jephte guillaume, nyc based dj/producer, has garnered mass appeal from his dancefloor audiences. bringing the same grace and precision to handling the decks, as he does in the recording studio, he is well established for his rich sets where he mixes soulful dance and spiritual house grooves with traditional afro cuban, afro haitian and brazilian rhythms. known as the creator of vodou house for some of his well loved hits, he is firmly established as an international dj/producer/remixer. jephte scored a subtantial portion of the soundtrack and is being featured on the film documentary maestro...the most realistic and in depth motion picture ever made on dance culture.

in good old manner of chicago-house-music glare tyree cooper and eric d. clark on site a with discreed harmonies to there familiar seemed voices. the unstoppable forward driving beat with the care sedate bassline underlined the feeling but also the simultaneous unchangeable purpose of the track - to put the listener in motion. the stuff will be advanced by the also announced mix from the label boss himself - stefan braatz - on site b. full cords and a chiselled beat added by a extra acid-line in well known braatz-style.

djax up triple pack for a very special price incl. records by dj rush / auralizer vs. dexter w / edge of motion.. includes djax up 372, 375, 378

a fascinating delve into the bizarre and brilliant world of jeremiah yisrael and the disco funk treasures of tap records. i ll let it rot before i let them take my shit. – jeremiah yisrael forty seven tapes, reams of sheet music, copyright forms, membership applications for the brotherhood of wisdom, two flaking acetates, three moldy 12inch singles, and a script for the still unfilmed motion picture angel dust. we stuffed it all into four supermarket fruit boxes, jammed them in the back of a rented chrysler town & country, and tore ass out of nathaniel jeremiah ben yisraels driveway, making a getaway that simultaneously spit us right back at the most bizarre recorded mystery we d ev

together for one cause: spreading love of house music in yours ears. the patsada soldiers take by storm the floor by salvo of love and irresistible groove. no surrenders! face a1 monoman - motion: chunky beats lasciviously carried by an obsessing melody. face a2 dav - monterey jack: this montréal native smash monterey with his jacking sax. face b soul circus - you re my friend: these belgian guys knows the formula: vocal + beats + emotion = dancefloor killer

chicagos anthony nicholson (clairaudience, peacefrog, circular motion, prescription) has just scored big time together with lars bartkuhn (needs) as touch one. this is the first single from his forthcoming album on tmr. 3 mixes included... special rerelease

mark e now returns to running back for another ep of original productions. and what a return it is! staying in his lovely kind of irresistible grooves between low slung bass and rattling snares, mark delivers three tracks of pure dance floor bliss. first off, we have slave 1 with its burning slow motion build up and a hookline that will not leave your head for at least a week. the flip of the medal, sees pulse friction giving off a warm synthesizer shower for what seems like an hour. finally, the incredibly bouncy human tightens the thumbscrew and should even make the ruffy and tuffy minded happy. our dear friends dixon from shocking innervisions and gilb r from rocking versatile are already in love with it, so please do not even try to resist. e is for ecstasy!

if this were an episode of the game show jeopardy and the following track titles represented an answer, the correct question would undoubtedly be what is a huge hephner ep?. after his highly successful debut (booty drop ep) on siteholder uncut, as well as various remix projects, the funk slut himself returns with his virgin vinyl effort for siteholder records. following what he calls a highly inspirational trip to the strip clubs and whorehouses of las vegas, hephner took his sexual adventures and turned them into an ep that couples ass-shaking funk with in-your-face bass. it seems that his pimpin escapades have finally found an outlet that wont land him in jail, but instead on some of the sickest sound systems our planets nightclubs have to offer

the a side kicks off with the highly anticipated release of party all night from french producers bobby and klein, chanting we gonna party all night over an infectious groove that kicks things off proper! the a2 follows party all night with nashvilles real time hand motion hitting us with their amazing honey tune. all the trademark rthm cuts, edits, and vocal bits come together to deliver a funky analog bassline jam with a really unique dancefloor jam. on the flip, mebourne, australias d t3ch turns in the gorgeously funky meerkat music, a tune thats been killing danceloors and a vocal that puts a smile on everybodys face. not to be missed! and last but not least, label bosses the sound republic deliver a tongue in cheek tribute to jason hodges with a chopped up tracky jam that jacks through rolling pianos, xylophopne backed with a bass bit that is humanly impossible not to dance to. all in all, the 4 piece set ep is kicking off the new year in style!

we are very happy to present you a long time buzzing release finally out on sismic music. its called bloody rain signed under the name of the heels to give it a special flavour as it sounds pop with a strong and melodic hook! various artists put their hands on very original & stylish remixes such as fat phaze (who has remixed the daft punk), slow motion (one of sismic music rosters) and the two winners of the remix contest from october 2007: jonathan perea and leeroy daevis.

age aka thomas p. heckmann.. ltd backstock

fifth alchemy elements series release featuring riccardo ferris live remix of gabry fasanos >loco motion< and >mescolone< by athos and riccardo ferri.

next vigorito bouncer on this new label called >underground<

a side, out of loop is the alias of swedens finest parham & plaza, on the flip is motions slamming electro remake of phunky people by gaudium!!

hot electro and acid stuff incl mixes by punx soundcheck, scan x, king roc, james talk, graham massey and cane

new label by codec & flexor/time has changed

following the mindblowing truesoul release by par grindvik comes this new 2 tracker by swedish artists nihad tule and lasseman and does not disappoint. in typical truesoul fashion there is a melodic influence with the a side - locomotion having a very clever building, driving groove that utilises some clever synth work and pitch bending pads to great effect. dj plays from - richie hawtin, paco osuna, adam beyer, perc, dubfire, christian smith, charles siegling, agaric, joel mull…

including nic chagal remix, e.d.x. remix, yvan & dan daniel remix and simon & shaker remix. the sound of goodbye, originally released 2001 as one of armin s early aliases perpetual motion has gone through a tough revamp and is now available on sirup records including all new remixes provided by switzerland s house icone edx and cosmic gate s own nic chagall.

this is a debut release of kaoru inoue aka chari chari for mule. he is a one of the most popular japanese house music dj & producer since end of 90s. maybe people still remember that he has joined to the compilation of bossa tres jazz. recently, he is pushing & producing to his roots music like a progressive rock, balearic sound under his own name & aurora (the project with guitarist dsk). these his original two tracks of a side will be reminded the sound of can, holger czukay, klaus schulze, manuel gottsching etc and this releases highlight of todd terje remix is a dreamy long barealic tune!!

e-motionz introduces charly m. to its audience with this three-track release. the original edit is deep emotronic with sweet filtered sounds on top of a pounding sub-kick. berlin based mood music owner sasse makes extensive use of the original elements on the a-side, but not without adding a twist to it as only he can. nine minute of divine cruising beats. making things complete, novak & therm sign up for a more up-down-up rework that is more violent than you would think after a first listen. supported by sian, michel de hey, marcel janovsky

broken rules is a busy producer. this year he has hit more labels then any other hard industrial techno producer in the usa. appearing on labels such as men in motion, industrial movement, the third movement, monoid, compressed. here on industrial strength he comes with e mixture between brutal hard techno and hardcore

reverso 68 are pete herbert and phil mison. after tokyo disco and especial this is already their third outing on eskimo. piece together was released three years ago in a very limited run on their own specialist interest label, but both the guys and eskimo thought it deserved to be heard by a larger audience. as a special bonus theres an amazing slow motion disco remix by norwegian wonderboy todd terje.

a side feat axwells i found you vs degrees of motions do you want it. flip for outworks elektro vs david guettas love is gone

from the midst of the rotterdam techno scene this limited offshoot of patterns evolves into a steady label with quality productions that walk the thin line between techno and funky house. following recent developments the label cooks up a special stew with elements of all current motions. still music / bound artist michael burkat present two amazing peak time burners and is closely followed by two funk laced rollers by two talented newcomers delano and mihalis safras (who was recently signed for trapez!).

nice price deal !!! having previously recorded disco sucks vol.3 for bill brewsters disco sucks label! this 12 is actually his first release under this name, and what a way to start. a. takes on n.e.r.d she wants to move featuring the hip hop allstars (q tip, de la soul, jungle brothers, native tongue) and turns it in to a disco hip house monster! a guaranteed floor filler! b1. get down, samples the classic new york disco punk funk tune connie case, and turns it into an electro disco house belter. b2 is a down tempo baldelli style, cosmic/slo motion flavour, ideal tune for the beginning or the end of the night!

hüftschwingende wundertüte mit latin touch. reboot trommelt, als wäre es sein lebensziel den karneval in rio zu neuer blüte zu verhelfen. grooviger maximal-minimal für bestes caipirinha entertainment

>if i am the one – then ill be the one!< there is absolutely no reason for false modesty as far as hamburgs currently irresistible dj weapon is concerned. the 26 year old, moscow born xenia beliayeva has had regular releases since 1996 and since her >kill them all<-nights in the hamburg gum club, in which she regularly introduces her own lyrics, she is known as one of the hottest insider tips for german djs. after xenia included an incomparably sensual component in her celebrated >ultra glamour ep< last summer, she also showed her remixing skills, as the first producer of the datapunk platform, together with her co-producer andre winter aka motion unit (confused rec) recently in datapunk limited with >dont worry<-remix the rotherschen super space model-hits. >hellraiser< perhaps the most compellingly exclusive track on the play! 01-mix-cd released by oliver huntemann only a few weeks ago, will finally be available on vinyl

the third ep by john thomas on etique and this one comes in collaboration with barbara goes. again mr. thomas delivers great funky driven techhouse tracks and tools in a mixture for house and techno djs

rmxs by guy gerber & meat katie moguais new sideproject >ataque< is musical excursion and subcollection likewise. this very first 12inch is the upbeat to a whole series that gains inside moguais future world. on b1. cocoon activist guy gerber shows his very interpretation of >ataque< with a dubby, agile forward motion. as usual, gerber has a smart grasp of building tension, as well as reducing this track to the max. the b2. remix was created by famous australian fellow meat katie, who shows his large straight potential, imposingly. his playful-plastical view rounds up the corpus and returns it into the tokyo night of tomorrow

the pastaboys mix became a real club hit straight away! also including the exclusive funky remix by funkerman, known from the clubhit speed up and his cooperation with fedde le grand (f to the f wheels in motion)

fortuna marks another debut on get physical, this time from french producer paul ritch and his studio partner, anthony collins. this powerful four-tracker has a more techno approach than usual for the berlin label, but is sure to bring good fortune to any dj that drops it! the title track is an intricately pieced together affair, based on clicky rhythms and hypnotic bleeps that lead to a dark, filtered breakdown that will push the party over the edge whenever its dropped. motion12 continues with this dark theme, as deconstructed slivers of percussion and a nagging, insistent groove provide the backing for an ominous, acid-flecked bassline that keeps on building. drop this in a small, confined space and the club will erupt! pumkin sees ritch & collins explore an experimental: the rhythms still have that clicky, bleepy sound, but this time, there are fx-heavy drums to contend with and a dark, nagging techno riff that insinuates itself through the arrangement to cause melt down on the dance floor.!

supported by djs like punks jump up (kitsuné), munk (gomma), radioclit (uk) after releasing hyped 7inch singles with klaxons and kleerup ft. robyn risky dazzle is very proud to announce the release of this harlem bomb. harlem is a stockholm duo that consists of johan skugge and martin thomasson, they have previously released records on gramme and service and have been championed by tiga among others. this techno acid anthem is one of the most defining dancefloor 12inch singles of the moment. genre destroying, fierce and rocking, >cat scratch< is a pumped up 303 stomper with a demented acid line that hauntingly stalks the listener as the relentless beat is built up and broken down. much in the same way as mmms >donna< did in the late 90s, >cat scratch< takes back dance music to its raw, dirty basics. on the flip side, >kidney shot< pushes the noisy whereabouts of the a-side one step further. technoid and funky, it is bound to set the dancefloor in motion

when iridite started out they really wanted it to represent a wide selection of electronic music - at the time, many of the bigger labels (and many independent ones too) seemed content to pigeon hole everything, generating sub label after sub label, each with its own micro-scene or genre. over the years we feel we ve done a pretty good job of steering clear of the obvious but we were still lacking a little in one important area - house music. although >ga< isnt straight down the line standard house music, it s instrumentation, simple repeating bassline and beats give forward motion that fits nicely with a more old school version of house along with some percussive vocal stabs and eventually, a huge synth string climax- like a cross between early ron trent, fingers inc and kenny larkin. the b side gives us two tracks from one of the most talented young producers working in the field today - jamie greer, who s tha poke guise gave us one of the highlights of ir004 (uncommon sense), moves >fall fwd< in strong style with his unique take on the (original) detroit sound - remaining completely individual, his sound is instantly familiar and yet never derivative or tired. both tracks have the energy to survive on the dance floor but the subtlety and depth to bear repeated listening at home - proper techno

nice price deal !!! fantastic slice of the smooth vocal gear that sees hollands hardsoul teaming up with ron carroll mixes come from greg & jeroenski, spiritchaser and ron carroll himself

joakim is back.this time tough, he surprises us with a small pop jewel! but lonely hearts is not a classic pop song, it is much more joakims interpretation of one. a catchy tune, which does not want to be one. an exciting contrast between catchiness and a bleeping onslaught.on lonely hearts, cheesy sounding strings really stand out over a stoic stomping drum beat, dark singing grates against beeping keyboard playing, in the chorus a wonderful melody has a comforting effect over the very sad lyrics.in addition to the album version and the radio edit, the lonely hearts maxi also features the loving hand remix by tim goldsworthy. the musician (lcd soundsystem) and label owner (dfa records) skillfully pulls lonely hearts to the left, brushing it into a dark club track. with the distorted slow motion vocals, the funky bass run and the demanding beats, it is suddenly very close to the sound that already characterized joakims club hits are you vegetarian and come into my kitchen. and you ll also fin a joakim dub of the track. this dub keep the pop side of the song with a more catchy approach for a more dancefloor version of the original and with always the weirdness you use to find now in the joakim production !supported by tim sweeney, prins thomas

this tastemaking ep combines four key cuts of the album including the two scorching club burners dont stop (feat. bliss & main flow of mood) and pull em down (feat. electro crunk general shane fontane). the futuristic slow motion funk of binary poetry is blessed by the gifted voice of weather girls backround singer kerry l. dooley. pump up the volume this is bit hop

finest detroit drum n bass classic from 1996 produced by orlando voorn !!! incl edge of motion remix

it took a good one and a half years to see these two gentlemen reunite again. pro s may know why. you can only create so much quality work that it s good to take some time off now and then to get back on it with refreshed senses, new gear and new ideas. this 3 tracker is the start of a string of new 12s and simply >multiplies< everything good in john and arian s music. the motion, the funk, the accurate timing, the control, the tension, the groove, the deepness, the classic techno-ness, and the oh my goodness< kick assivity! :) check out the ultra intense, sturdy >multiplier,< a hard rocking deep dark tune layered with modular synth madness. flip to the b for >mathemagician,< the >mono on mono< update youve been waiting for. closing out the single, another analog scorcher >synthescheizer< does it s damage with 2 ms-20s side by side. no plug ins on this release, just good old dirty hardware... already support from anja schneider , karotte... and of course myself too...

next real peaktimer 4 bleepy and kick ass electrohouse tracks with a techy edge by laurent h

finest detroit techno by dj bone. he forges ahead by trying to remind listeners how important soul and spirit are to this music !!

more cloak and dagger cuts from the new school s favorite mystery label. all four cuts on this winter sampler freak and funk their way through firmly body-jacking beats, jazzy samples and stabs to get the heads noddin and booties shakin and of course that signature guess who? sound of instantly recognizable funkiness

tresor records is proud to finally set the wheels in motion for an exclusive cooperation with detroits 430 west records outfit octave one feat. random noise generation. the producers behind the legendary electronic outfit octave one have recorded their 31st release >off the grid< for both audio and visual consumption, redefining the context of the audio visual relationship. octave one producers lawrence burden and lenny burden have collaborated with independent videographers from around the globe, reworking classic material and conceptualizing fresh content drawn from performances in scotland (glasgow), germany (berlin & leipzig), north america (austin, tx), the netherlands (eindhoven), finland (helsinki), uk (liverpool) and austria (vienna) earlier this year

i cube is one of the most respected french producers of sophisticated electronic music and one half of chateau flight with his friend and versatile records owner gilb’r. karma shares the honour of being remixed by him with people like daft punk, leftfield, joakim and phonique just to name a few. i cube takes karma on a long distance run from paris to lazise, setting the pace in a hypnotic slow motion stomp. cosmic disco cubism at its best!on the b side awaits you another special titbit colognes jazz connaisseur and multi instrumentalist pascal schäfer is given a carte blanche to do a remix and karma wont have to regret this. best known for his output on the karaoke kalk, pascal manages it like only a few other producers to translate jazz aesthetics and structures into electronic grooves and patterns

phat rockin peaktime techno 4 tracker incl radioslave remix !!!

the acid test ep is the lost project of hieroglyphic being from 1998 and is finally available on wax after 8 years. this ep features five bangin acid tracks !!

ltd classic re-press incl free flow, fallen destiny & endless motions

a: tral 49 - a easy beat with good placed cheeping sounds and well-balanced grooves are the key elements of the track >tral 49<. after a dj friendly introduction gloominess and psyche meet each other and invite to dance as both complement each other in full harmony and build the peak to the basis. b 1: zwischenlandung is a minimal track which atmosphere bringsa convenient feeling. the track starts with an emotional bass line which makes space, in the continuing story line, for a melancholic melody which coherence and charm never gets lost. b 2: der kuss des drachen -the finish is a nice homage to all which prefer a more relaxed motion but don t want to start sleeping on the way. a grooving beat cooperates in effective harmony with a classic chinese stringed bowed instrument so that you don t want to stop to seesaw in the rhythm. the whole time short padding sounds build up and down without losing the red line or leaving space for boredom

detroit classics..

the dutch techno label found it was time to revive one of his biggest smashers called >birds on e< the title gives us quite a good idea of what this stuff is all about… this time there are two brandnu remixers in this new djax-pack including the original version! please give these men a warm welcome: sandy warez & the edge of motion crew fire away two mind-blowing nukes and show that the heart of acid music still has a pulse… and it s getting stronger