dave taylor and jesse rose have been working together as induceve for about 6 years now. this is their second release on dubsided and as the title track >warehouse shit< has been knocking about for a minute, its good to see the vinyl is out now. a1 warehouse shit – so there s going to be comparisons with >higher state of consciousness< but what the hell, it smashes the floor every time its played. its squelchy, bumpy, and all pinned down by a simple but effective groove. b1 stay cool - proper underground mischief. bumps along nicely. as the title suggests this track stays cool, doesn t get too hectic - just a bass line, relevant hooks and automated lead synth line. b2 why burn - cool, heavier and altogether less deliberate. the deeper side of induceve with a definite chicago, sneak-type feel

dynamic four track ep from frankfurts holger flinsch (choke,tongut). minimal electro techhouse natures with a definite dancefloor attitude, the basslines roll under the steady flow of the analog rhythms.. hynotic hooks and voices flux throught the mix and all four cuts can worked into the same set. grooving like an alphahouse release..

nice price deal !!! hit the bass key the sickest tweeked out dance floor killa making you loose your mind on the dance floor somnambolist the ruffest tuffest remix of this bt masterpiece to date a definite must for all bt & breakbeat alike kiss me this bangin breakout track is guaranteed to make your body move with a combo of sexy vocals deep bass and heart stopping synths a definite dance floor killer u make me feel this hit tune has pulsating synths and a spell binding rythem that is sure to keep even your average breaks fan mermorised on the floor and coming back for more

counterpart with the latest 12 from axis sub-label, 6277. >constant anxiety< is a superb helping of driving detroit-styled techno, with a definite nod to the label boss style, layering percolating synth lines, tight beats, and solid analog elements perfectly. on the flip, more unrelenting techno, this time given added texture by some spacey touches whilst still staying true to it s millsian roots

ultimate selected best of tracks & remix by the famous house duo full intention (michael gray & jon pearn), part 1

a colourful music mixture with groovy minimal and poplike experimental song where the familiar experiments of clicking snippets of niklas meet the cheeky, demanding and dreamy lyrics from eva's notebook. just from first brief listen 'close up' is even stronger than expected, dapayks sound is even thicker , intense and more worked out than with his recent singles, eva's voice is even more beautifully blissed and see through , the lyrics more refined. a grown up and thrillingly versatitle 'real' album project, 3 of the 8 tracks are definite and extremely rocking floor anthems

the a side is the creepier of the two and the revamp, also done by konrad, this time under his rockit moniker (gee, this travelling wagonbury knows how to play hide & seek) comes with a dirtier, more in your face bassline. now , as we did our fair share of doing the write up its your turn to do the maximum playout folks, on & on please as this is our new definite favourite on the young label. sick!!!! richie, ricardo and ata all played it the same night (new kids on acid-berlin) àtiefschwarz, ivan smagghe opened their set with it at fabric last saturday

selected full intention classic tunes !! timeless disco house monster tunes

the third release on tony thomas's label is from the funky tribal house master himself alan barratt. three gorgeously fine pieces of funky hi energy house with a definite french flavour as alan lives in parisà these tracks have been tried and tested on real dance floors worldwide with real people loving the grooves presented to them here.

the original track has an infectious almost commercial vocal sound with a definite felix edge. the two remixes bear down hard and transform the track into an edgey sound kind of in a goldfrapp/ fischerspooner vein, especially the alanis version

an increasingly rare item these days, the techno 7'', but gary martin has never been afraid of bucking the system. here you get an edited take on his recent detroit-meets-electro winner, 'serious business' (i-94 mix), while on the flip, the previously unreleased 'a thought becomes you”'is a quirky downtempo electronic track that has definite eastern flavours...

following two ep releases on delusions of grandeur the time felt right for thatmanmonkz to get working on his debut lp. the sheffield b-boy is no newcomer to production having been releasing music since the mid-noughties but has seen a definite rise in interest the last few years following essential releases on his own shadeleaf label as well as remixes and productions for the likes of classic, kolour ltd and kons startime. with his first musical love being hip hop its easy to understand how his approach to house turns out so refreshing.

when messiaen set out to transcribe birds songs as models for his compositions, he couldn t have predicted that by now wild birds would have started to learn mobile phone ringtone patterns. for a system of objects, raudive aka oliver ho maps an obliquely constructed world in which you lose all certainty of what is nature and what is design. raudive celebrates dance and auditory scenes as rituals, employing our surroundings as sources of ahistorical found sound - primitive technologies used to reach magickal states. a drum machine and a wooden stick, a sawtooth-shaped electric current and a split rock all turn into empirical objects of the same class, without a definite past or a predictable impact.

byetone s new record symeta opens with a combined track - a transit - since topas and telegramm could be seen as one single piece. both tracks convey the atmosphere of a live session rather than the character of a studio production. the tracks are quite long and deal with repetition, layers of sounds, density and energy, more than melodic and engineering finesse. the whole album follows this approach, as it was fashioned within the context of live performances during the last two years. neuschnee Ð the third track Ð has an obviously reduced tempo, creating a wide landscape of sound with an intimate aura, which works as a counter draft to the other tracks of the record. with opal, the tempo speeds up again, a polyrhythmic phrase whirls around a straight beat, filters are turned, all that evokes the impression of early-90s minimal techno. byetone is basically interested in remembering, in a way to preserve, in citing rock/pop styles, without getting stuck in the past, whereas non of the tracks really fit into a specific genre. seen from this perspective, helix opens the final, more rocky block of the album. here, the tracks are offensive and rude and sound like a band in a rehearsal room. this part peaks with black peace in a high speed heavy metal session. finally, golden elegy closes symeta and a band-like situation occurs. the track ends with a wired lament, presented by jan kummer in the tenor of chemnitz, hometown of both artists. in former gdr-times, they started their musical activity with the brilliant-dilettantish ag geige, together with frank bretschneider (komet). symeta , the title of the album, appears mysterious. this synthetic word arouses associations with symmetry, synthesis or (meta-)structures. it doesn t stand for a definite object, there isn t any solution, and that is the reason why the title has been chosen. byetone s music tries to create such associations without really fulfilling these expectations. in this sense, symeta consequently follows death of a typographer (r-n92), the well received predecessor.