice lig (playhouse, kanzleramt) aka mauler, just brilliant detroit !!

excellent rockin phunky chicago / electrohouse... incl switch rmx!!

massive electrohouser with male vocals perfect for the bigger rooms

winner from the miami 2007 !!! hott 22 delivers a big disco classic done right!!! written by peter brown, christopher malinchak, and gregory bahary

limited nice price !!!
volume 4 of alexi s already classic sessions series is here! kick off with >wanna be bad?< , sounding like a ride on a slippery escalator alexi builds upon the rubbery groove. a slow story just as the filter tucks and the drums hit the speakers. listen. the track >im tired< resides on the flipside. syncopated dance steps beneath heavy reverbed clave releases the tone. darting between the metallic 303 appearances the tone continues the wobble. more reverb releases hit as the rolling bass alarms the floor. fresh

there s no need to introduce these two as we all know what happens when they get down together on this label. massive massive quirky electro here with >the truth< proving just how cutting edge these two are.

brill deep house action !!!

patrice hat sich bestimmt gedacht: >jetzt mache ich glitzernde, magische popmomente, die man nie wieder vergisst.< das lässt einen auf >just electricity< so weit hinaus in die euphorie gleiten, dass man stellenweise schon angst bekommt, nie wieder runter zu kommen. groooooosss !!

if you loved give blood then the beatific visions is just as essential. the songs are short, sweet and demand repeat listens. they range from the ridiculous (porcupine or pineapple) to straight up country (if i should die tonight and on your side) to full steam ahead early buzzcocks / wire esque post punk rock (margherita and beatific visions).

a heavy one tracker that has all the elements of a classic house track. just bounce does what is says bouncy beats, jazzy horns and deep elements all make this a dancefloor destroyer. alexander east mixes things up nicely on his signature deep mix to round out the a side. slum science work the b side with a deep and moody remix perfect for anytime of the night. hector moralez & cubase dan team up as the block committee and serve up a tough, dubby rework of the original

excellent mashup sampler with well known classic tracks here get your copies quick its limited

a stunning 3 track ep. >enter the night< provides a very funky vibe. with minimal feel, typified in cuts (yeah, shake a leg!), this records kicks off with a house rhythm before a bristling bass really starts driving the piece along. a smoke filled voice soon comes in, throwing the listener off talking about nights and exits or no exits while the track >no exits< on b2 is a fine and dark mixture of crisp beats and glitchy percussion to create a forceful groove as spluttery synth stabs keep up the incessant pressure. cuts of mazi s vocal twist things just that bit more evil as the house edged mood continues its push further into new depths of mayhem. the driving melody in >sarabbath< on b1 is quite a head-turner and should create a stir in the clubs, using the more minimal and melody side of this great 12inch

funky filtered house cut with a techy edge by yug feat helen garcia on vocals originally released in 2003 on jamayka blue a must have

the music on this third release sounds a bit like a mixture of ame , derrick carter, lil louis, carl craig and basic channel. which is a good thing. we would like to think that this is the most loveable number so far. by miles! fonky, groovy, dark and deep techhouse that is just begging to be played at the right moment. paris the black fu from detroit grand pubahs has provided the vocals. and he actually has a message. can you relate?

2 classix remixed just cant get enough is done by dirty south flip over for a timo maas remix of personal jesus not to be missed

thom yorke is the pen, voice and soul of the rock group radiohead he has just released a solo album the eraser and that is where this story begins. abandoning his guitar get-along gang for the cold warmth of his computer and underhyping an album that should be plastering the walls and buses of your local city, the anxiety ridden and morose yorke cuts to the core of the dark state of humanity, unapologetically commenting on the zombies that were once humans. on this extremely limited 12,the album title track the eraser( already big with timmy regisford ) gets remixed in a distorted detroit style by slow to speak, following up on the recent bjork, u2 & arc gospel choir reworkings. on the flip is various acapellas of thom speaking on the current state of society and commerce and the radiohead song climbing up the walls, which in some strange dysfunctional way is married lyrically to the eraser. comes in a hand made silk screened jacket

cool groovin minimal techno two tracker, simple and efficient !! sure shot

5 killer minimal tracks a lot of crazy samples are used here really something to stay abstract

physics is back with a latin influenced track. we all remember their big release on swing city last year. on remix duties we have phatzoo, which had a huge hit with his earlier paul van dyke and marco v supported release on jffr. he totally revamp the original to a massive electro stomper. second remix is made by patrick l, well known from his releases on onephatdeeva, essence, look at you and sole music !!

despite of the untrendy moment for breakbeat, italy and mantra breaks remain steady purveyors of quality beats, new talents, and dirty club fun. mowgli comes from belluno but lives and regularly spin fresh beats in bologna. after a few drum & bass productions mowgli moved to breakbeats and hip hop influenced house beats that really work on the dancefloor!the debut on mantra breaks, just be and mowgli comes to town, can be described as the italian answer to the dirty sound switch/jesse rose/solid groove developed in the last months, they fit into breaks but they are not real breaks

now consisting only of jay haze, the fuckpony project ventures into the deepest, darkest recesses of house music s underground to deliver two rough and raw club tracks on the first of two 10-inch releases. >hot slave< comes straight from the warehouse, its rough beats and heavy claps laying the basis for an acid line that tweaks and morphs itself into a wild, spinetingling climax. >tiny slave< is just as primal: a rumbling, menacing bass and tight percussion provide the backing for a scary riff that keeps building and building i nto a grungy, dark climax. these are proper jacking tracks from one of electronic music s new players and the moment that the needle drops on the first installment of dark side, you ll be a slave to fuckpony s rhythms!

a massive robert natus production.. some tracks combine pounding grooves with epic melodies, others are just plain kicking floorburners. but all with the typical whirling percussion productions..

the 2 masters of tribal grooves got together and tributed with 2 trax each. boriqua tribez on the a-side is just the funkiest of shit you could imagine. the first track with a monster groove and after almost 2 minutes, the bass drops in and what a bassline! this is just massive. and after a white the beats comes in again. on the flip you find the other master of tribal techno, cave.