baddies are an indie rock band from southend, essex, who released their debut single battleships in october 2008. identical twins michael and jim webster are joined in baddies by danny rowton and simon bellamy. it has been said that they make hi octane alt pop that recalls the likes of klaxons and queens of the stone age. big, ballsy bass heavy hooks delivered at breakneck speed (bbc)!!

vhs or beta bring their classic lo-fi indie electro style to their remix of happy house. french house cult favorites chateau flight bring their own type of smooth and glitchy to their remix. on the b-side, will saul and mike monday give more cowbell and infectious soul to the remix

die sterne - one of the most profilic and long standing german indie rock bands, being around for nearly 20 years, have teamed up with gomma label boss and producer of munk mathias modica for a new and fresh e.p... der riss features 3 rhythm driven disco pop numbers that will keep the indie disco crowd dancing for the months to come!

swedish indie-electro-trio miike snow put into dance-shape by tiga, caspa, savage skulls and jaymo & andy george! >black & blue< meets elektro, dubstep and electrohouse!

the third instalment of the apres vinyl series explores the indie disco dimensions of future classics 2 year old sunday afternoon session in sydney. when we commissioned gemma smith to produce four artworks for the series this angular and intense piece sat well with the spiky hot chip meets junior boys disco punk funk of melbourne 3 piece clubfeet. it also worked with adelaides sidwho, another promising newcomer whos recent 12inch on cage & aviarys the walls have ears imprint got rave reviews from horse meat disco, mock & toof, tim sweeney and optimo to name a few. millionaire is an early taster of the pop sensibilities of sids forthcoming solo album with future classic. sids also a member of the modular signed live disco act the swiss. chad and nathan took some time out from the future classic hq to turn in a remix of millionaire together with good friend bryan o callaghan who also happens to be head chef at the tilbury where aprÞs is held. bryan quickly became a firm friend of future classic after mudd and aeroplane were booked for sets at apres with bryan seeking us out, immediately impressing us with his unparalleled knowledge of rare disco and groove. last but definitely not least (since it made the a1) came pink frosts remix of evening star by another local sydney band todd sparrow. after a heavy vinyl digging session at redeye records,the stores vinyl buyer scott, handed nathan a cdr and the call was made then and there and we had our third apres release - an intentionally all australian installment!

the first daft punk remix in 6 years !!! reworking the latest product of the u.k. hype machine. fusing virtually every indie rock trend of recent years… limited repress !!

limited edition lp!
ironic? no, it’s dead serious: sally shapiro keeps on dreaming of barbie and ken. sometimes good things come to those who wait, as is the case with sally shapiro. one shouldn’t really imagine the bashful swede from göteborg, who never performs live, setting a new trend for turning down lucrative offers. and the thought that she is working on something hip, is most likely even a little eerie for her. after all, she s just into something, which she’s been doing since her childhood in the 1980s — singing songs in the style of her idol sandra (”maria magdalena“). if she hadn’t met her companion johan agebjörn, who despite his musical socialization with techno in the 1990s has been deep into italo disco for the past few years and is a collector of zyx records, sally’s passion for synthi songs and fairy-like female vocals would have remained private. however, johan was screwing together some italo-style songs when he asked sally (whose voice he’d only heard from a previous christmas party karaoke) if she would improvise on his soft keyboard tunes, their collaboration was a done deal.
subsequent to their first releases on the labels diskokaine and permanent vacation, sally shapiro suddenly found herself in the midst of the ultra-hip neo/italo-disco movement, which is especially big in scandinavia. why of all things on the northern peninsula, where one traditionally listens to black metal and indie rock played with legs spread apart, the peculiar, yet sunny disco music became such an export hit, stays one of the mysteries of the pop business. it’s a fact, though, that next to internationally celebrated norwegian neodisco-heroes lindström, prins thomas and todd terje, the lovely sally has become the scandinavian disco-act in the mean time.

delphic return this summer with their new single ‘this momentary’on kitsune, with remixes from parallels, golden bug and radioproof.released on the perma-chic french indie label kitsune,whose ability to spot tomorrow’s stars remains as strong asever, delphic’s ‘this momentary’ is a subtly blissed outblast of euphoria that takes in both the crisp drive of minimaltechno and the epic scope of bands like muse or radioheadto create something entirely their own and entirely new andbeguiling.>the guitar is dead, long live the guitar<, proclaim themanchester trio, fresh from supporting orbital and currentlybusy working on their new album, blurring the boundariesbetween indie and electronics until preconceived notions ofgenre have lost all meaning.their debut single ‘counterpoint’ pointed the way forward toa shining future straddling the hedonistic worlds ofglastonbury and berlin, while this summer has been spentcombining festival dates with working with producer ewanpearson in crafting a future classic steeped in bothintrospection and hedonism.the first results are ‘this momentary’, a restrained lyric gentlybuilding over sharply driving techno beats until it becomes aeuphoric future stadium anthem.

mit einem haufen guter kritiken im ruecken erscheint you re in the painting you saw, das debut des daenischen indie wunders lily electric, 2009 auch in deutschland. die in berlin lebende band veroeffentlicht ihr debut nach zwei jahren intensiven tourens und geht somit nicht mehr ganz unbekannt an den start. im februar 2009 waren lily electric gemeinsam mit slut unterwegs, viele festivalauftritte machten die band zwischen austin und riga bekannt. you re in the painting you saw entstand zusammen mit mikkel holtoug in einem alten radiostudio in berlin lichtenberg. gemischt hat dimitri tikovoi (john cale, placebo, the horrors).

uplifting hammer-piano sound driven lexy electronic indie club tune with two stunning deep mixes

ratatata is huge. comes with ramon tapia & lou lou players remix. kissogram is a popular indie band that has given approval to do several dance remixes.

drawing you in with its hypnotic nursery rhyme riffs, breathy samples, crushing bass and huge hyncopated drums which create pay tvs libidinously rare grooves coming on like a 21st century serge gainsbourg with added dancefloor savvy.

new label lost in records drops a killer 2-track remix 12inch from red hot indie rock dance band mgmt. one side features the slow and sleazy late night screening mix from soft rocks while the flip upbeat electro glam remixes (vox & inst) from holy ghost

bright, beautiful and simply amazing indie-pop on this long awaited debut by french band toy fight.

flowers that fell (already been picked up on by steve lamacq for radio 1) is an irresistable, chiming mid 80s indie guitar melody, an ascending punchy smiths-esque bassline locked in with dfa-esque drums. >the far< builds on the emotive theme of the a-side: footsteps and a gunshot begin the military drum march. an insistent drum roll and a descending bassline take the story to the frontline

dj support: dj hell, dj deep, brothers vibe, jerome sydenham, sasse, riva starr, laurent garnier, gel abril, axel o boman, siopis, ricardo esposito... born and raised in sweden, marco gegenheimer grew up with a big range of musical styles from reggae to soul, funk latin, pop and flamenco. he teached himself to play guitar and drums and started to play in rock and indie bands before arriving at electronic music. today gegenheimer lives in barcelona and is very active as dj and producer. his current style is influenced by his rich musical past as well as detroit and chicago, which can be clearly heard on his first perplex. kalakuta is an epic floating techno track, classic and modern at the same time, with outstanding mixing and sound design which will send all lovers of quality and emotional techno music on a journey into time and space. kuti goes into the same direction, with massive chord stabs above one of the coolest basslines you might have heard in quite a while, shortly breaking down with melancholic pads in the middle only to bring the groove back with even more force some seconds later.

after mondkopf and 33hz, here is the fool house third ep : deloreans ayrton senna, somewhere between phoenix, the though alliance and air france, coming with a remix by john talabot, the latest revelation on the excellent permanent vacation label. delorean is an unheard scenario in popular music. 4 barcelonans, free as air, high on o2. gradually moving away from a more hardcore scene they are now ready to embrace a kind of techno that youd play with guitars. they did just that with their 3rd ep into the plateau which was well received in a cross-over underground scene- well before the electro-something ideas and the 80s references became the clichÚs of an overcoded era. in 2008, delorean got stuck into in the remix business working on tracks for mystery jets, big pink and glasser. for now delorean are focused on developing a new type of indie pop and judging by the early support from pitchfork, fader or xl8r this band are ones to watch. its with the greatest pride that fool house welcomes them, for a length of 4 songs, just like a holiday

i got my own rhythm and i got my own bass, got my own kickers in my mer ce des... get fresh is the latest single from kid sister, an electro rap gem that manages to put a fresh twist on stunting thanks to kid sis catchy hooks and infinite lyrical charm - who else could shout out louboutins and dominos pizza in the same verse and make both sound equally fly? the tracks clever, thumping production comes courtesy of a trak and xxxchange, who team up to flip zzts indie techno hit lower state of consciousness into a hip hop tempo banger everyone can enjoy.

2nd album by raw british indie-rockers eight legs, straight out of stratford-upon-avon!

delusions industry proudly presents release 3! after the big success of the first two releases on this dutch indie label here with another top kickin 4 tracker which is already in popular demand due to the heavy dj support... the a side kicks off with fuck your own face by dj obscurity & dj rampage, a terrific hardcore track full of hard bangin kickdrums, phat synth lines, tough sample use and cool edits, a true hardcore floorfiller! the a2 track is presented by chrono & the demon dwarf who just had their debut release on megarave records, a great more uptempo hardcore bomb which will be highly apprciated by those who like it a little faster! the flip side starts with the solo track by dj obscurity: obscure afterlife, a more spooky & raw hardcore pounder which is featured on the new thunderdome compilation (fight night)... the 12inch ends with captured by evil, also by dj obscurity, which is a more exprerimental track full of distorted kickdrums and heavy breakbeats. so all styles of hardcore are presented on this vinyl, another delusions industry masterpiece, do not miss out!!

“it’s nearly spring, so the sun god re-emerges after a 3 year hibernation. this series is based on rawer electronic vibrations combining artnoise / jack rhythms / sufi sounds for the fearless music explorer. when the series is complete the music will be followed up by an indie doc /visual art film on dvd dec 2009 with the music feeding this new age cinematic medium. jack fm is the exploration of a sound not yet understood or known to the masses outside the jack community. non-believers mis-interpet what they hear so jack fm is about the re-education of the mis-representation of the sound. jack is not just a feeling, it’s a knowing, a clear and certain mental apprehension of a true aboriginal sound. archived & preserved for future generations by the sun god”

a killer clubby groove from steve marshall û the kind that reminds us of the best indie singles from the late 70s disco years! steve plays alto sax here over a strutting, high stepping rhythm thats got plenty of warm touches û really glowing with a sense of soul thats great, and touched by some female chorus vocals that are very much in a philly mode! the disco mix is great û even more upbeat and extended than the 45 groove. in the country is a great bit of club jazz û smooth and sweet, but still with a snakey flute line in the middle û almost like some lost bobbi humphrey track from her epic years. do what you will is another chorus vocal number û and you are the world features some laidback mellow flute.

icicles feat. seraphim (from brooklyn indie-electro seditionaries no surrender) is the 3rd and final single taken from the critically acclaimed evil nine album Æthey live!Æ and is supported by their own incredible evil nine zombie video!

wack label owner, s.m.o.v utilizes certain parts of a some what classic indie tune from the 1980s and has crafted it with r&b singer, d angelo, together with some super heavy jazzy boss nova drumming to create another wack classic cut. basement freaks - the greeks are generally known for growing olives and smashing plates, but basement freaks are smashing dancefloors instead as they step straight outa greece with this explosive latin break beat bomb!

nice price deal !!! hailing from melboune, australia, clubfeet are a three piece live band and production team whose vocal driven pop electronica has astounded listeners. their album gold on gold has drawn comparisons to hot chip, teenagers and junior boys but their comic lyrics and tear duct springing melodies bring much more than that. plant music is proud to present the first single from the album with remixes by electro synth wonder boy kap10kurt (of dangerseekers fame), ny/berlin indie dancers the glass and new york producer/remixer and blog hero eli escobar.

with >shame< we have the most requested album track on vinyl now together with two new mixes for lost highway . one is coming from noone else than gui boratto who did the flavourable tracks for indie rock djs and technoids alike and the other is coming from expander feat. marc houle

flowers that fell (already been picked up on by steve lamacq for radio 1) is an irresistible, chiming mid 80s indie guitar melody, an ascending punchy smiths-esque bassline locked in with dfa-esque drums. >the far< builds on the emotive theme of the a-side: footsteps and a gunshot begin the military drum march. an insistent drum roll and a descending bassline take the story to the frontline

this lovely duo hails straight from the pacific, where they have been busy working on some outer space cuts. well, actually they are taking us on a trip through the more adventurous side of 80s english indie music. something we at moxie like very much.

brilliant electronic deep indie club tunes with mixes by lexy, k-paul, kaeosklub and original mix

an unsigned trio consisting of members from wales and northern ireland, two door cinema club make no secret of the fact their rhythm section is computer-assisted. likened to death cab for cutie and broken social scene, a few imminent uk dates are followed by european shows. every now and again a song comes along which, once heard, feels like it has become ingrained in your skin - and this is one of those tunes. a quirky combination of electro-pop and indie, the key lies within a relentless beat combined with an airy guitar riff. add in harmonious vocals and youve an infectious ditty, but whether it falls on the side of genius or annoyance may change with repeated listens

second release for the april77 record label... our sound is fast and tough. we dig the clash, buzzcocks, the jam and all that mid 70s early punk stuff. the list could go on and on (lenny pops, singer of the red hearts.). the red hearts are a household name in the los angeles indie rock and punk scene. they are lead by lenny pops, who formed the band in 2004 after having played in the brian jonestown massacre. the guys have shared the stage with cult icons such as silver apples, the avengers, as well as playing with many of todays top bands including black lips and lords of altamont.

rarities and b sides collection sawdust includes all the pretty faces (which was the b side of when you were young), two movie soundtrack tunes, shadowplay (a joy division cover from control, anton corbijns biopic of ian curtis) and move away (from spiderman 3), as well as a cover of kenny rogers and the first editions ruby, dont take your love to town (written by mel tillis). the collection also contains songs which werent completed for hot fuss and sams town. the killers recently went back into the studio to finish the tracks, including tranquilize featuring lou reed.

united by a simple question as what is electro?, the two young english producers of joe and will ask? have spent the last two years creating dirty, cutting edge productions and taking over the london club scene. with an eye firmly on the dance floor, but also with effortless musicality not normally associated with techno, theyve won over fans from the band / indie scene, as well as diehard clubbers. they inject tonality and musical flow into everything they touch, all under the banner of techno or electro or whatever you would like to call it, and have been compared to justice, soulwax, dim and popof. after several eps, acclaimed by the likes of brodinski kris menace, vicarious bliss, casper c and autokratz to name a few, here comes their first release on kitsuné. claymore, delivers a tensed and breathtaking swoop with obsessive rhythms, while take me away with its strong rock energy and vocal hook, will set all the dancefloors on fire

2nd album by london-based the rocks brings us fresh indie and punk-rock

very limited pressing of 500 copies only. this is a spacial release. tiedye remix of the all girl indie group rubies. its an absolute balearic disco workout that is rather reminiscent of their fellow swedes studio...

permanent vacation present you the first 12inch release from their shiny new joint venture with the great swedish label service (who brought you studio, whitest boy alive, jens lekman, kool dj dust). together they bring us the embassy, a duo from gothenburg that makes the most beautiful songs. their sound is warm and light, but underneath the surface theres always some kind of tension, they sound like an ecstasy fuelled, jewel stealing balearic indie band on a permanent vacation at the riviera. or as they say themselves: underclass disco. the original of lurking (with a distances) sounds like a forgotten manchester rave anthem, while wunderkind tensnake made a little jam session with boney m in his parents basement to provide a heavy remix sporting a great sax and a killer panpipe!

die zweite auskopplung aus dem Überraschungsalbum >supershelter< hat alles was ein eine mischung austechno/indie/elektronik für die tanzfläche braucht. sehr nachhaltig und empfehlenswert.

hot new band thats redefining summer ska ? sunday times style. with kid british you are hearing new millennium uk. a walk in any city will give you the flavour of garage, the boom box explosion of hip hop, the specials rudeboy bonhomie, the clatter of indie ? and all this is incorporated into kid british. growing up in a multi cultural melting pot where pop music is up for grabs and is great fun. its all in there in a breathless eclectic mix.

great indie-pop album with a rock attitude by the 5 guys from finland.

a new essential release from the april77 combo. describing themselves as trash pop, this prolific avant garde indie band is always looking for more weird sonic experiences. what makes the songs different from the rest is that finberg finally found the right accomplices. the current incarnation allows him the perfect balance between the four track seclusion of his bedroom punk and the rough and tumble real world.

the field, tennishero & picious mit einladenden remixen die in erster linie für den dancefloor gemacht sind, darüber hinaus aber den indie sektor bereichern. unkonventionell & stark

pro-tez records continues its work, being the portal for young russian talents to the vinyl world. in its 9th release pro-tez proudly presents indie diva masha era in a handy triple pack. mashas winter tale will put you on a journey between moloko and matthew herbert. the original version comes with an enchanting vocal tune that will never let you go, combined with a strong guitar part. the remixes from scsi-9 and korablove explore the dancefloor, spanning the arrangements from russian deep to the hits of swayzak

nice price deal !!! the dirty freek continues his makeover programme with some of clublands biggest tracks overhauled. this time, perfecto anthem, already having had an indie cover version from the klaxons, now gets properly twisted up for the bassline & niche dancefloors. massive all over again.

what a back to back funk winner... we had quite a dilemma on these two... we love the original tracks so much, that it was dificult to chose wether to re edit them or just release them as they were... we couldnt figure out, so we decided to reach a middle ground. a side is totaly redone, with extra programed breaks and clavinet hooks for maximum pleasure, as b side gets the release totaly as the original 12inch intrumental version (yes the one on the original indie release, not the one from the later major repress)... well... totally... not quite, the rythm has been straighten and quantize, so now you can mix it...

from its hallmark opening bassline, to the synth heavy powerchords of the whistle along chorus, theres no straying from the fact that metronomys future single heartbreaker is catchy as hell. its an electronic ode to male heartbreak that ll both cut you to the quick and have you dancing all the way to the therapists chair. sonically, heartbreaker is perhaps metronomys most precise, radio friendly, and sure fire hit single to date. it best represents the straight forward genius of a band who ve been sitting on sizeable chunk of pioneering electronic ideas since mount first began recording under the bands moniker in 2005. they ve maintained a wholly modest approach to stardom whilst amassing an army of strangely obsessive fans. with a full package of club floor fillers and luxurious disco mixes, heartbreaker is the most zeitgeist capturing record of the moment, a must have for pop lovers, dance lovers, indie kids and the discerning music consumer.

next mixture between indie & electronica on information.. this by fontan with his ep >early morning<.. incl a mountain of one rework

pr?chtiger uk indie mit folkrock einflu?.. limited 7inch collectors item

deb?t-album der viel gelobten indie-rock-newcomer mit den 5 hitsingles und 7 neuen tracks.

very much in the vein of british exploration into wave and disco this is an odd yet funky mixture of electronics and indie vocals.