there is certainly not enough space to tell you all the great things about move d we would love to share with you. being the musical mind behind the legendary source records imprint, david moufang has always been a versatile and prolific character. from ambient soundscapes to krautrocky epics, jazz sensibilities or straight up techno and house, he has done it all with his own special and unique touch. this lovely fingerprint is spread all over the “cube ep . intended as a tribute to heidelberg’s finest club night of the same name (don’t mix it up with that other square project!) , move d shots two arrows straight into your heart. “cube” is one of those stripped down hypnotic affairs that seem to go on forever and ever just to surprise you with a nice breakdown, before it’s groove sucks you in again. we guess this is what people mean, if they talk about the beauty of simplicity. “heidelberg gals” flips the script in three parts with an old school approach and turns into a monolithic house monster with a bassline to boot. panache! bust a move d!

hot second release on messalina records, featuring not like you, a brilliant re edit of alan parsons i wouldnt wanna be like you which extends the groove perfectly and works it into a chugging balearic rock stormer. the b side opens with i just did it, an excellent edit of an obscure eurythmics cut from their 1984 soundtrack lp sped up, pumped up and stretched out into a bouncing balearic groove. this is followed by past twelve, an extended edit of jj cales version of the classic after midnight. great stuff.

laurent garnier - this is gonna sound great on a big system will definitely try it out. hernan cattaneo - original is huge. dave seaman - rocking paul van dyk - original mix for me. thanks. patch park - sweet package! original and distaff remix are in the cd wallet markus schulz - reallly like the original mix

ah, its time for some eerie minimal techno again. dry, percussive, hypnotic, trippy. when sunday turns into monday and the week starts exactly like the last one ended – on the dancefloor, propelled by a thumping bassdrum. dima is a bar 25 regular and has released on beatsreet (another berlin institution of endless afterhour journeys) before. this one is his bar 25 debut, tried and tested on various occasions and legendary sasomo moments. his four tracks dive deep into a nocturnal techno habitat, where percussion- sounds fade away in the twilight and the groove just won’t stop. there is no way out, just give in to its pleasures

here comes part 2 remixes of ananda projects insanely beautiful let love fly single with another unreleased cosmic straight mix (remix) by body & soul resident joe joaquin claussell, as well as chris branns original early winter mix and nycs own ebar supplying us with an eclectic dub. joe re rubs this tune with a gorgeous melodically luxuriant affair, joes dub mix has been championed at body & soul as well as his vocal mix. chris branns version massages our senses & lovely melodic version made its debut on the recent remix album night blossom. lastly, ebars drummy dub is completely off the wall taking this tune to a whole new level, to infinity and beyond…

incl excellent kos remix !! interesting for remote area fans.. dj support from tong / mark knight / sharam / groove armada & nick warren

dj sneak is back on robsoul with a classic release.the original filter man takes us back to the era of his famous polyester ep .add to this a phil weeks remix and you got an essential release. dancefloor music with soul and feelings

many international top-notch djs are already playing and supporting this tune like laurent garnier, gusgus, raudive aka oliver ho, len faki, john starlight, hernan cattaneo, james talk, perc, glimpse, ed davenport, chris fortier, p.toile, savas pascalidis, tony senghore, oliver deutschmann, mario piu or mtv-man markus kavka. after many years and releases on some of the most important labels of the electronic music-scene like for example liebe+detail, areal or trapez and countless remixes for artists like dominik eulberg, move d or solomun, hamburg/belgrade-based artist denis karimani aka remute is coming up with his own, self-titled label, which will be the future homebase just for his most uncompromising, rocking and surprising tracks. the 1st release called zuendli is an unmistakable groove-monster and is already driving people wild since weeks and months as a part of remute s highly acclaimed livesets all over the world with grinding and rotating sequences, unconventional sounds and a killer break

special delicious garden recordings music box including 5 vinyls:dgpro011 - 013 - 017 - 018 - 016for all the lovers of music!

2006 classic feat house diva michelle weeks!! excellent jazz n groove mixes (brian tappert/marc pomeroy)!!

j gorton is a seattle based producer and dj who has drawn on his vast knowledge of discos dark underbelly to put together these outstanding edits of lesser known, but no less wonderful cuts from the heyday. his informative and well respected american athlete blog has become an addictive and invaluable resource for all eager disciples of the good groove, shining a light on the often forgotten tracks which fell between the cracks of the mirrorball. cabana disco vol. 01, is the first in a series of ridiculously limted (200 copies) 12s. the series starts off with mr. les stache reworking three amazing rarities which include gepy & gepys 1979 disco classic african love song, alongside this sits an obscure cut from kurt hauensteins (of supermax) late 70s disco group bamboo, as well as the 1979 mid-tempo cosmic disco classic livin in the jungle by john tropea. this is an absolute essential for any disco enthusiast.

strong bigroom mixes by daddys groove!

mysterious and most of all vinyl only whitelabels seem to be the call of the day. if they are as good as this one here i have no doubt - this trend will stay our fried. open produced bassy and sweat boxing, slamming chicago - detroit- chicago style house with great piano chord and slight pitched atmosphere. somehow between early chez n ron and roy davis , dj pierre, kerri, mood2 swing, nu groove, kot. now ive almost named them all. oops… . sinister but oh so sexy!

the 3rd part with four delicious housetracks ... vom deep to techhouse

support comes from steve bug, shinedoe, karotte, james flavour, gruber & nuernberg, paulo olarte !! highgrade goes east! with homm & popoviciu the berlin-gang grows in the eastern direction - to be specific: romania. their musical..output..of both wasn..t hard to spot, because markus homm and mihai popoviciu made a name for themselves for quite a while. no wonder that their output spreads across several..high-class..labels like dj hell..s international deejay gigolos, pascal feos.. non zero records, as well as the british immigrant and the spanish sub conce label. after their first strike - highgrade digital number 009, this is their first vinyl ep on highgrade. without any doubts they take the chance to demonstrate their most.. appreciated.. skills: on the the titletrack >urban ballroom< they send a massive..house-groove..to a trip, alongside with a swinging bassline, decent melodylines and some springy percussions, combining perfectly funkyness and deepness. >contact< and >wipp< on the flipside are convincing in the same versed way. the former slightly more dubby, the latter comes up with a little more speed. all in all forming an ep cast from the same mould, while the title >urban ballroom< says it all. homm & popoviciu are delivering a new housy shade for the labelsound, which suites highgrade perfectly

his this years 2nd album >heavy day< still heavily resonates in peoples ears, now that falko brocksieper already delivers an appropriate follow-up. on >fresh 727< brocksieper finds back to raw, sketchy arrangements, evolving their full energy just from deep, rolling basic grooves, as opposed to the close examination of each tiny sound and every dramaturgic peculiarity in the recent longplayers production. on the title track >fresh 727< noisy, maurizio-esque house chords encounter futuristic vocal messages, while edgy, classic drumbox-riffs rip up the dense atmosphere of the track again and again. a deep, marching groove and the freeminded combination of elements signalize special club moments from the very start. on the backside >request< turns out to be an equally organic, sizzling counterpart, which can promote its sustainable cheerfulness alone by its ongoing bouncy bassline, in a way that all accessory parts get dispensable - to the benefit of a well-balanced blend of rattling percussion, carved vocals and quirky atmo...s

likely ep is tims first release on tiefschwarzs souvenir label. lead track alike sounds like ivan smagghe jamming with richie hawtin in a warehouse rave in london, skirting a line between futuristic tech house and discerning electro. a live bassline holds down the groove as a trickling bleepy melody develops throughout the track. as more and more layers of elaborate sonic trickery are laid down, a driving snare jacks out the groove further before a series of effects laden breakdowns tighten the tension further and further. cowbells take the second phase of the track ever taughter before the groove emerges into a stabbing hook and pulsating synth noises that drive the dancefloor into blissed out oblivion. subtle vocals tease the ears in the background of the final strung out breakdown, never quite dominating the tune before the jacking bass and kick drop back in. ‘unlike shares a similar vibe for mixing live instruments with plug in madness. live sounding bassline and guitar lines open the track and roll out the groove before the main synth hook takes over. as the track rolls in and out of its breakdowns it lurches between reverb heavy, bleepy chaos and futuristic rhythms. think depeche mode writing an experimental instrumental on the moon in 2012 and youre halfway there. like many french artists these days tim lives and works in london and also collaborates with fellow frenchies ivan smagghe and dante eprom. he first caught the attention of vinyl sleuths with his excellent remix of db (8)s future now in 2004 and now runs his own label marketing music as well as pushing the boundaries of spacey electro flavoured tech house with his own solo material.

1992 classic house tune!!

new and exciting label from our friends north of the border, aimed squarely at the dancefloor autodiscotheque kick off their demonstration only series of cut up dancefloor grooves with two killer edits from richard sen (padded cell/bronx dogs) and legendary grafitti artist cazbee. first up is a fresh rework of the bass driven disco glitch of kat mandus i wanna dance reconstructed here as cat dance. on the flip, the chunky disco funk of dennis deans i feel it is transformed into the irresistible proto house groove of lifetie. cut and pasted for the elegantly wasted, this is sophisticated and decidedly filthy 21st century club music !

love over money is the latest artist project from simon finnegan (one half of soulful underground production duo tone control), alongside co producer nathan thomas and the gorgeous vocal talents of amanda posener. this brand new single, keep on is a big fat boogie bomb, oozing with warm positive vibes over uber beats and a beautifully crafted groove - deemed to lift anyones spirits! the stalwart of uk house and broken beat, mr. phil asher in his restless soul guise was the natural choice for a club remix.

deep grooving latin flavoured house bomb!!

great remixes by richard earnshaw, andy ward, redsoul and central avenue!!

another unknown, unexpected, magic- and mystical whitelabel series. beyond is an intrastellar trip to chicagodetroitchicago by (thats all we know) a new young japanese mastermind called gonno and remixed by non less than irish techno hip priest donnacha costello.

>i am wah< bläst alles weg was sich dieser hymne in den weg stellt. diese hookline ist der wahnsinn, kraftvoll, gespenstisch & verspult. der titel sagt schon alles und passt zum track wie windräder zu ostwind. begleitet von einem dicken groove, fluffigen bis hypnotisierenden percussions, und schön scharfen hithats, stürmt >i am wah< mit direktem wege auf die peaktime zu! earlier support comes from stephan bodzin, markus kavka, chloe, helmut dubnitzky, dani casarano, trent cantrelle, fafa monteco and many others..

hey flavio, why are you so acid?? the just 20 years old guy is already showing lots of influence in his background! flavio diaz, young producer divided between naples and london, becomes part of the born pulsars in the techno music galaxy with amazing tracks! vitamin r and mister jetix reflect the evolution of the analytic trail groove , influenced by the minimal of detroit and the acid house of chicago before and london then, and marked by techno neapolitan school personal imprint. mister jetix is a real funky track, nominated to be a real floor killer, both in the original version that like the remix by the chairman of the house, markantonio. vitamin r is a real brand new vitamin discovered by flavio, that we wish to take at early morning to charge up and start again!

played by dj koze , mathias kaden, laurent garnier... philpot records proudly welcomes reggie dokes on board. the owner of awesome psychostasia recordings in detroit and well known producer for the detroit beatdown posse as well as theo parrishs sound signature drops with the >rain redemptive love< ep his first release on our label. >love< got this amazing typical reggie-groove: rollin percussions meet melodic sequences, forward-pushing beats go hand in hand with charming piano chords and lovely strings parts…very psychedelic! the second title >rain on me< is a deep mover par excellence, an arrangement between very dry and percussive beats and twisted arpeggio…. italo without the cheese! finally >black children of the ghetto< (taken from the album >my electronic mind< as a vinyl exclusive) rounds up this 12inch, slowing down the tempo and totally trippin out on its repetition. thanks for purchasing a real copy!

dickes dreiergespann mit mihai popoviciu, jay bliss & toygun. drei tracks mit ordentlich groove und druck, sowie viel platz für den dj

this three track ep starts with the title track >walking alone<. showcasing mike’s attention to the deepest details, this track begins with warm, fuzzy chord sequences onto which a multi-layered framework of tones and textures are laid. crisp beats mesh with hypnotic bass pulsations, inviting the listener to lose himself in the sound. proper deepness here - for those who seek the essential elements and nothing more, rhythm, melody, bass line, emotion.. expertly produced, >passing tunnels< goes further below the surface as icy chords meet electrified analog stabs, enveloped in cavernous reverbs and shimmering delays. this is a dark, simmering groove for those who know the rare and precious value of a deep, unpretentious tune that can move you from the inside out. take time and listen - there’s no denying the vibrations here. and finally, rounding off the ep is label boss patrice scott’s rework of >walking alone<. properly titled the >atmospheric remix<, p. scott takes the track to another level. while keeping the basic elements of the original, p. scott adds spacey, vibrant melodies to extenuate his version taking you on a journey to a distant planet while on the dance floor.

>t-kitani is one of the most exciting personalities of the japanese techno scene. he respects the groove of chicago house and sound of detroit techno<

wie eine housige rare groove version von dc

toller techno mit groove, kraft & geschick von materik, echopilot, brian aneurysm & christian quast !

played by raresh, matthias tanzmann, ricardo villalobos,.. with sascha dive and johnny d. the oslo sublabel serves up two exceptional artist on rare becoming black gold. midnight blues is a deep, groovy track produced by sascha. some background vocals are charmingly pushing the track forwards, into a world, where soulful reduction meets classic house grooves. with pako mana johnny d. shows us his source of inspiration, which is based on funk, soul and loads of deepness. its a track thats characterized by its musicality and feel for groove. an odyssey of extasy

british staples charles webster and swag contribute two dancefloor driven remixes of songs from the beautifully rich and downbeat debut album from australian producer peret mako. with his interpretation of >export< charles webster expertly weaves the vocals of tania bowra into a sensual nugget of 4am bliss, tried and tested on the future classic dancefloor by charles himself on his recent visit to australian shores. the flip shows swag in a bumpin and grindin state of mind with a jackin hip house groove, chunky drums and the deft musicality synonymous with their productions. ‘the devils in the detail album has won praise from media & djs alike with accolades coming in from allies such as henrik schwarz, slope, quarion, dirk rumpff … the usual suspects… for its deep musicality, layering and attention to detail. future classic are embracing the pro vinyl ideology of keeping the mp3 files offline until the vinyl sees light of day, so watch this space for dj feedback.

lustige psychospielchen von den labelchefs. feine bleeps umschwirren das kleinhirn, während das großhirn damit beschäftigt ist den geilen groove zu folgen. absolut eigenständiger techno mit zündenden ideenfeuerwerk

after some very well received releases for the likes of renaissance and kickboxer records, stephan hinz, who has also turned out some hot tracks alongside martin eyerer, presents >bacala<. its a cheekily warped excursion into hinz‘s deep and melancholic dancefloor world, spurred on by a great theme melody, as if you found yourself in the middle of a medieval rave after a long and victorious battle! tight, familiar percussion works the groove, building towards a dramatic break which introduces more layers of synthesised wonder! check this in the main room for maximum effect. audiomatique key player adultnappers remix comes on strong, with a tougher drive and a slightly more freaked out vibe. trademark hissing percussion works over a finely tuned minimal groove, eventually allowing that haunting melody to show its colours. designed for the more freaky floors, yet still focused on melody and progression, its another great example of adultnappers remixing skills

originally released 15 years ago on strictly rhythm when djaimin teamed up with vocalist crystal re clear this is the first part of mixes in 2007 feat swiss producer jamie lewis and the groove assassin on remix duties

massive peaktime electrohouse 3 tracker not to be missed

cosmic balearic beats vol.1 features 13 exclusive and u nreleased tracks mixed together by skinny joey. the emphasis here is on nurturin g and developing talented artists from all over the world and giving them a plat form to shine. as you have come to expect the production quality is impeccable, matched only by the tracks beauty and invention as eskimo traverses the worlds of disco, house, funk, italo, electro and beyond through its global army of coll aborators and artists.

the robert owens vocals are so intense and emotional that it gives you goosebumps all over!. maybe even stronger is the track itself. a one of a kind track with a totally unique groove and a bass line not coming from this world. the dx sound that makes the track so powerful sounds like some kind of mutant machine that is going to get you and eat you. and the sublime combination with the robert owens vocals makes this the high light in the history of house music. the original version has been released on larry heards own alleviated label (1987!) and the bootleg instumental was released on r&s.

cosmic balearic beats vol.1 features 13 exclusive and u nreleased tracks mixed together by skinny joey. the emphasis here is on nurturin g and developing talented artists from all over the world and giving them a plat form to shine. as you have come to expect the production quality is impeccable, matched only by the tracks beauty and invention as eskimo traverses the worlds of disco, house, funk, italo, electro and beyond through its global army of coll aborators and artists.

cosmic balearic beats vol.1 features 13 exclusive and u nreleased tracks mixed together by skinny joey. the emphasis here is on nurturin g and developing talented artists from all over the world and giving them a plat form to shine. as you have come to expect the production quality is impeccable, matched only by the tracks beauty and invention as eskimo traverses the worlds of disco, house, funk, italo, electro and beyond through its global army of coll aborators and artists.

many international top-notch djs are already playing and supporting this tune like laurent garnier, gusgus, raudive aka oliver ho, len faki, john starlight, hernan cattaneo, james talk, perc, glimpse, ed davenport, chris fortier, p.toile, savas pascalidis, tony senghore, oliver deutschmann, mario piu or mtv-man markus kavka. after many years and releases on some of the most important labels of the electronic music-scene like for example liebe+detail, areal or trapez and countless remixes for artists like dominik eulberg, move d or solomun, hamburg/belgrade-based artist denis karimani aka remute is coming up with his own, self-titled label, which will be the future homebase just for his most uncompromising, rocking and surprising tracks. the 1st release called zuendli is an unmistakable groove-monster and is already driving people wild since weeks and months as a part of remute s highly acclaimed livesets all over the world with grinding and rotating sequences, unconventional sounds and a killer break / strictly limited, one-sided clear 12 inch

with support from leading lights such as pete tong, tiesto, erick morillo, armin van buuren and carl cox! >arena< is an anthemic belter that will illuminate every festival from the uk to uruguay and beyond!

the 15th release is another original from label boss james harcourt - and a summery house/tech track which features a strong bass line & piano based groove and the right ingredients to be a right little party starter! australian favourite and master of fat, funky genre-blending beats anthony mansicalco - better known as hook n sling - was been drafted in for the remix.

detroits main man kenny dixon jr. complements the vocal with a superb loose jazzy groove on desire. ben westbeech tightens up the drums with a cool house mix on love. available on 180 gram vinyl with specially designed sleeve artwork.

charts and big support from: richie hawtin (excellent release), dave clarke (full support), nic fanciulli (big big big), dubfire (this is wicked! rich hot teen tune has been my biggest all weekend), chris liebing, slam (excellent wicked tunes, on top of my charts) xpansul, deetron ( vapors rocks, brings the old days back to mind).... tip !!! even in berlins inexhaustable club scene few musicians developed an operational experience like savas pascalidis: he has been a dj for near twenty years and a producers for about ten years. having released two albums and a series of eps on a couple of a-list-labels, vapor is pascalidis first release on figure. being a specialist in demanding and sepulchral techno sounds, pascalidis tracks fit in seamlessly with the previous records on figure. vapor is a thirteen-minute-long techno epic. an ever-changing acid line coils through the track, keeping the listeners in a firm grip. rich hot teen combines an smart, slim groove with the kind of hook line which ignites excitement and surprise on the faces of the dancers. with its distorted feeling, the online-exclusive low has a rough, provocative attitude

shake into the groove with... 00sex everywhere in the world... here it is the groove slightly transform into these great deep vinyl tunes! respected by steve bug, gene ferris ...

played by ricardo villalobos, raresh, karotte, nick curly, matthias tanzmann, johnny d, reboot, chris tietjenafter the cécille001 and cécille004 markus fix comes with another strong deep house groove track together with his friend robert dietz

the label boss returns to his own yore imprint with another stunning solo release. these are different times indeed for andy vaz if the eps three mighty jams are indicative of where his musics heading. the a-sides over here (a glance over prime time mix) roars from the very first moment vaz unleashes its steaming, latin-tinged groove. a far cry from the techno the yore label head once issued, the tune finds vaz exploring straight up dancefloor territory with a dizzying house pulse that straight up rocks. melodies and voices rise to the surface of the dionysian broil and then just as quickly recede, leaving room for a driving bass line to gain the spotlight. the flips hurry hurry (before its too late mix) is classic deep house just as one expects on yore. a jazz-inflected strut with tilman ehrhorns sax playing, wailing over waves of rollicking piano playing and spirited vocal chants. the energy level doesnt flag for the discs final track, bygone times (nostalgia mix), which stokes a fiery house swing with its locomotive pulse, futuristic synth patterning, and high-velocity bass lines. vazs music has never sounded more impassioned and energized than it does in these three tracks and consequently, just as one might predict, different times feels like its over far too soon