christian martin joins the production ranks of dirtybird along-side his well established brother, justin martin. on the a-side, >stoopit< conjures up images of princess jasmine stripping f or lil jon in a lush arabian tent. on the b-side, >venus fly trap< tackles more serious issues, f ollowing the f inal journey of a simple house fly. these two tracks hav e a rare f lav or that will cross ov er into dj sets of all kinds. the martin brothers have taken elements from latin krunk and techno swing to make something fresh and wild

played by dj t, mandy, booka shade !!! the flagship track from the album that has been called both >bird brained genius,m8 a highly seductive affair.< dj mag. beware of the bird builds and falls like a techno electro carchase, working perfectly with a big sweaty dance floor. the ever so funky justin martin also brings us a rare mix of nice and nasty that is not often heard these days

ultraphat phreakin house / techhouse with john tejada & justin martin remix !

ft. tracks by claude vanstroke, justin martin, eats everything, shadow child, catz n dogz....grandiose compilation von claude vonstrokes dirtybird-label aus san francisco, eine der derzeit fźhrenden us-house-adressen! 14 exzellente tracks grš§tenteils erstmals auf cd!

6track ep from the collaborative project of danny goligier shall not fade, dirtybird, boiler room, even the strong and james thomas, digjit.

as i m always evolving, every now and again i need to make a point about my latest sound. curveballs has been especially written to showcase the full range of my current sound and features a carefully selected collection of tracks designed for a club environment. riva starr dance musics prolific italian-born london-based sharpshooter riva starr set to release fourth artist album curveballs via adam beyer s revered truesoul records. riva starr has been shaking up the world of dance music with his eclectic and unpredictable palette of sounds and styles for over a decade. over the years, he has racked up numerous accolades and achievements including releasing 3 acclaimed albums (if life gives you lemons, make lemonade in 2010, hand in hand in 2013 and definition of sound in 2016), having a myriad of single/ep releases on some of dance music s most established labels (snatch! records, hot creations, relief, crosstown rebels, dirtybird) and amassing an impressive remix resume of artists including audion, groove armada, dennis ferrer, usher, estelle, london grammar, fatboy slim, reboot and david morales. with all of this success and experience under his belt, the time has come for the talented italian to deliver his much awaited fourth long-player, curveballs comprising of 12 stellar tracks inspired by current club sounds and old school music elements, driven by starr s endeavor to produce music that stands the test of time. the lp s striking opener, always gets things underway and sets the tone with its powerful house groove, warm chord stabs and divine soulful vocal courtesy of legendary house diva jocelyn brown. elsewhere, there s the funk-driven disco-tinged piknik, the uplifting needin u esque disco loco, the dark and commanding the hole (release your soul) and the pounding peak-time synth-laden roller give me love. other highlights include, the infectious breakbeat workout britcoin, the techy electro-tinged fresh and the experimental synth-driven techno gem analhog. the album concludes with 3 fine cuts in the form of the bass heavy tr-909 laden ride, the funk-fueled house groover mantra (early in the morning) and an exclusive deep-house-esque dub version of give me love to round off yet another essential long-player from one of dance music s much-loved artists

the masterful trio of timo mass, basti grub and eric volta showcase their combined musical muscle on the latest release forthcoming on supreme berlin imprint, mobilee. with an impressive remix package featuring rodriguez jr. and tiefschwarz. over two years in the making, ‚we were riding high‘ is a lucid after-hours track with an uplifting and catchy vocal hook that unfolds and develops fluidly. the alternative edit utilises dark synths and drums, retaining the positivity that make this track perfect for the last summer month. this record is the result of eric volta making the demo at an after-party at his studio. he then showed this to timo mass who in turn showed it to basti grub who loved the track so much, they were inspired to develop it. two time grammy nominated timo maas has an extensive musical background, spanning over thirty years. he’s worked with some of the world’s biggest stars including madonna, depeche mode and fatboy slim. basti grub heads up his own label, höhenregler, and is known for his exotic, african-influenced productions. he’s released on some premium labels including cocoon, get physical, desolate and cr2. born in london but very well traveled, eric volta shot into the spotlight with love your illusion and since releases on dirtybird, visionquest, four:twenty recordings among others.

producer and vocalist kevin knapp delivers his killer new single blah blah blah, returning to the hot creations fold after last years vocal feature on jamie jones positive pressure. here, jamie returns the favour, partnering with another label favourite, detlef, to supply a monster of a remix. finding time in his hectic schedule of touring the world, running various record labels and his paradise parties, jamie jones teams up with one of his paradise residents detlef to deliver an audacious remix, perfect for the twilight hours. hardy percussion, acid blips and pulses meld together to form a bolshy, no-frills remix. greek artist detlef shot into the limelight in recent years with releases and remixes on labels like hot creations, relief, knee deep in sound, moon harbour, and defected. kevin knapp gained attention with a string collaborations with audiojack (gruuv, 2012), matt tolfrey (leftroom, 2012) and his debut hot creations cut with richy ahmed (2013). a prolific producer and featured vocalist since 2011, kevin has released on the likes of hottrax, crosstown rebels, dirtybird, mother recordings and more.

after the huge success of their first collaboration, doorly and el prevost are back for part two: this time the world touring doorly serves up a hot original that gets remixed by red rack‘em and el prevost, while el prevost also serves up an original of his own, all on his own no speakers label. the first ep, featuring a lee foss remix, got support form the likes of paco osuna, solomun and groove armada and this second instalment is set to be just as big this summer. doorly is a dance heavyweight who headlines clubs like space ibiza on his global travels, releases on cajual, hot creations and dirtybird and is no stranger to hitting high places in the charts with his big and infectious sounds. as a dj he is energetic and can make a mark on any dance floor, and so will this new tune, ’sonder.’ it is six superbly deep and atmospheric minutes of warm, rolling drums and searching synths that bring an intergalactic feel next to twinkling keys. jostling percussion brings a little loose funk and the whole thing is sure to lock in dance floors. el prevost then steps up to remix after 15 years of putting out killer cuts on labels like third ear. his music has made its way into the record bags of tastemakers like steve bug, dj hell and steffi and this excellent remix shows off his singular style again. it is a little tougher and more energetic than the original, with sprinkled hits, rumbling bass and pixelated synth lines dancing about up top. then comes red rack‘em, the bergerac boss who had a huge hit with ‘wonky disco bassline banger’ last year. it was one of the tracks of the year and has been followed by an equally brilliant album by this esteemed house veteran. his remix here is big, bouncy and off kilter thanks to its coarse hi hats and punchy rubber drums. great vocal treatment adds more wonkiness and broad synth strokes flesh things out into another sure-fire party starter that sounds like little else. last but not least, el prevost offers up a solitary state mix of his own ‘temper mental’. it’s a hugely inventive track with great synth modulations burrowing deep into your brain as dancing hi hats and whirring bass encourage you to cut loose and shift freaky shapes. this is a strong ep that really packs a punch across four standout tracks.

nice price deal !!! played by tim green (cocoon / dirtybird), matt star (int. freakshow / mainakustik), frank leicher (einmaleins) and many more!

nice price deal !!! pirate robot midget is an half italian-half french band living in amsterdam, they are rough, distorted, sweat and noisy…like your garbage disintegrator singing northern soul! ..… hell yeah is proud to introduce this limited ep from one of the most hyped bands around. >its my beat now!< features american rapper grand agent on vocals for an urgent hipnoise tune about sampling, hits and courts… >sacrum< and >so undead< testify why prm sound is on demand worldwide: solid rockin noise!!! the package is completed by two remixes of >its my beat now!<, one from electro-minimal wonder riva starr (dirtybird, frontroom, kindisch) who delivers a jackin freaky version for the fidget house massive and man of the moment dyno (mantra vibes) who adds his stomping techno flavour raping grand agent vocals: this is sick-beat!

hot off the heels of his latest release on dirtybird and ahead of a ten date us tour, toolroom favourite weiss is back with the next edition in his weiss city vinyl series with weiss city vol 4. with sell-out self-branded shows all over the world under his weiss city guise, weiss continues to go from strength to strength on the underground house circuit, racking up more and more fans and creating more dance floor anthems along the way. kicking things off on the a-side is his latest weapon, you better run , which offers that signature weiss sound with a serious chunky and funky groove accompanied with a retro vocal and tough, classic sounding pianos. the dub mix sees weiss lay down a tougher and darker take on the original with additional trippy synth patterns, this is one for the more forward-thinking floors. the b-side sees weiss team up with label favourite harry romero with the contagious, chunky, groover, let me show ya and rounding off the package is feel for me with its funky, infectious baseline and hooky vocals. four essential slices of dance floor mayhem from one of toolroom s main men, not to be missed!

nice price deal !!! the rejuvinated playtime presents worthy and yankee zulus >the bs connection<. the san francisco / katabatic / dirtybird star worthy versus irelands yankee zulu, whose recent tracks have had raves from luciano, pig and dan and playtime favourite justin robertson. it s already being played to death by claude von stroke, it s got that wonderfully lazy funk that we like round here, and it s got a killer andre crom remix that makes the groove simultaneously more insistent and weirdly looser

originally released on claude’s own label dirtybird “lfo i love you” gets a 2016 polish with great remixes from the d-floor owners nice7 and keinemusik artist david mayer.

yes, we re back at it again with more eddie amador. after the success of house music and rise, we decided to diversify and go for a double a sided remix package with two distinctly different remixers. so please welcome ardalan and cj jeff to the yoshitoshi family! given ardalans propensity for booty basslines and infectious grooves, psycho x girlfriend seemed like the appropriate choice for the dirtybird affiliate. he flipped the tracked on its head by pumping it full of sub 100 hz frequencies, mental sound effects, and even a pinch of acid. the remix again shows this young gun s talent for creating bona fide bangers that keep the spirit of house alive. greek house don cj jeff took on 6am, the groovy and oft-overlooked 2006 wee hours anthem from amador. his remix bears a massive 808 kick that floors the mix (no pun intended) into overdrive. his simple, catchy melodies capture the classic yoshitoshi vibe beautifully.

ahead of the release of his highly anticipated body language mix for the famed get physical series, top drawer producer and selector tim green offers up two exclusive tracks from it - one original, and one remix. over the last decade green has put his midas touch to a stream of scintillating and powerful club tracks, releasing through labels such as cocoon, my favorite robot, dirtybird and get physical. as a remixer he has been in constant demand, lending his musicianship and production magic to the likes of friendly fires, cassius, seth troxler & kidnap kid.

april showers bring may flowers, but this april claude vonstroke brings you the rain break. inspired by two different songs from the 80s - (razes classic break for love and oran juice jones the rain), claude has replayed and re-sung all the music from scratch to make a special cover tune of both tracks changed and combined into a surefire dirtybird classic. to quote vonstroke, i kept singing the break for love bassline over and over again in my head but the vocal that always popped in over the top was from the oran juice jones. i cant explain why that happened but i just thought they went together so well that i ran with it.here comes the b is a much weirder affair. built with massive psychedelic effects, a huge kick and almost no hi-hat pattern, this is late night cavemen music at its best. this big release from cvs will have you wishing for a downpour so you can go walking in the rain.

gerühmt für bouncenden, augenzwinkernden house, kann das polnische dj/producer-duo catz n dogz auch auf ein techno-vorleben als 3 channels verweisen. nach dem start 2005 haben sie szenekenner mit releases auf trapez, crosstown rebels oder dirtybird entzückt, dank einer besonders griffigen definition von tanzmusik, die bald zum höchst erbaulichen, pop-geprägten stil der gegenwart mutieren sollte. mit speicher 88 kehren grzegorz demiañczuk and wojciech tarañczuk zu ihren technowurzeln zurück und präsentieren zwei hypnotische schieber im minimalistischen arrangement, die ihre nahezu monströse wirkmacht auf den moshpit cnicht verhehlen können. alphabetti spaghetti und rucola apocalypse sind könnerhaft gestrickte manöver durchs club-dickicht - essentielle brandbeschleuniger und eine massiv befriedigende dosis tanzwut.

food music welcomes a1 bassline to the label to release his first lp - technicality. the album’s title draws from the club night “technicality”, a monthly drum & bass night at herbal in east london, which is run by chris inperspective and continued the sound of early reinforced and metalheadz records as well as pushing new forward thinking music. the album is centred around growing up as a teenager discovering this jungle/drumfunk sound through his college friend rahim (lab creation), where the likes on fold, ben ufo, breakage would attend the club. in addition to well received records on dirtybird, pets recordings and his collaborative work with leon vynehall as laszlo dancehall, the album is a stamp on a1’s sound and his influences from his teenage years to growing up and discovering house and techno.

give a warm welcome to dirtybird artist and first non-european producer on gold records: bruno furlan from sao paolo. once labelowner rainer weichhold received these demos he was immediately convinced that there s something special in them. so after a few clubtests he was sure that he needed to release them on his label. and also the two guys from the glitz needed no long persuasion to deliver their fantastic remix for the book . but listen by yourself

suol-sister meggy, die als produzentin 2013 mit der -hide 4 love- ep debütierte und als sängerin till von sein, rampa und re.you ihre stimme lieh, startet eine neue kollabo-serie auf suol. ihre partner auf der ersten split-ep können sich sehen lassen: paskal & urban absolutes (sonar kollektiv), soulade (vitalik), ardalan (dirtybird) und erdbeerschnitzel (delsin)!

relative newcomer to the scene, caserta delivers the goods on his first-ever artist ep release. spanning a wide range of styles from thumping sample-laden hip-hop grooves, to chill nu disco, to bumping old-school house, this one has a little something for everyone. cleverly knitted together with interludes and outros, the dynamic ep is both utility knife in the dj bag, and a beautifully varied listener experience. early support from soul clap, moon boots, kon, roberto rodriguez, justin jay (dirtybird), dirtytwo, craig smith (6th borough project), nathan g

having established themselves as two of frances most exciting prospects, jules & moss continue to turn heads and demand attention with refreshing releases that display their admirable eclecticism. with a flourishing discographyspanning the likes of dirtybird, souvenir music, upon you or inmotion music., the duos warm and charming productions speak for themselves, with their next release on kittball acting as a further excitable milestone to their prosperous careers.

nofitstate return with four tracks from hot talent a1 bassline whose reputation has been building of late from a succession of releases for the likes of dirtybird, get physical and gruuv amongst others. here hidden agenda finds the young producer in true devastating form. skippy percussion, a nod to the uks garage scene, vibes the track along nicely whilst the bass does the damage. burnt out piano island delves deeper, acting as a neat counterpoint to the more main room agenda. here the style is much more nuanced with a more hypnotic leaning. outsider picks up the pace against, albeit in a subtle, uplifting vibe with warped pianos and razor sharp percussion. t moe p rounds things off nicely with a moody bassline driven groove.

before the full installment of jaws collaborative project for circus company midtown, let us whet your appetites with the midtown ep featuring a kaleidoscopic handful of teasers. contributing artists such as canadian renegades art department, berlin dj/producer and bar25 alumni britta arnold, dirtybird kingpin claude vonstroke, hamburg scene staples philip wolgast & benito winberg and berlin based duo the/das, all lend their unique electronic footprints to the already unique and instantly recognisable voice and charisma of jaw.

fresh from supporting claude vonstroke on the massive 25 date north american urban animal tour, j.phlip, has finally stolen a moment to complete her latest and much anticipated release. her last appearance on dirtybird called *coefficient*, found the girl from illinois flexing her european techno muscles and adding the likes of surgeon & dave clarke to her rapidly swelling fanbase. her incredible dj skills on the road have been catching everyone’s attention and she is currently prepping to go back on the road with vonstroke for the europe leg of his tour.

seems bristol may not be the only bass-built uk city to spawn true dirtybird talent. midway up the little island the city of birmingham is boiling its bins and splitting its subs with the sounds of hannah wants and chris lorenzo.

it is the collaboration we have all been waiting for! the careers of both catz n dogz and eats everything have been intrinsically linked since the polish duo debuted the incredible mr edible via his agenda-setting *entrance song* on pets in 2011. their relationship was compounded by dirtybird dynamics, both acts sitting on the fringes of house and techno, neither side shy of the rich taste of bass, the work of both eats everything and catz n dogz has always sat side-by-side… but never together. until now.
two instantly distinctive, unmissable originals. one killer remix. they say it is a dog eat dog world. well not anymore… welcome to the crazy world of catz eats dogz.

dood, the second single from claude vonstrokes forthcoming album, urban animal. dood is inherently dirtybird and the one youve been waiting for if you were expecting something nasty from the project. the heart-squeezing booty-bass-line smacks instantly, while the rumbling drawl of the stoned vocal perfectly encapsulates vonstrokes witty spirit. the track is an homage to the time claude spent in los angeles during the production of the album and really captures the fun, dark edge of that sprawaling so-cal metropolis.

> cant wait<,is reminiscent of some of vonstrokes deeper classics while also pushing further into new territory. a sense of restraint and release play games throughout this melancholy tune with a fat bassline locking down the groove. >cant wait< has fleeting moments of euphoria that are both surprising and uplifting especially for a summer open air crowd. coming up strong on the b-side, >the clapping track< shows us the fun side of vonstroke where he cuts apart 16 claps and then brings them back together - building up to a standing ovation as a resonate organ sounds. this house anthem has already been destroying the dirtybird ibiza residency and summer festival circuit as well.

accent is a brand new house & techno project from well established british producers craggz & parallel with a large and illustrious back catalogue of d&b to their names. on the first release the duo deliver three cuts of rubbery, rhythm heavy house music.
notable dj support from: photek, stacey pullen, marcus worgull (innervisions), mumdance, slam, quentin harris (strictly rhythm), tom findlay (groove armada), j.phlip (dirtybird), chrissy murderbot, laurent garnier + many more.

ms. smooth socal soul meets mr. nocal dirtybird swagger and they have a baby together. that baby is justin jay and at 19 years old he is already making his 3rd appearance on dirtybird. i have a feeling this is justin jays breakout record. the a-side static is at 119 bpm and will sweep you up then rip your pants off. but even when you get hit with the massive bassline, an old school anchor stays intact. waves b-side has a classic deep dirtybird feeling, with tuned 808s and a surprising melodic element showing off the sweeter side of this up and coming young gun. justin jay has more potential than anyone i have heard in a while and if he continues to play like he has been lately, he has a long dj career ahead of him as well.

despite their tender age, italian producers marco faraone & luca agnelli have released on some of the most established labels including get physical, cecille, dirtybird and moon harbour.

i had dinner with breach in london and he told me: hey, i have a track that is really dirtybird. i would put it out but its really sounding right for you guys. i took this with a grain of salt but then i heard lets get hot and i found out he was right. it has got the swagger and the sound. it makes girls grind their asses into boys crotches on the dancefloor. perfect. signed. so i then asked him to make something even more sexual, thinking it would be ages before i got something back. 10 days later the a-side came back to me as a 2 minute clip while i was on the train to warehouse project in manchester. i liked it so much that i edited it on the train to stretch it out to 5 minute. as expected, it slayed the room and the final version breach has delivered is one of the best records of the year in my opinion. with the simple title of jack you can see for yourself when you play it. this is the real deal. love, vonstroke

awarded the best break through producer of 2010 award by pete tong, englands tom flynn is renowned as one of house musics most respected forward thinking producers. an international dj, producer, engineer and remixer, tom has regularly graced the worlds biggest dance floors as well as gaining an army of support along the way. after releases on mobilee, dirtybird, hypercolour he joins the 8bit family with a fantastic 4 tracke

off the back of his second club-shaking ep for cvss dirtybird imprint, paris ghetto mastermind producer is back for his 3rd outing on his own label clekclekboom. after dropping their inaugural release, the stellar *champagne / hugz (ft. bambounou)*, at the end of 2011 it seems fitting that french fries return to kick-off 2013 with the labels 9th release. the use of bold, futuristic effects and percussive subtleties combined with an astute aptitude for clarity and fullness of sound makes for yet another destructive french fries and clekclekboom ep. this shrewd blend of experimentalism and dancefloor bass-weight means ccb009 is likely to turn up in a wide range of record bags.

this young guy from berlin has already proven that he has a huge talent for melodies. with remixes from yousef (cocoon), jules & moss (dirtybird) and luca marano (pauls boutique) this is a cool package for the girls and the boys

its been a good year so far for a1 bassline, with a string of well thought of releases on dirtybird, his own imprint sourceunknwn and the much touted pets recordings, the home of catz and dogz.this new offing on his own label again phobia, a colab with the fast up coming bobby champs (pictures/hypercolour), is sure to have similar success, on the b side kevin mcphee delivers a dark techno remix.

french fries delivers two originals on the cutting edge of modern bass. “space alarm” is right up in your face but artfully holds back right when you think it will go over the top. the inside “smoke wine” is more in the vein of last years smash “yo vogue,” yet more understated and deep which is rare for the genre. when i play these at the right time they always solicit an audible “ooooh” from the crowd at thedrops. remix #1 is by justin martin who really blows it up dirtybird style with almost a breakbeat old school electro beat. remix #2 is by dirtybird newcomers goldffinch via belgium who also deliver a really funk laden club version. both remixes are ace and the full release brings a very fresh sound to the label.

pimprinella 006 comes along with 2 newcomers, the cologne based guys freiboitar. few months ago they just dropped the demo track floetenflirt to our box and shouted we are big fans of pimprinella!!! and what can we say? little puppie is a big fan of kölsch beer now too! if you remember rene bourgeois playing on fusion festival this year, then you ll be aware of his remix. and finally we welcome jules & moss, 2 great guys from france who already released on dirtybird, flash, musik gewinnt freunde or session deluxe. chapeau, violet one!

back at the dawn of the summer, infinity ink unleashed infinity, a track that quickly became the tune of ibiza 2012. now that the sun is fading and the closing parties are drawing near, dirtybird heavyweight claude vonstroke and hot creations homeboy richy ahmed put their own stamp on the cosmic garage anthem with the long awaited infinity remixes.

british born luca lozano is a new addition to the morris audio roster. both m.u.s.i.c. and lover 106 are well balanced club tunes between house and techno and incorporate deep, dark and intense emotions. morris audio and klasse buddies kris wadsworth and jordan peak are offering some serious pimped up remixes of those hot tunes. yes, we are all back on track!
besides being the co-founder and a&r of up and coming klasse recordings, luca is preparing his full length album. he has been recording for labels like claude vonstrokes dirtybird and off course klasse. busy times in berlin!

right for the summertime gold records second release is ready to conquer ibiza with a fine bomba from belgium: pedro mercado & karadas behind the sun. labelboss rainer weichhold didnt need long to be convinced by this uplifting piano house monster. with great interpretations from dirtybird

a1 bassline, comes with a new release on his own imprint source unknwn, slur b/w slingback. his latest release >why do you< out on claude von strokes dirtybird, following the huge success of the buoyancy/falsehood ep on the same label, both releases were met with glowing reviews. his musical aspirations originate from genres such as garage, and drum and bass.

maelstrom could be mistaken for the newest kid on the scene, coming out of nowhere and dropping releases on prestigious labels like dirtybird and bnr trax in less than one year, but in reality he is far from being a kid, as a matter of fact he is more of a daddy. and i mean this more in a having a child way than in a >i m house musics daddy and i m gonna make her my bitch< way, except the latter is exactly what he is about to do with his new ussr ep on sound pellegrino.

following on from spencer parkers artist album, saved continues with an ep from berlin based artist emerson todd. having gained releases on cocoon, get physical and dirtybird, emerson delivers 3 amazing records on the >got your back ep<.
on the a side is grooving >aint no thing< whilst on the flipside is >drifting boats< featuring fabian reichelt and >say what<. this ep is a solid package with tracks that are sure to get dancefloors rocking as we start to move away from the ibiza season and towards the winter months.
all tracks have been serviced directly to global tastemaker djs including eric prydz, john digweed, danny howells, james zabiela, sasha, laurent garnier, carl cox, richie hawtin, sander kleinenberg to name but a few, over 200 djs in all.

including boris ochs, george perry & peter latino remixes.
supported by: dj misk (altroverso), nic fanciulli (saved records), dj linus (exun - gigolo), paco osuna (mindshake/plus 8 // club 4), kiko martinez (docepulgadas radioshow), claude vonstroke (dirtybird // mothership), richie hawtin (minus), the glitz (voltage musique), nicole winter, bait & switch (sophisticated retreats), andy cato (groove armada), homebase (beatwax), satoshi fumi (klik, plastic city), alexander aurel, mark jackus (cuscus), hell i am, rob slac (chillin music, om records), alexander bien (electrosound.tv), joy kitikonti (start records), tagträumer, (blackfoxmusic), lonya koval (asymmetric recordings), oliver roos (diametral records), pizeta (autan records), mag - tsugi (tsugi magazine) and many more...

after his last ep on stil vor talent in 2009, born-and-bread berliner sascha braemer is now back with three fresh tracks for the spring of 2011. in the meantime, his funky minimal jump-up tech-house has led him to release on labels as prolific as kindisch or dirtybird. things kick off with >belle<, a ferocious attack on your groove muscles and dancing bones. this tune glides as softly as the wings of an angel while shaking you around like a giant would a dwarf. the up-beat groove is based on a great cut-up vocal sample and some animating synthesizer stabs. sweet! then, >felicitous<, which is considerably slower than the previous two tracks. still, the vocal on this one and the deep electronic body come together perfectly to form a deep and dirty suckerpunch to your euphoria synapses. last up is >people< keeps the effected vocal approach and that really makes this tune. imagine a super deep bassline, some wonderfully syncopated hi-hat trickles and a constant groove to underline the power of the vocal. this track is club pop - so deep and yet so magic it will run shivers down your spine on the breakdown. sascha braemer seems to have put all his experience of peak-time club moments to early morning afterhour visions into his own transcript of signature sound. this is not be mistaken, this is simply on-point