lets remixer speak! >it was great to be asked to do this. originally, i wanted to do something really quirky and funky with the strange vocal in human bond, one of my favorite old tracks. i tried a few times but i couldnt really get a vibe going in the funk realm. so i listened to the original over and over again and then the lightbulb turned on. i realized that the original was a monster rave track, like what you would hear in a warehouse in detroit in the 90s. so i threw out my original idea and went crazy with a huge techno builder, something to hype a big rave just like the original. maybe this doesnt sound exactly like what i usually do but that was the fun of making it< claude vonstroke. aa: >bounce your body to the box was one of the first kms records that i owned and it was all about the mike >hitman< wilson mix and force field on the b side. the production on the original was huge. the 909 groove just pounded everything... when that came out there was nothing that came close to it. so it was an honor and a challenge to mix it myself. first came the futurist bounce mix... not released on vinyl, anmerkung, ... which is more of a cover version than a remix. i had a lot of fun with this one but it definitely has a signature that steps away from the original. so i had to take a run at it one more time to pay a proper homage to the original with the flashback mix< mike shannon...

great detroitish influenced techno four tracker with dave riot, phantom regiment, third man and the futurist

uk beat futurist delivers an explosive release that covers a wide spectrum of his signature sound: dub bleeps, modulating synths & smooth drum programming are sure to turn heads. bass fueled remix from dutch producer dogdaze

incl mark broom remix

>read my mind< is the first full-on vocal track to actually be released by metro area (they had amassed a small catalog of unreleased vocal tracks since starting the project). featuring the incredible pipes of philip owusu (of ubiquity records owusu & hannibal), >read my mind< is a dynamic boogie romp full of contrast: sweet yet meloncholy, warm yet raw. it hearkens back to the days where songwriting and arrangement still had a place in dance music and we hope youll love it. and for the beat purists, theres an irresistible >rmm special dub< version - perfect for doubles! flipping to the b-side yields >erodyne<- an incredible space-disco epic that rocks time and space, looking forward with angular arpeggiated riffs and futurist moods while anchored by an undeniably d.i.s.c.o. groove. check out metro area 7 and be transported - hot music, built to last!

great do it yourself project with smashing techno. one side is maximal harder techno and the other side features minimal techno! support: nuno dos santos/damian keane/andreas bergmann/steve kenzo/axel bartsch/kriek !

der begnadete afro-futurist auntie flo aus glasgow fusioniert elektronische club-musik mit weltmusik-rhythmen und wird gerne in einer reihe mit daphni, four tet und romare genannt. nach zwei alben auf dem glasgower label huntleys & palmers erscheint sein drittes werk auf gilles petersons brownswood label. mit radio highlife gelingt ihm seine bislang ambitionierteste arbeit, an der befreundete musiker aus aller welt wie laurie pitt (golden teacher), der senegalesische multiinstrumentalist mame ndiack, uk-produzent/sŠnger andrew ashong und der kubanische percussionist yissy garcia teilnahmen.

coming together over three years since his critically acclaimed last album, hyetal completes his transformation from off-kilter dance music producer to futurist pop visionary on youth & power.

sebastian inwood has long been regarded as one of drum & bass s most promising producers, with a string of impressive singles on ingredients and hospital testament to his talents. strange system is the bournemouth-based break freaks debut album, and simply sparkles with futurist intent. comprised mainly of tracks that blend sturdy, bass-heavy d&b rhythms with the kind of melodious flourishes that have become hospital s trademark, its an album full to bursting with highlights. these include, but are not limited to, the punishing sub and sweaty, late night vocal samples of xylo, the slick, rolling liquid d&b of powder coated (produced in collaboration with london elektricity, and the d&b rap rinse-out of illaman hook-up weirdos & creepers.

alongside fellow members of berlins janus collective, recently behind nights at berghain and corsica studios, m.e.s.h. is known for his futurist approach to club dynamics and production. on piteous gate, tightly gridded and sculpted sound juts up against loose-wristed improvisation, automated processes, and collage. standard club syncopation is twisted by sliding tempos, cut and paste time signatures, and indeterminate pacing. its sound design and compositions are ornate, even courtly, with neo- feudal moods offset by the recurrence of hydraulic hiss and flanger

a dying planet..encapsulated by those who killed it. filled with wandering souls and ancient technology, a way out emerges. a utopian star, an escape, the anarchostar.
the anarchostar is a psychedelic science fiction universe and the sophomore album of the american electronic composer and futurist distal. the anarchostars story acts as a conduit for the music, each release is a different part of the mythos surrounding the label narrative.

ben butler & mousepad, the new electric wizard on the block, are unleashing their debut album >formed for fantasy< to coincide with their forthcoming us tour with legendary futurist popsters deerhoof. the album, conceptualized by philip k. dicks hallucinatory mind, played by prog-rock legends magma and goblin, influenced by the sounds of uks emerging wonky pop culture with some good ol funkadelic thrown in the mix. it sounds out of this world but you still can move your feet to it. recorded in various places around europe (rotterdam, berlin and darmstadt)

in cars we rust is their debut album, and it presents the most complete picture of exercise ones world to date. the dancefloor stormers are still there, and the records flow is guided by the same spirit of improvisation that drives their live sets. but the clubbier material is rounded out by sounds weve never heard from exercise one before: gorgeous, enveloping ambient tracks soundtrack-ready synthesizer ballads even a kind of retro-futurist electro-pop.