woah! the lost rockin house finally gets released officially. 4 proper acid tracks from the golden age of house music. previously only a handful... re:issue

more chicago house bizznizz from the original rockin house label...incl. a mike dunn version as well.... know whats up! ... ltd re:issue

bakk kicks off a new series of records with plafond 1 made for drowning in the deep end of the pool. legowelt, sfv acid and haron provide you with an eery collection of ambient harmonies and melodic rhythms best served when lying on the floor, gazing in to the abyss. comes in special screen printed outer sleeve and wicked obi strip made by the bakk centre for mindfulness.

here is a new member to the et family: utroid. behind this project goes the producer who was once known as funxiun and bs-1. the biggest difference between utroid and the former projects is that the music is less hectic as before. with utroid the music moves into a more minimal direction while keeping the raw beats and rough vibe. you could call this new beat 2.0 or acid beat…. what you get are dancefloor orientated tracks that range from rather distorted to trippy and spacey…
limited to 150 copies.

sano hasta abajo (pp uti 08). welcoming sano of cómeme fame to public possession. latino body music vol. i medellín flavour intro. get down to the sound of the columbian underground. have some acid get it girl, anytime.ton? si claro no entiendes? no problemo. el disco es cultura escúchalo. abrazos pp.

the ninth installment on house is ok comes from homeboy who brings four fresh joints to the table. after making the move to berlin earlier this year, this mediterranean goodboy brings some newly acquired production techniques with his latest record. live drum sampling, loose synth riffs and other more personal notes can be heard across the entire release. for decisions ricochet, homeboy teamed up with the croatian blues man bebe na vole who takes this record into unexplored territories for the label. these four tracks werent necessarily designed to move bodies on the dance floor, but more likely mirror his inspiration from the past 12 months and show his abilities to simply write great music. its house not house, post-disco, jazz, and acid synth hippie music all at the same time. the heart is where homeboy is will hit stores in late september both as a 12? vinyl ep

marshall applewhite x the friend - the original purveyors of sludg come together for a collaborative excursion into a sound & aesthetic birthed out of detroit’s underground. dripping in sex, bordering on a perverse combo of ghetto tech, industrial, & acid.

the sixth release on voitax acid dedication is on the cutting edge between fast running 90 s acid revivals and deep timeless pieces. the first four tracker is a mix between abrasive techno tracks and mindblowing top notch stompers. voitax keeps pursuing the path of the undefinable while dedicating their passion to the sound and less to the producers behind the releases.

what would it feel like to have your naked body slowly submerged in a pool of steaming acid? one would expect unbearable pain, of course - beyond the limits of our imagination - but with his acid ambient vol. 1 on kontra-musik, daniel araya proves us wrong. the ems studio engineer and producer adjusts the intricate ph levels of this corrosive bubblebath with infinity skilled hands, making the experience thoroughly pleasurable - on the verge of erotic even. your skin melts away with a sweet sensation of laxity and your muscles and tendons dissolve sensually slow. at the end, nothing will remain below the surface but the pleasure center of your now diffused brain, pulsating with unrestrained satisfaction. so come on in, the acid is fine.

berlin is home to both andrew claristidge and leonard de leonard and these 2 amazing producers have joined forces to create a new side project away from their respective main duties with acid washed and leonizer records. the collaboration between between andrew & leonard or ac & ldl as they are know for this release has created 3 outstanding tracks which already come heavily supported by the lucky few who have early copies of the release. the final track of the this 4 track release is a remix of the title track from acid washed who need no introduction. the ep named after the title track is increase the dosage and comes on a 180gram green record with unique cover art from the talented artist morgan navarro.

here is a new project introducing the farmers aka konsnix : nixxon and kons istant from copenhagen and heninspace from dresden. all started with * toss your salat*, a dubby/acid jam made during a meeting in dresden for a friends birthday, after listening the track sacha mambo decided to put it out on macadam mambo. back in copenhagen konsnix started to work on * 70a-1* a ruff electro track in the viewlex style, on his side heninspace worked on * humla* a bit more atmospheric/acid tune. if you like druggy, psychedelic atmospheres this is for you.

poker flat recordings deliver another killer collaboration, this time between berlins youandme and the analog roland orchestra. the result is reflection an ep containing more than its fair share of pure dance-floor moments. the analog roland orchestra is michal matlak, the berliner whose intimate knowledge of dance musics most iconic machines has made him a much-in-demand producer and remixer. teaming up with party starters youandme as well as vocalist black soda, the title track of this release explores deep vibrations, merging 303 basslines, crisp 909 programming and a highly effective vocal. the dub tool reworks the vocals into a more spacey arrangement, adding atmosphere for djs who like to keep their sets stripped back and trippy. the hyenah remix flips the script and develops a deep afro-house inspired cut the man from the caymen islands developing an irresistible groove stretched out over seven and a half minutes. the acid mix gives an opportunity for the guys to get busy working the 303 to its full (un) natural potential, while the morning light mix locks into a cosmic vibe shimmering synths over a smooth, rolling deep house vibe

when la label acid test decided to start the leftfield imprint, avenue 66, they looked to new jersey house mystic joey anderson for an opening salvo. he delivered the modern psych-dance masterpiece above the cherry moon. now andersons back again with more of his beguiling dreamlogic. on if one cares, they act different anderson works with a lead that could score an unsettling 80s horror flick, eventually introducing his signature quicksilver synths and abstract, jacking drum patterns. peace there starts with the square-wave basslines and raspy hats taking us to a psychedelic far away place. on the vase, anderson reins things in, but even his bittersweet, relatively straight-head deep house tracks present an odd paradox. his music so alien and human all at once.

carbone records has been created as a platform for d. carbone’s own powerful productions and for new collaborative projects. carbon as an element represents darkness and energy which represents the concept and the sound of the label. the aim is to focus on a no compromise, raw, acid techno sound of the 90’s.

if we put armando, gene hunt and steve pointdexter together in a room with a few synthesizers, some rhythm boxes, a roland 606 and a few cans of beer, what we would get is shrimp traxx. this very young, practically unknown austrian artist has just made his recording debut on bons records with five tracks that range in style from classic to trippy, psychotic acid house. these five jam sessions, made 100% using hardware, are now appearing on the catalan label. after an ep with a markedly 90s house sound, bons records is now turning towards more ghetto vibes with a record to be spun and danced to exclusively in a house club. this is not warm-up stuff!

with an eye in the past and a foot in the future, acid avengers aims at federating the vibrant but little recognised acid french scene. through a series of split eps (jaquarius, monoenzyme-307, voiron, botine, umwelt, paris acid boys), the record label celebrates the hallucinated sounds of the golden age of rave. for that first release of fucked-up electro and raw techno, jaquarius and mono-enzyme 307 resuscitate the nineties sounds through a modern understanding of acid music. an ep for the legs and the brain, that will thrill all the braindancers

josh butler returns with the third installment of the kahu series kahu has become a concept that has allowed josh to explore areas of his taste outside what people may expect. the tracks draw influence from tribal rhythms but are manifested within a hard, yet stripped back, minimal style. this limited edition vinyl-only project showcases a darker side to the underground house josh butler has become synonymous with.

bound to forget by the models deliver three live cuts of raw analog acid house flavoured jams infused with minimalist machine based experiments aimed both for the dance floor and for your living room. on top of that the dutch duo syncom data added their own euphoric and hypnotic dub remix based on motifs from all three tracks.

after a fabulous summer and a mind-blasting krake festival, killekill takes its next step and kicks off another new label called vanta series, which is destined for small series of 12-es with out-standing dancefloor tracks. the name derives from vantablack, a colour from nano technology, which is the blackest black and actually invisible. vanta therewith stands for the total emptiness and is the perfect name for a label which does not have a defined identity itself but is a platform for different series, which will all have a concept and aesthetic in itself. the first series is called -the end is near-. it consists of 4 releases and comes with an artwork by french artist elzo durt. every release will contain a small poster, all four posters put together become elzo durt s piece -les anges de l apocalypse-. first record is by dez williams, who also released on shipwrec and bass agenda recently. a-side acidbanger is a serious banger and has future acid classic written all over it. the b-side comes with two acid variations - one more stingy, one emotional and psychedelic - which show the potential of this outstanding producer. open your ears and put the needle on - here is some acid!

5 track acid house ep good for nightclubs. vocal and dub/instrumental mixes along with an acapella. out on chicagos house nation trax

nice price deal !!! fantastic house tune!! includes mixes by moko & cucchia, filippo rossi and sanatomic & leik!

acidworx kicks off their artist series with this lovely 3-tracker produced by harold de kinderen, and stefan robbers. the dutch duo known to the world as acid junkies really need no introduction. they have been amongst top producers of acid since 1992 when they first launched the acid classic track -sector 9- on the djax-up-beats label, followed by their successful album -paranoid experience- two years later. their newest release -time kills- on acidworx ranges from old skool acid bleeps to high tech electro with a scent of industrial and ebm-body music. a super funky acid remix of the track -drifters- by seri from japan is also included. limited edition first press on transparent 12-.

nice price deal !!! the twins of hardcore are back with a new 5 tracks ep!!!

nice price deal !!! 2004 classic!! electro/acid infused tech traxx!!

nice price deal !!! 1988 breakbeats from the break boys.

nice price deal !!! farewell, cheesy ambience tracks and garbage-bag rhythm sections, >acid bonanga ep< will blitzkrieg your ears: first chainsaw solo for lowlow and katrina hurricane drum programming on kazoo by biboune.

nice price deal !!! 2004 release by acid quiff aka the conformist.

detroit enigma sharif laffrey makes a return to paramidas berlin-based love on the rocks imprint with pony ep. the two track ep marks his second release with the label (following key jam (a.c.i.d.) and his third release in three years - something of a roll for laffrey who typically allows years to pass between each outing.over 9 minutes of what sounds like nineties 4/4 indian acid-house bass music - in the best way. surprising vocals & a healthy 3 minute lead in. b-side: pony roger’ if the pony you were riding on the a-side was galloping through a grassy meadow - this pony heads into a dark cave. if the a-side is the never ending story then the b-side is the dark crystal. but with prince instead of bowie. sharif laffrey has been playing records and making music for 20 long hard years. born in detroit, michigan - hes worked on the line checking camshafts for chryslers & at submerge for mike banks - at the same time. he toured asia with juan atkins and once had to chase a grown man through the streets at night, who had crawled into his living room through an open window. an active member in detroits early rave scene, sharif remembers booking all foreign gigs with something he calls a fax machine.

john frusciantes foregrow doesnt sound like any acid test record, or any record, thats come before it. after the unlikely alliance between the los angeles label and the iconoclastic venice, ca musician on trickfinger, all bets are off. this one’s truly a passage through night. foregrow is a lurching, lysergic beauty which offers glimpses of his platinum pop instincts, but only behind the veil of true experimentalism.

emel first album! and also first acid night album lots of first times... a splendid beautiful mental acid tribe ep, 160 bpm cruiser full of very thinlace sounds and surprising beats... true tunes bringing a unity to the album.

a side goes techno izif style... after a good banging techno intro... comes a big break efficient and dancefloor... the track turns electro techno progressive:) b side goes more original space sound... deep acid and mental techno ! enjoy !

the excellent field label embarks on a new mini trilogy of eps that will -present a magical journey through modern-day trance.- first up in the series is artefakt with their three track effort the final theory. dutch producers robin koek and nick lapien make up artefakt, and between them they excel at moody voodoo music on labels like delsin. they open this latest ep with the title track, a deep, spacious house roller with subtle pads and gentle acid that perform slow motion acrobatics for nearly ten minutes. it is suspensory, dreamy music that works on the head as well as the heel. moving horizon is then less doleful and introspective but just as deep, with sweeping pads add a sense of scale, busy drums bring the dynamism and icy percussive sounds adding a sense of urgency. last but not least, solaris is a fatter, more physical groove with claps and gloopy bass, acid flashes and trancey pads all fleshing out a lush and deep electro workout. this is heavenly stuff that cannot fail to get inside your head and heart.

steve murphy presents his new acid and industrial-tinged techno project, the night flyer, on lobster theremin’s cryptic black label imprint. a fear-addled chill seething down the spine and a machine-grinding, acid terror-bird emerging from the deep night, the night flyer is an expectedly dark take on the seedier end of technoid nightmares, while hanging a distinctly cold (wave?) atmosphere over cobbled, crushed analogue structures.

melvin meeks from chicago is the new member of the rawax family! we are happy to present you melvins former relief release from 1995.

mental acid tribe from italy. a deep acid beauty experience!

this record was written with the intention of conveying classic aspects of house music. track names such as “paradise garage”, “the warehouse” and “zanzibar club” come from monumental clubs that helped shape the history of house. it s true roots in chicago (the warehouse), to new york city (paradise garage) and new jersey (zanzibar club). this 12 features an heavy low end bass line surrounded by a fuzzy acid, brisk and grubby house beat, lush chords deliberately sitting alongside with crispy clear high end vocals. it s about respecting a legacy, the foundation.

nice price deal !!! for the first time chicago artists traxx & josh werner come together as jm strap and they are responsible for the a side of this record. we proudly present >the owl in daylight<, an amazing track that brings back the chicago jakbeat sound with an incredible bassline that seems alive, weaving all around the song to take it to the next level with a simple but intriguing dark pad and brilliant solid drums. on the flip we have >play error< by juanpablo. this madrid based artist is responsible for the frigio label and his track composed on the phrygian scale. the result is a dark and rythmic tune with a sweet melody and background voices. like the other tunes on this record >mute city< by lektoluxe remains at the underground level with galactic melodic synths and a fat deep bass that switches to acid tones at points.

andreas gehm is known for his fierce, unapologetic acid style. but the cologne man does have a more mellow side, a smoother side, and that s what this three tracker is. of course, smooth gehm still has some rough edges. -yellow flowers- combines thick pads, skittering beats, warming samples and frigid bars in an intoxicating brew. malice and menace rear their ashen faces for the evil machinations of -late at night-, muffled vocals and sharpened snares glinting in the streetlights. safety arrives in the form of the aptly titled -less violence.- rhythms are still rough edged, melodies still have an underhanded element. yet there is a subdued humanity in the sweetened strings, emotion coming to a head as the needle runs out.

obus x represent our four vinyl release. acid trax ep is the fruit of a musical union between sishi rosch, who together have cooked up a delicious slice of tech with hip-house vocals and acid sounds. 3 unique original tracks + rmx by sammy w & alex e, who took -werk dat body- to the new level. every bit as punch super-strong fluctuations of the dance floor. 100% right place, right time, right and quality release at a high level

ovum welcomes leftbank records co-boss dudley strangeways: a uk house and techno dj rooted with serious residency stripes at the legendary back to the future parties and appearances at the likes of boiler room. hot off the back of releases on stardub, little helpers and made of concrete comes his ovum debut, three tracks made constructed for one sole purpose… melting minds in the darkest of rooms. keep it clean is twistedly simple, a rump-busting roll in the drum department and paranormal pad leave space for a precision tuned tone that warps with the gravitas of a life support machine. sinewy, cold and deliciously disconcerting, dudley ensures funk and focus with delicately placed rhythmic elements and constant fluctuations. next we find ourselves breaking into an early 90s warehouse as transition whisks us on an acid trip with flurries of jack and a lean lead line that slithers through the ever-mutating drums and occasional fx hailstorms. devilishly futuristic and tailored for those deep long blends, the stripped back extensive nature of this guarantees mixing bliss. truly, tracks built by a dj, for djs. don t let this one slip…

acid anonymous is back with three amazing tracks by legendary rinse. powerful and classic distortions escaping the acid flow, all tracks are as original yet classic as you can expect from this producer. this is the release we’ve been waiting for.

bakk lodges sfv acid with a double deal - a 12 inch (doep) with deep n dark electro vibes and a 10 inch (jazzchamber) for the smooth and elastic funk. both come with the unusual sfv acid touch. it comes in two screen printed inner sleeves packed in a plastic sleeve with a chrome sticker - conceived by the bakk cartoon cartel.

vox low come in hard, slow and dark on a new 3 tracker for correspondant. the pyschedlic parisian duo display various iterations of left field menace, ranging from glam rock on “the hunt”, electro disco on “some words of faith, and pitched down acid on “i am a strange machine sometimes”, but all with the signature analogue pulse which correspondant is famed for presenting

number 8 in the acidworx vinyl series brings upon us a ten minute journey of long reverbs, delays and tripped out acid dubs from japan on the a-side, then two jacking acid workouts from sweden and germany on the b-side. as always, vinyl first, digital later. early support from josh wink, sasha, felix lorusso, electrosexual, satoshi fumi, ataxia, guido nemola, sone, advanced human, d-leria, dorian gray, mateo murphy, p.e.a.r.l., i0ps , alessio mereu, 2000 and one, raphael dincsoy, nibic, nomenklatur, spacid, luca agnelli...

time has come: asymptote duo, owner of the label, makes its debut with its first ever release. sav004, behind the scene ep, is the result of a driving combination between old and new school elements, aimed at the big floor. a side, is darker and deeper, made by two acid and atmospheric techno cuts: behind the scene and chain reaction . on the b side, the traveller is a minimalistic techno trip, with millsian reminiscences. plastic city instead, with its essential sonorities, draws inspiration by the old detroit school, trying to evolve it and go well beyond. past and future create the present

juan ramos lives on planet earth but channels voices from the aether. this is his first offering for the esp institute. on side a, last of the natives shows us just what we’re dealing with, a master manipulator of sound and consciousness. juan culls the toughest kick drums and thickest latex bass slaps from a deep burial in our psyche and peppers them with alien chants and fleeting electronic flutes—a combustible sense of spontaneity that may at first appear chaotic but after fully immersed in juan’s demented world, we find ourselves willfully under his control. on side b, enemy of enemy is friend also sets off from a disorienting place where a slow progression of acid, shakers and toms takes a good minute to allow us some footing around the groove. once settled into his sophisticated rhythm, juan opens the door to a glorious combination of chords, clanking guitars, shakers that scrub back and forth and the occasional smear of paranormal synth. we at the esp institute are enamored by juan’s seemingly infinite skill for crafting mood and extracting optimism from darkness, but seriously, what color speedotm should she wear this summer?

superb 5 tracks from electro / acid to industrial

man power left his northern home and ran south of the border. this is his first offering for the esp institute. on side a, he proves that he truly is the tourist, delivering what we’re already toting as our summer anthem—a relentless hurricane drum pattern full of toms, timbales and splashes that lays the rhythmic foundation for his pacific chords and euphoric melodies–an undeniable floor-filler that invites all to dance unencumbered by the constraints of “functional” club music. with side b’s oye, man power rolls out a similarly vibrant combination of drums and rhythm, however he toughens up the aesthetic with a massive rolling acid bassline, only briefly letting up for a spot of layered marimbas and spriteful pads before culminating in an emotional finale. after spending a couple years churning out tracks for various labels around the world, man power has undoubtably shifted his narrative point-of-view and updated his sense of craft upon his induction to the esp institute. these two songs will throw a wrench in your holiday.

since his last full-length, ode, tin man, aka johannes auvinen, has taken a collaborative approach to acid, bringing his 303 box into studio scenarios with cassegrain, john tejada, aaaa and gunnar haslam in order to explore new territory. on acid test 11, auvinens arrived on a seamless pairing with manchester production duo jozef k and winters son. on the title track, tin mans acrobatic 303 no longer has to do the melodic heavy lifting-the mancunians provide a sturdy yet plaintive piano base that allows a duet of acid lines to cut through the heady atmosphere. interdimensional transmissions boss erika toughens things up considerably with her fates unknown remix, stripping things back to a creepy, jacking core. pendle by night underlines the ad hoc trios propensity for widescreen heft. the tracks epic, emotional tone feels like a natural product of the collaboration