new release from russian label stepsine, which is very promising insight into the russian breaks scene. >da bass< is very well produced, tight, sexy party tune that is getting hyped up by the whole baobinga,30 hz crew, for those who love booty bouncin basslines

support comes from tiga, jedi knight tom middleton, dj naughty, warren fellow, makossa & megablast. the track >disconnected< is a groovy house workout that is typical of mr van moll. it starts with an excellent rhythm track that hooks you in straight away and then drops a deep, rich bass reminiscent of some of the classic house records from eindhoven produced in the mid 90s. this is quickly followed up with a breathy, seductive female vocal that leads you into the synth parts that propel you throughout the rest of the track until the 303 drops at the end. on the flip the track is reworked into a much darker affair with the 303 playing a central role from the beginning. >disco necked it< builds slowly with dubby synths gradually joining the 303 and throbbing bass before a filtered string part straight outta detroit creeps in creating a late night thriller thats sure to have sweaty bodies grooving!

known as one of the leading booty turntablist djs outside of detroit, dj guy formerly released wax and djed as one half of londons non stop djs. his previous releases have been given #1 spot charting by dave clarke, received global radio play, and received quotes such as >the best record released in 2006 and ill say in the past 2 years< (dj koyote - diamond grills, paris). global fire is a new label for 2007, dedicated to releasing a spread of the best in club music. style-wise, the label will cover detroit ghettotech, baltimore club, chicago juke and more, with releases by a wide variety of artists both firmly established and previously unknown. the ep opens with >bucked up<, an all-new booty version of young bucks >get buck<, the remix keeps the outrageously thuggy bassline and vocals from the original, and adds some cracking booty drums. >who wanna< starts like a dj tool with shades of steve poindexters >work that mutha fucker<, and turns into a full on ghettotech track with vocals to match and a big old growly bassline that builds throughout. >the raw< is a thumpy dancefloor workout that starts dumb, and gets dumberer when the wonky synth comes in. >the runner<: heavy on the melody, beatboxy beats, sweepy organ, phasey strings, cheeky bassline, and previously heard being used to great effect on the paris goon & koyotes classic diamond grills mix cd, and more recently on detroits dj godfathers serato presents dj godfather: for the freaks, the first ever serato-commissioned dj mix. last but by no means least, >big pussy< comes with a stupid funky bassline, warped bass, electro sounds, and vocals about a big cat. with big titties

the sixth release in numeros ongoing disco series. incls the original mix from nys tap label along with a previously unreleased extended dub and a brand new house remix from the shoes crew expanding the cut into 8 dope- licious minutes of modern disco

p&s drop one measure of a live p&s experience trio recording into the lap (and computer) of superstar indie producer steve fisk & came away w/something akin to a lost meat beat manifesto track. insistent, abrasive, & catchy as hell, features a p&s re-edit of steves original track, plus the uber-dubby p&s remix

kontra-musik 006 moves the label into the analog domain of electronic dance music. this kind of sound you only get with the good old analogues. the a-side, produced by the master of the modular system, pseudonym scaff, takes us deep down our favorite techno memory lane. if techno was the meeting of kraftwerk and george clinton in an elevator, ssm 440 is the outcome of jeff mills and maurizio having breakfast at tiffanys. this track is warm, dubby and monotonous but with a drive heading straight for the late night dance floor. the b-side gives us two unique sounding tracks from pseudonym aparatus. city tunnel slowly and elegantly grinds, cranks and turns while building its way towards dance floor bliss. x-presso is best described as periodic fluctuations of voltages in the analog domain. elegant details of beautiful sound take us back to the time when minimal music still was interesting. this is >techno< in the sense that the term was originally intended. enjoy cause analog is the bastard

with a blend artpop-disco-industrial-techno-newwave-electro-go-go punk and live vocals this duo creates a distinctive, futuristic hybrid of dance. the compelling mix of electronic punk features both jan & ariels emotive vocals, adding a taste of yesterdays anarchist sarcastic flavor, but never interferes with the music. jan as progammer and composer uses as many analogue sounds as possible, bringing musicians into the studio, creating a virtual band. featured on various tracks of the up and coming debut album, >bang!< is the guitar mastership of the legendary east bay ray of the dead kennedys. supporting members are johann bley on drums (ex-member of kmfdm & juno reactor) jasper scholtz, bass guitar and vocals

the second part of the three-ep series celebrating level records tenth anniversary >top ten 2/3<, is literally a miniature world tour on vinyl. ferenc vaspoeri kicks off with an escape from the city and deep into hungarian forests yet maintains a metropolitan perspective with his harmonic, almost texture-free sound design. next on the map is hidenobu ito, who summons ghosts in tokyos asakusa district with the spookiest house sneaker released on level records to date. on the flipside, it s back to duesseldorf, germany, with local legend antonelli electr. throwing on a twisted chicago-esque house tune before fax from mexico invites us to his mountainous home with a miracoulous track which may surprise fans of his earlier works with electric guitar sounds over a massive and insisting groove

basic unit are yair etziony (vermont) & shlomi avni (dj sola) pioneers of the israeli electronic music scene, and production partners since 2005. their debut release for fine art takes no prisoners, 4 tracks of jackin minimal tech. remixes from gary beck & pedro cali bring out the detroit elements from the original track and works them into a late night dancefloor frenzy.

anthem alert !! sandy vee pushed this iggy pop punk classic into the 2007 electrohouse scence !! more doggystyle not only for lovers of this well known position... hä hä

as you can expect, chunky, funky low slung jazz house from the creaters of this red hot label. jacking percussion, with a funky slap bassline that takes the lead from the moment it appears, deep jazz chords and swirling fx come into play as the track moves into a infectious hypnotic state of control, one of their best works yet...not to be missed!!

for its 12th release, the good peeps at guess who are dropping the goods with this four track sampler from a fine roster of underground stalwarts. choice jacking, chicago and r&b booty flavors as we ve come to expect from the label, with tommy largos jazzy saxes and filtered grooves abundant on need sum money, while buck nakeds cool rhodes keys and buzzing bass turn the tribe called quest classic stressed out into a smooth deep house affair. busys took a pill is a dirty south hip hop housey joint while phonograms really down is a cool party track with r&b vocals galore. excellent dancefloor and party material here

supported by ewan pearson, ata, daniel wang, boris, lawrence, ivan smagghe... jules etienne & alessandro tartari are the names behind the berlin based housemusic production team gui.tar. their previous releases for careless & punkt musix went straight into the record bags of djs like ata or ewan pearson and became secret hits in clubs like panorama bar or robert johnson. their sound is indeed very special ranging from dark sound scapes to deep chords all tied together by clever rhythms and sensitively placed percussions

number 1 steve bug charts !!! redshape is len fakis musical partner of podium #05. with releases on delsin, styrax leaves and present he is regarded as on of the most exciting newcomers on the dance music circuit. few producers have achieved to delevop such an individual approach to detroit techno, few musicans managed to rough it up so relentlessly. redshapes track is an interminable battle against stagnation, each bar of the track bursts with musical creativity. on >whats on a moogs mind?<, this genre building synthesizer turns into a brain. the moog overrules all conventions of musical form, the machine becomes an unpredictable furious beast. the 808 cowbell develops an uncanny, emotional quality. a techno track as gripping as a cliffhanger. len fakis >odyssee ii< relates perfectly the dramatic tension of redshapes track. the absorbing sounds just soaks you in. through the whole accoustic journey of the track, you feel his sense for the special athmosphere of the berghain which reminds clubbers of a medieval cathedral

the a-side remix comes from the man who is to blame for one of the biggest hits this year, >volta< . but his remix of >herr reporter< is even mightier! already featured on the official amnesia 2007 compilation. the tony senghore sound can be described as pugnacious, belligerent and slightly gung-ho - keeping the elegant xylophone part from the original version and turns into a piece of shuffled madness. previous remix work for artists like bodyrox, til west and audiobullys proves it to be working. apart from being a member of the berlin-based blip blop pop phenomenon slagsmålsklubben, din stalker is the moniker of hannes stenström when being solo. >herr reporter< is his best track to date, a perfect 8-bit electro workout

killer! we are honored that cadenza co-founder philippe quenum joins the fray with this super-fresh two tracker straight out of his geneva studio and into clubs, after parties, and living rooms all over the world. agbaja is a panorama bar special. it is big, freaky, dark, and loud. it is made for places that dont stop. it is for that moment when the party is about to lose control. this is quenums darker side. a day in mumbai is one of those tracks that defies description. is it house? is it techno? to us, its modern minimal music with personality. its soulful. its percussive. its loose. its quirky. most tellingly, its highly personal look into the roots of a very talented african-born, french-raised musician. if you cant get into this, get your head checked.

la musique is a pumped-up party track that is set to scorch dancefloors all over the planet. first appearing as a stand out track on the trail blazing kitsune maison compilation 4, relish recordings label maestro headman wanted to bring riot in belgium to the clubbing masses…and were so glad he did. the track draws you straight in with one of the catchiest hooks of the year and teases you until the beat drops like getting slapped in the face with an 808 state record thrown by justice. upon hearing the track kiss fm and london dj star sinden couldnt help but take a break from his busy schedule to bestow us upon us a killer socca-bass remix that will turn heads upside down and give clubbers a bombastic vibe that will have them up for days. on the flipside relish recordings new artist revlover injected some steroids into the original. harder and stronger the revlover edit blasts riot in belgium to the upper stratospheres of filthy electro

dakar from well known german electronic live group dakar & grinser (gigolo rec.) is back with an solo offering on germanys finest exun records. 2 tracks to please different heads, and with each side reflecting dakars high quality production standard. >you are free< is maybe a so called typical exun tune - with rolling b-line, great arrangement, short lyrics and peak time attitude. where we have on the other side >käts<. a superb up to date minimal roller. but with more than just some off shore beats and subliminal effects. this track moves on and on, gets a rolling funkiness with every little step it gets added to, up to the timeless layers and chords switching the track into a special club weapon with just the right breaks coming unexpectedly and overwhelming. already plays by lexicon avenue, dj fex, alexander maier, dj linus, dave mothersole, fafa monteco

a stunning 3 track single, in the vein of classic planet e, basic channel and 3 chairs productions. a fruitful venture into the crossing zone of deep house, techno and dub

advancing from the success of his well received acrobotics ep joel harrison continues to develop his take on techno infused deep house with his latest sonic offering: future revolutions ep. first up comes acid boom with effected tabla percussion leading the way into a tough acid bassline, an irresistable kick/hat combination and continues to build with deep driving chords. second comes technicalities, which moves into a more minimal soundscape with a bumping rubber band bassline and filtered chord stabs. clean production and a tight mix will make this a winner for deep house and techno headz alike.

now fedde has prepared his third salvo, and has remixed ida corrs original into one of the most addictive and ingenious dance records for time, the tracks monster hook is dominating dancefloors already, with pete tong simply calling it, >one of the records of the year<, 12 inch delivers a top remix package from eddie thoneick, jason herd and micky slim

with releases on hartchef, frankie, moon harbour, morris/audio or frankie, tom ellis is top funk jammer! his >rum scum< release is a special triple-layer deep-fill extravaganza of an ep! tom supplies the main ingredients, kicking things off on the a-side with bleeps, beats and basslines exploding into chunky dancefloor fillers. on the b-side, its fab frech producer skat (well know for his releases on karat) adding his deep and tricky flavour to >rum scum<!

mossa with this 4 tracker ep including an amazing remix from pheek (archipel, minus) starting with the long a side actually 2 tracks in one with mossa original style mixing distorded bassline weird cut voices syncopated rtyhms, damn huge on the flooron the flip colorado bitch a bit darker than his usual style with a distorded cut vocals creating a deeper spacy atmosphere definitely an interesting sight of his production remixed on b2 by pheek who turned it into a brilliant piece of groovin quirky house

on this ep is wills exclusive new track 3000 ad and a wahoo remix of one of wills most beautiful tracks from the simple back catalogue. on 3000ad lush, inviting pads drift around the stereo pallet before clicks and bleeps introduce the undulating rhythm of the track. as the resonance of the bassline is opened out to a pulsating crescendo, the haunting atmospherics build in intensity. introspective chords chime around the warped robot voices, creating the soulful yet deeply futuristic sound that characterize will’s productions. for the wahoo remix of mbira who better to choose than the head of wills favorite label (innervisions) for the remix of one of wills best known tracks. dixon keeps the melodies of the original and lends a live and driving percussive feel that his label has become renowned for. his epic arrangement causes maximum dance floor devastation as first strings then stabs are introduced to push the track to its climax. wahoo is the berlin based duo of georg levin & dixon. they have just released their album take it personal on fine records. together they have been busy putting the soul back into house music sin

baum records is a new label, which mainly will concentrate on deep dub techno and minimal techno. the first release is three track ep which are called buchenholz ep by resoe, who is the owner/founder of the label. moorpark is a deep track with fat chords and heavy bass for the dancefloor, which drags inspiration from the berlin heritage of basic channel. tsb is a more minimal track with smooth melodies that floats around in the wet space of reverbs and delays, but the deep chords still finds there way into the track. apart from space is a track of pure laidback mood with heavy dub influence, that just moves around in the spacious environment of plate reverbs and long tape delays.

the original mix is an atmospheric electrohouse groove with sweet female vocals. agent greg tranforms the original track into a huge tribalistic and stringy bigroom monster on the a side. not to be missed

phat stompin debut on sammelplatz by dandi & ugo !! known from releases on revox, italobusiness, stereo seven and lasergun

barcelona/ibiza based new electronic label indigo raw is composed of norwegian petter dia aka mirus love , ibiza resident jaime fiorito & l.a resident stuart patterson (colorola). they now proudly launch with first release and what a release! german producers andreas wiegand and jan iwanitz aka andomat 3000 & jan who have already released several tracks on labels such as cadenza, 9volt and more.. are now presenting one of their best records so far. amygdala ep producing together for the past three years the frankfurt duo has got the ability to mix the funk of house into the punch of techno. sexy beats for girls and powerful rhythms for boys. >salvarsan< is a percussive rhythmic and powerful minimal house tune grooving with a hypnotic ethnic voice that can be used as perfect warm up tool for any dancefloor. >sobre ebrietas< is more of a peak time record for all our minimal lovers. keeping the perfect balance with transitions adding the warm house feeling that makes you groove!

g club records delivers ape stalking, a killer house track from def e of the beginerz. with new remixes commissioned including one from acid house maestros medicine eight who take the track into deeper glitchier territory whilst keeping it bumpy and jacking as only they now how. g club deliver another massive club room mix, alongside the original and the amazing aleksij & angel anx remix.

supported by italoboyz (mothership), robin porter (immigrant), tom clark (highgrade), woody (fumakilla) and many more.. martin tc and guikle are about to join the cynosure family and raise the bar for the label once more. sugar morph is magical blend of stripped down south american grooves combined with a slick synth bass hook and layers upon layers of deep effects and modulated percussion. already catching the attention of a few dj greats this track is sure to weave into many crates this summer. on the flip side monoblock keep the flow with lalala. an excellent number designed for a sweet dip in the mix followed by the ultra funky tweaked house groove untone. super shuffled layers of quirky percussion lay the carpet for a power house rhodes/bass drop. with an ultra funky walking bassline taking control of the groove and driving things to a boiling point

after the hypnotic ethereal sound of stream of consciousness and the rootsy down home feeling of the nakusanga ep, an underground buzz began about what would come next from the bu mako label. the fragments ep establishes jenifa mayanja as a serious artist unafraid of pushing boundaries, branching into the unexpected, quietly seducing the listener without beating down the senses into submission. while jenifa mayanja makes no declaration as to what genre she may be classified into, the music has no problem resting comfortably between deep house, future jazz, downtempo, detroit tech and electronica.

nice price deal !!! dance music legend zimbardo returns to ruff dog recordings to give us a monstrous slab of tech funk named say hey. this release is definitely one of his finest moments to date, a fantastically well executed excursion into zs world of glitch ridden wonky electro workouts! and to top the release off we ve included a super funky bleep ridden breaks remix from italys finest plaza de funk.

number four in the loose records series is coloured gold and the tracks on the this record are all top quality, finely worked, showing out the skills these guys are putting into making the label come stronger and stronger every release

from the midst of the rotterdam techno scene this limited offshoot of patterns evolves into a steady label with quality productions that walk the thin line between techno and funky house. following recent developments the label cooks up a special stew with elements of all current motions. still music / bound artist michael burkat present two amazing peak time burners and is closely followed by two funk laced rollers by two talented newcomers delano and mihalis safras (who was recently signed for trapez!).

two outstanding exclusives from ben watts recent best-selling buzzin fly vol 4 mix compilation re-worked into epic journeys for the late summer dance floors.

played by: martinez, 2000 and one,tadeo, stare5, jeff samuel, karotte, matt star, x-pansul. cray1labworks have arrived to their tenth release. to celebrate, they have chosen none other than the copenhagen based theodor zox. thick, liquid bases spread over theodor zoxs >whats in a number<. the blips and crackles playfully dance around the base line while the main melody slowly comes into shape, creating a delicious danceable song strolling between minimal and sweet old school techno touches, following the path that cray1labworks have always laid. the volatile sound of >whats in a number< is overshadowed by the strong, mysterious, seductive synths of the minimal tech >feed me lies<. a song thatll make the ladies sway their hips on the dancefloor

nice price deal !!! having previously recorded disco sucks vol.3 for bill brewsters disco sucks label! this 12 is actually his first release under this name, and what a way to start. a. takes on n.e.r.d she wants to move featuring the hip hop allstars (q tip, de la soul, jungle brothers, native tongue) and turns it in to a disco hip house monster! a guaranteed floor filler! b1. get down, samples the classic new york disco punk funk tune connie case, and turns it into an electro disco house belter. b2 is a down tempo baldelli style, cosmic/slo motion flavour, ideal tune for the beginning or the end of the night!

a collage education picks up some pieces from the early 80s puts a transformation of disco and funk into and turns it into something new and even more exciting.

groovements 4th vinyl release introduces one of the finest portuguese djs and one of the labels main activists. shifting destiny is just what we ve all been waiting for a diverse and challenging record ready to be played in different environments. the opening track is a hybrid electronic soul tune with vocals from melo d, the bluest of the afro portuguese singers. then comes the love for hip hop and cosmic music in the shape of a vibrant collaboration mastered by broadcites main man troy.the b side keeps that irresistible dance appeal alive with hausers blues and ends in style with lata dog providing the perfect musical vibration to kaspars programming, turning raindown into a great urban song for radio and club.

a little less than two and a half years after its conception—and close to 30 singles, one compilation, one mix cd and one sublabel later—berlins mobilee releases its first artist album. naturally, who better to represent the milestone than pan-pot, who so far have delivered five essential singles to mobilee, helping to anchor the ever-shifting sound of one of europes most exciting labels. in just two short years, with 10 singles (for mobilee and einmaleins musik) and lots of remixes, theyve become known far and wide for their distinctive, groovy, and above all ominous sound. pan-o-rama finds the boys stretching that sound in every possible direction: twisting, tearing, and using the shreds to drag a wide swath of techno history into the future (and, just maybe, to drag a few pieces of techno future back into the past). call it minimal if you must, but this aint no clickity-clack shit. you can hear the agonized gurgle of isolationist acid, reminiscent of plastikmans darkest nights. you can hear the percolating urgency of classic bleep techno. tried and true hardware collides with restless digital experimentation as dance musics dna worms its way into twisted new shapes. pan-o-rama is dark, thats for damned sure. eerie vocals that seem to come from within the listeners own head creep across the stereo field. throughout, restrained minor-key melodies conjure 21st century noir, and a relentless low-end rumble seems to suck up all the light around it

incl marek hemmann remix! marko fuerstenberg, also known as surphase and dolby, a german producer from eichsfeld near leipzig, is one of the key players of the new league of minimal dub producer hailing from the east of the country. with his two new tracks on tendenzen freier entfaltung, porn infection and strackebrot, both of which are filled with deep and downright dubby delays, he manages to raise the hairs in the auricle while transporting the spirit of the pioneers into a new dimension.

two originals by formidable force and and a remix of each one by bon johnson and one by kink. can you feel it is a house pounder with quite a few unexpected quirks and vocal drops sounding like a sample from gwen mccraes funky sensation. 80s style influences have been time warped into oblivionvia a disco ball. zip jumper is a 4 on the floor masher filled with bleeps and bloops and assorted funked effects. already getting plays from hipp e, asad rizvi, sound republic and johnny fiasco

this three track instrumental project features the slick, cutting edge grooves of jive assing, as well as a gorgeous musical painting in the form of manzana de mi vida. showcasing glenn undergrounds signature sound & stylings, jive assing (main mix) is a flawless dancefloor groove, and is essentially a musical journey into the moody mind of cvo. surely to send dancefloor pundits into a frenzy, the dub version boasts a slightly tweaked sonic experience, with thicker percussive layers, a tougher kick and one bad ass bassline as only gu can deliver. the lush manzana de mi vida is a fine lesson in avant garde dance music, featuring some fine work (as usual) on keyboards, creating a melodious & profound atmosphere that will set your soul (and soles) on fire!

>kroy menya…< had been in our record boxes since it first appeared on scsi-9s excellent and highly acclaimed >digital russian< lp back in 2003. liking it as much as we did we though itd be rather nice to give it a leg up into the year 2007 with a nice lil rmx package. so firstly we employed the services of moon harbour starlets and all round good uns luna city express to give it a rub down in the form of their >lovely luna people< rmx

4 of the most famous tracks of the past & future transformed into schranz remakes!!

producer holger behn aka h.o.s.h. is back on stil vor talent with his third release and second 12 inch on oliver koletzkis imprint. his latest two tracks are all about house music, while always keeping a strict eye on the dancefloor. it starts with the tech-house anthem >grünanlage<, the name of a sunday afternoon open air in h.o.s.h.s hometown hamburg that he co-organises. the tune features a great clappy snare and some wonderful balearic guitar melodies, which swing over the fast loop. this tune is going to put a smile on your face wherever you are. on the flip there is >blaupause<, which translates as blueprint and is a dreamy housy pusher that keeps grooving with its synthie-stabs and warm bassline. later in the track h.o.s.h. adds an oldschool piano that pushes the track into another state with its drifting melody. it reminds us of so very many great rave moments. however, h.o.s.h. never gives in to the temptation of drifting off into cheese, stays cool at any given moment and keeps the seal of quality for his music very high. >blaupause< is a wonderful summery teaser that never explodes, but keeps imploding! h.o.s.h. once again does what he does best: delivering two wonderfully melodic tracks that fluctuate perfectly between house and techno. just the way we like it

palette is proud to debut its newest artist, dave hughes. the irish born, la-resident sound engineer finally let palette in on his music making secrets. the result is daves debut ep >lets do it<. a three tracker showcasing what is to come from this visionary artist. >lets do it< kicks the ep off with a strong rhythmic solid base which alone would be enough to solidify it as a stand out track, but without delay the song quickly develops into a musical journey with rhythmic chords at the end providing the icing on the cake. the flip side provides two more tracks of the same calibre, >it all deepends< and >realization< showcase great sound design skills and a message about our own humanity. take in to account the heavy subs and intricate drum programming and you have what we feel to be a classic palette recordings single

based on a smooth german hip hop groove. max flavour works it into a slamming bigroom electrohouse anthem. includes 2 acapella dj tools to work with

again an unusual step from the craziest average joe we know.. this time tim turns his designer label into a non-design format by releasing a hand stamped whitelabel with 4 nameless and serious, straight to the point tracks. acid is where its at. gotta love it